USA - Abstract Sculptures

Barrett is one of America's outstanding living sculptors. A sculptor who works on large scale and major commission and outdoor works, his smaller indoor maquettes have been avidly c...

Original hand-cut, layered paper and ink on illustration board by Charles Clary measuring 11"h x 16"w. This piece ships in the pictured black frame. Charles Clary was born in 1980 ...

Chrome plated metal sculpture. Incised signature by Wifredo Lam. Edition 243/500B. Size 10.5 x 5.5 x 3.5 inches. Artwork is in excellent condition. Certificate of Authenticity ...

Please allow a two month turnaround time for this piece to be made. About Cast Paper In David's words: “One thread running through my work is a connection to nature. Casting natur...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

'Lekhoo Beshalom' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. David fused various colored glass to create a layered, suspended, and...

This glazed porcelain vase sculpture by Jon Puzzuoli features a burnt umber and white body and a wide neck finished with 18K gold luster. The artist's stamp is located at the base of...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Title: Geometric, Size: 18" x 18" x 2'' inch, (4...

This small free-standing sculpture of a vibrant red abstracted cardinal bird by Jeffie Brewer is made with powder coated steal. Two cut-out circular...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Palette II, Size: 30" x 72" x 4'' inch, ...

Glass Sculpture for Wall Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Cascade, Size: 37" ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Water, Size: 37.5" x 77.5" x 1'' inch, (95x197x3 c...

"My process begins with a thought, a vision, a look, a trigger that draws me to the clay. Gone are the days of exhaustive preliminary sketches and maquettes, I simply visualize how I...

Steven Young Lee is the Resident Artist Director of the Archie Bray Foundation in Helena, Montana. A Chicago native, he received his MFA in Ceramics from the New York State College o...

This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabinets of curiosities to highlight the global displacement and traumatic memory of migrants and refugees around the world. Works from this series are in the Permanent Collections...

"Winter Blues" by Kevin Barrett Epoxy, acrylic, and urethane on carved aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Clockwork, Size: 36" x 54" x 4'' inch, 91x137x10 cm, ...

This piece titled "Ripples is an original artwork by Jason Andrew Turner made of acrylic on MDF. This piece measures approximately 9"h x 16"w x 2"d. Jason Andrew Turner (b. 1982, Bi...

Temporary End of Summer Sale. This phenomenal wall-mounted mid-century-modern sculpture is titled "Flight" and was created by internationally recognized textile artist Barbara Barr...

Georges Charpentier, French (1937 - 2024) - L'Arbre de Vie, Year: 1980, Medium: Bronze Sculpture with gold patina on wooden base, signature and numbering inscribed, Edition: 5/8, ...

