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Munich - Chain Necklaces

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Item Ships From: Munich
Antique Art Deco Modernist Silver Necklace
Located in Munich, Bavaria
This modernist mesch necklace has a beautiful smooth feel to it despite it's considerable weight. The square clasp has a hammered surface typical for the transition period of Art Nou...
Category

1920s European Art Deco Vintage Munich - Chain Necklaces

Materials

Silver

Antique Folklore Choker Pendant Necklace Silver Glas Coin Sissi Husband
Located in Munich, Bavaria
The choker is made out of two rows of silver chains. Each row consists out of two silver chains joined by links in the shape of a infinity symbol with alternating ornaments in the ce...
Category

1870s European Antique Munich - Chain Necklaces

Materials

Silver

Antique Silver Silvergilt Garnet Double Flame Heart Pigeon Wedding Necklace
Located in Munich, Bavaria
This outrageous silver necklace consists out of four rows of belcher chains and three ornamental plaques. A center piece in the shape of a flower is decorated with embossed gilt orn...
Category

1830s German Antique Munich - Chain Necklaces

Materials

Garnet, Silver

Modern Hand Crafted Gold Necklace Chain 18 Karat Yellow Gold
Located in Munich, Bavaria
This handcrafted necklace comes without clasp and is to be put on over the head.
Category

Early 2000s German Contemporary Munich - Chain Necklaces

Materials

18k Gold, Yellow Gold

Antique Victorian Long Guard Chain Sautoir with Enamel Slide Infinity Knot
Located in Munich, Bavaria
This fine and solid long guard chain is in excellent order throughout and comes with it's double side slide, decorated with an enamelled and engraved infinity knot.
Category

1870s Victorian Antique Munich - Chain Necklaces

Materials

14k Gold, Enamel

Antique Belle Époque 18 Karat Gold Sautoir Long Guard Chain Oriental Pearls
Located in Munich, Bavaria
Very elegant French Belle Époque 18 karat gold sautoir made up from two variations of delicately worked oval links alternating with oriental pearls.
Category

1890s French Belle Époque Antique Munich - Chain Necklaces

Materials

Pearl, Gold, 18k Gold

Antique French Watch Chain Necklace Two Colour Glas Silber
Located in Munich, Bavaria
This stylisch watch chain has been handcrafted in silver. Four different types of chain have been used, gas tube, foxtail, a large belcher and an engraved belcher link. Two tassels ...
Category

1870s French Napoleon III Antique Munich - Chain Necklaces

Materials

Silver

LOUIS FERAUD Gold Tone Rhinestone Filled Charm Letters Necklace & Bracelet Set
Located in Munich, DE
A rare Louis Féraud gold tone statement necklace and bracelet set from the 1980s featuring each a massive gold tone chain, clear rhinestone filled "LOUIS FERAUD" charm letters and a ...
Category

1980s French Vintage Munich - Chain Necklaces

Materials

Gilt Metal

Antique Iron Long Guard Chain with Enamelled Silver Dragonfly
Located in Munich, Bavaria
This wonderful antique long guard chain is made from extremely fine iron split rings. It came to me accompanied by an Art Nouveau style sterling sil...
Category

Early 1800s Empire Antique Munich - Chain Necklaces

Materials

Silver, Enamel, Mixed Metal

Antique Victorian Serpent Link Chain Necklace Watch Chain 9 Karat Gold
Located in Munich, Bavaria
This sturdy and timeless victorian 9 carat watch chain has the perfect length for wearing.
Category

1860s Victorian Antique Munich - Chain Necklaces

Materials

Gold

Antique Gold Watch Clock Chain Necklace, Austria
Located in Munich, Bavaria
gold stamp Austria; maker`s mark "DK" length half: 88 cm
Category

