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Item Ships From: Michigan
New Rina Menardi Big Barchetta Bowl in Pale Bronze Glaze
By Rina Menardi
Located in Troy, MI
New studio pottery bowl from Rina Menardi. The Barchetta bowl is a shallow, elongated center bowl with an irregular rim. Thin walled, sculptural shape glazed in bronze which is a mat...
Category
2010s Italian Mid-Century Modern Michigan - Bowls and Baskets
Materials
Ceramic
Amber Glass Memphis Animal Motif Bowl by Susani & Vidal for Sottsass Associati
By Marco Susani, Ettore Sottsass, Sottsass Associati
Located in Troy, MI
Decorative art glass bowl by Marco Susani and Elisabeth Vidal for Sottsass Associati circa 1990s
Rare amber example in matte finish with copper metallic animal silhouette motif
Sign...
Category
1990s Italian Post-Modern Michigan - Bowls and Baskets
Materials
Glass
New Rina Menardi Big Barchetta Bowl in Light Black Glaze
By Rina Menardi
Located in Troy, MI
New studio pottery bowl from Rina Menardi. The Barchetta bowl is a shallow, elongated center bowl with an irregular rim. Thin walled, sculptural shape glazed in light black which is ...
Category
2010s Italian Mid-Century Modern Michigan - Bowls and Baskets
Materials
Ceramic
Elsa Peretti for Tiffany and Co Thumbprint Bowl Contemporary Modern Italy
By Elsa Peretti for Tiffany & Co.
Located in Keego Harbor, MI
A gorgeous hand blown glass bowl designed by Elsa Peretti for Tiffany & Co. This piece, known as the “Thumbprint Bowl”, features a lovely classic design with a sloped side that fits ...
Category
20th Century Michigan - Bowls and Baskets
Materials
Glass
Handcrafted Turned Wooden Bowl by Franz Woodworks
Located in Grand Rapids, MI
USA, 2007
Handcrafted wooden bowl. Stamped on base 'Handcrafted by Robert L. Frantz 2007'. Beautiful detail to this handcrafted piece in medium wood tones. A great piece for styling,...
Category
Early 2000s American American Craftsman Michigan - Bowls and Baskets
Materials
Wood
Extra Large Eastern European Hand Carved Dark Wood Dough Bowl
Located in Troy, MI
Circa 1930s extra large hand carved Eastern European wooden dough bowl. Dark wood with handles - this is 44” wide. Unknown maker.
Category
Early 20th Century Romanian Michigan - Bowls and Baskets
Materials
Wood
Large Italian Stepped Alabaster Bowl with Brown Streaks
Located in Troy, MI
Found in Italy, this shallow, stepped alabaster bowl is new and was created and designed by a member of a multi-generational family of alabaster and marble craftsmen. Modern design f...
Category
2010s Italian Michigan - Bowls and Baskets
Materials
Alabaster
New Medium Rina Menardi Mint Cup Shape Bowl
By Rina Menardi
Located in Troy, MI
New and hand made in Italy by Rina Menardi, this cup-form bowl or vase stands just under 11” tall and has a dark teal green glaze. Streamlined shape with thin, glazed porcelain walls...
Category
2010s Italian Mid-Century Modern Michigan - Bowls and Baskets
Materials
Stoneware
Bardiglio Marble and Alabaster Pedestal Bowl or Compote
Located in Troy, MI
Custom made for us in Italy, this compote is made of alabaster and contrasting bardiglio marble, has a 9” diameter and stands 6” high.
Category
2010s Italian Michigan - Bowls and Baskets
Materials
Alabaster, Marble
Large New Italian White Alabaster Thin Walled Bowl
Located in Troy, MI
Found in Italy, this shallow, thin-walled alabaster bowl is new and was created and designed by a member of a multi-generational family of alabaster and marble craftsmen. Classic and...
Category
2010s Italian Michigan - Bowls and Baskets
Materials
Alabaster
New Large Rina Menardi Shaded Water Conchglia Bowl
By Rina Menardi
Located in Troy, MI
New and imported from Italy, this art pottery bowl by Rina Menardi is a thin-walled bowl with an irregular rim and ombre-style pale blue gray glaze. Underside of base has maker’s mar...
Category
2010s Italian Mid-Century Modern Michigan - Bowls and Baskets
Materials
Porcelain
John Glick Plum Street Pottery Ceramic Charger Monumental
By John Glick
Located in Bloomfield Hills, MI
The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery #129 on the verso.
John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze.
Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration.
John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world.
He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...
Category
1990s American Expressionist Michigan - Bowls and Baskets
Materials
Ceramic
Ward Bennett vide-poche polished green tone glass dish
By Ward Bennett, Brickel Associates
Located in Ferndale, MI
Simple and elegant concave dish designed by Ward Bennett . Highly polished top and underside glass with a green tint . No nicks in glass . Minor scuffs on underside .
Born in 1917, W...
Category
Mid-20th Century American Mid-Century Modern Michigan - Bowls and Baskets
Materials
Glass
Oceana wood bowl branded Russel Wright retains early original Klise paper label
By Klise Manufacturing Company, Russel Wright
Located in Ferndale, MI
A long rare hand-carved wood bowl with an indented rim, from the "Oceana" series . Branded " Russell Wright " and retains its early paper label . Very well preserved original finish ...
Category
Mid-20th Century American Mid-Century Modern Michigan - Bowls and Baskets
Materials
Wood
Pair of Carlo Scarpa Sommerso Bollicine Green Glass Bowls for Venini Italy 1930s
By Carlo Scarpa, Venini
Located in Troy, MI
A pair of Sommerso Bollicine glass bowls by Carlo Scarpa for Venini circa mid 1930s
Vibrant green glass with interior bubbles and gold leaf inclusions
Acid etched stamp to larger
M...
Category
1930s Italian Mid-Century Modern Vintage Michigan - Bowls and Baskets
Materials
Glass
Vintage Signed Birdseye Maple Burl Turned Wood Vessel by Mike Mahoney 1990s
Located in Troy, MI
Vintage Signed Mike Mahoney Birdseye Maple Burl Turned Wood Vessel Amercian Studio Craft
Beautifully turned wood bowl by California artist Mike Mahoney 1990s
Sculptural hollow form vessel...
Category
20th Century Organic Modern Michigan - Bowls and Baskets
Materials
Birdseye Maple
Large Vintage Signed Roberto Cavalli Pale Amethyst Glass Tazza or Pedestal Bowl
By Roberto Cavalli Home Interiors
Located in Troy, MI
Found in Italy, this circa 2010 Murano glass tazza or pedestal bowl is marked Roberto Cavalli on the base. This pale amethyst pedestal bowl is 8.5” high and 16” diameter with subtle ...
Category
2010s Italian Michigan - Bowls and Baskets
Materials
Art Glass
Roseville Set of 7 Ceramic Mostique Vessels Arts & Crafts Early 20th Century
By Roseville Pottery
Located in Keego Harbor, MI
Beautiful and rare, this Roseville Set of 7 Ceramic Mostique Vessels from the early 20th century is a captivating representation of Arts and Crafts design. Each vessel features strik...
Category
Early 20th Century American Michigan - Bowls and Baskets
Materials
Pottery
John Glick Plum Street Pottery Ceramic Charger Monumental
By John Glick
Located in Bloomfield Hills, MI
The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso.
John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze.
Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration.
John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world.
He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...
Category
1990s American Expressionist Michigan - Bowls and Baskets
Materials
Ceramic
Jeff Leatham for Waterford Icon Purple Amethyst Lead Crystal 9" Decorative Bowl
By Waterford Crystal
Located in Keego Harbor, MI
A Jeff Leatham for Waterford Icon decorative crystal bowl. This is a lovely bowl made with a chic purple amethyst crystal. This bowl is a part of the the Icon collection, a collection designed by Leatham in partnership with Waterford. It features a luxurious design that is inspired by Johns Irish...
Category
Late 20th Century Slovenian Michigan - Bowls and Baskets
Materials
Crystal
Tapio Wirkkala Lead Crystal Glass Bowl with Incised Geometric Design
By Tapio Wirkkala, Iittala
Located in Ferndale, MI
Large low thick glass bowl with incised geometric designs. Signed Tapio Wirkkala with hardly legible number.
Category
Mid-20th Century Finnish Mid-Century Modern Michigan - Bowls and Baskets
Materials
Crystal
Vintage Maitland Smith Porcelain Pedestal Bowl with Bronze Rim
By Maitland Smith
Located in Troy, MI
Large circa 1980s pedestal bowl in blue, white and pale brown glaze with leaf and rope braid motif by Maitland Smith. Square pedestal base supports a bowl just under 15” diameter wit...