Seymour Lipton Maquette for Laureate, ca. 1968-1969 Nickel silver on monel metal Unique 18 × 8 1/2 × 7 inches Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale This unique sculpture by important Abstract Expressionist sculptor Seymour Lipton is a maquette of the monumental sculpture "Laureate" - one of Lipton's most iconic and influential works located on the Riverwalk in downtown Milwaukee, Wisconsin. Laureate is a masterpiece that was commissioned by the Allen-Bradley Company in memory of Harry Lynde Bradley and as an enhancement for the newly constructed Performing Arts Center. It is located on the east bank of the Milwaukee River at 929 North Water Street. The Bradley family in Milwaukee were renowned patrons of modernist sculpture, known for their excellent taste who also founded an eponymous sculpture park. For reference only is an image of the monumental "Laureate" one of Milwaukee's most beloved public sculptures. According to the Smithsonian, which owns a different unique variation of this work, "The full-size sculpture Laureate was commissioned by the Marcus Center for the Performing Arts in Milwaukee. In the initial drawings, Seymour Lipton combined details from the architectural plan with a wide variety of images, ranging from musical instruments to a lighthouse on the island of Tobago. He transformed the basic shapes from these sketches into a welded sculpture, which evokes a figure composed of columns, harp strings, and coiled rope. Lipton created this piece to celebrate achievement in the arts. The dramatic silhouette commands your attention, reflecting the title Laureate, which means worthy of honor and distinction. The final version of the piece is over twelve feet high and stands out against the pale, flat buildings of the arts center.,," Provenance Marlborough-Gerson Gallery, New York Acquired from the above by the previous owner, 1969 thence by descent Christie's New York: Monday, June 30, 2008 [Lot 00199] Acquired from the above Christie's sale About Seymour Lipton: Born in New York City in 1903, Seymour Lipton (1903-1986) grew up in a Bronx tenement at a time when much of the borough was still farmland. These rural surroundings enabled Lipton to explore the botanical and animal forms that would later become sources for his work. Lipton’s interest in the dialogue between artistic creation and natural phenomena was nurtured by a supportive family and cultivated through numerous visits to New York’s Museum of Natural History as well as its many botanical gardens and its zoos. In the early 1920s, with the encouragement of his family, Lipton studied electrical engineering at Brooklyn Polytechnic Institute and pursued a liberal arts education at City College. Ultimately, like fellow sculptor Herbert Ferber, Lipton became a dentist, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. In addition to providing him with financial security, dentistry gave Lipton a foundation in working with metal, a material he would later use in his artwork. In the early 1930s, though, Lipton’s primary sculptural medium was wood. Lipton led a comfortable life, but he was also aware of the economic and psychological devastation the Depression had caused New York. In response, he generally worked using direct carving techniques—a form of sculpting where the artist “finds” the sculpture within the wood in the process of carving it and without the use of models and maquettes. The immediacy of this practice enabled Lipton to create a rich, emotional and visual language with which to articulate the desperation of the downtrodden and the unwavering strength of the disenfranchised. In 1935, he exhibited one such early sculpture at the John Reed Club Gallery in New York, and three years later, ACA Gallery mounted Lipton’s first solo show, which featured these social-realist-inspired wooden works. In 1940, this largely self-taught artist began teaching sculpture at the New School for Social Research, a position he held until 1965. In the 1940s, Lipton began to devote an increasing amount of time to his art, deviating from wood and working with brass, lead, and bronze. Choosing these metals for their visual simplicity, which he believed exemplified the universal heroism of the “everyman,” Lipton could also now explore various forms of abstraction. Lipton’s turn towards increasing abstraction in the 1940s allowed him to fully develop his metaphorical style, which in turn gave him a stronger lexicon for representing the horrors of World War II and questioning the ambiguities of human experience. He began his metal work with cast bronze sculptures, but, in 1946, he started welding sheet metal and lead. Lipton preferred welding because, as direct carving did with wood, this approach allowed “a more direct contact with the metal.”[ii] From this, Lipton developed the technique he would use for the remainder of his career: “He cut sheet metal, manipulated it to the desired shapes, then joined, soldered, or welded the pieces together. Next, he brazed a metal coating to the outside to produce a uniform texture.”[iii] In 1950, Lipton arrived at his mature style of brazing on Monel metal. He also began to draw extensively, exploring the automatism that abstract expressionist painters were boasting at the time. Like contemporaries such as Jackson Pollock, Lipton was strongly influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture.The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. In the years following the 1950s, Lipton’s optimism began to rise, and the size of his work grew in proportion. The oxyacetylene torch—invented during the Second World War—allowed him to rework the surfaces of metal sculptures, thus eliminating some of the risks involved with producing large-scale finished works. In 1958, Lipton was awarded a solo exhibition at the Venice Biennale and was thus internationally recognized as part of a small group of highly regarded avant-garde constructivist sculptors. In 1960, he received a prestigious Guggenheim Award, which was followed by several prominent public commissions, including his heroic Archangel, currently residing in Lincoln Center’s David Geffen Hall. A number of important solo exhibitions of his work followed at The Phillips Collection in Washington, DC (1964); the Milwaukee Art Center and University of Wisconsin, Milwaukee (1969); the Virginia Museum of Fine Arts in Richmond (1972); the Everson Museum in Syracuse, NY (1973); the Herbert E. Johnson Museum of Art of Cornell University in Ithaca, NY (1973); the National Collection of Fine Arts, Smithsonian Institution (now the Smithsonian American Art Museum) in Washington, DC (1978); and a retrospective in 1979 at The Jewish Museum in New York. In 1982 and 1984 alone, two exhibitions of his sculpture, organized respectively by the Mint Museum (Charlotte, NC) and the Hillwood Art Gallery of Long Island University (Greenvale, NY), traveled extensively across museums and university galleries around the nation. In 2000, the traveling exhibition An American Sculptor: Seymour Lipton was first presented by the Palmer Museum of Art of Pennsylvania State University in University Park. Most recently, in 2009, the Ackland Art Museum in Chapel Hill, NC mounted The Guardian and the Avant-Garde: Seymour Lipton’s Sentinel II in Context. Since 2004, Michael Rosenfeld Gallery has been the exclusive representative of the Estate of Seymour Lipton and has presented two solo exhibitions of his work—Seymour Lipton: Abstract Expressionist Sculptor (2005) and Seymour Lipton: Metal (2008). In 2013, Michael Rosenfeld Gallery presented Abstract Expressionism, In Context: Seymour Lipton, which included twelve major sculptures by the artist, along with works by Charles Alston, Norman Bluhm, Beauford Delaney, Willem de Kooning, Jay DeFeo, Michael Goldberg, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Norman Lewis, Conrad Marca-Relli, Boris Margo, Alfonso Ossorio, Richard Pousette-Dart, Milton Resnick, Charles Seliger...

