United Kingdom - Furniture

A Porcelain-Mounted Occasional Table in the Transitional Manner Attributed to Edward Holmes Baldock Constructed from kingwood and tulipwood, with ormolu mounts in the Louis XV/XVI transitional style, supported on cabriole lefs with sabot feet, the frieze decorated with eight 'Sevres' style porcelain painted panels with birds...

Hand-carved, giltwood round low end table. we can supply a marble top on quotation if required.  

Large antique gilt metal lamp in the form of an embossed flagon with many fine details & sitting on an onyx base with gilt feet. The gilding has a soft gold color & has been clean...

French kingwood parquetry and ormolu-mounted vitrine. In the Louis XV-XVI Transitional style, of kingwood and tulipwood crossbanding and o...

A very fine bureau plat in the manner of Edward Holmes Baldock. After a model by C.C. Saunier. English made, in the Louis XVth taste, constructed in kingwood, with purpleheart crossbanding and adorned with bleu celeste porcelain plaques with hand-painted floral decoration and extensive fire gilt bronze mounts; rising from cabriole legs with brass sabots and bronze enrichments, in the apron, the one large central drawer is flanked by two smaller drawers with twenty four ‘Sevres’ porcelain plaques enclosed in symmetrical gilt bronze boss studded frames, chased and with a sand form ground. The serpentine top framed with a conforming bronze guard...

A Louis XV style gilt-bronze mounted marquetry inlaid envelope card table. French, circa 1890. This fine card table has a swivel top, with four 'envelope' panels inlaid with m...

A superb and rare pair of Louis XV style kingwood ormolu-mounted side cabinets having the original breche marble tops, wonderful marquetry inlaid panels to the doors and sides. Scrol...

A large and impressive original antique French clock by Louis Japy. It is beautifully made in gilded bronze in the Louis XV style. Waisted case with a fretted front to allow a glimps...

An exceptional pair of rock crystal chandeliers in the classical Louis XV style with unusual dimensions of 2.4m in height, 1.2m diameter. Each chandelier is composed of 45 main light...

A magnificent antique French giltwood console table with a marble top. This was made in France & I would date it from around the 1900-192...

A stunning pair of antique French Demilune side tables, dating from around the 1950s. They are a very useful Size and are of superb quality. T...

This is a stunning pair of French carved giltwood armchairs in the Louis XV style and dating from the last quarter of the 20th century. The chairs feature hand-carved decoration a...

A pair of elegantly embellished venetian style bedside tables from Naples, Italy. The pair of tables, with concealed drawers, stand on long cabriole legs and adorned with intricate, ...

Pair of grand rock crystal chandeliers in the Louis XV style. Original circa 1910 Gilt bronze frame with 64 lights, with an antique finish, redressed in rock crystal by Dimitri Stefa...

A French Louis XV antique stone fireplace. The tapering, stop-fluted jambs with shaped panel above. The frieze with carved cartouche to centre ...

A Large Headboard from Florence, Italy, Circa early 1900's, capturing the ornate elegance of the Rococo period. The headboard is made up of embellished S curves with a large stylised...

Beautiful image by Elisabeth Lebrun Photogravure Published by Connoisseur. C.1900 The measurement is the paper size Unframed

A nine piece Italian, Louis XV style, gilt-wood Suite. This masterfully handcrafted set includes one sofa, two armchairs with matching footstools, and four chairs, all unified by a a...

A striking Louis XV style fire mantel, made in pine and elaborately decorated with ornate composition moulding. This impressive, reclaimed fire surround is quite the statement piece ...

This is a superb antique French Louis XV revival ormolu and Sevres porcelain mounted, wood jardiniere, circa 1860 in date. This beautiful shaped planter has splendid ormolu mounts ...

Early 19th century painted walnut small commode/chest of drawers. French Circa 1820’s.With lovely brass handles and a dark distressed paint finish. Height 32.5 inches or 82.5 cms Wid...

A stunning antique French walnut bureau plat desk, dating from around the 1900-1910 period. It is of outstanding quality, this has fantastic gilt metal ormolu mounts all over, inclu...