Category
Mid-20th Century Vietnamese Michigan - Bowls and Baskets
Materials
Bronze
Set of 3 Bronze & Gold Biomorphic Decorative Bowl Sculptures by Jonathan Adler
By Jonathan Adler
Located in Troy, MI
A grouping of 3 bronze biomorphic decorative bowls by Jonathan Adler
Retired design model 13020 circa 2012
Graduated size and varied organic forms in bronze with gold interior
Impre...
Category
2010s American Modern Michigan - Bowls and Baskets
Materials
Bronze
Midcentury Handmade Ceramic Decorative Bowl
Located in Detroit, MI
Vintage Mid Century Handcrafted Ceramic Decorative Bowl
This vintage Mid-Century Modern ceramic pottery bowl circa 1960 is beautifully handcrafted. The distinctive modernist desig...
Category
Mid-20th Century Unknown Mid-Century Modern Michigan - Bowls and Baskets
Materials
Ceramic
John Glick Plum Street Pottery Ceramic Glazed Bowl/Charger Extra-large
By John Glick
Located in Bloomfield Hills, MI
The ceramic bowl is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso.
John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze.
Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration.
John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world.
He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...
Category
Late 20th Century American Michigan - Bowls and Baskets
Materials
Ceramic
John Glick Plum Street Pottery Signed Monumental Ceramic Charger
By John Glick
Located in Bloomfield Hills, MI
The ceramic charger with scalloped edge is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed on verso.
John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze.
Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration.
John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world.
He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...
Category
1990s American Expressionist Michigan - Bowls and Baskets
Materials
Ceramic
Large Italian White and Gray Alabaster Leaf Form Platter or Bowl
Located in Troy, MI
Custom made for us in Italy, this white alabaster platter or shallow bowl has gray veining and is in the form of a leaf.
Category
2010s Italian Michigan - Bowls and Baskets
Materials
Alabaster
Roselane Pottery of Pasadena Pink Salad Bowl with Incised Modernist Fish Design
Located in Ferndale, MI
Pink glazed Roselane pottery bowl with free form swirl and Fish Design in black . Exterior of bowl in matte black finish stamped Roselane on underside...
Category
Mid-20th Century American Mid-Century Modern Michigan - Bowls and Baskets
Materials
Pottery
Large Michael Lax Polished Aluminum Bowl
By Fana Metaal, Michael Lax
Located in Ferndale, MI
Large asymmetrically shaped aluminum bowl. Makers mark on underside .
Category
Late 20th Century American Mid-Century Modern Michigan - Bowls and Baskets
Materials
Aluminum
Oversize Wooden Bowl in Walnut Branded Parrish
Located in Ferndale, MI
Large bowl with light sap wood and dark edges. Excellent accent for modern design interiors. Flowers gourds glass objects all show well in this organic form.
Category
Mid-20th Century American American Craftsman Michigan - Bowls and Baskets
Materials
Wood
Asta Stromberg for Strombergshyttan faceted blue tinted crystal bowl Sweden
By Asta Stromberg, Strombergshyttan
Located in Ferndale, MI
In 1876, a glassworks called Lindfors ("winding falls") opened just outside the town of Hovmantorp, about 50 km west of Orrefors. In 1933, Edward Strömberg, who was a former head at ...
Category
Mid-20th Century Swedish Mid-Century Modern Michigan - Bowls and Baskets
Materials
Crystal
Tomas Hlavicka Bon Appetite Fused Art Glass & Gold Leaf Bowl on Base 2004
Located in Keego Harbor, MI
A visually stunning art glass bowl on a black base titled "Bon Appetite" by Czechoslovakian artist Tomas Hlavicka. Circa 2000. The creation method is fused layered glass with inlaid ...
Category
Early 2000s Czech Michigan - Bowls and Baskets
Materials
Art Glass
Turned Biomorphic Walnut Bowl by Rude Osolnik
By Rude Osolnik
Located in Ferndale, MI
Turned biomorphic walnut bowl, Rude Osolnik Originals.
Category
1960s American American Craftsman Vintage Michigan - Bowls and Baskets
Materials
Walnut
Severa Made in Italy Enameled Modern Ceramic Fish Design Elongated Plate
Located in Keego Harbor, MI
A decorative mid century modern enameled ceramic glazed elongated plate with a fish design. Stamped “Severa” and “Made in Italy” on the bottom. The plate could also be used to hold a...
Category
20th Century Italian Michigan - Bowls and Baskets
Materials
Ceramic
Contemporary Modern Poole Party Third Millenium Limited Edition Ceramic Charger
Located in Keego Harbor, MI
A Poole Pottery 'Third Millennium' pattern charger by Alan Clarke, decorated with an abstract design in yellow, orange and red against a dark blue ground, printed factory mark and bl...