"Portal" by Rogan Brown Laser and hand cut paper, framed in plexiglass shadowbox Available by commission. Please allow 8-12 weeks production time. Rogan Brown creates abstract and ...

This piece titled "Por Ahí Voy II, Knife Drawing" is an original piece by Lucha Rodríguez and is made from manipulated giclée print on metallic paper. This piece measure 12"h x 12"w ...

"Before the Animals" by Chapel 36x14x8" one-of-a-kind sculpture Mixed Media: Cast Bronze, Dyed Concrete, Steel, Marble This particular piece is available from the estate of the artist. It is in excellent, like-new, condition. Shipping price includes the custom packing necessary for safe transport of fine art. Chapel, 1948-2021, Artist's Statement: “I was raised on the Western Slope of Colorado, with almost unfettered access to the American wilderness. I currently reside on a sailboat in Oakland, CA with my studio in nearby San Leandro. I work with permanent materials including bronze, steel, stainless steel, aluminum, glass and stone. It is my contention that a work of art must include a complete environment, not just a single object. In my opinion, it is very difficult to convey meaning with either pure abstraction, or pure representation. Describing an abstract concept with another abstraction does not define the subject. There is nothing in a completely non-objective artwork from the viewers experience upon which to base some meaning. One the other hand, a completely realistic presentation doesn't define an abstraction any better than a dictionary. This is why my sculpture is a blend - the symbolic joining of modern man with primitive experience. They are in-depth studies of the archetypes and symbols used to communicate their relevance to our everyday lives. Mythology, poetry and art are humanity's attempt to describe the mysteries of life which are beyond our ability to consciously comprehend. This is the appeal of the visual arts, poetry, literature and music; they excite an emotional response, or memory that transcends mere words.” - Ron Chapel...

Diptych: Erosiones VII and Territorios by Fernando Otero Overall size: 20.5 in. H x 57 in. W x 4 in. D Individual size: 20.5 in. H x 28.5 in. W x 4 in D Found objects in wood box wal...

This blue and gold-colored figurative sculpture titled "Parting Lines" is an original artwork by Jedediah Morfit made of plaster, paint, yarn, and adhesive. This piece measures 38”h x 23"w x 14"d. BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...

KOUROS Granite/steel 103" (height) x 29" (width) x 22" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of thes...