A very rare and important exhibition encrier by François Linke and Léon Messagé. French, circa 1900. Index number 709. Signed to the edge 'F. Linke'. This exceptional and ambitious encrier is modelled as two putti, each holding a standard and sitting on the water's edge, the two inkwells with hinged spirally-fluted covers with glass liners. This important inkwell is based on Léon Messagé's celebrated sculptural group 'La Source' and was originally intended by Linke to form part of his spectacular Stand at the 1900 Paris Exposition Universelle. Like seven or eight other pieces originally intended for inclusion on the Stand, it would seem the encrier was a casualty of both Linke's over-ambitious production schedule and the financial burden that the manufacture of such ornate and high quality work imposed. It was eventually shown on the Stand in September after the gilding was finished by Picard at a cost of 90 French francs. The costs of the model were very high: some 2024 francs (of which Message's combined fee was 1158 francs 40 centimes), underlining the originality and complexity. The 1900 Exposition example was sold, along with three important pieces of furniture from the Stand (the Grand bureau and associated armchair, and the Bahut Louis XV Mars et Vénus), to the South African banker and diamond merchant Solomon Joel. A further six encriers were produced up until 1925. Object Literature: Payne, Christopher. François Linke, 1855-1946, The Belle Époque of French Furniture, p. 90, pl. 97; p. 149, pl. 157; p. 150; pp. 182-183, pls 197 & 198 as exhibited at the Liege exhibition in 1905 & p. 480 for the original notes in Linke's Blue daybook of the late 1890s. François Linke (1855 - 1946) was the most important Parisian cabinet maker of the late nineteenth and early twentieth centuries, and possibly the most sought after cabinet maker of his period. He was born in 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinetmaker Neumann, then in 1875 at the age of 20 he arrived in Paris where he lived until he died in 1946. It is known that the fledgling Linke workshops were active in Paris in the Faubourg St. Antoine as early as 1881, and during this time he supplied furniture for other more established makers such as Jansen and Krieger. The quality of Linke's craftsmanship was unsurpassed by any of his contemporaries and reached its peak with his spectacular Stand at the Paris Exposition Universelle in 1900, where his Grand Bureau took the Gold Medal. He gambled his fortune and reputation on this Stand, exhibiting several breathtaking items of furniture with sculptural mounts of the most exceptional quality and proportion. His gamble worked and his reputation was established to such an extent that Linke continued to be the pre-eminent furniture house in Paris until the Second World War. As the Art Journal reported in 1900 on Linke's Stand: 'The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the Classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed....' The formation of Linke's distinctive style was made possible by his collaboration with the sculptor Léon Messagé. Together Linke and Messagé designed furniture for Linke's 1900 exhibition Stand, with exuberant allegorical figures cast in high relief, that exemplified Linke's ability to seamlessly merge the different mediums of wood carving, bronze and marquetry into a dynamic unified whole. Today Linke is best known for the exceptionally high quality of his work, as well as his individualism and inventiveness. All of his work has the finest, most lavish mounts, very often applied to comparatively simple carcasses. The technical brilliance of his work and the artistic change that it represented were never to be repeated. Bibliography: Payne, Christopher. François Linke, (1855 - 1946), The Belle Époque of French Furniture, Antique Collectors' Club, (Woodbridge, UK), 2003. Meyer, Jonathan. Great Exhibitions - London, New York, Paris, Philadelphia, 1851-1900, Antique Collectors' Club, (Woodbridge, UK), 2006; pp. 298 - 300. LeDoux - Lebard, Denise. Les Ébénistes du XIXe siècle, Les Editions de l'Amateur, (Paris), 1984; pp. 439-43. Revue Artistique & Industrielle, (Paris), July-August 1900. Coral Thomsen, D. (ed), The Paris Exhibition 1900, The Art Journal, 1901; p.341. Léon Messagé (1842-1901) had a brilliant, but short lived career. He is best known for his incredible sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. A gifted sculptor, Messagé was also responsible for much of the design and creative work for Roux et Brunet and Joseph-Emmanuel Zwiener. Messagé enjoyed great success as a designer/sculptor before his collaboration with Linke. Indeed he was mentioned as a Gold Medal winner at the 1889 International Exhibition and was especially praised for his work on a cabinet by Zwiener. He came into contact with Linke in 1885 and it appears from then on Linke employed him on a regular basis. Messagé was primarily influenced by Rococo ornament but he strove to re-interpret it. He did not produce slavish copies, and his original approach can be appreciated in Linke's celebrated Grande Bibliothèque and Grand Bureau exhibited at the 1900 Paris Exposition Universelle. A number of drawings by Messagé are recorded and after his success at the exhibition of 1889 he was encouraged to publish his designs. 'Cahier...

Early 20thC Louis XVth Style Kingwood Bureau Plat with fine gilt bronze mounts applied to cabriole legs by - Lysberg & Hansen – Copenhagen - 56"w x 30"h x 30"d - The Copenhagen firm ...

A characterful, Louis XV Style, Bombe Chest, circa 1940's from Italy. The piece is in its original hand-painted finish comprising of a yellow ocher main colour with a second grey/gr...

A Fine Louis XV Style Gilt-Bronze Mounted Marquetry Commode, By Paul Sormani, Paris. The finely proportioned bombé-shaped commode is veneered with floral marquetry in precious timb...

Great image of Ignatius Loyola Fine steel engraving by Holl After a print by Weirix Published by Fullarton Unframed.

This original heavily carved antique French Louis XV, 19th fireplace surround has been crafted from statuary marble. Cica 1840 The chimneypiece has a serpentine shelf, shaped openin...

A stunning antique French bureau, dating from around the 1890-1910 period. It is of extremely fine quality, standing on slender yet sturdy cabriole legs and with gorgeous inlaid flo...

