Milan Decorative Bowls

1960s Astonishing large ashtray or catch-all By Flavio Poli for Seguso in Murano Sommerso Glass. The item is in excellent condition. Dimension: 6,29" diameter x 3,54" H inches cm 16 ...

1960s stunning blue ashtray / Vide Poche designed by Flavio Poli in Murano Sommerso Glass. This piece is unique and the shape and the color are amazing. Made in Italy The item is in...

Inside Out Fruit Bowl in red Levanto marble, designed by the internationally renowned designer Karen Chekerdjian - it is available also in other colours. I...

Inspired by the biblical great flood, this bowl is engraved with animals and a wave-like motif. Part of the brand's Masterworks collection that features objects of pure artistic and ...

Original octopus tureen in crystal and silver, handmade by Florentine silversmiths, the Lisi Brothers. The hyper realistic centerpiece is transformed into a tureen by adding a detach...

Used either as an empty-pocket bowl, decorative object, or small serving piece, this exquisite squared bowl will be a splendid addition to a sophisticated decor. Entirely handcrafted...

Made in Italy, 1960s. This ashtray / catchall is made in Murano glass. It is a "Tutti frutti" model. This is a vintage piece, therefore it might show slight traces of use, but it can...

Universally regarded as one of the most prolific and capable designers of Murano glass vases and objects at large, Flavio Poli teamed up with some of the most influential and skilled...

1960s Stunning large pink ashtray or Catch-All By Flavio Poli for Seguso in Murano Sommerso Glass. Made in Italy. No chips or other, this item is perfect...

Senzafine Square Medium bowl, designed by Gaetano Pesce for Meritalia, Italy, 2000. Immerse yourself in the groundbreaking world of Gaetano Pesce with the exquisite "Senzafine" bowl...

Sculptural bowl in white bronze handcrafted using a very sophisticated technique used by artisans for production.

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

American antique ceramic glass ornamental aquarium Weller Loranger, early 1900s Ornamental ceramic aquarium and glass bowl. The main ceramic structure represents a kingfisher with ch...

Murano glass centerpiece by Barbini. Imposing thick glass lens shaped piece with hammered surface

1960s Large astonishing murano ashtray or catch-all By Flavio Poli for Seguso in Murano Sommerso Glass. The item is in excellent condition. Dimension: 5,90" diameter x 3,54" H inch...

Antique European rural bucket in wood and iron, 1890s Beautiful patina and wrought iron handle.

1960s Astonishing ashtray or catch-all By Flavio Poli for Seguso in Murano Sommerso Glass. The item is in excellent condition. Dimension: 5,11" diameter x 3,14" H inches cm 13 x cm 8 H

Inside out fruit bowl in black Marquinia marble, designed by the internationally renowned designer Karen Chekerdjian - it is available also in other colours. It is part of the Inside...

Part of the Labirinto series, this stunning piece is marked by a mesmerizing decoration that is unique and eye-catching. A squared bowl that can function as a small serving piece, de...

Centrotavola in cristallo satinato con motivo a roselline in rilievo. Sotto la base marchio della manifattura.

Made in Italy, 1960s. This ashtray / catchall is made in murano glass with murrines and silver leaf. This is a vintage piece, therefore it might show slight traces of use, but it can...

Vintage Amber Clear Glass Tri-lobe Bowl Biomorphic-Shaped Amber BLENKO 1959. Fruit Bowl Art Glass Heavy and BeautifulFor how magical it might seem at first...

Bianco Arabescato Amaltea by Ivan Colominas Dimensions: 36.5 x 10 cm Materials: Bianco Arabescato Also available: different marbles. The collection is a tribute to one of It...

Murano Glass - Coffee table Decoration - Glass Sculpture For how magical it might seem at first glance, Murano glass is mostly a matter of chemistry. Color is obtained through the ...

Murano Glass - Table Decorative - Sculptural Accent Many are the different types of glass created by master makers on the Venetian island of Murano. From air-thin vases to expressi...

This playful and elegant bowl will be a sophisticated addition to any decor and will bring a splash of color into a classically decorated room. Whether used in an entryway or living room to store everyday objects, or on the dining table or even the bathroom, this piece will enliven any environment. Its silver body has a golden finish inside and two birds legs...

Made in Italy, 1950s. This is a thick Murano glass bowl / ashtray / vide-poche ascribable to Alfredo Barbini because of its wavy rims. It is made with Murano glass and green canes...

1960s Astonishing Big Blue Bowl or Catchall By Flavio Poli in Murano glass. This is a unique piece a true sculpture The item is in excellent condition. Dimensions: 6,29" diameter ...

Large bowl in Black Marquinia, White Michelangelo, Arabescato Vagli Filo Rosso and Red Levanto marbles. Size: 22 x 12.7 cm, 8.6 x 5 in, smooth finishing. Commercial name: Gae L, Mast...

The sphere of color (that's its name) is part of a collection called "Animal Instinct", it includes around 35 spheres like that collection made between 2007 and 2009 mixed techniqu...

