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Item Ships From: Montreal
Untitled from the series Shifty Packets
By Colleen Wolstenholme
Located in Montreal, Quebec
What happens when the digital and analog duke it out? Who would win in this match: the printing press versus a high-speed internet connection? Or do we have to choose? What happens w...
Category
2010s Contemporary Montreal - Art
Materials
Paper, Ink
Untitled from the series Shifty Packets
By Colleen Wolstenholme
Located in Montreal, Quebec
What happens when the digital and analog duke it out? Who would win in this match: the printing press versus a high-speed internet connection? Or do we have to choose? What happens w...
Category
2010s Contemporary Montreal - Art
Materials
Paper, Ink
Untitled from the series Shifty Packets
By Colleen Wolstenholme
Located in Montreal, Quebec
What happens when the digital and analog duke it out? Who would win in this match: the printing press versus a high-speed internet connection? Or do we have to choose? What happens w...
Category
2010s Contemporary Montreal - Art
Materials
Paper, Ink
Untitled from the series Shifty Packets
By Colleen Wolstenholme
Located in Montreal, Quebec
What happens when the digital and analog duke it out? Who would win in this match: the printing press versus a high-speed internet connection? Or do we have to choose? What happens w...
Category
2010s Contemporary Montreal - Art
Materials
Paper, Ink
Untitled from the series Shifty Packets
By Colleen Wolstenholme
Located in Montreal, Quebec
What happens when the digital and analog duke it out? Who would win in this match: the printing press versus a high-speed internet connection? Or do we have to choose? What happens w...
Category
2010s Contemporary Montreal - Art
Materials
Paper, Ink
Untitled from the series Shifty Packets
By Colleen Wolstenholme
Located in Montreal, Quebec
What happens when the digital and analog duke it out? Who would win in this match: the printing press versus a high-speed internet connection? Or do we have to choose? What happens w...
Category
2010s Contemporary Montreal - Art
Materials
Paper, Ink
Untitled from the series Shifty Packets
By Colleen Wolstenholme
Located in Montreal, Quebec
What happens when the digital and analog duke it out? Who would win in this match: the printing press versus a high-speed internet connection? Or do we have to choose? What happens w...
Category
2010s Contemporary Montreal - Art
Materials
Paper, Ink
Untitled from the series Shifty Packets
By Colleen Wolstenholme
Located in Montreal, Quebec
What happens when the digital and analog duke it out? Who would win in this match: the printing press versus a high-speed internet connection? Or do we have to choose? What happens w...
Category
2010s Contemporary Montreal - Art
Materials
Paper, Ink
Untitled from the series Shifty Packets
By Colleen Wolstenholme
Located in Montreal, Quebec
What happens when the digital and analog duke it out? Who would win in this match: the printing press versus a high-speed internet connection? Or do we have to choose? What happens w...
Category
2010s Contemporary Montreal - Art
Materials
Paper, Ink
Untitled from the series Shifty Packets
By Colleen Wolstenholme
Located in Montreal, Quebec
What happens when the digital and analog duke it out? Who would win in this match: the printing press versus a high-speed internet connection? Or do we have to choose? What happens w...
Category
2010s Contemporary Montreal - Art
Materials
Paper, Ink
Untitled from the series Shifty Packets
By Colleen Wolstenholme
Located in Montreal, Quebec
What happens when the digital and analog duke it out? Who would win in this match: the printing press versus a high-speed internet connection? Or do we have to choose? What happens w...
Category
2010s Contemporary Montreal - Art
Materials
Paper, Ink
The paradise Syndrome, Voyage #30
By Sonny Assu
Located in Montreal, Quebec
Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart...
Category
2010s Abstract Montreal - Art
Materials
Archival Pigment
Étendue: Hommage à Charles Gagnon
By Henri Venne
Located in Montreal, Quebec
It is within the locality of the dream where we are at once sentient of ourselves within a multitude of reflections. The momentary awareness of self reveals transitions between those...
Category
21st Century and Contemporary Abstract Montreal - Art
Materials
Enamel
Alter / Altered
By Henri Venne
Located in Montreal, Quebec
It is within the locality of the dream where we are at once sentient of ourselves within a multitude of reflections. The momentary awareness of self reveals transitions between those...
Category
21st Century and Contemporary Abstract Montreal - Art
Materials
Metal
Nothing of This Remains
By Henri Venne
Located in Montreal, Quebec
It is within the locality of the dream where we are at once sentient of ourselves within a multitude of reflections. The momentary awareness of self reveals transitions between those...
Category
21st Century and Contemporary Abstract Montreal - Art
Materials
Metal
Somewhere in Between (View from the Window)
By Henri Venne
Located in Montreal, Quebec
A viewer standing in front of the work of Henri Venne might feel simultaneously at home and confused. A seamless merging of photographic and painterly elements, Venne's images at onc...
