USA - Ceramics

The ship is flying the flag of the last German Emperor of the Holy Roman Empire, Francis II , Circa 1775-1790. The rare Wedgwood creamware plate...

Trish DeMasi Sculpture (III), 2019 Glazed ceramic 18 x 11.5 x 11.5 in

Peter Pincus Column III, 2018 Colored porcelain 8 x 4.75 x 3.5 in Signed "Pinc" on bottom

An uncommon small ceramic vase with multicolored stripes. Signed on the underside as depicted.

We are pleased to offer this exceptionally large and rare mid-19th century English mochaware bowl. Each piece of mochaware is unique. Made in England ci...

Stamped and numbered.

Clyde Burt ceramic decorative bowl in glazed stoneware with incised, abstract details on the outer exterior. Signed to underside: [CB]. American, circa 1965.

Hand-built, organic stoneware form in large-scale. High fired glaze in shades of greens and gunmetal. A strong abstract piece. Signed on underside.

We are thrilled to offer this fabulous large three-tiered 18th-century creamware platt menage, made circa 1780-90 in Staffordshire or Yorkshire, England. It is a rare and elegant ex...

This pair of antique English dishes show a fabulous bird's eye view of an elephant in an imaginary Asian setting. Two figures ride an Indian el...

Glazed ceramic vase by French design house Primavera, early 20th century. Stamped: CAB / 209 / Made in France.

Marchello Fantoni Vibrant Blue Bowl blue bowl. Signed Fanton underside.

Chinese Export armorial porcelain dish, Arms of Pole, circa 1745 The Chinese export armorial porcelain dish is painted with pane...

A French Art Nouveau covered porcelain jar designed by Georges De Feure and manufactured by Dufraisseix & Abbot, Limoges, for Art Nouveau Bing. In the manner of de Feure’s renowned t...

Centerpiece inspired by "Yemenja," goddess of the sea. Made of earthenware with a light blue glaze, and textured with small holes, similar to the pattern of a sea urchin shell...

Glazed ceramic vase by French design house Primavera, early 20th century. Stamped: Made in France / CAB / 1.

Blue Jelly, 2018 (Porcelain; Unique, C. 9.8 in. h x 5 in. d. Object No.: 3580) The ceramic designer Ahryun Lee was born in Seoul, South Korea in 1989 and lives and works in Munich, ...

Chinese Export pseudo-tobacco-leaf pattern platter, circa 1770.

Lone Skov Madsen, "Blue Organic Vessel", 2017.

Set of six cups and dishes in original packaging. Signed

We are pleased to offer this Derby cabinet plate with an exceptionally finely painted fox hunting scene attributed to William Cotton. What is so remarkable about the painting is that Cotton captured the energy and excitement of the hunt. One can almost hear the barking of the hounds and the sound of the horse's hooves as it gallops ahead. The early morning sky overhead has a patch of blue...

This vase displays Catteau's design number D.1009, featuring birds against stylized foliage resting on fields of markedly geometric shape. The physical form of the vase differs from ...

Orange Jelly, 2018 (Porcelain; Unique, C. 7.6 in. h x 3.2 in. d. Object No.: 3590) The ceramic designer Ahryun Lee was born in Seoul, South Korea in 1989 and lives and works in Muni...

Created by the Swedish ceramist Arthur Andersson in the middle of the 20th century, these voluminous vases are noteworthy for their formal symmetry and their banded designs, which of...

This vase displays Catteau's design number D.1009, featuring birds against stylized foliage resting on fields of markedly geometric shape. The design, like others by Catteau, is incised into the ceramic and enlivened by paint. Signed: Ch. Catteau Incised: Grès Kéramis...

WHY WE LOVE THEM: They're majestic! We are pleased to offer this pair of large antique Luneville lions made in France circa 1800. These exceptional lio...

Chelsea porcelain reticulated circular dishes, Gold anchor period, circa 1760. The Chelsea porcelain dishes with circular lattice rims and a simple gilt band are beautifully paint...

