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This restored art deco cabinet features gold leaf double doors, trim and base detailing with lacquered burgundy exterior. Ideal for use as a dry bar for holding liquor and glassware or as an apothecary cabinet. Beautiful lacquered burgundy with gold leaf details, the interior is fitted with glassware shelves and a single pull out shelf. Working key is present. This circa 1930s restored storage cabinet in manner of Emile Jacques Ruhlmann would work great in an Art Deco, Hollywood Regency, Post-Modern or Mid-Century Modern home or penthouse apartment but could also look fantastic in a Contemporary, Space Age Mod, Scandanavian Modern, Danish Modern or Zen / Minimalist room. Also consider mixing it up in a Traditional, Transitional, or Classical room with a splash of juxtaposition. Would also be an apt choice in a commercial project such as a hotel lobby lounge or members club, creative design studio or high-rise executive office. Consider using as a dry bar, curio cabinet, towel and linen highboy, sideboard or cupboard for your kitchen or dining room, vitrine or entryway closet...

(Possibly after) THE WORKSHOP OF SEVERO DA RAVENNA (ITALIAN, 1465-1543) Satyr from a Padovan model 18th/early 19th Century bronze 21 x 14 x 16 cm (8¼...

Wow! This large bronze sculpture by Floyd Elzinga is simply a ‘knock-out’ with its bright turquoise patina. The Canadian sculptor is known for using iconic i...

The spectacular Valiant Chandelier by Barlas Baylar is inspired by the resplendent natural forms of ancient flora. The Valiant Collection is rigorou...

A charming Empire-lamp made around 1820. The large bowl is greenpatinated and the patina is untouched and has a very charming look with its irregularities in colour. The arms and oth...

GRAND TOUR Italian School Pair of Busts, "Homer" & "Pseudo-Seneca", after Antiquity Patinated bronze mounted on solid marble plinths cast by Chiurazzi, Naples circa 1880 each sealed with foundry cachet on shoulder Item # 304KUV24Y A rare and exciting pair of Grand Tour busts after Antiquity, each is executed in bronze and finished in a Herculaneum black patina with hints of verde in the underlying surface by the foundry of J. Chiurazzi of Naples. Foundry seals are located on their shoulders verso. The first is a fine cast of Homer after the marble bust of Antiquity formerly in the Farnese collection and currently in the permanent collection of the National Archaeological Museum of Naples. It depicts the aged Greek poet and author of the Illiad and the Odyssey as a bearded man dressed in a tunic with a ribbon holding back his hair while concerned wrinkles line his forehead. His eyes are empty and devoid of anything, the absence alluding to his blindness while the sheer intensity of his spirit overwhelms the viewer. His simple garment are a reminder of his poverty. The second bust known as "Pseudo Seneca" is cast after the original bust of antiquity found in 1754 at Herculaneum in the Villa of the Papyri, the home of Lucius Calpurnius Piso Caesoninus, father-in-law of Julius Caesar. The estate was buried in the eruption of Mount Vesuvius. The bust had been thought to be an image of Lucius Annaeus Seneca - Seneca the Younger - the famous Stoic philosopher and fabulously wealthy advisor to Nero. However, after a titled bust of Seneca...

Painted in mineral pigments with a silk brocade border.

The exceptional bronze casting, in stunningly intricate detail, on this beautiful sculptural piece has been attributed to master metalworker Ferdinand Barbedienne. The piece takes th...

EDITH BARETTO PARSONS United States, 1878-1956 "Terriers, a pair of bookends" Lost-wax cast medium-brown and verdigris patinated bronze signed in cast "E.B. PARSONS (c)" and cold-stamped Gorham Co. Founders and foundry code of "OFFY" & "OFFZ", both written in black ink beside foundry mark "348" Item # 304XAI18A Part of Parsons' series of playful terrier dogs, this is a highly desirable original pair that have remained together since being issued by the Gorham foundry...

This is a rare iteration of the classic and highly sought after 'Chan' coffee table by father and son team, Philip and Kelvin LaVerne (New York), produced in the 1960s and signed with the artists names on the top (see photos). Ingeniously designed with international patination and polychromed bronze and pewter, this rare form coffee table which also functions excellent as a large end table...

A large organic bush form with beautiful patina. Masterful work by Harry Bertoia. Sold with a COA from the Bertoia foundation.