This piece titled "Light Pole" is an original artwork by Jason Andrew Turner made of acrylic on MDF, glass, wire, and a lightbulb. Stained glass by Flannery Cronin. This piece measur...

"I create geometric collages, assemblages and sculptures with vintage book parts. My work is a never-ending story where I play with deconstruction and reconstruction, and changing di...

Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, involve networks of intricately connected, overlapping, and morphing shapes and pat...

This fabric work titled "Miss You" is an original artwork by Kelly Kozma made of hand embroidery, stickers, and chain on paper. The piece measures 13”h by 13”...

"I work with a simple elemental form, a curve made from the most basic natural material, clay. I make and build with hundreds or thousands of these forms. The clay curve connects me ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Dusk, Size: 37" x 17" x 4'' inch, (93x43x10 ...

"Girl / Boy (diptych)" is an original artwork by Hyland Mather made of lost objects, acrylic, aerosol, abandoned papers, laser engraving, string, nails, wood box frame measuring appr...

Susan Hensel designs images in the computer using specialized software.  It is a form of drawing in stitches that combines aspects of both Adobe Photoshop...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Mood, Size: 32.5" x 33" x 4.5'' inch, (82x83...

Territorios by Fernando Otero Measures: 20.5 in. H x 28.5 in. W x 4 in D Found objects in wood box wall sculpture One of a kind Artist Fernando Otero was born in Lima (1972). He gra...

"Without Floorboards 2-4" is an original hand-cut wood collage by Matt R. Phillips. The piece ships in the pictured, artist-made, wood floater frame and measures 24"h x 36"w. Matt ...

Acrylic on 3 wood panels Each panel is 36 x 18 x 1 inches Suggested installation is 1-2 inches between panels, which can be oriented in any direction Overall dimensions: 36 x 56 x 1...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Joy, Size: 30" x 72" x 4'' inch, (76x183...

Luis Miguel Valdes (Cuba, 1949) "Ceramic #42", 2017 Ceramic in Uriarte's Talavera, Puebla, Mexico 34.5 x 34.5 x 3.6 cm. (13.6 x 13.6 x 1.5 in.) Hand-signed by author ________________...

NOTE: This is for a commission piece based on the original. Colors and size can be customized. Allow 4-6 weeks. Quiet Riot is a large mixed media wall sculpture. Layers of MDF pa...

Cloud Study: House is a contemporary abstract glass sculpture by David Ruth from his Cloud Study Series. It contains hues of white and blue painterly brushstroke formations in glass ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Dichro, Size: 21" x 26" x 2.5'' inch, (53x66...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Arctic, Size: 44" x 71" x 4'' inch, (111x180...

Untitled "Marble Fragment 4" 2019, oil on Italian marble, landscape, wall sculpture, clouds, purple, blue

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Arctic, Size: 29" x 47" x 4'' inch, 74x125x1...

Clay relief of abstracted nude couple by California artist Joe Funk (American, 1918-1981). Monogram signature on individual reliefs and signed on verso. included with photograph and description in his catalog. Catalog with photos of sculpture, and artist biography are included. Ceramics: each 7.25"H x 3.25"W. Overall Size: 10.50"H x 14"W x 5.75"D Joe Funk was an American artist and print maker born in Los Angeles, California, to Polish and German immigrant parents. He died in 1981 in Santa Cruz, California. As a young person in Los Angeles, Joe Funk showed an interest in art. He studied at the Otis and Chouinard Art Institutes and worked on several murals throughout Los Angeles in the Works Progress Administration. He served in the United States Army, from 1943 to 1946, in Korea and Okinawa a s a heavy anti-aircraft artillery mechanic and instructor, warehouseman, and artist, publicist, and graphic designer for special events at Headquarters Company, Asiatic Command. At the ASCOM University in Korea, he was an instructor in pencil sketching. It was during his time in Korea that he developed a lifelong interest in Asian art. Using the G.I. Bill, after the Korean War, he earned a Masters Degree in fine art from the University of Southern California. In the 1950s, Joe met Lynton Kistler and worked at Kistler’s facility in Los Angeles, the only lithographic press open for business on the west coast at that time. During his time as an apprentice, Joe printed for many well-known artists, such as Jean Charlot, man Ray, Max Ernst, Emerson Woelffer and June Wayne. When June Wayne opened the Tamarind Lighography Workshop in Los Angeles in 1960, she offered the status of fellow printer to Joe Funk. At Tamarind, he began work printing lithographs for guest artists and training future printmakers. After Tamarind, Joe became the technical director at Kanthos Press from 1961-1962, where he printed for Jose Cuevasand and Aubrey Schwartz. In 1964, he became co-owner of Joseph Press and was printmaker for Sam Francis, Arnold Belkin and Rico Lebrun. From 1962-1964, Joe taught at the Chouinart Art Institute. Joe established a non-profit corporation in Venice, California in the late 1960s, called Joseph Graphics. Here, he trained apprentice printmakers and printed for numerous artists including Joyce Treiman...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Dunes, Size: 32.5" x 50" x 4.5'' inch, (82x1...

