USA - Art

Look At Me #8 Contemporary Original Abstract Acrylic Painting on Wood Panel The Look At Me series references society’s hunger for attention. Social media, news outlets, and the pres...

untitled (orange) screenprint, embossment, and dye resist 1976 number 3 from an edition of 25

1970 New York Graphic Society Ltd. Printed in U.S.A. The poster measures 39 x 26.25 inches and is unframed. The image is in Good Condition. The border is in Fair/Distressed Condition...

Standing Figure Orange

David Morris Something Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924...

untitled (red) screenprint, embossment, and dye resist 1976 number 3 from an edition of 25

"Bessie Smith" - Musician's Portrait Etching on Paper (A/P) Clean and modern drypoint etching of a jazz singer Bessie Smith by Maria Bennett (American, 20th Century). The singer is ...

Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves ru...

Robert Rauschenberg at Leo Castelli Gallery 1986: Vintage original Robert Rauschenberg exhibition poster published by Castelli Graphics in conjunction with the exhibition, Robert Rauschenberg: Tibetan Keys and Locks, May 21-June 18, 1986 at Leo Castelli New York. A unique vintage Rauschenberg collectible featuring the artist's signature collage style. Well-sized and suitable for framing. Off-set lithograph 1986. 20 x 29.75 inches. Double-quattro fold-lines as originally issued; minor edge wear to one fold-line; otherwise very good condition (no rips, tears, stains, etc.) Scarce form an edition of unknown; unsigned. First edition, 1st printing; postmarked 1986 on the verso. Artist biography: Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as a true art world rebel rouser...

Two High Desert Landscapes - Line Drawing in Sepia-Toned Ink on Paper Bold landscape line drawings by listed Maine artist Laurence Sisson (American, 1928-2015). In the top image, giant cumulous clouds hang over the desert plateaus of varying heights. In the bottom image, desert brush fill the foreground with rocky mountains and big clouds towering over. These drawings were likely preparatory sketches for larger paintings. This piece is unsigned, but was acquired from David Sisson, the artist's son. Copy of a signed letter of authentication included Presented in a new orange mat with foam-core backing. Mat size: 19"H x 13"W Image size: 10.63"H x 7.75"W Laurence Sisson, was a student of Herbert Barnett (1910-1972), he was one of America's preeminent realist painters today. His work may be found in the permanent collections of museums nationwide including the Museum of Fine Arts, Boston, and the Portland Museum of Art, Maine. Laurence Sisson painted landscapes for sixty years. He was known for his paintings of the Maine coast and landscapes of the southwest. His style ranges from plein air watercolors to large oil landscapes...

"Drenched in Enthusiasm" is a mixed media art piece by artist, Susan Stover. Drenched in Enthusiasm, is made of cardboard, exterior house paint, acrylic paint, varnish and hand sewn together with waxed linen thread. Inspired by her love of textiles and eastern cultural design elements, Stover creates monumental quilt-like pieces that also occupy the space of being a sculpture. This piece measures to 48.75" x 48.5" and is featured in Colibri Gallery...

Stephen Sacklarian 1899-1983 Sacklarian studied art at the Pennsylvania Academy of Fine Art, the T- Square Club-School for Architects, The Philadelphia College of Art, the Fleisher ...

