USA - Art

Art Sz: 11"H x 8 3/8"W 1944 Provenance stamp on verso: The Estate of Paul Desmond Brown *Book sold separately*

Art Sz: 11"H x 8 3/8"W 1944 Provenance stamp on verso: The Estate of Paul Desmond Brown *Book sold separately*

Art Sz: 11"H x 8 3/8"W 1944 Provenance stamp on verso: The Estate of Paul Desmond Brown *Book sold separately*

Art Sz: 11"H x 8 3/8"W 1944 Provenance stamp on verso: The Estate of Paul Desmond Brown *Book sold separately*

Joan Miro, Spanish (1893–1983) Vintage lithograph poster from Arte Paris for a Marlborough Gallery show in London, England Signed in the plate Rece...

In the 1950s and 60s Grambs worked on many commissions. The symmetrical nature of the drawing suggests it was for a book or magazine project with facing pages -- possibly a cookboo...

Art Sz: 11"H x 8 3/8"W 1944 Provenance stamp on verso: The Estate of Paul Desmond Brown *Book sold separately*

Art Sz: 11"H x 8 3/8"W 1944 Provenance stamp on verso: The Estate of Paul Desmond Brown *Book sold separately*

Art Sz: 11"H x 8 3/8"W 1944 Provenance stamp on verso: The Estate of Paul Desmond Brown *Book sold separately*

Art Sz: 11"H x 8 3/8"W 1944 Provenance stamp on verso: The Estate of Paul Desmond Brown *Book sold separately*

Original etching printed in black ink on wove paper bearing the Arches script watermark. Signed and dated in the plate lower left Matisse / 45 A fine impression of the definitive state, from the edition of 25 stamp numbered in the margin lower right, (there was one trial proof and six artist’s proofs printed at the same time in 1966), also bearing the artist’s monogram stamp in the margin lower right. Catalog: Duthuit-Matisse 268; Fribourg 344; Duthuit Illustrated Books 12. 13 15/16 x 10 15/16 inches Sheet Size: 20 7/8 x 15 3/4 inches In excellent condition, printed on a sheet with full margins. This etching was commissioned by Marguerite and Jacques Maret, founders of the bibliographic society Le Gerbier, Paris, in 1945 to be part of an album titled Alternance which was comprised of sixteen etchings by Jean-Emilé Laboureur, Edouard Goerg, Jean Cocteau, Marie Laurencin, André Lhote, Hermine David, H. de Waroquier, Jacques Villon, Valentine Hugo...

David Morris Yipes Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924802-...

KAWS GONE (Black), new & unopened in its original packaging. A well-received work and variation of KAWS' large scale GONE sculpture - a key highlight of KAWS’ recent exhibition, 'KAWS: Companionship in the Age of Loneliness...

A Rare Italian White Marble Relief of "Young Saint John the Baptist" circa 1860 after Desiderio Da Settignano. The original pietra serena relief by Desiderio Da Settignano, is in Th...

Heath Recurved, Erica retorta Plate 362 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Paper Size: 14.5 x 10.5 inches ( 36.83 x 26.67 cm ) Image Size: 12.25 x 7.75 inches ( 31.115 x 19.685 cm ) Framed: No Condition: A: Mint Additional Details: Lithograph from the...

Paper Size: 40.5 x 28.75 inches ( 102.87 x 73.025 cm )_x000B_Image Size: 20.25 x 28.75 inches ( 51.435 x 73.025 cm )_x000B_Framed: No_x000B_Condition: A-: Near Mint, very light signs...

Original "The Greatest Shown on Earth" US 1-sheet vintage movie poster, linen backed. 1952. Now over 70 years old! Restored original theater fold marks. A- condition. Bright and vibrant colors. Linen backed original 1952 one sheet U.S. Movie poster by Cecil B. DeMille: The Greatest Show on Earth. Starring Betty Hutton, Cornel Wilde, Charlton Heston, Dorothy Lamour, James Stewart, Gloria Grahame, Henry Wilcoxon, Lyle Bettger, Lawrence Tierney, and Emmett Kelly...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Series: Match Silhouette Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist P...

A very good impression of this color screenprint on white wove paper. Artist's proof, aside from the edition of 75. Signed and inscribed "A.P." in pencil by Stamos. Printed by Kelpra...

Art Sz: 11"H x 8 3/8"W 1944 Provenance stamp on verso: The Estate of Paul Desmond Brown *Book sold separately*

Art Sz: 11"H x 8 3/8"W 1944 Provenance stamp on verso: The Estate of Paul Desmond Brown *Book sold separately*

Mike Mitchell - Lucy - Contemporary Artist Edition Details: Year: 2020 Class: Art Print Status: Official Released: 07/03/20 Technique: Giclee Paper: Cot...