Autumn, 2019 (Ceramic, C. 8.5 in. h x 14 in. w x 9 in. d, Object No.: 3569) Sangwoo Kim was born in Korea in 1980 and currently lives and works in France. He received his degree fro...

This is a pair of English creamware dishes from the 18th century, created around 1785. The plates display a lovely chinoiserie scene with women selecting accessories. The scene depic...

The arms on this Chinese Export armorial plate were made for the Cuban noble Marquis de Almendares Ignacio Herrera. The plate is finely ...

Monumental vase by Giovanni Gariboldi for Richard Ginori. Fantastic over-scaled porcelain vase with large indent and textured relief of doves on branches. This was created during the...

Marcello Fantoni for Raymor ceramic shelf hanging person. Glazed Ceramic. Cat pictured sold separately.

A wonderful example of California Funk pottery: a hand thrown salt-glazed cup utilizing an expressive nose as a handle. Signed and dated BC 70.

This twisted, faceted vase by contemporary Danish ceramicist Aage Birck, possess a rigidity and texture unique for the medium.

Spode double handled sugar bowl and cover. Oval-shaped porcelain body, gilt with diamond and vine motifs, the base impressed with an “S” and numbered “6...

Wheel thrown elements with base supporting cantilevered bowl. Irregular surfaces with bumps and indentations. Bubbly green glazes. Artist signed on underside.

British pottery pearlware sponged spirit flasks modeled in form of boots, Scottish, circa 1840-1850. Great fun & so decorative! The pair of unusual flasks are sponged in mottled ...

Ceramic Rhino by Trouvailles, France, showing natural crazing, painted toes, eyes and mouth.

Erna Aaltonen "Morris", 2017. Unique.

This delicately hand-painted Meiji-period Kutani-ware bowl is ornamented with lion-shaped handles on the bowl and lid, and is decorated in orange and gold with panels depicting floral arrangements, surrounded by scrolling borders. On the base is the "Dai Nippon...

This twisted, faceted vase by contemporary Danish ceramicist Aage Birck, possesses a rigidity and texture unique for the medium.

Yellow Origami Vessel, 2015 (Ceramic, C. 11 in. h x 12.5 in. w x 12.5 in. d, Object No.: 3323) Ann Van Hoey is an award-winning ceramic artist and her work is in the collections of ...

Studio made charger in gunmetal and gold glaze with graphic design by Gary McCloy for Steve Chase, American 1980's (Signed with original “Steve Chase Assoc.” label on bottom)     

The Chinese Export porcelain dish in the famille rose palette is painted on the border with meandering vines and flowers which surrounds a central panel decorated with vases and pots of flowers...

