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Item Ships From: Montreal
Still life #4
By Holly King
Located in Montreal, Quebec
Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...
Category
2010s Contemporary Montreal - Art
Materials
C Print
Still life #8
By Holly King
Located in Montreal, Quebec
Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...
Category
2010s Contemporary Montreal - Art
Materials
C Print
Floral Dusk
By Holly King
Located in Montreal, Quebec
Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...
Category
2010s Contemporary Montreal - Art
Materials
C Print
Still life #1
By Holly King
Located in Montreal, Quebec
Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...
Category
2010s Contemporary Montreal - Art
Materials
C Print
Éclosion
By Laurent Lamarche
Located in Montreal, Quebec
For years, Laurent Lamarche has questioned the relationship between nature and artifice by producing fictional living organisms. Lamarche’s practice explores the following question, ...
Category
2010s Abstract Montreal - Art
Materials
Plexiglass, Digital
Sommeil
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models – which Lachapelle has recently begun to make with the help of the latest 3-D printing technology – shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle’s work – for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness – these are the artist’s references to spaces and occurrences which may be concealed below the surface of outward semblance.
Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa – Centre d’Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...
Category
2010s Contemporary Montreal - Art
Materials
Nylon
Predator, Prey & Victim
Located in Montreal, Quebec
Nicholas Crombach is currently an artist in residence at The Florence Trust in London, UK. Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He h...
Category
2010s Contemporary Montreal - Art
Materials
Animal Skin, Resin, Acrylic
Colourfields (3)
By Robbie Cornelissen
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Abstract Montreal - Art
Materials
Graphite
Mirror Room(2)
By Robbie Cornelissen
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Contemporary Montreal - Art
Materials
Graphite
Entrance
By Robbie Cornelissen
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Abstract Montreal - Art
Materials
Archival Paper, Graphite
Underworld (red)
By Robbie Cornelissen
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Abstract Montreal - Art
Materials
Archival Paper, Graphite
Deep Down
By Adam Gunn
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category
2010s Abstract Montreal - Art
Materials
Oil, Wood Panel
Still Life
Located in Montreal, Quebec
Nicholas Crombach graduated from OCAD University’s Sculpture and Installation program in 2012. He has been awarded the Hayden Davies Memorial Award, Samuel Lazar Kagan Award, Abraham and Malka Green Award, and a BMO 1st Art Nomination. His work has been seen at Word On The Street, Katharine Mulherin Contemporary Art Projects, the Al Green...
Category
21st Century and Contemporary Abstract Montreal - Art
Materials
Ceramic, Resin, Wood, Acrylic
74.09ºS, 179.90ºW; 255º@29 km/h; 21, 1ºC 06/10/15 09:00 Local
By Colleen Wolstenholme
Located in Montreal, Quebec
By Sophie Lynch
In Hyperobjects, Nova Scotia-based artist Colleen Wolstenholme presents works that developed from her earlier drawings of brain cell patterns and her interest in t...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Ink, Archival Paper
Entre nous V
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Arch and Sea 2
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Luminous
By Holly King
Located in Montreal, Quebec
Text by Amber Berson
Canadian photographer Holly King’s Mangrove series is an investigation into the artist’s own subconscious. The photographs border on the uncanny, although never uncomfortably so. Instead, her preternatural compositions engage the viewer’s curiosity – the viewer is not sure how to approach, and yet is drawn to do so. At times the images are reflective, occasionally disquieting and always thought provoking. The twisted roots of the mangrove forests that form the base of this series provide an entry point for an investigation into the shadowy parts of the artist’s imagination.
The differences between what we know to be real and what we perceive as real are often slight. The work of Holly King stems from an attempt to prevail over the uncharted territory of both her imagination and that which is perceived as true. In her creations, King endeavours to understand her subconscious mindscape as manifested through photographs recalling actual landscapes.
This new series, stemming from earlier pieces also focused on roots, reflects King’s interest in drawing, in the linear subject and in geometric abstraction. It is a move away from previous series – despite the photographic medium in which King works, her oeuvre has contained a certain painterly quality. These new photographs tend to melt into themselves, drawing the viewer in and letting the imagination drift. The Mangrove series causes the viewer to approach with at a slower pace, to investigate deeply into the darker nooks and crannies and to attempt to find reason within a work that so clearly plays with our understanding of real and imaginary.
