Pasadena - Abstract Drawings and Watercolors
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Item Ships From: Pasadena
Watercolor Abstract by David Segel
By David Segel
Located in Pasadena, CA
This geometric abstract by David Segel presents an interplay of form and color, rendered in a restrained palette of charcoal gray, black, ochre yellow, and deep red. The composition ...
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1970s Abstract Pasadena - Abstract Drawings and Watercolors
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Black and White Abstract by Ned Schultz
Located in Pasadena, CA
The power of an image cannot be received at a glance. To understand it fully, we should interpret it, letting ourselves be lulled by its balance.
The architecture of his drawing be...
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Early 2000s Abstract Expressionist Pasadena - Abstract Drawings and Watercolors
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Black and Blue Abstract Pastel Drawing by Amalia Schulthess in Gold Frame
Located in Pasadena, CA
This abstract pastel drawing by artist Amalua Schulthess features large light and dark blue blocks crossed by wide black lines. They are so wide that they could be easily mistaken fo...
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Mid-20th Century Abstract Pasadena - Abstract Drawings and Watercolors
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Pastel Portrait of Stella Samuel in the style of Charles Sheldon for Photoplay
Located in Pasadena, CA
The pastel portrait of Stella Samuel, very likely a starlet from the thirties, created in the style of Charles Sheldon, emanates timeless elegance. With a delicate interplay of color...
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1930s Art Deco Pasadena - Abstract Drawings and Watercolors
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Painter, sculptor, and printmaker Carl Lewis Pappe was born in Hungary in 1900. He died in 1998.
Following grade school, Pappe enrolled at the Cleveland School of Art (not the Cleveland Institute of Art) from 1921 to 1925. Upon graduation, the Hungarian Society awarded him a full scholarship to attend the Pennsylvania Academy of Fine Arts, where he studied under Daniel Garber and Hugh Breckinridge.
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The entire life of Amalia Schulthess has been tied up in art. She grew up in Thurgau, Switzerland, where Paul Klee was a frequent guest in her house. She immigrated to America in 1941. Upon her arrival in New York she made contact with Piet Mondrian, who inspired her to continue working as a professional artist. Schulthess then traveled west, painting and exhibiting for the next 20 years in California and New Mexico. In Taos she met Andrew Dasburg and was instrumental in reviving the career of the great modernist who had fallen into obscurity after the war.
By the late 1960s Schulthess had abandoned painting for sculpture. She worked in Florence, Italy for 10 years and after that established a studio in Pietra Santa. Regardless of where she was her work has always been close to nature. Organic forms predominate and the magic of the raw material is allowed to speak out.
Schulthess was the subject of a retrospective at the Santa Barbara Museum of Art in 1976 and has exhibited in Paris at the Salon de Jeune Sculpture and the Salon de Mais. Her work is in various public and private collections both in Europe and America including the Santa Barbara Museum of Art, La Jolla Art...
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H 12.5 in W 15 in D 1 in