Michigan - Landscape Prints
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Item Ships From: Michigan
Braque, Composition, Derrière le miroir (after)
By Georges Braque
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 117, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...
Category
1950s Modern Michigan - Landscape Prints
Materials
Lithograph
Riopelle, Composition, Derrière le miroir (after)
By Jean-Paul Riopelle
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 171, 1968. Published by Aimé Maeght, Éditeur, Paris; pr...
Category
1960s Modern Michigan - Landscape Prints
Materials
Lithograph
Derain, Figure, Du cubisme (after)
By André Derain
Located in Auburn Hills, MI
Etching, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagn...
Category
1940s Modern Michigan - Landscape Prints
Materials
Etching, Engraving
Composition (Ginestet/Pouillon 42-64), Hésiode, Les Travaux et les Jours
By Jacques Villon
Located in Auburn Hills, MI
Etching on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Hésiode, Les Travaux et les jours. Eaux-fortes de Jacques Villon, 1962. Pu...
Category
1960s Modern Michigan - Landscape Prints
Materials
Etching
Gauguin, Be in Love and You will be Happy, Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Michigan - Landscape Prints
Materials
Woodcut
Jean-Paul Riopelle, Composition, L'édition de tête (after)
By Jean-Paul Riopelle
Located in Auburn Hills, MI
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré à Jean-Paul Riopelle, Derrière le mi...
Category
1960s Modern Michigan - Landscape Prints
Materials
Lithograph
Rodin, Composition, La Varende, Rodin (after)
By Auguste Rodin
Located in Auburn Hills, MI
Lithograph and stencil on vélin pur fil paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Varende, Rodin, 1944. Published by Éditions ...
Category
1940s Modern Michigan - Landscape Prints
Materials
Lithograph, Stencil
Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
By Eugène Delacroix
Located in Auburn Hills, MI
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category
1920s Romantic Michigan - Landscape Prints
Materials
Lithograph
Scène XXIV, Shakespeare, Macbeth, Eaux-fortes de Gromaire
By Marcel Gromaire
Located in Auburn Hills, MI
Etching on Vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Shakespeare, Macbeth, Eaux-fortes de Gromaire, 1958. Published by Tériade,...
Category
1950s Modern Michigan - Landscape Prints
Materials
Etching
Composition, Portrait de A. Decaris, Albert Decaris
By Albert Decaris
Located in Auburn Hills, MI
Engraving on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Portrait de A. Decaris, 1953. Published by Editions d'Art ...
Category
1950s Modern Michigan - Landscape Prints
Materials
Engraving
Chagall, Jeremiah (Mourlot 117-46; Cramer 25), Drawings from the Bible (after)
By Marc Chagall
Located in Auburn Hills, MI
Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Drawings from the Bible by Marc Chagall, Verve: Revue Artistique et...
Category
1960s Expressionist Michigan - Landscape Prints
Materials
Lithograph
Bernard, Composition, Éloge de Émile Bernard (after)
By Émile Bernard
Located in Auburn Hills, MI
Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...
Category
1960s Post-Impressionist Michigan - Landscape Prints
Materials
Woodcut
Picasso, Composition (Johnson, Vollard 193), Hélène chez Archimède (after)
By Pablo Picasso
Located in Auburn Hills, MI
Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...
Category
1950s Modern Michigan - Landscape Prints
Materials
Woodcut
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
By Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Michigan - Landscape Prints
Materials
Drypoint, Etching
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
By Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Voyages fantastiques ...
Category
1950s Modern Michigan - Landscape Prints
Materials
Drypoint, Etching
Picasso, Composition (Bloch 1276; Czwiklitzer 23), Toros y Toreros (after)
By Pablo Picasso
Located in Auburn Hills, MI
Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...
Category
1960s Modern Michigan - Landscape Prints
Materials
Lithograph
Saul Steinberg, Composition, L'édition de tête (after)
By Saul Steinberg
Located in Auburn Hills, MI
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...
Category
1960s Modern Michigan - Landscape Prints
Materials
Lithograph
Picasso, Le Bœuf, Histoire naturelle (after)
By Pablo Picasso
Located in Auburn Hills, MI
Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...
Category
1970s Modern Michigan - Landscape Prints
Materials
Lithograph
Ta Main, Paroles peintes I, Raoul Ubac
By Raoul Ubac
Located in Auburn Hills, MI
Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...