FAPG 20247D John Bennett (1840-1907), New York Plaque with pink and blue phlox, circa 1881-1882 Earthenware, painted and glazed Measures: 14 7/8 in. diameter, 1 13/16 in. high Signed and inscribed (on the back): J B[monogram] ENNETT / E 24 NY. / MC [or] CM If the Herter Brothers was the most distinguished and successful cabinet making and decorating firm in New York in the 1870s-1880s, the transplanted Englishman John Bennett was probably the most gifted ceramicist working in New York in the Aesthetic period. (Bennett was included in The Metropolitan Museum of Art’s landmark exhibition, In pursuit of beauty: Americans and the Aesthetic Movement, in 1986–87, and Alice Cooney Frelinghuysen’s chapter, “Aesthetic Forms in Ceramics and Glass,” pp. 216–19, significantly informs this essay). Born in England, the son of a potter who worked in the Staffordshire district, Bennett came under the influence of John Sparkes, head of London’s Lambeth School of Art. Soon thereafter, he was hired by Henry Doulton of the eponymous firm to teach artisans there the new art of underglaze faience decoration, which was part of a revival of the sixteenth-century interest in hand-painted ceramics. A number of Bennett’s works for Doulton were shown in the Doulton display at the Centennial Exposition in Philadelphia in 1876, and the considerable success enjoyed by Bennett and Doulton from an American audience undoubtedly played an important role in Bennett’s decision to leave Doulton and England and set up shop in New York in 1877. By the next year, he had already established a studio in New York, where he produced his own pottery in the tradition of the Arts & Crafts innovators, William Morris and William De Morgan, and also taught classes at the new Society of Decorative Art to the growing band of women who had taken up china painting, both professionally and avocationally. Bennett’s pottery developed a very serious following among students and collectors, and was offered for sale at such leading retail establishments as Tiffany & Company in New York. Typically, his work was brilliantly colored, with carefully drawn naturalistic flowers against a monochromatic background. Bennett’s fully developed American work, particularly pieces of larger scale, is exceedingly rare, as he worked in New York only from 1877 to 1883, in which year he withdrew to a farm in rural West Orange, New Jersey, where his production continued on a limited basis. He remained listed as a ceramicist there until 1889. While in New York City, Bennett maintained a studio at 412 East 24th Street. The present charger, boldly featuring pink and blue phlox, is signed by Bennett, and is inscribed “E 24 NY,” indicating its manufacture during Bennett’s time in New York. Although it is not dated, this piece is closely related stylistically to various dated pieces from 1881–82, which would place its production toward the end of Bennett’s New York years. Although we do not know whether Bennett worked out of this 24th Street studio from the outset, he was indeed working there by 1879 when he made (and signed, inscribed, and dated) a charger with white and red flowers now in the collection of the Art Institute of Chicago, which specifically points to “412 East 24 / NY” (acc. no. 1998.317). Additionally, the U.S. Census of 1880 lists Bennett as a ceramicist located at that same address, married to Mary Bennett with whom he had had six children. There are several other examples from Bennett’s time in New York City, which also give his studio address on East 24th Street, including a covered jar in cadmium yellow with indigo and green flowers made in 1881; an undated footed vase with lilac...

Large-scale ceramic vase by Zaccagnini. Hand-thrown earthenware vase. Brown and white glazes with incised leaf pattern and interior glaze. Beautiful graphic piece with great scale. ...

Delinger, 2016 (Porcelain, C. 2.5 in. h x 10.6 in. w x 10.6 in. d, Object No.: 3528) Sidsel Hanum was born in Norway in 1955. After her Ceramic Diploma from the National College of ...

19th century ceramic fish strainer.

Sculptural vessels in an ovoid form with walled aperture. Hand-built of gray chamotte Limoges porcelain by Swiss ceramic artist Sonja Duo-Meyer (b. 1953) and executed circa 1995. The...

Hand-built, organic stoneware form in large-scale. High fired glaze in shades of blue-green and gunmetal. Signed on underside.

A French Art Nouveau round ceramic decorative plate by Clément Massier, depicting a Byzantine Head in iridescent enamel glazes, circa 1900s. Signed,...

Unique Sergio Asti architectural sculpture. Patinaed reflective glaze over ceramic. Hand signed on underside, Sergio Asti, 1971.

Impressed artist's signature to underside. Turi Heisselberg Pedersen is an award winning ceramic artist and her work is in the collections of several European museums.

Manufactured by Schramberger Majolika-Fabrik. Printed maker's mark, impressed model number "3366". The pattern is called "Gobelin 8" designed by Eva Zeisel. Literature: Pat M...

British pottery pearlware sponged spirit flasks modeled in form of boots, Scottish, circa 1840-1850. The pair of unusual flasks are sponged in mottled colors of blue, pink, and ...

Chinese Export platter, circa 1820. Mille fleur pattern.

The large underglaze blue and white pearlware jug is decorated with flowers on one side and a simple modernistic stylized drape design on the other.

Elegant slender vase by Guido Gambone in a solid white glaze. Signed with donkey mark.