Hand Printed by Artist. One of a kind photograph. Unique Printed on Cibachrome

Sku: R057 Artist: Wassily Kandinsky Title: Tirant Sur Le Violet Year: 1990 Signed: No Medium: Offset Lithograph Paper Size: 22.25 x 14.75 inches ( 56.515 x 37.465 cm ) Image Size: 13...

Paper Size: 14.5 x 20.5 inches ( 36.83 x 52.07 cm )?Image Size: 7 x 13.75 inches ( 17.78 x 34.925 cm )?Framed: No?Condition: A-: Near Mint, very light signs of handling??Additional D...

Art Sz: 11"H x 8 3/8"W 1944 Provenance stamp on verso: The Estate of Paul Desmond Brown *Book sold separately*

Kim Amell is a contemporary encaustic & oil painter based in Banner Elk, NC. She began her artistic career painting murals, custom art and designing interio...

Art Sz: 11"H x 8 3/8"W 1944 Provenance stamp on verso: The Estate of Paul Desmond Brown *Book sold separately*

David Morris Freddy Freeloader Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided R...

Archival pigment print Size 18 x 24 inches Hahnemuhle Photo Rag Metallic 340 gsm Limited Edition out of 12 Signed and numbered Certificate of Authenticity included

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Lithograph on Chine appliqué, 9 1/4 x 8 1/8 inches (235 x 206 mm), full margins. First state (of 4). Extremely minor uniform age tone, otherwise in good condition. A superb, richly-inked impression. [Delteil 61.1] ______ At an early age Delacroix became a lover of music and literature and had been drawing from the time he entered school.  He expected painting would be a hobby, but on the death of his father he found he had to make his own way in life.  In 1817 he entered the studio of Pierre-Narcisse Guerin; amongst his fellow pupils was Gericault.  His first exhibited work was Dante and Virgil...

Susan Sterner Mama ya se fue, 2009 Archival pigment print Framed Dimensions: 14 3/4 x 17 3/4 inches (37.5 x 45.1 cm) Image Dimensions: 7 x 10 inches (17.8 x 25.4 cm) Edition 1/10

Water Snakes II, no. 9 from the fourth installment of Das Werk Gustav Klimts The last painting Klimt exhibited with the Secession before resigning, Water ...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on...

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 4 x 8.25 inches ( 10.16 x 20.955 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional De...

Lithograph on Arches paper, one of ten Printer's Proof aside from the regular edition. c. 1948. Printed by the Atelier Mourlot. This print is unsigned but ...

Screenprint in colors on paper. Hand signed and numbered by the artist. Artwork size 36 x 36 inches. Custom framed as pictured. Frame size approx 42 x 42 inches. From the edition...

acrylic on canvas, over hexagonal wood panel Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity dispersion, Moses creates elaborate compositions that mimic nature and its forces. DESERT LIGHT is a body of work that responds to the sense of infinite space that drifts in on California's ocean breezes and across the Southwest's vast, desert expanses. Light and space naturally elongate in these geographies and Moses channels this time warp through both material and process. Born in Los Angeles in 1962, Moses attended California Institute of the Arts...

Dramatic mid century wall sculpture crafted in metal with three life size stylized banana leaves cut in a brutalist technique and finished with a faux brass patina lacquer. Please ...

Kacper Kowalski began his career as a landscape photographer, far before the preeminence of drones or Google Earth, strapping himself into a gyrocopter and exploring his native Pola...

Color screenprint on Arches paper. Signed, titled, dated and numbered 22/73 in pencil by Gilliam. Printed by Lou Stovall at the Workshop, Inc., Washington,...

Artist: Le Corbusier Medium: Lithograph, Signed & Dated in Stone in a limited edition, 1963 Dimensions: 25.5" x 19.75" About The open hand, a symbol of reconciliation, open to receive and to give, is a recurring motif in Le Corbusier’s work. Many sculptures were erected of this optimistic design, the largest being a public monument in the Indian city...

An Exceptional and Monumental White Marble Figural Sculpture Clock, "A Nubian Slaying The Lion" by Jean-Joseph Jacquet (Belgian, 1822–1898), circa 1860 This extremely impressive whi...

