Mexico City - More Asian Art, Objects and Furniture

Timor Island sculpted wooden traditional mask (circa 1960s-1970s) on contemporary stand. This is a traditional mask of a figure with male facial features and two holes as eyes and another for the mouth. The island of Timor gave rise to a distinctive practice of creating traditional masks whose precise origins and significance remain uncertain. Portraying both male and female ancestors, they were held by men during dances and other ceremonies, including celebrations of victory in war. Carved sculptures and masks are specific to rural villages. Here the practice of animism, or nature-worship, is incorporated with the carving of ancestral statues and masks, which have a ritualistic function. Some occasions that call for these ceremonies may include asking for successful crop planting, for prosperity, for good...

Carved wooden vise tool with human figure finial from Nias, Indonesia (circa 1960s-1970s). A striking carved piece with geometric patterns on the top and ...

This is a very old Japanese sliding door. It is a simple design that conveys the charm of the material. You can feel the world of wabi and sab...

This is a very old Japanese sliding door. It is from the Meiji period (1860s-1900s). It is made of cedar wood, bamboo, tin, and various other ma...

This pair of rectangular wall mirrors feature early 20th-century frames crafted of a fine-grained hardwood. At some point in their sto...

Antique Chinse Chippendale Style Fretwork carved mahogany wall mirror. Item solid wood frame, beautiful wood grain, nicely carved details, ...

A large and magnificent cast bronze image of the Medicine Buddha, Bhaisajyaguru, rendered in the Burmese Pagan style, and most likely based on a period example that was either damaged or lost, 19th century, Burma or Thailand. He can be identified as the Medicine Buddha by the hand that rests in his lap, with his middle finger touching the thumb. A medicine pot or fruit stem would originally have been placed in his upturned palm. The face of this Buddha has been sculpted masterfully. He has a beautiful heart shaped face topped by hair neatly arranged in the typical "snail shell curls", and surmounted by a high ushnisha. Long, pendulous earlobes frame his face, a symbol of his princely past. He gazes serenely outwards from heavily lidded, downcast eyes, a content smile upon his full, lush lips. The Buddha is portrayed seated in vajrasana (full lotus position), his elegant hands displayed in varada mudra, the gesture of granting favors and fulfilling wishes. Long, exquisite fingers extended, the thumb and middle finger touching in a gesture of compassion. He is clothed in a simple kasaya wrapped around his body and over one shoulder, leaving the shoulder and part of his chest bare. The diaphanous garment clings to his body, outlining his well proportioned and graceful, almost sensuous, form. The excess material pooled in neat pleats in front of him. A sash thrown over his shoulder. He sits upon a double lotus base upon a raised platform. The platform features two kneeling attendants, usually interpreted as the monks Ananda and Kasyapa. Between them is a circular disc representing the Wheel of Dharma. Contained in the disk is a flower with eight petals, symbolizing the eightfold path, one of the principle teachings of the Buddha. The sides and back of the platform featuring a series of singha, or lions, representative of the Buddha's royal past. An applied lacquer patina covers the entirety of the image. Large deposits of ash (from incense) are present between the curls of the hair, as well as some the other crevices, indicating this image was the subject of worship for many years. Bhaisajyaguru, also called the Medicine Buddha, or Buddha of Healing, is a revered figure in the Buddhist pantheon as a master able to cure suffering, both physical and spiritual, through his teachings. The Pagan Empire ruled most of present day Burma (Myanmar) from 849 to 1297. The capital, Bagan, served as a both the center of government and religion, where Buddhism reigned supreme. Bagan was also at a crossroads of the Buddhist world, with influence from India, Nepal, Tibet, China, and even Indonesia shaping their culture. As such, Pagan Buddha...

This is a Chinese Chippendale style mirror with ornate carved fretwork and pagoda. The top has faux marble molding, and the fretwork is a distressed ebony with red undertone. It is u...

A rare and magnificent silver, gold & jeweled palace mirror, certainly made for an Indian Maharaja, circa 1900. A special commission for an Indian palace from the late Victorian era, likely produced in Thailand. This palace size hand-hammered Indian mirror is made from pure silver. A truly exceptional work of art with floral design topped with miniatures structures...

Opulent Italian silver gilt pagoda mirror made in the George III Chinese Chippendale taste. The large wood framed mirror features an applied s...

Vintage Italian Chinese Chippendale Style carved giltwood pagoda mirror. Vintage Chinese Chippendale style carved gilt wood pagoda mirror. This large C...

These are beautiful! It is a large scale 1930s Italian Chinese Chippendale style silver giltwood mirrors. They are in very good condition and are unmar...