Dimensions: 15.5 X 7 X 7 in. The organic shaped vase showcases an applied light gold colored threaded design enveloping the clear body, around. Hand signed Constantini S. It came from an important estate in the Palm Beach area. Made in Murano, handmade according to the ancient Murano glass tradition. Master Sergio Costantini was born in Venice in 1956 and learned the technique of glass processing from the famous Master Glassmakers of Murano A. Barbini, Licio Zanetti, L. Mellara. His works are exhibited globally in the most important museums and art galleries. Venetian glass (Italian: vetro veneziano) is thought to have been made for over 1,500 years, and production has been concentrated on the Venetian island of Murano since the 13th century. Murano glassmakers created cristallo—which was almost transparent and considered the finest glass in the world. Murano glassmakers also developed a white-colored glass (milk glass called lattimo) that looked like porcelain. They later became Europe's finest makers of mirrors. Murano glassmaking began a revival in the 1920s. Today, Murano and Venice are tourist attractions, and Murano is home to numerous glass factories and a few individual artists' studios. Its Museo del Vetro (Glass Museum) in the Palazzo Giustinian contains displays on the history of glassmaking as well as glass sculpture samples ranging from Egyptian times through the present day. The Venetian glassmakers of Murano are known for many innovations and refinements to glassmaking. Among them are Murano beads, cristallo, lattimo, chandeliers, and mirrors. Additional refinements or creations are goldstone, multicolored glass (millefiori), and imitation gemstones made of glass. Aventurine glass, also known as goldstone glass, is translucent brownish with metallic (copper) specks. Calcedonio is a marbled glass that looked like the semi precious stone chalcedony. This type of glass was created during the 1400s by Angelo Barovier, who is considered Murano's greatest glassmaker. Ercole Barovier, a descendant of Murano's greatest glassmaker Angelo Barovier, won numerous awards during the 1940s and 1950s for his innovations using the murrine technique. Sommerso is a form of artistic Murano glass that has layers of contrasting colors (typically two), which are formed by dipping colored glass into another molten glass and then blowing the combination into a desired shape. The outermost layer, or casing, is often clear. Sommerso was developed in Murano during the late 1930s. Flavio Poli was known for using this technique, and it was made popular by Seguso Vetri d'Arte and the Mandruzzato family in the 1950s. This process is a popular technique for vases, and is sometimes used for sculptures. Some of Venice's historical glass factories in Murano remain well known brands today, including De Biasi...

ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...

This 18 x 18 inch oil painting on canvas is stretched on heavy-duty stretcher bars. The sides are white. This piece is not framed. Please inquire if you have any questions at all.

Hand Printed by Artist. One of a Kind photograph. Printed on Cibachrome.

“Store Ombra” is an original antique French stone lithograph vintage poster. Size: 24.5" x 33.75" Professional archival linen backing in excellent condition; ready to frame. Printed in Liege, Belgium. Linen-backed original. Lithograph. "Store Ombra" where you can buy anything and everything. It's the best that you will meet! A woman with a unique hat...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Desert born and raised, fashion photographer Natasha Wilson has had ...

Tom Everhart "Pop Star" 2006 Original Limited Edition Lithograph on Rives BFK paper Edition Size: 500, plus proofs. Paper Size: 18 x 26.5 inches. Framed Size...

Artist: Tom Wesselmann Title: Where is My Baby Tonight (from One Cent Life Portfolio) Double lithograph, 2 sheets (printed on separate pages) Year: 1964 Medium: Lithograph Reference #: One Cent Life portfolio, page 72 (verso page 71) & 73 (verso is page 74) Page 71 is a lithograph by Kimber Smith...

Edition 1 of 7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of...

This Blue Dog work consists of a blue dog in the center of a red circle on a yellow background. The dog has soulful yellow eyes. This pop art animal original silkscreen print on pa...

Artist: Andy Warhol (American, 1928-1987) Title: "Peaches" Portfolio: Space Fruit: Still Lifes *Signed by Warhol in felt pen lower right Year: 1979 Me...

LARRY KANTNER The New Dog 2022 Acrylic and collage 8.5 x 10.5 inches

Edition 1 of 5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of...

LARRY KANTNER Blossom 2022 Acrylic and collage 8.5 x 6.25 inches

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Desert born and raised, fashion photographer Natasha Wilson has had ...

Sebastian Matta-Clark was born in 1943, twin of Gordon Matta-Clark. Son Of Chilean Surrealist Roberto Matta Sebastian, known as Batan died in 1976. He showed 3 exhibitions in his sho...