Debra Smith's fabric collages are like snippets of contemporary quilts. She recycles fabrics, such as the silk linings of antique Japanese kimonos used to make much of her current body of work. The silks are different shades of neutral and lend a quiet, contemplative mood to much of Debra's work. In some collages, Debra uses vibrant vintage fabric to contrast with the understated feel of the silk. Since 1999, Debra's work has been shown in numerous exhibition spaces, such as Dolphin Gallery and Pearl Gallery in Kansas City and the Pencil Factory in Brooklyn, New York. In addition to making artwork, Debra owns Sakiori, a textile company based in Kansas City, which she established in 1993. She formerly worked for Asiatica, an internationally recognized clothing and accessory business, which specializes in the reconstruction of antique kimono...

Lyonel Feininger, 'Little Locomotive (Kleine Lokomotive)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W158. Annotated 'W 158' (Feininger catalogue number) and '1936' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 1/4 x 3 5/16 inches; sheet size 10 x 7 inches. Archivally sleeved, unmatted. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY. Collections: Cleveland Museum of Art, Museum of Modern Art, Staatliche Museen zu Berlin (East Berlin KK). ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...

Action Plus Lithograph, 1950 Signed lower right (see photo) Titled lower left (see photo) Edition 250 Published by Associated American Artists, New York Illustrated: AAA catalogs 1950-01 and 1950-02 Reference: AAA Index No. 1072 Condition: Excellent Slight aging to paper Image size: 9 1/4 x 14 1/2 inches Sheet size: 12 x 15 7/8 inches Clarence William Anderson Clarence William Anderson (1891–1971), born in Wahoo, Nebraska, and known professionally as C.W. Anderson, was a writer and illustrator of children's books. Anderson had an interest in horses and drawing. When he wasn't out riding horses, he was drawing them, taking great interest in their bone structure and conformation. Anderson started his career by illustrating for other authors, but eventually began developing texts to accompany his realistic and lively black and white drawings. He is best known for his "Billy and Blaze" book series. The adventures of Billy and Blaze revolve around proper care of the horse, while teaching a lesson. Anderson would go to great lengths to give accurate information. He would even go on to write Heads Up, Heels Down as a training tool for young horse lovers. All of the stories Anderson wrote would be based on true stories or people that he knew-only the plots were fictitious. By the end of Anderson's life, he had written and illustrated over thirty-five horse books, and had also created covers for the Saturday Evening Post. Anderson is the namesake for Andy's Summer Playhouse, a youth theater in Wilton, New Hampshire.[1] Anderson also was a member of the Society of American Graphic Artists. Artwork portfolios • All Thoroughbreds, Harper and Brothers Publishers, 1948 – 20 illustrations • Post Parade, Harper and Brothers Publishers, 1949 – 15 illustrations • Turf and Bluegrass, Harper and Brothers Publishers, 1950 and 1952 – 15 illustrations • Grey, Bay, and Chestnut, Harper and Brothers Publishers 1952 and 1955 – 10 illustrations • Colts and Champions, Harper and Brothers Publishers, 1955 and 1956 – 10 illustrations • Accent on Youth, 1958 – 10 illustrations • Bred to Run, 1960 – 12 illustrations • The Look of a Thoroughbred, 1963 – 8 illustrations • Before the Bugle, 1965 - 9 illustrations • The World of Horses, 1965 – 8 illustrations • Fillies and Colts, year unknown – 5 illustrations • Man O'War, Horse of the Century, 1970 – 8 illustrations Works As author and illustrator • And So to Bed...

Orange Poppies in a Vase, Modernist Still Life in Watercolor on Paper A vibrant watercolor still life with a vase filled with orange poppies on a carnation pink background with abstract leaves of teal blue and purple, by California artist, Lucile Marie Johnston (1907-1994, American). Signature, "L. Johnston '74" at the bottom left and "Lucile Johnston" on the back. Presented in a new cream mat with foam core backing. Mat size: 24"H x 20"W Paper size: 16"H x 12"W Born in Santa Rosa, California on May 26, 1907, Lucile Johnston settled in Glendale 1930-1939, later moving to Carmel and then Pacific Grove in Monterey County, California where she remained. she managed Marsh's Oriental Antiques Shop...

Artist: Joan Miro Medium: Lithographic Poster, 1984 Dimensions: 20.5 x 28.5 in, 52.1 x 72.4 cm Classic Poster Paper - Perfect Conditon A+

A wonderful tall painted and patinated antique metal palm tree sculpture, with great patina. A few scratches etc. consistent with age.

This is an Dino Rosin Italian glass sculpture “the kiss” signed. In good condition no chips . 25x11x5 International buyers must cover shipping ...

A very good impression of this early woodcut. Signed, titled, dated and numbered 145/300 in pencil by Siqueiros.

David Morris Soulful Strut Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.:...

Expressing the playful and vibrant quality of Miró's work, this piece uses minimal detail and shape in a delicate balance of color and line. Using a lyrical quality of shape, the vie...