Category
21st Century and Contemporary Abstract Montreal - Art
Materials
Plexiglass, Digital
Seems the Sun Has Gone too Soon
By Henri Venne
Located in Montreal, Quebec
It is within the locality of the dream where we are at once sentient of ourselves within a multitude of reflections. The momentary awareness of self reveals transitions between those...
Category
21st Century and Contemporary Abstract Montreal - Art
Materials
Plexiglass, Digital
Beneath the Night
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception.
Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated.
The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category
2010s Abstract Montreal - Art
Materials
Oil, Wood Panel
Beyond Recall
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Abstract Montreal - Art
Materials
Oil, Wood Panel
Our Own Faults, Our Own Failures
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Abstract Montreal - Art
Materials
Oil, Wood Panel
Strangely Prescient
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Abstract Montreal - Art
Materials
Oil, Wood Panel
Leave It Be
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception.
Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated.
The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category
2010s Abstract Montreal - Art
Materials
Oil, Wood Panel
Scorch
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Abstract Montreal - Art
Materials
Oil, Wood Panel
Human Tides (Conflicts II) #10
By Renato Garza Cervera
Located in Montreal, Quebec
When does a line on a page become figurative? The series of drawings by Mexican artist Renato Garza Cervera entitled Mareas Humanas (Conflictos II) / Human Tides (Conflicts II) satis...
Category
2010s Contemporary Montreal - Art
Materials
India Ink, Archival Paper
Human Tides (Conflicts II) #2
By Renato Garza Cervera
Located in Montreal, Quebec
When does a line on a page become figurative? The series of drawings by Mexican artist Renato Garza Cervera entitled Mareas Humanas (Conflictos II) / Human Tides (Conflicts II) satis...
Category
2010s Contemporary Montreal - Art
Materials
India Ink, Archival Paper
Human Tides (Conflicts II) #29
By Renato Garza Cervera
Located in Montreal, Quebec
When does a line on a page become figurative? The series of drawings by Mexican artist Renato Garza Cervera entitled Mareas Humanas (Conflictos II) / Human Tides (Conflicts II) satis...
Category
2010s Contemporary Montreal - Art
Materials
India Ink, Archival Paper
Human Tides (Conflicts II) #21
By Renato Garza Cervera
Located in Montreal, Quebec
When does a line on a page become figurative? The series of drawings by Mexican artist Renato Garza Cervera entitled Mareas Humanas (Conflictos II) / Human Tides (Conflicts II) satis...
Category
2010s Contemporary Montreal - Art
Materials
India Ink, Archival Paper
Human Tides (Conflicts II) #23
By Renato Garza Cervera
Located in Montreal, Quebec
When does a line on a page become figurative? The series of drawings by Mexican artist Renato Garza Cervera entitled Mareas Humanas (Conflictos II) / Human Tides (Conflicts II) satis...
Category
2010s Contemporary Montreal - Art
Materials
India Ink, Archival Paper
Human Tides (Conflicts II) #29
By Renato Garza Cervera
Located in Montreal, Quebec
When does a line on a page become figurative? The series of drawings by Mexican artist Renato Garza Cervera entitled Mareas Humanas (Conflictos II) / Human Tides (Conflicts II) satis...
Category
2010s Contemporary Montreal - Art
Materials
India Ink, Archival Paper
Human Tides (Conflicts II) #19
By Renato Garza Cervera
Located in Montreal, Quebec
When does a line on a page become figurative? The series of drawings by Mexican artist Renato Garza Cervera entitled Mareas Humanas (Conflictos II) / Human Tides (Conflicts II) sati...
Category
2010s Contemporary Montreal - Art
Materials
India Ink, Archival Paper
Nuit Blanche à Tokyo
By Michel Piquette
Located in Montreal, Quebec
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tr...
Category
2010s Abstract Montreal - Art
Materials
Digital
La belle époque
By Eric Lamontagne
Located in Montreal, Quebec
Interaction with one of Lamontagne’s works is, simply put, a surreal experience. By using one of several points of entrance, viewers are permitted to experience multiple views of com...
Category
2010s Contemporary Montreal - Art
Materials
Canvas, Acrylic, Oil
Maquette pour l’Hôpital Ste-Justine – Niveau 1
By Judith Berry
Located in Montreal, Quebec
Judith Berry was born in London, Ontario and grew up in Saskatoon, Saskatchewan. She studied at the Nova Scotia College of Art and Design in Halifax and spent one year in the Studio ...
Category
2010s Abstract Montreal - Art
Materials
Paper, Gouache
Maquette pour l’Hôpital Ste-Justine – Niveau A
By Judith Berry
Located in Montreal, Quebec
Judith Berry was born in London, Ontario and grew up in Saskatoon, Saskatchewan. She studied at the Nova Scotia College of Art and Design in Halifax and spent one year in the Studio ...