Title: Untitled - Yellow Medium: Oil on canvas Size: 24 x 30 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Artist: Chong...

Signed lower right, 'Georges Lambert' (French, 1919-1998), titled lower center 'Village Provençal' and inscribed lower left 'Epreuve d'Artiste'. A vibrant Artist's Proof, stone lith...

Laura Crehuet Berman is a native of Barcelona, Spain, where her love for pattern, design and bold colors originated. Her work’s focus on relationships and recombination of forms rela...

Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...

Represented by George Billis Gallery. Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Rep...

Medium: original lithograph. This lithograph is from the rare 1951 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spr...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Inspired by Pablo Picasso's "Portrait of Dora Maar", 1937 Edition 2 of 7 with 2 APs “Ode to Picasso’s 'Dora Maar’' is a self-portrait of E2 artist Elizabeth Kleinveld as the photographer and artist Dora Maar. Kleinveld was drawn to this particular image of Maar while grieving the death of her father in 2021; she was captivated by the sadness that seems to ooze from the canvas, how the sitter’s melancholia is obscured by the playful color contrast. For E2’s remake, artist E.Paul Julien painted directly over the photographic print of Kleinveld, emphasizing the masking of grief. The artists say of their work... "Everything Changes, the latest phase of our ongoing series In Empathy We Trust, presents odes to iconic images from the Modern and Contemporary art periods. Our artistic process during Everything Changes was heavily influenced by the COVID-19 pandemic and the inescapable upheaval brought about by this once-in-a-lifetime event. This major societal shift alongside ongoing social unrest compelled us to further explore the distorted realities permeating American culture and, consequently, veiling oppression of marginalized communities. With lockdown restrictions disrupting our usual process of gathering for photoshoots, we also began playing with new approaches for our work. As a result, our latest iteration marks a new technique exploration, with completely over-painting atop of select prints, adding an additional layer of distortion to an already-altered reality. The title for this show takes inspiration from one of our favorite Frida Kahlo quotes: “Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.” The pandemic fostered a collective understanding of just how malleable and fragile our reality is. Our perceptions, our personal routines, and our culture as a whole – these realities are never guaranteed stasis, and the only way to move forward is to evolve, both as artists and individuals. The pieces in this show invite viewers to embrace the inevitability of change and the natural discomfort of re-examining their expectations of how a work of art – and by extension, a culture – should look. The process of creating an e2 image has always involved intense collaboration, and the images here would not be possible without stellar teamwork. We would especially like to thank Cameron Wood for his extensive digital post-production and our wonderful models." ⎯⎯⎯⎯⎯ As the photographic duo E2, New Orleans natives Elizabeth Kleinveld and Epaul Julien seek to remake images from art history to reflect their own experience of the contemporary world. Tackling icons from the great masters like Botticelli, Manet, Rembrandt, and Van Eyck, they recast instantly familiar images in a distinctly modern manner, breaking them free from centuries of historical context and placing them firmly in the present. Kleinveld and Julien...

David Morris All Blues Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached ver...

Girl Talk is one of my abstract mixed media oil paintings on canvas. This painting always starts a fun conversation. People try to figure out who the ladies are pictured in the paper photo I collaged onto the canvas. These girls are our first ladies sitting around a gala table...

Represented by George Billis Gallery. Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Re...

Signed lower right: Geo

By Juan Carlos Breceda 21" x 15" Lithograph - 13/18 Framed Size: 35.5" x 30.5"

Signed and numbered edition of 750

Ex collection Carolyn Dunlap Millet Exhibited: Knoedler and Co, NY; Tibor de Nagy, Houston; Berry Campbell, NY Walter Darby Bannard was a leading prop...