Italian round agate stone soap dish or ashtray, 20th century Soap dish with a rounded base made from an agate stone. The edges are rough and irregular,...

Made in Italy, 1970s-1980s. This ice bucket / bowl by Roberto Sambonet is made in glass and steel and features a mirrored top with a palm design. It might show slight traces of use s...

Vintage Space Age vase/centerpiece, manufactured in stainless steel and clear thick glass. Its dimension make it perfect - as pictured - to be used as a fruit bowl. The metal is pr...

This Antique French Provincial Tian bowl, dating back to the early 19th century and found in Provence, France, showcases a beautiful light yellow glaze with a time-worn patina. Tradi...

Made in Italy, 1970s. This is a great silver plated brass vide-poche in the shape of a shell. Its simple design was created by Lino Sabattini. This is a vintage piece, therefore it ...

This object is a piece of extreme quality and design made of murano glass by designer TYRA LUNDGREN for VENINI, a collector's item for a connoisseur.

Made in Germany by Brockwitz, 1930s - 1940s. This rare bowl / centerpiece is made in amber blown glass with parts that are satined. It is a vintage piece, therefore it might show sl...

Used either as an empty-pocket bowl, decorative object, or small serving piece, this exquisite squared bowl will be a splendid addition to a sophisticated decor. Entirely handcrafted...

This bowl will enrich every table and it can be combined with other items in the same Labirinto collection for a cohesive look and magnificent effect. Crafted entirely of porcelain, ...

Used either as an empty-pocket bowl, decorative object, or small serving piece, this exquisite squared bowl will be a splendid addition to a sophisticated decor. Entirely handcrafted...

Made in Italy, 1960s. This vase is made in red, orange and yellow sommerso Murano glass, a beautiful combination that creates a flame effect. The external part is ribbed. It is a v...

The value of change in a simple act, in stock. Karen Chekerdjian’s new creation puts design front and centre: from one foundation, multiple possibilities. An essential shape and classical lines enhance how, far from being a mere container or going unnoticed, this top transforms a table into a convivial place. The fruit basket can be a top element for Inside out table as well as a furnishing accessory that stands on its own. Dimensions: 31 x 14 cm. Commercial name: Inside out fruit bowl, by the Lebanese designer Karen Chekerdjian. Blue Sodalite marble...

Extremely contemporary artistic bowl by Ghirò Studio (Milan, Italy) This object is a handmade artistic sculpture that can be used as a bowl, as a d...

Sculptural Yellow Glass - Modern Ashtray - Murano Glass Mid-Century Modern decorative bowl / vide poche in yellow Murano glass, beautiful hue of color and timeless shape. Perfect fo...

Designed by Karim Rashid as a poetic ode to glass, this centerpiece is a stunning piece of functional decor that will be an elegant centerpiece both alone and with an overflowing arr...

Made in the UK by George Davidson, 1940s. This large oval bowl is made in sepia calcedony glass and features a rippled edge and an impressed star design on the base. It is a vintage ...

Collection 2021 of artistic bowls by Ghirò Studio (Milan). Innovative design, fine craftsmanship and a strong artistic sense make this creation not only a bowl but a real artistic sculpture...

The "Mistake" tray is a playful and elegant marble piece that embraces the beauty of imperfection. Hand-crafted by skilled artisans in Tuscany, Italy from black Spanish “nero marquiñ...

"Strato due" Vase in Tuscan Alabaster by Andrea Grecucci Dimensions: 8.5 cm D x 18 cm H 3.35” D x 7.09” H Material: Alabaster from Volterra Italy. Designer: Andrea Grecucci "...

Made in Italy, 1950s. It is made in murano glass. It is a vintage piece, therefore it might show slight traces of use, but it can be considered as in perfect original condition and r...

Italian mid-century modern Blue bowl by Angelo Mangiarotti for Fratelli Brambilla, 1970s Round shaped bowl, which resembles a cloud, in blue ceramic. It can be used as a pocket empti...

Many are the different types of glass created by master makers on the Venetian island of Murano. From air-thin vases to expressive sculptures, also massive objects with deep and vivi...

Made in Vietri, Italy, 1950s. This ceramic bowl / centerpiece is hand-modeled and hand-painted, with a slight iridescent finish. It is a vintage piece, therefore it might show sligh...

Murano Glass Bowl - Sommerso Glass Decorative Charming vintage bowl in pink and clear “Sommerso” Murano glass, in the shape of a clover. The thick glass, skillfully handmade in Ital...

Made in Italy, 1980s. This bowl / centerpiece / vide-poche is made in brown scavo Murano glass. It is a vintage piece, therefore it might show slight traces of use, but it can be co...

Made in Italy, 1950s. This sinuous, dynamic and elegant centerpiece is made in lacquered ceramic that is varnished with iridescent colors. It is a vintage piece, therefore it might s...

Italian 1970s Murano glass bowl/sculpture Thick solid glass distribution allows the piece to stand in this serving position.

"Rostrato" vases are a peculiar 1930s design by Ercole Barovier, then owner and designer of the eponymous brand Barovier & Toso, based on the island of Murano. The brand is still act...