Red and Yellow Vase David Ruth, American Date: 1989 Blown Glass, Signed and dated Size: 7.5 x 4.25 x 3 in. (19.05 x 10.8 x 7.62 cm)

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Monochrome, Size: 36" x 58" x 4'' inch, ...

Brush Strokes, abstract sculpture by Glenn Green, Santa Fe, black, metal, zen Limited edition of 24 fabricated aluminum with powder coat finish in black Custom sizes and colors are...

'Tikei' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. It features painterly brushstroke formations in glass called trails. Trails are ...

Tim Prentice's "Banner" series of suspended kinetic sculptures are available in groupings or individually. These particular Banners were purchased by the State of Connecticut. Other Banners are available. Each "Banner" is made of Lexan (polycarbonate), aluminum, and stainless steel. Please note: The dimensions and price shown are for a single "Banner." Please contact the gallery to inquire about other available works in this series, or for more information about commissions for indoor and outdoor kinetic...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Dusk, Size: 36" x 58" x 4'' inch, (91x148x10...

This artwork titled "Wave" 1975 is a metal and glass sculpture multiple by noted Israeli artist Menashe Kadishman 1932-2015. It is signed, numbered 1/7 and dated under the main metal part. The size assembled as intended by the artist is 21 inches long, 10 inches high and 3 inches wide. The all metal and the glass and metal part disunited are 18 x 10 inches each. The rectangle part at the top is movable and can be oriented in different position (see picture #1 and #7) It is in very good condition. The large version of this sculpture is referenced in the two following publications: Pierre Restany, Kadishman, Tel Aviv, 1996, illustration of the large version pp. 76-77 Jacob Baal-Teshuva (ed.), Menashe Kadishman, Munich, 2007, no. 22, illustration of the large version p. 17 About the artist: Menashe Kadishman (August 21, 1932 - May 8, 2015) was an Israeli sculptor and painter. Menashe Kadishman was born in the British Mandate Palestine in 1932. His father, who was a pioneer, died when Kadishman was 15 years old. The young Menashe left school to help his mother with housework and to earn money. From 1947 to 1950, Kadishman studied with the Israeli sculptor Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv, and in 1954 with the Israeli sculptor Rudi Lehmann in Jerusalem. In 1959, he moved to London, where he attended Saint Martin's School of Art and the Slade School of Art. During 1959 and 1960 he also studied with Anthony Caro and Reg Butler. He remained there until 1972; he had his first one-man show there in 1965 at the Grosvenor Gallery. His sculptures of the 1960s were Minimalist in style, On May 8, 2015, Menashe Kadishman died after he was hospitalized at Sheba Medical Center in Tel Hashomer. EDUCATION 1947-50 Studies with sculptor Moshe Sternschuss, Avni Institute, Tel Aviv 1954 Studies with sculptor Rudi Lehman, Jerusalem 1959-61 St. Martin's School of Art, London 1961-62 Slade School of Art, University of London PUBLIC COLLECTIONS Art Gallery of Ontario, Toronto, Canada Bass Museum, Miami, FL