Nothing is incidental in King’s photographs, yet it is not always manipulated. King’s process often involves the use of maquettes – not digital manipulation of the images – creating an eerily surreal image that seem both familiar and strange. Her photos go beyond setting up the angle and vantage point of the shot; they force us to try to see things as the artist does by their very nature. In her own way, King follows in the footsteps of other notable Canadian landscape artists...
Category
Early 2000s Contemporary Montreal - Art
Materials
Photographic Paper
Heavenly Invitation
By Holly King
Located in Montreal, Quebec
Text by Amber Berson
Canadian photographer Holly King’s Mangrove series is an investigation into the artist’s own subconscious. The photographs border on the uncanny, although never uncomfortably so. Instead, her preternatural compositions engage the viewer’s curiosity – the viewer is not sure how to approach, and yet is drawn to do so. At times the images are reflective, occasionally disquieting and always thought provoking. The twisted roots of the mangrove forests that form the base of this series provide an entry point for an investigation into the shadowy parts of the artist’s imagination.
The differences between what we know to be real and what we perceive as real are often slight. The work of Holly King stems from an attempt to prevail over the uncharted territory of both her imagination and that which is perceived as true. In her creations, King endeavours to understand her subconscious mindscape as manifested through photographs recalling actual landscapes.
This new series, stemming from earlier pieces also focused on roots, reflects King’s interest in drawing, in the linear subject and in geometric abstraction. It is a move away from previous series – despite the photographic medium in which King works, her oeuvre has contained a certain painterly quality. These new photographs tend to melt into themselves, drawing the viewer in and letting the imagination drift. The Mangrove series causes the viewer to approach with at a slower pace, to investigate deeply into the darker nooks and crannies and to attempt to find reason within a work that so clearly plays with our understanding of real and imaginary.
Nothing is incidental in King’s photographs, yet it is not always manipulated. King’s process often involves the use of maquettes – not digital manipulation of the images – creating an eerily surreal image that seem both familiar and strange. Her photos go beyond setting up the angle and vantage point of the shot; they force us to try to see things as the artist does by their very nature. In her own way, King follows in the footsteps of other notable Canadian landscape artists...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
World Beyond the Water
By Holly King
Located in Montreal, Quebec
Text by Amber Berson
Canadian photographer Holly King’s Mangrove series is an investigation into the artist’s own subconscious. The photographs border on the uncanny, although never uncomfortably so. Instead, her preternatural compositions engage the viewer’s curiosity – the viewer is not sure how to approach, and yet is drawn to do so. At times the images are reflective, occasionally disquieting and always thought provoking. The twisted roots of the mangrove forests that form the base of this series provide an entry point for an investigation into the shadowy parts of the artist’s imagination.
The differences between what we know to be real and what we perceive as real are often slight. The work of Holly King stems from an attempt to prevail over the uncharted territory of both her imagination and that which is perceived as true. In her creations, King endeavours to understand her subconscious mindscape as manifested through photographs recalling actual landscapes.
This new series, stemming from earlier pieces also focused on roots, reflects King’s interest in drawing, in the linear subject and in geometric abstraction. It is a move away from previous series – despite the photographic medium in which King works, her oeuvre has contained a certain painterly quality. These new photographs tend to melt into themselves, drawing the viewer in and letting the imagination drift. The Mangrove series causes the viewer to approach with at a slower pace, to investigate deeply into the darker nooks and crannies and to attempt to find reason within a work that so clearly plays with our understanding of real and imaginary.
Nothing is incidental in King’s photographs...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Into the Mist
By Holly King
Located in Montreal, Quebec
Text by Marsha Taichman
Holly King’s photographs draw from memories of landscapes, and reference film, art and literature. Her images are cinematic ...
