The Hamptons - Wall-mounted Sculptures

This INCREDIBLE wall art piece by Duval Brasseur is also a light with 4 bulbs illuminating the purple agate pieces. The patina and texture of the brass is masterfully executed. Pleas...

This large Sun face in gold leaf gilded wood, in the manner of Pedro Friedeberg, is a burst of design and elegance.

Beautiful and artistic industrial wood mold as wall art, small enough to place in any space while keeping a natural and stylish look in your design.

This is a wonderful industrial and geometric style factory mold in wood very much reminiscent of Nevelson. Can be hung vertically or horizontally.

A pair of interesting cast metal wall mounted dog heads.

AL-01 (5 of 10) Numbered and signed. Sand-cast aluminum (tumbled, sand-blasted, brushed and waxed). This piece is original and part of a limited edition of 10 by Amee Allso...

Interesting barometer in the nautical style by Audoux Minet.....

This whimsical sculpture is by Colombian artist, J. Santamarina, who upcycles iconic plastic toys as inspiration to make a fabulous displayed shadow box. Signed and titled to verso. ...

Reminiscent of Jane Knight's wall art in the 1960s, this is made from 100% natural died wools. This oversized wall hanging with earth tones (bro...

John Steck rare Brutalist modern large "Branches of dandelions" wall sculpture (American, 20th century).

Richard Harvey's Sculpta-Grille screen is made of injection molded plastic (Tenite-Butyrate). This screen is an original abstract form conceived to enhance present day architectural settings. The delicacy of this sculpture combined with depth of form create a rhythm of motion. Changes in lighting and viewing position produce ever-changing pattern flow and continuing interest. Image 3 - Richard Harvey's Sculpta-Grille screen in situ courtesy of Tamara Magel Interiors. Born in 1919 and raised in New York City, Richard "Dick" Harvey studied art at Brooklyn Tech High school and received a degree in Mechanical Engineering at City College of New York. His initial goal was a career in the fledgling field of Industrial Design. When World War II broke out, Harvey served in the US Navy. After his navy service he began working with his father--a first class toolmaker, designing and manufacturing plastic injection molds for the doll industry. Primarily a designer, Harvey observed that modern architectural styles of the 1940s and 1950s could appear Stark and lacking suitable decorative relief. He began researching; sculpting and designing what he felt would be an appropriate complement to modern architectural design. Harvey began hand-building plaster-of-paris prototypes for classically-styled grille-work. Responses to these designs were overwhelmingly positive and Harvey was encouraged to develop the idea further. He initially chose four Classic designs; "Ring and Bar," "Persian," "Persian-Lattice" and "Arabesque". The late 1950s were a period of creative entrepreneurship and Harvey made the decision to go into business. Injection molds were built and new-product press releases were sent to trade publications. In June of 1959 an article and photograph appeared in Interior Design Magazine; inquiries and orders quickly followed. "Harvey Design...

A beautifully woven natural fiber art sculpture titled The Tree of Life.