Zurich - Abstract Sculptures

Chiharu Shiota "I HOPE..." 2021 stainless steel, heat-resistant satin glass, transparent Din A5 sheets Edition of 100 + 20 APs 120 x 120 cm 28 x printed artworks by the artist 65 x...

DONALD JUDD (1928-1994) Armchair 47/48 2017 Painted aluminium, Turquoise blue, RAL 5018 75 x 50 x 50 cm 29.53 x 19.69 x 19.69 inches Signed, inscribed, dated and numbered "Donald Jud...

Liam Gillick, Recessed Discussion Stream Plexiglas and MDF Edition of 30 12 x 50.1 x 20 cm (4.7 x 19.7 x 7.9 in) Signed and numbered on Certificate of Authenticity In mint condition,...

Liam Gillick, Recessed Discussion Stream Plexiglas and MDF Edition of 30 12 x 50.1 x 20 cm (4.7 x 19.7 x 7.9 in) Signed and numbered on Certificate of Authenticity In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. Gillick’s work exposes the dysfunctional aspects of a modernist legacy in terms of abstraction and architecture when framed within a globalized, neo-liberal consensus. His work extends into structural rethinking of the exhibition as a form. He deploys multiple forms to expose the new ideological control systems that emerged at the beginning of the 1990s. "By making the abstract concrete, art no longer retains any abstract quality, it merely announces a constant striving for a state of abstraction and in turn produces more abstraction to pursue." -Liam Gillick Gillick’s work has had a profound impact on a contemporary understanding of how art and architecture influence, and are themselves influenced by, interpersonal communication and interactions in the public sphere. This colorful Plexiglas...

Chiharu Shiota "I HOPE..." 2021 stainless steel, heat-resistant satin glass, transparent Din A5 sheets Edition of 100 + 20 APs 120 x 120 cm 28 x printed artworks by the artist 65 x...

ALLEN JONES (b. 1937) Juno 2008 Painted steel 275 x 530 x 265 cm 108.27 x 208.66 x 104.33 inches Unique work in two parts The Monumental sculpture ‘Juno’ – named after the roman god...

Nevelson’s compositions explore the relational possibilities of sculpture and space, summing up the objectification of the external world into a personal landscape. Although her prac...

ALLEN JONES (1937) Acrobat 1993 Acrylic on wood 70 x 36 x 30 cm 27.55 x 14.17 x 11.81 inches Number 16 of 22 Signed, dated and numbered on the base "allenjones '93 16/22"

Otto Piene, Rastermond Platinum varnish on clay Edition of 99, each piece is unique 47 x 47 x 2 cm (18.5 x 18.5 x 0.8 in) Stamped and numbered, accompanied ...

ROBERT KLIPPEL (1920-2001) Opus 800 1989 Painted wood assemblage 146 x 334.5 x 85 cm 57.48 x 131.69 x 33.46 inches Cat. rais. no. 800 Regarded as Australia’s leading sculptor, Rober...

A unique cast in silver of a Robert Klippel Opus.

Otto Piene, Rastersonne Contemporary, 21st Century, Gold varnish, Limited Edition Gold varnish on clay Edition of 99, each piece is unique 47 x 47 x 2 cm (18.5 x 18.5 x 0.8 in) Stamped and numbered, accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher Fire, earth, and metal: these elementary forces played a very important role in the oeuvre of Otto Piene. After many years of artistic productions in 2006, he discovered a new material for his artworks: ceramic. "With my artworks I want to transmit energy” — Otto Piene He created wonderful mural reliefs in ceramic. He dropped viscous varnish through different raster-barriers on a prepared clay platter. Not only the setting of the platinum drops creates the individual and unique look of each work but also their convex and interleaving forms. The slight convexity of the platinum varnish drops reflects the light and gives the artwork a discreet white shine. With the mélange of archaic and modern elements, Piene achieves an impressing artwork with this powerful material. OTTO PIENE Otto Piene is one of the most important German post-war artists.In 1957- Otto Piene and Heinz Mack founded the group ZERO. Otto Piene is one of the most important German post-war artists. Born in 1929 Otto Piene was brought up in Lübeck (Germany) and, after his studies at the Academy of Fine Arts in Munich and Düsseldorf, he completed his academic education with studies on philosophy at the University of Cologne. In 1957- Otto Piene and Heinz Mack founded the group ZERO; which Günther Uecker joined in 1961. Their aim was to create a recommencement of contemporary art, starting at the point ZERO with new artworks emphasizing predominantly on light. Piene primarily aimed in his artworks to visualize light, fire, and air; so he started to create Op-Art inspired raster paintings, followed by smoke and fire...

A Unique sculpture by Allen Jones, one of the very few variations on the theme, made in a forge and painted differently then other variations on the theme.