Category
2010s Contemporary Montreal - Art
Materials
Photographic Paper
Basalt Cliff
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Shipwreck
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Beach and Cliffside
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Cliff with Vines
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Crowned Seascape
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
2010s Contemporary Montreal - Art
Materials
Photographic Paper
Lighthouse
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Tree and Fields
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Spiral Water
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Perceptible Changes Over Time
By Jessica Houston
Located in Montreal, Quebec
In Jessica Houston’s Afterward, Silence (Franklin’s Crewmen’s Grave, Beechey Island) a single pale gravestone stands on an otherwise desolate ashen shore – a relic of Sir John Frankl...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Different Geographies, Different Histories
By Jessica Houston
Located in Montreal, Quebec
In Jessica Houston’s Afterward, Silence (Franklin’s Crewmen’s Grave, Beechey Island) a single pale gravestone stands on an otherwise desolate ashen shore – a relic of Sir John Frankl...
Category
2010s Contemporary Montreal - Art
Materials
Photographic Paper
Now look at Barack Obama and Bill Cosby
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person
Text by Edwin Janzen
It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity.
Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Plaster
My father came over from England
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person
Text by Edwin Janzen
It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity.
Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Plaster, Wood
Pain Killer
By Karine Giboulo
Located in Montreal, Quebec
Karine Giboulo creates colourful miniature worlds in which depictions of reality and flights of fantasy mingle. Her intricate sculpted scenes use pathos and humour to comment on the ...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Nuit blanche à Chicago
By Michel Piquette
Located in Montreal, Quebec
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tradition a few decades old alread...
Category
2010s Contemporary Montreal - Art
Materials
Aluminum
But It Won’t Last Forever
By Henri Venne
Located in Montreal, Quebec
Henri Venne was born in Joliette in 1966 but now lives and works in Montreal. Since 1994, he has been showing his artwork, a combination of semi-abstract photography and painting, in solo and group shows throughout many galleries and museums in Quebec. Some of his most important shows include his solo exhibitions (D’)après nature (after nature) in 2004 at the Montreal Museum of Contemporary Arts and still life in 2006 at Art Mûr gallery, which represents him in Montreal. He holds a masters degree from Concordia University in Fine Arts (1999) and now teaches art classes at Vanier and André Grasset Colleges, University of Montreal’s Department of Cultural Activities and also at Art Neuf Cultural Center. His work is now part of many collections, namely the Montreal Museum of Contemporary Arts, the Canada Council Art Bank, la Collection Prêt d’oeuvres d’art du Musée National des Beaux Arts du Québec, of Loto-Québec and Fasken Martineau-Dumoulin (Montreal) and also in private collections. Henri Venne has been awarded grants by both the Canada Art Council and the Quebec Art...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Plexiglass, Digital
Slips Away Quietly
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Acrylic Polymer, Photographic Paper
Another Time Undone
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Plexiglass, Digital
Ingrained
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Plexiglass, Digital
for intérieur – braise 3
By Patrick Beaulieu
Located in Montreal, Quebec
Patrick Beaulieu’s multi-disciplined practice creates finely tuned and subtle gestures that aim to re-focus our attention on the physical world that we see and experience. In convers...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
for intérieur – sang 4
By Patrick Beaulieu
Located in Montreal, Quebec
Patrick Beaulieu’s multi-disciplined practice creates finely tuned and subtle gestures that aim to re-focus our attention on the physical world that we see and experience. In convers...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
for intérieur – braise 2
By Patrick Beaulieu
Located in Montreal, Quebec
Patrick Beaulieu’s multi-disciplined practice creates finely tuned and subtle gestures that aim to re-focus our attention on the physical world that we see and experience. In convers...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
for intérieur – braise 4
By Patrick Beaulieu
Located in Montreal, Quebec
Patrick Beaulieu’s multi-disciplined practice creates finely tuned and subtle gestures that aim to re-focus our attention on the physical world that we see and experience. In convers...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Large Discs and Sticks
By Judith Berry
Located in Montreal, Quebec
Judith Berry’s paintings impart that simultaneous sense of belonging, uncanny familiarity and uneasy otherworldliness common in science-fiction geographies. You are left with the fee...
Category
21st Century and Contemporary Abstract Montreal - Art
Materials
Canvas, Oil
Clouded View
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Post-Modern Montreal - Art
Materials
Plexiglass, Photographic Paper
Carrousel
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models - which Lachapelle has recently begun to make with the help of the latest 3-D printing technology - shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle's work - for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness - these are the artist's references to spaces and occurrences which may be concealed below the surface of outward semblance.
Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa - Centre d'Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...
Category
21st Century and Contemporary Post-Modern Montreal - Art
Materials
Nylon
Quiet Monument
By Holly King
Located in Montreal, Quebec
Holly King’s photographs draw from memories of landscapes, and reference film, art and literature. Her images are cinematic and striking, seemingly rea...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Pathway to an Illusion
By Holly King
Located in Montreal, Quebec
Holly King’s photographs draw from memories of landscapes, and reference film, art and literature. Her images are cinematic and striking, seemingly rea...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Scenic Delirium
By Holly King
Located in Montreal, Quebec
Holly King’s photographs draw from memories of landscapes, and reference film, art and literature. Her images are cinematic and striking, seemingly rea...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Ascent to the Edge
By Holly King
Located in Montreal, Quebec
Holly King’s photographs draw from memories of landscapes, and reference film, art and literature. Her images are cinematic and striking, seemingly rea...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Reflections Tantalize
By Holly King
Located in Montreal, Quebec
Holly King’s photographs draw from memories of landscapes, and reference film, art and literature. Her images are cinematic and striking, seemingly rea...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Bough Laden with Fluorescent Orange
By Shayne Dark
Located in Montreal, Quebec
In 1914, a group of intrepid young men set forth into the northern wilderness with the ambition to document the uncharted territory of the Canadian collective unconscious. Their medium was that of sketchbooks and paint, and with these they rendered a vast and previously unknowable landscape into a tangible national identity. One could call their distinct style picturesque, as it cohered to many of the attributes prescribed by 18th century thinker William Gilpen – for capturing nature so as to make it both palatable and empowering for the viewer. During the romantic period in Europe, certain visual tropes emphasized the beauty of the natural landscape despite the rapid advancements of industrialism. As such, the picturesque, when applied properly, enabled the viewer to apprehend and revel in the vastness of change and opportunity with which they were presently confronted.
It is at a similar juncture that we contemplate the works of contemporary sculptor and installation artist Shayne Dark, who’s large scale arborescent schemes present a striking encapsulation of both the magnitude as well as the limits of our natural resources. In an age where the re-assessment of our modes of production and consumption has become a main constituent of our identity, his work serves as a potent reminder of this position’s precarity. One piece resembling a cluster of branches, for example, balances in a tenuous fashion, relying on the equal distribution of weight among all its parts to stay upright. In another work, the boughs extend upwards from a base so small it threatens to tip over. As opposed to the romantic and idealized conceptions of a nature as realized in the compositions of the Group of Seven, Dark, by working in the industrial material of hot forged steel, acknowledges the imprint of the human hand on our surroundings.
As art critic and theorist Rosalind Krauss...
Category
21st Century and Contemporary Abstract Montreal - Art
Materials
Metal
Liquid Black Gold - Original Oil on Canvas Painting by Catherine Colosimo
By Catherine Colosimo
Located in Montreal, Quebec
- Comes with a certificate of authenticity
- Signed by the artist Catherine Colosimo
- Comes with a high quality frame.
Category
2010s Other Art Style Montreal - Art
Materials
Canvas, Oil
Still Life with Shrapnel (Study III)
By David Garneau
Located in Montreal, Quebec
The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...
Category
2010s Contemporary Montreal - Art
Materials
Acrylic, Wood Panel
Still Life with Shrapnel (Study I)
By David Garneau
Located in Montreal, Quebec
The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...
Category
2010s Contemporary Montreal - Art
Materials
Acrylic, Wood Panel
Cartesian Doubt
By David Garneau
Located in Montreal, Quebec
The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...
Category
2010s Contemporary Montreal - Art
Materials
Canvas, Acrylic
Museum Piece
By David Garneau
Located in Montreal, Quebec
The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...
Category
2010s Contemporary Montreal - Art
Materials
Canvas, Acrylic
Bison Bookshelf
By David Garneau
Located in Montreal, Quebec
The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...
Category
2010s Contemporary Montreal - Art
Materials
Canvas, Acrylic
Empathetic Conformation
By David Garneau
Located in Montreal, Quebec
The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...
Category
2010s Contemporary Montreal - Art
Materials
Acrylic, Wood Panel