A pair of Louis XV style hand-carved solid walnut Armchairs circa early 1900's, from France. The chairs have some pretty detailing in the fine carving on the chairs featuring small f...

Wonderful print after Jean Jacques Henner Lovely colors. Tipped in plate on good quality paper Chromolithograph Published circa 1920 The measurement given below is the off whit...

Wonderful print after Greuze Lovely colors. Tipped in plate on good quality paper Chromolithograph Published circa 1920 The measurement given below is the off white paper size,...

This wonderfully elegant Chaise Longue, Circa 1880 is from Tuscany, Italy. Finely carved in the LXV style, it includes an armrest on one side which adds the piece's overall form and ...

A rare antique find from Tuscany Italy. This 'Confidante' sofa, circa 1880, is in beautiful condition. The large frame is finely carved in the LXV style, with its original water gild...

An antique Louis XV Campan Vert fireplace, the boldly shaped and moulded shelf above frieze with double scallop shell cartouche with central flower head, the canted jambs headed by a...

An absolutely stunning antique French marble top bombe commode. This was made in France, it dates from around the 1890-1910 period. It is of outstanding quality, the top drawer is s...

Wonderful print after Sir Thomas Lawrence Lovely colors. Tipped in plate on good quality paper Chromolithograph Published circa 1920 The measurement given below is the off whit...

An unusual fine quality mid-19th Century serpentine-shaped Writing Table, having coromandel end-grain moulded edge top and tulipwood crossbanding throughout. The Table, profusely in...

A 19th century French Carrara marble fireplace in the Louis XV style. The shaped, fluted jambs surmounted by panels and scrollwork, with carved leaves above. The shaped frieze with c...

A stunning antique French inlaid walnut cabinet. This was made in France, it dates from around the 1930-50’s. It is of superb quality and is beautifully made, predominantly from wal...

A beautiful antique French gilt bronze clock by A. D. Mougin. Modelled in architectural form and covered with scrolling acanthus decoration to represent a romantic ruin. To the top ...

A beautiful antique French marble top chest. This was made in France and dates from around the 1950’s. It is of great quality and is a lovely size, perfect for use as a bedside ches...

A near pair of white-painted bedside or lamp tables. French, mid 20C. Stock ref. #2297 Both in very good order with later painted finish. 67.5 x 37 x 30.5 cm 26.6 x 14.6 x 12.0 "

An antique Louis XV fireplace in Belgian black marble. This strikingly simple fireplace has a moulded shelf over a panelled frieze, which is supported by elegantly canted jambs. Fre...

An early 1900’s Rococo style Mirror from Florence, Italy. Hand carved with much flair and finished in a traditional ‘Mecca’ patina, traditionally created from silver leaf gilding.

This beautiful small cartel clock dates from the late 1760’s. This rare survivor is in excellent original condition, the large circular eight day movement strikes the hours on a bell...

A well proportioned and finely carved Louis XV style fireplace in Italian Carrara marble. The carved panelled jambs with stiff acanthus at the bottom, descending flowers and foliage surmounted by C-scrolls and shells. The panelled side returns retaining their original brass vents...

A stunning and very well made pair of antique marble top wine tables in the French style, dating from around the 1930’s. The quality is exceptio...

Indulge in a touch of rustic luxury with our Antique Italian Farmhouse Table. Bring the warmth of the Italian countryside into your hom...

A large and very finely carved Louis XV style parcel-gilt and painted trumeau mirror. French, circa 1890. This exceptional and very rare trumeau mirror has an arched mirror pl...

This a very well-made French three-seater sofa with 3 seat cushions, circa 1900, newly upholstered with a suede-like linen colour fabric, very resistant and easy to clean. The frame...

Antique French Louis XV style ormolu mounted marquetry desk by Maison Léger French, c. 1880 Height 80cm, width 185cm, depth 98cm This very impressive desk was crafted around 1880 by...

A fine Louis XV style gilt-bronze mounted mahogany bombé vitrine by François Linke. Signed to the corner clasp 'F. Linke'. This elegant...

A very well carved Carrara marble Louis XV fireplace, the panelled frieze with carved shell and scrolls to centre with trailing foliage and rosettes. Shaped panelled jambs with carve...

A beautiful and extremely well made antique French marble top coffee table, dating from around the 1930’s. This is of superb quality, the frame is made from various woods, predomina...

An attractive Louis XV style 3 shell Carrara marble fireplace from the mid 19th century. The panelled legs with carved shell end blocks, the serpentine frieze again panelled with cen...

This splendid mid-century lantern pays homage to the Louis XV era, a period celebrated for its ornate design and lavish aesthetics. With its graceful curves, intricate detailing, and...

An early Victorian porcelain and ormolu mounted rosewood and tulipwood jewellery coffer on stand or coffre a bijoux attributed to Johann Martin Levien (1811-1871) Circa 1845, an iden...