Category
Late 20th Century Michigan - Bowls and Baskets
Materials
Ceramic
Contemporary Modern Rike Moss Signed Ceramic Pottery Centerpiece Tray Legs 1980s
Located in Keego Harbor, MI
For your consideration is a fun, ceramic art tray centerpiece, signed Rike Moss on the bottom, circa 1980s. In very good vintage condition, with a couple small chips in two corners. ...
Category
1980s Vintage Michigan - Bowls and Baskets
Materials
Ceramic
Early Production Quistgaard Dansk Staved Teak Fruit or Salad Bowl Danmark
By Jens Quistgaard
Located in Ferndale, MI
Jens Quistgaard for Dansk, Branded Mark Staved Teak JHQ Danmark
Category
1950s Danish Mid-Century Modern Vintage Michigan - Bowls and Baskets
Materials
Teak
Danish Modern Large Teak Wood Bowl by Henning Koppel for Georg Jensen
By Georg Jensen, Henning Koppel
Located in Detroit, MI
This rare and iconic vintage mid century Danish modern teak wood bowl was designed by Henning Koppel and produced by Georg Jensen and made in Denmark circa 1960. This large decorativ...
Category
1960s Danish Mid-Century Modern Vintage Michigan - Bowls and Baskets
Materials
Wood, Teak
Mid-Century Modern Pair Alfredo Scciarotta Modernist Sterling Silver Mini Bowls
By Alfredo Sciarotta
Located in Keego Harbor, MI
Mid-Century Modern Pair of Alfredo Scciarotta Modernist silver mini bowls. Dimensions: 1: 4" diameter x 1"height 2: 4.25" diameter x 1.25"height.
Category
20th Century Michigan - Bowls and Baskets
Materials
Silver
New Rina Menardi Big Conchiglia Bowl in White
By Rina Menardi
Located in Troy, MI
New and imported from Italy, this art pottery bowl by Rina Menardi is a thin-walled center or console bowl with an irregular rim and a matte bone white glaze. Underside of base has m...
Category
2010s Italian Mid-Century Modern Michigan - Bowls and Baskets
Materials
Ceramic
Mid Century Danish Ceramic Bowl with Brown & Blue Stripes by Dansk
By Dansk
Located in Detroit, MI
This vintage midcentury Danish modern Dansk small decorative ceramic bowl or dish circa 1960 has a lovely shallow profile. The simple modernist design ffeatures organic hand painted ...
Category
Mid-20th Century Unknown Mid-Century Modern Michigan - Bowls and Baskets
Materials
Ceramic
Amazing and Large Antique Complicated Chinese Cloisonné Bowl over Bronze Signed
Located in Ann Arbor, MI
Amazing and Large Antique Complicated Chinese Cloisonné Bowl over Bronze Signed As shown on the bottom.
Category
Early 1900s Chinese Antique Michigan - Bowls and Baskets
Materials
Bronze
New Rina Menardi 16” Wide Barchetta Bowl in Bronze Glaze
By Rina Menardi
Located in Troy, MI
New studio pottery bowl from Rina Menardi. The Barchetta bowl is a shallow, center bowl with an irregular shape and rim. Thin walled, sculptural shape glazed in bronze which is a mat...
Category
2010s Italian Mid-Century Modern Michigan - Bowls and Baskets
Materials
Porcelain
Warren MacKenzie Glazed Ceramic Drop Rim Footed Bowl in Stoneware 20th Century
By Warren MacKenzie
Located in Troy, MI
Drop rim bowl by renowned ceramic artist Warren MacKenzie
20th Century
Glazed stoneware shallow form vessel on footed base with decorative incised detailing
11 inch diameter
4.25 i...
Category
20th Century American Mid-Century Modern Michigan - Bowls and Baskets
Materials
Ceramic
Vintage Mid Century Steuben Crystal Peony Footed Bowl by Donald Pollard, 1960s
By Steuben Glass
Located in Keego Harbor, MI
For your consideration is this vintage Steuben Crystal Peony footed bowl/dish designed by Donald Pollard in the 1960's, signed on the base.
Dimensions:...
