Venus Bot
Featured In Metaglyphs

Venus Bot

In Venus Bot, an ancient Roman marble statue gets a cyborg upgrade. Cartoons have always lived at the boundary of real and surreal. Amy Kurzweil’s NFTs blur the line between art and tech, work and play, love and imagination. The original images are hand made with ink and watercolor. Kurzweil seeks ways to engage with virtual platforms that acknowledge the artistry and effort of cartooning. Instagram has seen a renaissance of the single panel cartoon, but social media requires constant regurgitation into a feed that only benefits advertisers and executives. NFTs offer an opportunity to invert the rules; artists can decide where they want to funnel money and attention in the name of their work. Kurzweil has created this NFT of Venus Bot, an original cartoon, which will be auctioned to benefit Camfed, supporting education for girls across Africa. The collector receives Venus Bot, a digital artwork and emblem of that patronage.
Token
1stDibs.1
Token ID
77
Token Standard
ERC-721
Edition
1/1
Medium
JPEG Digital Image
Dimensions
1982 x 4163
Artwork CID: QmT6Bh31PPQ8zRwC5w7Y3UoWyUtjw6NeYVc7hZMPb3x2Ee
Token Metadata CID: QmR6zD6t55KtqKadFb98X4YHV7z97dwvv8ZCzFPGxfL2xr
Amy Kurzweil is a New Yorker cartoonist and the author of Flying Couch: A Graphic Memoir. She is a Fall 2021 Berlin Prize fellow with the American Academy in Berlin, and a 2019 Shearing Fellow with the Black Mountain Institute. Her writing, comics, and cartoons have also been published in The Believer Magazine, The New York Times Book Review, Longreads, Literary Hub, Wired, Catapult, and elsewhere, and address the confluence of art, futurism and technology. Kurzweil has received fellowships from MacDowell and Djerassi, and has been teaching comics and writing for over a decade, previously at Parson School of Design and F.I.T. in Manhattan.

Exhibition Notes

Venus Bot is presented in “Metaglyphs,” curated by Katie Peyton Hofstadter. Metaglyphs showcases artists using digital technologies to generate layers of meaning on more than one experiential plane, and includes work by Alfredo Salazar-Caro, Amy Kurzweil, Claudia Hart, LaJuné McMillian, LoVid, Carla Gannis, FakeShamus, Morehshin Allahyari, Savannah Spirit, and Swoon.

Metaglyph roughly translates to “beyond symbol” — an artwork representing the interconnected relationship between object materiality and digital existence. For as long as humans have told stories, we’ve been interested in objects that exist at the border between worlds. From ancient mythology to modern science fiction, our archetypal stories are filled with magical objects that serve as keys, black mirrors of culture and false identity, secret weapons with hidden powers. These NFT tokenized artworks use multiple techniques — ranging from digital simulation technology to 3D modeling to glitch — to probe the boundaries and consequences of our digital and analog desires.

The goal is not to replace reality, but to return to and enrich it. When we step through the looking glass — when we board the vessel — what will we see?

“These artworks are vessels that serve as a link between the familiar and the unknown.

It’s the butterfly pinned to the board, and the butterfly rising above it. Not just the shark’s tooth, but its bite.”

–– Katie Peyton Hofstadter

Amy sketches.

History

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