Philadelphia - Nude Drawings and Watercolors

Painting: Watercolor on Paper, Framed Dimensions: 18 in x 24 in, Framed 23 in x 29 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was born in Nov...

Jack Hooper "Green and Blue Nude II" 5/1963 Oil pastel on paper 8.5"x11" unframed Signed and dated in pencil lower right Jack Meredith Hooper (August 26, ...

Untitled- Penis by Celso Castro-Daza Aquacolor Crayon on archival paper Image size: 48 in. H x 39.5 in. W Sheet size: 59.5 in. H x 44 in. W Unique 1996 Drawing on paper is his bas...

Watercolour, signed and dated (lower right), 76cm x 56cm, (93cm x 69cm framed). Daniel Barkley is known for his nude figurative work alluding to myths, legends and art history, whi...

Male Nudes is an original modern artwork realized in 1921 by the French artist Daniel Ginsbourg. Original sanguine drawing on paper. The sheet is gluew on a blue dark sheet. Hand-s...

Joseph Delaney Nude with Hand on Hip Leaning Against Chair, circa 1935 Signed lower right Watercolor on paper Sight 12 x 8 inches Provenance: Sacks Fine Art, New York Private Collection, New York African-American artist Joseph Delaney was a folk-expressionist painter who loved New York City, both as a subject for painting and the spectacle and experience of ever-changing life and vitality. Of the city, he said: "The curtain goes up on the stage of life every time we walk into the street. In spite of New York's being the most congested city I have been in, and know about, by and large, it's just people on the move. I have enjoyed more than I can say seeing people and hearing them speak about things they love and enjoy." Delaney, the son of a Methodist minister, was born in Knoxville, Tennessee, in 1904, the ninth of ten children. It was in church that Delaney and his older brother, Beauford, began to express their art talent by drawing on Sunday School cards. He attended school there, leaving the Knoxville Colored High School at the end of the ninth grade. The next few years were spent doing odd jobs around town (caddy at the Cherokee Country Club, bell hop at the Farragut Hotel) until leaving for Chicago around 1924, where he served three years with the National Guard. He returned to Knoxville in 1929, selling insurance and helping found the city's first black Boy Scout unit. In 1930, Delaney went to New York City, studying at the Art Students League with Thomas Hart Benton, George Bridgman and Alexander Brooke. Other students there at the time included Jackson Pollock, Henry Stair, and Bruce Mitchell. In 1932, he exhibited in the first Washington Square Outdoor Art Show. He would continue to do so for the next forty years, working as a sketch artist there, drawing such celebrities as Eartha Kitt, Arlene Francis, Eleanor Roosevelt, and Tallulah Bankhead. Delaney would spend fifty-six years living and painting in the area of lower Manhattan, SoHo and Union Square. From 1934-1940, Delaney worked for the WPA (Works' Progress Administration) on projects in New York City including the Index of Design for the Metropolitan Museum of Art, the Pier 72 mural, and the Story of the Recorded Word mural at the Public Library. He also taught at Harlem and Brooklyn settlement houses and the Art Students League while exhibiting his paintings in his studio, art galleries and other exhibitions. In 1942, Delaney received a Julius Rosenwald grant of $1200.00 to travel, sketch and later paint the Eastern seaboard. In 1964, he was a sketch artist for the New Orleans exhibit and later the Ghana exhibit at the New York City World's Fair. From 1978-1980, he worked for CETA, the Comprehensive Employment and Training Act, as an artist in residence at the Henry Street Settlement. In 1979, Delaney's brother, Beauford, died in Paris at St. Anne's Hospital, an insane asylum. Delaney paid over $6,000 to the French government for taxes, storage, and shipping, to have Beauford's art and personal effects shipped to the U.S. The University of Tennessee would figure strongly in Delaney's life. In 1970, the artist had an exhibition there, and his painting, "V-J Day, Times Square", was added to their collection. In 1986, the Ewing Gallery exhibited, "Joseph Delaney: A Retrospective," as part of the Homecoming '86 Festival. In that year, author Alex Haley...

Duchándome, by Celso Castro-Daza From the Duchándome Series Watercolor and ink on archival paper Image size: 19.5 in. H x 13.75 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo...

Hand signed and titled. Matting included. Good conditions.

Recanato y compañero, viernes 3 de junio 2016, by Celso Castro Crayon Pastel on archival paper Image size: 59 H in. x 39.5 in. W On the back of the painting: Untitled, 1986 Crayon...

Pedro Pablo 1998, by Celso Castro Black crayon on archival paper Image size: 40 H in. x 48 in. W Sheet size: 45 H in. x 59 in. W Unframed ____________ U...

Charcoal and gouache on paper, titled ‘Phil Richards’ and dated ‘Friday Dec 8 72’ (lower left), 64cm x 48cm (72cm x 56cm framed).(Provenance: the Artist’s estate (stamped verso)). the picture is framed behind UV glass Stonehouse had an extraordinary life. As a young art student studying fashion illustration, he joined the Royal Artillery at the beginning of WWII but soon became a part of the Special Operations Executive (SOE). He was sent to France as a radio operator but three and a half months later was caught by the Gestapo, tortured, given a death sentence and then selected for slave labour. He spent the subsequent war years in three French prisons and five concentration and labour camps, including Dachau. He still managed to continue to draw in some of the camps. Following the war, Stonehouse went to the US and continued his career as a fashion artist painting for magazines like Vogue, Harper's Bazaar and Elizabeth Arden. He was also an accomplished portraitist. His work is celebrated in Brian Stonehouse...

Unknown/Unidentified Artist, "Untitled: Women In Bath", Signed Figurative/ Nude Watercolor, Charcoal (Mixed Media) Painting on Paper, 14 x 17, Late 20th Century, 1967 Colors: Black,...