"Solitude", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, directly from Florida, US. 39x27.5in / 100x70cm Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes, in a reversal of the male-artist/female-muse pattern, validate the feminine experience, defining myself through it. I was interested in how one experiences the body in a sensual form, and later focused on my own body, as I experience it myself, looking into the mirror and reconnecting. My work challenges the tradition of the nude by capturing my point of view, the gaze of a female painter, by using photography, drawings, sketches, and painting on canvas, for, both physical and psychological exploration. My art tries to create a visual language for emotion, beauty, feelings of intimacy and in the same time autonomy, captured with paint and vivid colors. My intense interest in color and the gestures of the brush strokes are the means I see and convey the subjects in space, as living, passionate beings." Paula Craioveanu

This original graphic art lithographic poster entitled "Twelve, Chez Panisse Twelfth Birthday" was created by David Lance Goines in 1983 in his Berkeley s...

Artist: Vahe Yeremyan Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2023 Style: Contemporary art Title: Vibrant Fall, Size: 30" x 56" x...

This is a deep, bright orange encaustic (pigmented beeswax) painting on birch panel with coral pink along the edge. Signed, dated and titled on verso. Joanne Mattera is the foremost expert in the field of encaustic painting and is the founder and former director of the International Encaustic Conference. Her artwork is in the collections of The New Britain Museum of Contemporary Art, US Embassies (Slovenia and Poland), US State Department, Bank of America, and Norwegian Cruise Lines, to name a few, as well as numerous private collections. Mattera writes a contemporary art blog, she is a frequent guest speaker and curator and is a member of American Abstract Artists (NYC). The artist lives and works in MA and in NYC. Encaustic painting, also known as hot wax painting, involves using heated beeswax to which colored pigments are added. The word comes originally from the Greek word “enkaustikis” meaning to “burn in” and the process dates back to the 5th century. The liquid or paste is applied to a surface —usually prepared wood. Metal tools...

This lithographic poster was designed after Henri de Toulouse-Lautrec for an exhibition of his prints at the Maison de La pensée Française, Paris in 1955. This poster is based on an original lithograph from 1896 entitled "The Seated Clowness...

Alexander Calder Lithographic cover: Derrière le miroir 1973: Lithographic cover sheet; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. Por...

Paul Jenkins (July 12, 1923 – June 9, 2012) The paintings of Paul Jenkins have come to represent the spirit, vitality, and invention of post World War II American abstraction. Employing an unorthodox approach to paint application, Jenkins is as much identified with the process of controlled paint-pouring and canvas manipulation as with the gem-like veils of transparent and translucent color which have characterized his work since the late 1950s. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions...

Oil Pastel on black paper cutout.

Momen is the creator of the Metaphor: The Tree of Utah, an 87-foot (27 m) sculpture resembling a tree in the Bonneville Salt Flats off of Interstate 80. He financed the project himself and built it from 1982 to 1986, afterwards donating the sculpture to the state of Utah. Known For remaining true to the initiation he received early in his career into the modernist paradigm that still informs his distinctive style to the present day. Momen is the most long-lived exponent of early twentieth century Geometric abstraction movement. bauhaus, futurism art...

Artist Angelo Ippolito (1922-2001) produced a body of oils on canvas, works on paper, and assemblages renowned for their lyrical color, light, and compositional rigor. His paintings ...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

A rare original Signed E.A. (artist proof in French) color lithograph, "Still Life", by Bernard Buffet (1928-1999), circa 1982. A still life image by the celebrated French Modernist figurative artist Bernard Buffet, the color litho shows an interior scene with a table, saucepan and an oil lamp near an open window, whilst Buffet produced many still lifes, this is a rare and uncommon image by the artist! The artwork is signed in pencil lower left "E.A." (épreuve d'artiste), this was an artist's proof from the limited edition numbered prints (which was limited to 100) , it is also boldly signed "Bernard Buffet" lower right. Condition is excellent, we at Bloomsbury Fine Art...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman "Bat Ornament" Year: 202* Porcelain, Glaze, Chinapaint, 24k German Gold L...