1890s Austrian Antique Munich - Chain Necklaces

Materials

14k Gold

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1937 Art Deco 85 carat rock crystal silver necklace by Wiwen Nilsson
By Wiwen Nilsson
Located in Malmö, SE
Silver and approx 85ct rock crystal. Signed and dated 1937. The pendant is 6,7 cm long on a 59 cm long chain. Wiwen Nilsson (1897-1974) - An Art Deco Silversmith in the Age of Modernism. Wiwen Nilsson was born in Copenhagen, Denmark in 1897. Born as Karl Edvin, but since he did not like his christening name, he was, within the family, called Wiwen. He was the son of Karolina and Anders and grew up with his sister Edith. In 1897 the family moves to Lund, Sweden when the father takes over the gold and silversmith company J.P. Hasselgren & Son. In 1906, Wiwen began at Katedralsskolan in Lund and finished school when he graduated fifth grade in 1912. It was common to continue up to sixth grade and then high school, but Wiwen who does not thrive in a school environment wants to become a pianist or aviator instead. However, as the father is a recognized jeweler and court supplier, the son's career is already marked. Instead, he embarks on an educational journey with the goal Königliche Zeichenakademie in Hanau am Main, Germany. The school is Germany's oldest and most prestigious goldsmith's school. Wiwen enrolled on the fourth of August in 1913 and studied drawing, workshop work, engraving and hammering work. The education comes to an abrupt end with the outbreak of the First World War in 1914, and he instead continues his education in his father's workshop, where he stays until 1919. He does, however, make two breaks, the first quarter of 1917 he enrolled at the Technical Society's School in Copenhagen where he studied modeling, among other things, and in 1917-1918 he did his military service in Stockholm. In 1919 he applied for and received his companion letter, at the same time he received the Swedish Craft Organization's large medal in silver for his professionalism. In 1920 he is again at the school in Hanau, Germany where he stays until 1921 and practices with the jewelry company Chr. Kissling also in Hanau. At school, he mainly studies drawing and chiseling, a type of relief technique that was very popular during the 17th century. Wiwen is driven by his own design language and thinks that the prevailing technique under the influence of Danish designers is a setback in the development of chiseling. During his time in Hanau, he visits several arts and craft exhibitions and comes into contact with the Wiener Werkstätte and the Wiener Werkbund, among others. At the same time as he is studying, he writes travel stories where it emerges that he believes that Sweden's conservatism inhibits the development of arts and crafts, something he himself wants to change. Back in Sweden in 1921, he was appointed the company's artistic designer. In 1923, the company participates in the Gothenburg exhibition, but here Wiwen receives devastating criticism. His creations are considered ugly and meaningless, a critic writes that it is a typical case of poor material sense. In 1924, Wiwen Nilsson travels to Paris. Just like in Hanau, he studies chiseling, silver, drawing and modeling at the Académie de la Grande Chaumiére (now Académie Charpentier). One of France's foremost art schools where, among others, Siri Derkert (1888-1973) and Bror Hjorth (1894-1968) have also studied. In Paris he became acquainted with Georg Jensen (1866-1935), in whose workshop he chiseled for a period. He also meets and hangs out frequently with Jules Schyl (1893-1977) and Gösta Adrian-Nilsson, GAN (1884-1965). The meeting with GAN becomes extremely important and came to influence and refine Wiwen's own design language and together they hold a joint exhibition in 1925 in Lund. From 1925 until the end of the 1920s, Wiwen Nilsson produces a large amount of church silver. He designs and manufactures for, among others, Allhelgonakyrkan in Lund, Knästorps and Tottarps kyrka in Skåne. In total, Wiwen's workshop manufactures 677 objects for churches, of which 483 are found in churches within the diocese of Lund and 194 in other Swedish churches. Some are also sent internationally to the Church of Sweden in Paris, Berlin, Copenhagen and churches in West Germany, Iceland and to Zululand in South Africa. His church silver unmistakably bears the same design language as his profane works. All with the same angular but harmonized and modernist shapes, not infrequently his vessels like jugs and lid boxes are often hexagonal or octagonal. In 1925 he participated in the Exposition Internationale des Arts Décoratifs et Industriels à Paris (World Exhibition) where he received a gold medal in Class 10, the category for crafts and art industry in metal. Other exhibitors included C.G. Hallbergs Guldsmeds AB and Jacob Ängman...
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1930s Swedish Art Deco Vintage Munich - Chain Necklaces

Materials

Rock Crystal, Silver

Victorian 15k Yellow Gold Long Guard Chain Circa 1880
Located in ADELAIDE, SA
Victorian fancy double link gold guard chain and bolt ring catch. Metal: 15k yellow gold Weight: 20.00 grams Measurements: Length 175cm Era: Victorian Circa 1880 Antique guard chains...
Category

1880s Victorian Antique Munich - Chain Necklaces

Materials

Yellow Gold

Antique Victorian Garnet Snake Necklace
Located in Morgan, UT
AN ANTIQUE VICTORIAN GARNET SET SNAKE NECKLACE. This necklace is in great condition and has beautiful features through the necklace. The snak...
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1840s Unknown Victorian Antique Munich - Chain Necklaces

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Garnet, 14k Gold, 15k Gold

1960s 18 Karat Yellow Gold Retro Twisted Chain Long Necklace
Located in Poitiers, FR
Necklace in 18 karat yellow gold, eagle head hallmark. This long gold chain features a mesh of twisted gold wires and a spring-ring clasp. Width : 4 mm approximately, length : 73,5 cm approximately. Total weight of the jewel : 15,8 g approximately. Authentic antique jewelry - Work from the 1960s. Our opinion : A long, antique yellow gold necklace...
Category

1960s French Retro Vintage Munich - Chain Necklaces

Materials

Gold, 18k Gold, Yellow Gold

Classic 18 Karat Gold Chain Necklace
Located in Geneva, CH
Wheat necklace made of 18 Karat yellow gold. This necklace is wider in the center part and narrower towards the side. This exquisite gold chain necklace is made of 18 karat gold, en...
Category

Early 2000s Munich - Chain Necklaces

Materials

Yellow Gold, Gold, 18k Gold

An 18 Carat Gold Vintage Long Chain
Located in Amsterdam, NL
An 18 carat long chain with infinity links. weight: 68.45 grams length: 87 cm
Category

1970s French Vintage Munich - Chain Necklaces

Materials

Gold, 18k Gold

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