Category
1960s Mid-Century Modern Vintage Michigan - Bowls and Baskets
Materials
Crystal
Charming Handwoven Nantucket Style Basket
Located in Buchanan, MI
Charming Handwoven Nantucket Style Basket
Category
19th Century American Folk Art Antique Michigan - Bowls and Baskets
Materials
Rattan
Small Jens Qiuistgaard Dansk Denmark Teak Bowl
By Jens Quistgaard, Dansk
Located in Ferndale, MI
Smaller size Dansk bowl. One I have never seen. Turned teak wood. Fine condition possibly never used. Marked JHQ Dansk Denmark.
Category
Mid-20th Century Mid-Century Modern Michigan - Bowls and Baskets
Materials
Teak
Natural Edge Turned Burl Wood Bowl
By Edward Moulthrop
Located in Ferndale, MI
Nicely turned burl wood bowl. Turning and sculpting done in a way to highlite the natural inclusions of the burl and bring out the beauty of the organic form.
Category
Mid-20th Century American American Craftsman Michigan - Bowls and Baskets
Materials
Maple, Burl
Rustic Woven Old Hickory Basket on Wooden Base
By Old Hickory Furniture Company
Located in Northport, MI
This handwoven hickory basket, attributed to the renowned Old Hickory Furniture Company of Indiana, exemplifies the rustic elegance and enduring craftsman...
Category
Mid-20th Century American American Craftsman Michigan - Bowls and Baskets
Materials
Rope, Wood
Large Cenedese Murano Signed Art Glass Bowl in Swags of Blue with Gold Dust
By Cenedese
Located in Ann Arbor, MI
Large Cenedese Murano Signed art glass bowl in swags of blue with gold dust And controlled bubbles. Engraved Signature as shown on the bottom.
Category
1980s Italian Mid-Century Modern Vintage Michigan - Bowls and Baskets
Materials
Art Glass
Donald Pollard for Steuben 8059 Trillium Floret Crystal Bowl Contemporary Modern
By Donald Pollard
Located in Keego Harbor, MI
An amazing classic Steuben glass bowl from artist Donald Pollard. This small crystal bowl features an elegant thin rim, leading down to three looped...
Category
20th Century Michigan - Bowls and Baskets
Materials
Crystal
Well Crafted Hammered Copper Boomerang Dish Signed LE
Located in Ferndale, MI
Very nicely made and crafted boomerang or flying V-form hammered copper bowl.
Category
Mid-20th Century American Mid-Century Modern Michigan - Bowls and Baskets
Materials
Copper
1950s Molded Black Fiberglass Wastebasket Trash Receptacle
Located in Ferndale, MI
1950s molded black fiberglass with white striations, manufactured using technology developed during WWII by Corry Jamestown Corporation, Corry, Pennsyl...
Category
Mid-20th Century American Mid-Century Modern Michigan - Bowls and Baskets
Materials
Fiberglass, Rubber
Bob Womack Live Edge Organic Maple Burl Decorative Freeform Centerpiece Bowl
Located in Troy, MI
Large organic centerpiece bowl by American craftsman Bob Womack circa 1990s
Maple burl free-form design with live edge underside and polished interior
Sig...
Category
1990s American Organic Modern Michigan - Bowls and Baskets
Materials
Maple, Burl
Wall Mounted Swiveling Teak Salt Ball with Lid by ESA Denmark
By ESA
Located in Ferndale, MI
Rarely seen wall mounted teak salt ball. Wood base hooks to wall lathe turned teak wood ball swivels to pour or scoop out salt. Marked ESA Denmark.
Category
Mid-20th Century Danish Mid-Century Modern Michigan - Bowls and Baskets
Materials
Teak
Early 20th Century English Oak Barrel with Four Brass Bands
Located in Troy, MI
Tall late 19th-early 20th century English oak barrel with four polished brass bands. Unknown maker. Other similar styled English barrels in various ...
Category
Early 20th Century English Primitive Michigan - Bowls and Baskets
Materials
Brass
Great wave Astrolite Lucite statement bowl by Ritts
By Astrolite
Located in Ferndale, MI
Large substanial thick walled Lucite fruit or center bow. Astrolite line produced by Ritts co. . Biomorphic shape brings to mind a wave crashing onto the shore
Category
Mid-20th Century American Mid-Century Modern Michigan - Bowls and Baskets
Materials
Acrylic, Lucite
Haemstede Holland Minimalist Ceramic Bowl
Located in Ferndale, MI
A hand crafted Haemstede Holland design with a rich terra cotta underside and bright white glazed interior. The interior sgraffito swirl design is mirrored on the terra cotta undersi...
Category
Mid-20th Century Dutch Minimalist Michigan - Bowls and Baskets
Materials
Terracotta