CHARLES VALTON French, 1851-1913 Lioness and Two Cubs Reddish-brown patinated bronze Signed "C. VALTON" to base over foundry cachet Item # 301HOC20P A good early cast circa 1910 of Charles Valton's Lioness and Two Cubs, it is a beautifully detailed sand-casting with a rich red-oxide and medium-brown surface patination that highlights the texture of the surface. The two cubs sit at total peace beneath their powerful mother, her head lowered in a low growl as she likely threatens a fellow lion away from the meal of rabbit she has brought for her cubs. Artist Listings...

Bronze-plated steel, upholstery. Produced by Knoll International. Rare bronze finish variant with newly upholstered seats.

Glass and bronze sculpture. Work made with applied feathers in opaque and transparent polychrome glass produced directly by Toni Zuccheri in 2007. The base and skeleton are in lost-w...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Inflation by David Breuer-Weil (b. 1965) Pencil and gold leaf on paper 43 x 66 cm (16 ⁷/₈ x 26 inches) Signed and...

Japanese 19th century miniature lacquer chest with waterfall. Late Edo to early Meiji period lacquer chest (mid to late 19th century) with two characters on the front reading Nuno an...

Poule cayenne - Poule faisanne, 1st proof, 1906 Bronze with a black patina 28 x 22 13 cm Signed on the base : POMPON. Seal of the founder Cire Perdue A.A. Hebrard. Numbered (M) Certi...

ERNEST CHARLES DIOSI French, 1881-1959 Model of a Standing Warrior Patinated bronze signed in cast "C. Diosi" cast circa 1940 after a model by Ernest Charles Diosi Item # 304APQ...

VINTAGE 18K YELLOW GOLD "BYZANTINE" NECKLACE Stamped "18k GERMANY" 15 1/2" wearable length Item # C104247 A beautifully executed "Byzantine" twist necklace executed entirely in 18...

'Erratic B with 12ct White Gold' is a handblown and cut glass sculpture created by the British artist, Anthony Scala. The geological term 'erratic' refers to a stone or boulder that differs to its surrounding rock, that is believed to have been displaced and deposited by glacier movement. Differing from his Auri collection, Scala's aim was to produce a series of sculptures that are freer, amorphous and suggestive of movement. Striking in the singular, these really capture this concept en masse. With a career in glass now spanning over 20 years, Scala creates art works that can only be described as acts of precision. As equally beautiful as they are meticulously created and despite being a hugely skilled glass blower, it is with cold working that Scala excels. Initially qualified as an architectural model maker, it was during this time that Scala learnt many disciplines that would be equally relevant to and ultimately inform his practice today. His passion for glass was discovered however during an apprenticeship with Peter Layton...

Danish Mid-Century expandable sleeper settee with a teak wood frame with caned sides, a solid seat cushion and two wedge-shaped removable back cushions in light and dark gold pattern...

'Erratic A with 23ct Red Gold' is a handblown and cut glass sculpture created by the British artist, Anthony Scala. The geological term 'erratic' refers to a stone or boulder that differs to its surrounding rock, that is believed to have been displaced and deposited by glacier movement. Differing from his Auri collection, Scala's aim was to produce a series of sculptures that are freer, amorphous and suggestive of movement. Striking in the singular, these really capture this concept en masse. With a career in glass now spanning over 20 years, Scala creates art works that can only be described as acts of precision. As equally beautiful as they are meticulously created and despite being a hugely skilled glass blower, it is with cold working that Scala excels. Initially qualified as an architectural model maker, it was during this time that Scala learnt many disciplines that would be equally relevant to and ultimately inform his practice today. His passion for glass was discovered however during an apprenticeship with Peter Layton...

'Erratic E with 16.9ct Lemon Gold' is a handblown and cut glass sculpture created by the British artist, Anthony Scala. The geological term 'erratic' refers to a stone or boulder that differs to its surrounding rock, that is believed to have been displaced and deposited by glacier movement. Differing from his Auri collection, Scala's aim was to produce a series of sculptures that are freer, amorphous and suggestive of movement. Striking in the singular, these really capture this concept en masse. With a career in glass now spanning over 20 years, Scala creates art works that can only be described as acts of precision. As equally beautiful as they are meticulously created and despite being a hugely skilled glass blower, it is with cold working that Scala excels. Initially qualified as an architectural model maker, it was during this time that Scala learnt many disciplines that would be equally relevant to and ultimately inform his practice today. His passion for glass was discovered however during an apprenticeship with Peter Layton...

Cast bronze mirror with a surrealist shape. Model signed and numbered. Limited edition of 25 copies of a model created in the 1970's by the sculptor Victor Roman.