Category
1960s Modern Michigan - Landscape Prints
Materials
Etching
Gauguin, Spirit of the Dead (Manaò tupapaú), Gauguin (after)
By Paul Gauguin
Located in Auburn Hills, MI
Woodcut on vélin Utopian paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Gauguin, A portfolio of 12 color woodblocks, Paul Gauguin, French, 1848-1903 from the collection of the Museum Of Fine Arts, Boston, 1946. Rendered by Albert Carman (1899-1949); published the Museum Of Fine Arts, Boston and The Studio Publications, Inc., New York and London; printed by Holme Press Inc., New York, in an edition of MMMD. Excerpted from the folio, Paul Gauguin and Emil Bernard at Pont-Aven, Brittany, in 1888, each made a bas-relief, wooden panel to decorate a piece of furniture for a friend. In order to keep a record of their designs, a few inked impressions were made on paper. The illustration at left is a reproduction of a print which is possibly one of the above mentioned. It is further possible that this experiment later gave Gauguin the idea of making woodcuts. Just as his work in painting expressed a revolt against the overemphasis on factual representation of the nineteenth century in favor of decorative pattern and color, so also his woodcuts leaned strongly to the same side of the balance. Ten of the cuts reproduced (all excepting Soyez Amoureuses and Changement de Residence), which constitute the whole of his best known series, were made at Pont-Aven beginning in the fall of 1894, after Gauguin's return from his first trip to Tahiti and after he broke his ankle. They were at first roughly cut with a common carpenter's gouge, and the flat surfaces sandpapered and engraved with a sharp in-strument, perhaps an engraver's burin. A few trial proofs were printed in black ink only. Then the hollows were deepened with a woodcutter's gouge and highlights were added. An edition of thirty to fifty impressions of each subject, with the addition of color blocks (one, two or three), was made by Louis Roy...
Category
1940s Post-Impressionist Michigan - Landscape Prints
Materials
Woodcut
Composition (Ginestet/Pouillon 42-64), Hésiode, Les Travaux et les Jours
By Jacques Villon
Located in Auburn Hills, MI
Etching in colors on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Hésiode, Les Travaux et les jours. E...
Category
1960s Modern Michigan - Landscape Prints
Materials
Etching
Matisse, Crayon, Dessins de Henri-Matisse (after)
By Henri Matisse
Located in Auburn Hills, MI
Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...
Category
1920s Modern Michigan - Landscape Prints
Materials
Lithograph
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
By Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Michigan - Landscape Prints
Materials
Drypoint, Etching
Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
By Eugène Delacroix
Located in Auburn Hills, MI
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category
1920s Romantic Michigan - Landscape Prints
Materials
Lithograph
Kischka, Pont des Arts, Au Temps de Paris Seine (after)
By Isis Kischka
Located in Auburn Hills, MI
Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...
Category
1960s Modern Michigan - Landscape Prints
Materials
Lithograph
Delaunay, Planche No. 40, Compositions, couleurs, idées: Sonia Delaunay (after)
By Sonia Delaunay
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
1930s Modern Michigan - Landscape Prints
Materials
Stencil
Scène XXV, Shakespeare, Macbeth, Eaux-fortes de Gromaire
By Marcel Gromaire
Located in Auburn Hills, MI
Etching on Vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Shakespeare, Macbeth, Eaux-fortes de Gromaire, 1958. Published by Tériade,...
Category
1950s Modern Michigan - Landscape Prints
Materials
Etching
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
By Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Michigan - Landscape Prints
Materials
Drypoint, Etching
Montparnasse, A La gloire à Paris, Moise Kisling
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category
1930s Modern Michigan - Landscape Prints
Materials
Etching
Composition (Ginestet/Pouillon 42-64), Hésiode, Les Travaux et les Jours
By Jacques Villon
Located in Auburn Hills, MI
Etching on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Hésiode, Les Travaux et les jours. Eaux-fortes de Jacques Villon, 1962. Pu...
Category
1960s Modern Michigan - Landscape Prints
Materials
Etching
Composition, Vers un monde volage, Marcel Gromaire
By Marcel Gromaire
Located in Auburn Hills, MI
Etching on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Published by Éditions Marcel Seheur, Paris; printed by Atelier d'art Paul Haasen, Paris, Septembe...