Category
2010s Abstract Montreal - Art
Materials
Paper, Gouache
White Horizon
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
He...
Category
2010s Contemporary Montreal - Art
Materials
Color
Desire for Self-Determination
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Contemporary Montreal - Art
Materials
Color
Scramble For Maritime Territory
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Contemporary Montreal - Art
Materials
Color
Business As Usual
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
He...
Category
2010s Contemporary Montreal - Art
Materials
Color
Unending Industry
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
He...
Category
2010s Contemporary Montreal - Art
Materials
Color
Lay Bare
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
He...
Category
2010s Contemporary Montreal - Art
Materials
Color
Mapped, Claimed, Evaluated
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Contemporary Montreal - Art
Materials
Color
Set In Motion
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Contemporary Montreal - Art
Materials
Color
Staking Claim
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
He...
Category
2010s Contemporary Montreal - Art
Materials
Color
What Nations Come and Go
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
He...
Category
2010s Contemporary Montreal - Art
Materials
Color
The Spaces We Breathe
By Jessica Houston
Located in Montreal, Quebec
Going North in the Work of Jessica Houston
By L. Sasha Gora
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
He...
Category
2010s Contemporary Montreal - Art
Materials
Color
Still life #6
By Holly King
Located in Montreal, Quebec
Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...
Category
2010s Contemporary Montreal - Art
Materials
C Print
Still life #1
By Holly King
Located in Montreal, Quebec
Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...
Category
2010s Contemporary Montreal - Art
Materials
C Print
Floral Dusk
By Holly King
Located in Montreal, Quebec
Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...
Category
2010s Contemporary Montreal - Art
Materials
C Print
C3H6-UV-01
By Laurent Lamarche
Located in Montreal, Quebec
Nestled between artistic innovation and scientific discovery, Laurent Lamarche’s work explores the boundaries between art and science, nature and artifice, and fact and fiction. Lama...
Category
2010s Abstract Montreal - Art
Materials
Plexiglass, Digital
Embryon 9
By Laurent Lamarche
Located in Montreal, Quebec
Laurent Lamarche’s objects strike a scientific chord in contrast to an art world overwrought with digital spectacles and ominous critique. Lamarche’s work bares a rigorous formalism ...
Category
2010s Abstract Montreal - Art
Materials
Plexiglass, Digital
Embryon 5
By Laurent Lamarche
Located in Montreal, Quebec
Laurent Lamarche’s objects strike a scientific chord in contrast to an art world overwrought with digital spectacles and ominous critique. Lamarche’s work bares a rigorous formalism ...
Category
2010s Abstract Montreal - Art
Materials
Plexiglass, Digital
Embryon 8
By Laurent Lamarche
Located in Montreal, Quebec
Laurent Lamarche’s objects strike a scientific chord in contrast to an art world overwrought with digital spectacles and ominous critique. Lamarche’s work bares a rigorous formalism ...
Category
2010s Abstract Montreal - Art
Materials
Plexiglass, Digital
Sommeil
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models – which Lachapelle has recently begun to make with the help of the latest 3-D printing technology – shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle’s work – for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness – these are the artist’s references to spaces and occurrences which may be concealed below the surface of outward semblance.
Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa – Centre d’Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...
Category
2010s Contemporary Montreal - Art
Materials
Nylon
Predator, Prey & Victim
Located in Montreal, Quebec
Nicholas Crombach is currently an artist in residence at The Florence Trust in London, UK. Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He h...
Category
2010s Contemporary Montreal - Art
Materials
Animal Skin, Resin, Acrylic
Capacious Memory (XVII)
By Robbie Cornelissen
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Abstract Montreal - Art
Materials
Archival Paper, Graphite
Underworld (2a)
By Robbie Cornelissen
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Abstract Montreal - Art
Materials
Graphite
Rosy Toploader
By Clint Neufeld
Located in Montreal, Quebec
Clint Neufeld was born and raised in small town Saskatchewan. Prior to pursuing a career in art, Neufeld spent three years with the Canadian military, which included a deployment to ...
Category
2010s Contemporary Montreal - Art
Materials
Porcelain
Nuit Blanche à Paris (2)
By Michel Piquette
Located in Montreal, Quebec
Text by Anaïs Castro
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision tak...
Category
2010s Abstract Montreal - Art
Materials
Digital
Deep Down
By Adam Gunn
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category
2010s Abstract Montreal - Art
Materials
Oil, Wood Panel
$1,200
You Should Have Seen What I’ve Seen
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
2010s Contemporary Montreal - Art
Materials
Plexiglass, Photographic Paper
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