Buhsnami Sculpture Garden, Burton, TX Centro d'Arte Contemporaneo, Prato, Italy City of Tel Aviv, Israel City of Breda, The Netherlands City of Kirchheim, West Germany City of Seoul (Olympic Park), South Korea City of Toronto, Canada Columbia University, New York Ein Herod Museum, Yizre'el Valley, Israel Faret Tachikawa, City of Tachikawa, Japan Hara Museum of Contemporary Art, Tokyo Hebrew University, Jerusalem Heichal Hatarbut, Tel Aviv High Museum of Art, Atlanta, GA Hirshhorm Museum and Sculpture Garden, Washington, D.C. Israel Museum, Jerusalem Jewish Museum, New York Lehigh University, Allentown, PA Louisiana Museum, Denmark Metropolitan Museum of Art, New York Montgomery Museum of Fine Arts, Alabama Museo de Bellas Artes, Montevideo, Uruguay Museum Haus Lange, Krefeld, West Germany Museum of Modern Art, New York Museum of Modern Art, Munich, West Germany Museum of Modern Art, Skopje, Yugoslavia Open Air Sculpture, Kirchheim, West Germany Philadelphia Museum of Art, Philadelphia, PA Rabbinical Seminary, Cincinnati, OH Storm King Art Center, Mountainville, NY Tate Gallery, London Tel Aviv Museum, Israel Uffizi Gallery, Florence, Italy Weizmann Institute of Science, Rehovot, Israel Wilhelm-Lehmbruk Museum, Duisburg, West Germany PRIZES AND AWARDS 1960 America-Israel Cultural Foundation Scholarship 1961 Sainsbury Scholarship, London 1967 First Prize for Sculpture, 5th Paris Biennale 1978 Sandberg Prize, The Israel Museum, Jerusalem 1981 The Eugen Kolb Prize, The Tel Aviv Museum 1981 Prize of the Jury, Norwegian International Print Biennale, Fredrickstad 1984 The Pundik Prize, The Tel Aviv Museum 1989 King Solomon Award, America-Israel Foundation, New York ONE-PERSON EXHIBITIONS 1965 Harlow Arts Festival, Harlow, England 1970 The Jewish Museum, New York 1972 Museum Haus Lange, Krefeld, West Germany 1975 Israel Museum, Jerusalem, Israel 1978 Venice Biennale, Venice 1979 Israel Museum, Jerusalem: The Kadishman Connection 1981 University of Haifa Art Gallery, Haifa, Israel 1981 Tel Aviv Museum, Tel Aviv 1983 Muhlenberg College, Allentown, PA 1983 ICC, Antwerp, Belgium 1984 Fabien Booulakia, Paris 1984 The Jewish Museum, New York 1986 De Beyerd, Centre of Contemporary Art, Breda, The Netherlands 1986 Gemeentemuseum, Arnhem, The Netherlands: Installation 1987 The Tel Aviv Museum, Myth Transformed: Painting and Monumental 1987 Sculpture of Menashe Kadishman, Tel Aviv 1988 Kammermusiksaal, Menashe Kadishman: Sacrifice of Isaac, Berlin, Germany 1988 Lehigh University, Bethlehem, PA 1988-89 Kniestedter Kirche Stadtmuseum, Salzgitterbad, Germany 1990 Israel Museum, Jerusalem 1994 Giuliano Gori, Fattoria di Celle, Pistoia, Italy SELECTED GROUP EXHIBITIONS 1980 International Sculpture Symposium, Washington, D.C. 1980 Contemporary Art Meeting, Tel Hai, Israel 1980 The Israel Museum, Borders, Jerusalem 1980 David's Tower, The Jerusalem City Museum, Jerusalem the Israeli 1980 Printmaker, Jerusalem 1981 Henie-Onstad Kunstsenter, Young Art from Israel...

'Rapota' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. It was the last completed sculpture from this series. It features painterly bru...

Cast concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.