Category
1920s Modern Michigan - Landscape Prints
Materials
Etching
Delaunay, Planche No. 29, Compositions, couleurs, idées: Sonia Delaunay (after)
By Sonia Delaunay
Located in Auburn Hills, MI
Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...
Category
1930s Modern Michigan - Landscape Prints
Materials
Stencil
Delacroix, Composition, Trente et un Dessins et Aquarelles du Maroc (after)
By Eugène Delacroix
Located in Auburn Hills, MI
Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...
Category
1920s Romantic Michigan - Landscape Prints
Materials
Lithograph
Composition (Ginestet/Pouillon 42-64), Hésiode, Les Travaux et les Jours
By Jacques Villon
Located in Auburn Hills, MI
Etching on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Hésiode, Les Travaux et les jours. Eaux-fortes de Jacques Villon, 1962. Pu...
Category
1960s Modern Michigan - Landscape Prints
Materials
Etching
Composition, Vers un monde volage, Marcel Gromaire
By Marcel Gromaire
Located in Auburn Hills, MI
Etching on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Published by Éditions Marcel Seheur, Paris; printed by Atelier d'art Paul Haasen, Paris, Septembe...
Category
1920s Modern Michigan - Landscape Prints
Materials
Etching
La foule, Paroles peintes I, Robert Jacobson
Located in Auburn Hills, MI
Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...
Category
1960s Modern Michigan - Landscape Prints
Materials
Etching
Saul Steinberg, Composition, L'édition de tête (after)
By Saul Steinberg
Located in Auburn Hills, MI
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...
Category
1960s Modern Michigan - Landscape Prints
Materials
Lithograph
Braque, Composition, Derrière le miroir (after)
By Georges Braque
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 135-136, 1962-1963. Published by Aimé Maeght, Éditeur, ...
Category
1960s Modern Michigan - Landscape Prints
Materials
Lithograph
Marquet, Composition, Présence de Marquet (after)
By Albert Marquet
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...
Category
1960s Post-Impressionist Michigan - Landscape Prints
Materials
Lithograph
Songes de Passy, A La gloire à Paris, Edmond Céria
By Edmond Céria
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Notes: From the folio, A La gloire à Paris, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album.
EDMOND CÉRIA (1879-1954) From his childhood, Edmond Ceria showed a predisposition for music, drawing and painting. After studying at the Évian college, he entered the Geneva School of Fine Arts. Disappointed by teaching, he went to Paris in 1904, entered the Académie Julian and attended the Louvre museum where he discovered the work of Paul Cézanne which shocked him. He becomes a disciple of this new vision of the world, where sensitivity and love of nature replace genre and anecdote. According to René Barotte, “its incisive pages are reminiscent of Guardi or Canaletto. His style gradually frees itself from a certain rigor in execution. The touch becomes a sign, almost an ideogram, and the small painting appears written like a love poem. He began his career by exhibiting at the Salon des Indépendants in 1908, then at the Salon des Tuileries and the Salon d'Automne of which he was a member. In 1919, he spent a year in Tuscany which made him aware, like Corot, of the importance of light in painting. During this stay, he copied the great Italian masters including Giotto, Uccello, Masaccio. Back in France, Ceria discovered the light of Provence, painting mainly in Marseille and Sanary. In Paris, he set up in a workshop near the Observatory and frequently went down to the quays to paint the Seine, the bridges, the Concorde, the Tuileries and the Luxembourg. In 1934, he stopped his travels in Provence to discover Brittany where he spent many years. Indifferent to fashions and unfailingly attached to the nature that he stylizes, he pursues a landscape work whose light touches highlight the accidents or reflections. When the climate forced him to paint in the studio, he devoted his talent to still lifes, which testify to his love of life, just as his landscapes reflect his taste for nature. Ceria participated, with his friends Charles Dufresne, Othon Friesz and Henry de Waroquier, in the first exhibition of the Masters of Independent Art at the Petit Palais in 1937. Always alongside Dufresne, to whom he entrusted the artistic education of his son Jacques Despierre, he decorated the small foyer of the Chaillot theater with Le Théâtre...
Category
1930s Modern Michigan - Landscape Prints
Materials
Etching
Composition (Ginestet/Pouillon 42-64), Hésiode, Les Travaux et les Jours
By Jacques Villon
Located in Auburn Hills, MI
Etching on vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Hésiode, Les Travaux et les jours. Eaux-fortes...
Category
1960s Modern Michigan - Landscape Prints
Materials
Etching
Composition, Variations sur l'imaginaire, Pierre Lambert Lamy
Located in Auburn Hills, MI
Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...
Category
1970s Surrealist Michigan - Landscape Prints
Materials
Lithograph
Saul Steinberg, Composition, L'édition de tête (after)
By Saul Steinberg
Located in Auburn Hills, MI
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...
Category
1960s Modern Michigan - Landscape Prints
Materials
Lithograph
Placement Des Vosges, A La gloire à Paris, Georges Dufrénoy
By Paul-Élie Gernez
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category
1930s Modern Michigan - Landscape Prints
Materials
Etching
Jean-Paul Riopelle, Composition, L'édition de tête (after)
By Jean-Paul Riopelle
Located in Auburn Hills, MI
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Jean-P...
Category
1960s Modern Michigan - Landscape Prints
Materials
Lithograph
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
By Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Michigan - Landscape Prints
Materials
Drypoint, Etching
Rebeyrolle, Composition, Derrière le miroir (after)
By Paul Rebeyrolle
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, Hommage à Aimé et Marguerite Maeght, N° 250, 1982. Publish...
Category
1980s Pop Art Michigan - Landscape Prints
Materials
Lithograph
Riopelle, Composition, Derrière le miroir (after)
By Jean-Paul Riopelle
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, Hommage à Aimé et Marguerite Maeght, N° 250, 1982. Publish...
Category
1980s Modern Michigan - Landscape Prints
Materials
Lithograph
Léger, Composition, mes voyages (after)
By Fernand Léger
Located in Auburn Hills, MI
Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...
Category
1970s Modern Michigan - Landscape Prints
Materials
Lithograph
Composition, Les Biches, Marie Laurencin
By Marie Laurencin
Located in Auburn Hills, MI
Lithograph and stencil on papier vélin des Manufactures d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Les Biches, 1924. Published by Édi...
Category
1920s Modern Michigan - Landscape Prints
Materials
Lithograph, Stencil
Chagall, Isaiah (Mourlot 117-46; Cramer 25), Drawings from the Bible (after)
By Marc Chagall
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marc Chagall, Dessins Pour La Bible, Verv...
Category
1950s Expressionist Michigan - Landscape Prints
Materials
Lithograph
Dubreuil, Composition, Alternance (after)
Located in Auburn Hills, MI
Etching on Rives BFK paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Alternance, 1946. Published by Le Gerbier, Paris; printed by atelier Quesnevill...
Category
1940s Modern Michigan - Landscape Prints
Materials
Engraving
Le Poisson (Pieces), Les Signes du zodiaque, Jean Lurçat
By Jean Lurçat
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Les Signes du zodiaque, 1959. Published by Édit...
Category
1950s Modern Michigan - Landscape Prints
Materials
Lithograph
Matisse, Crayon, Dessins de Henri-Matisse (after)
By Henri Matisse
Located in Auburn Hills, MI
Lithograph on vélin Lafuma Navarre paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the album, Dessins de Henri-Matisse, 1925. Published...
Category
1920s Modern Michigan - Landscape Prints
Materials
Lithograph
Composition, Le Peseur d'âmes (The Weigher of Souls), Francis Picabia
By Francis Picabia
Located in Auburn Hills, MI
Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...
Category
1930s Modern Michigan - Landscape Prints
Materials
Lithograph, Stencil
Le Pont Neuf, A La gloire à Paris, André Derain
By André Derain
Located in Auburn Hills, MI
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...
Category
1930s Modern Michigan - Landscape Prints
Materials
Etching
Riopelle, Composition, Derrière le miroir (after)
By Jean-Paul Riopelle
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 171, 1968. Published by Aim...
Category
1960s Modern Michigan - Landscape Prints
Materials
Lithograph
Riopelle, Composition, Derrière le miroir (after)
By Jean-Paul Riopelle
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 171, 1968. Published by Aimé Maeght, Éditeur, Paris; pr...
Category
1960s Modern Michigan - Landscape Prints
Materials
Lithograph