Coffee table in gilded wrought iron with a rectangular glass slab top on a corner base with tapered legs and a double arch brace. A pair is available. Origin : Lee Bouvier Radziwill...

A Pair of Empire Style Gilt and Patinated Bronze and Rouge Griotte Marble Seven-Light Candelabra. These palatial sized candelabra date to the First Empire period. As becoming of ...

A Pair of Gilt-Bronze And Rouge Griotte Marble Vases and Covers. By Ferdinand Barbedienne, Paris. Designed in the Neo-Grec style these elegant vases stand atop Rouge Griotte marb...

A pair of beautifully patinated cast bronze door handles.

Introducing you to our first 2023 design, Le Branch D’or Chandelier. A namesake, organic piece instigated by Barlas Baylar. Le Branch D’or embraces a sturdy ...

Introducing you to our first 2023 design, the Branch D’or Sconce. A namesake, organic piece instigated by Barlas Baylar. The Branch D’or embraces a sturdy plexi acrylic glass branch ...

JOSEPH JOHANNES UPHUES German, 1850-1911 "Hercules and the Stymphalian Bird" or "The Archer" Patinated bronze signed to base in script "J. Uphues" and sealed with foundry cachet of Gladenbeck & Söhn conceived 1884, cast circa 1890-1910 Item # 301BVP23S A fluid and sinuous depiction of Hercules the moment after releasing an arrow from his bow to kill the Stymphalian birds...

The model after Michelangelo. Both incised F. BARBEDIENNE.FONDEUR, with A. Collas Reduction Mecanique pastille. Height of stand - 4.75"

Art Deco hammered wrought iron wall mounted coat rack by Paul Kiss with adjustable coat hooks: France: circa 1930 Signed " Paul Kiss'' Provenance: Sotheby's New York, December 15, 19...

Introducing you to our first 2023 design, Le Branch D’or Chandelier. A namesake, organic piece instigated by Barlas Baylar. Le Branch D’or embraces a sturdy ...

Prominent figures in Japanese folklore. The Chinese poet-sage Kanzan is depicted with his scroll, and the Daoist sage Jittoku with his broom. Painting bears two seals of Nakanuma Sho...

French Art Deco wall-sconces, gilded cast bronze.

Dark brown patination on an oval base designed as a carpet with a fan, signed P.J. MÊNE.

This table was presented during the design week 2023 in Milan, designed by a Naples designer Vincenzo Oste. "The table becomes like a place of sinuous fusions, made up of promontor...

A unusually large chandelier with a beautiful design. The chains that holds the chandelier are of an interesting shape with grooved pipes and rings. The pressure-turned saucer-like c...

Sign by Artist in Lower Right The present work was published as an illustration for Elizabeth Goudge's short story "A Crock of Gold" in the August 1938 issue of Woman's Home Companion. The story follows a family of five children on their summer vacation in Scotland. The kids set...

Pair of German Bronze Busts of Schiller and Goethe, circa 1880.

A rare and important spindle feet console in patinated wrought iron with a spectacular carrare marble A similar model is located at the Louvre museum at the bronze room into the deco...

This fun and somewhat whimsical sculpture recalls a cherished childhood memory for Roch Smith. The Toronto-based sculptor has hand-forged the bronze figure of a young boy on a bike balancing upright on its back wheel-popping a wheelie. He stands poised to ride off the top of a high, narrow steel track that ends in a loop reminiscent of the popular ‘Hot Wheels’ toy race car...

ALFREDO PINA French, 1883-1966 Bust of a Young Man Lost-wax cast medium-brown patinated bronze over solid verde marble plinth signed in cast "A. Pina" and sealed with cachet "cire...

Bronze éclaté gilded bronze coffee table lamp by Claude Victor Boeltz inset with amethyst quartz. Signed: "Made in France Royale Fonderie P...

Gregory Nangle Ash side table, 2016 Cast bronze, cast glass Measures: 12.5 x 12.5 x 34 in Edition of 6 The Gregory Nangle aesthetic explores what happens when geometry is inte...

The male figure playing a sitar and the female figure with an unfolded fan covering her smile.

Modeled as a parrot with pink and yellow feathers mounted to the edge of a basin made from an abalone shell, raised on a circular gilt metal base.

Trunk-form stem with colored hardstones on a circular base.

Extraordinary armchair in a limited edition of 9 pieces made in lost wax-casting in bronze for Dilmos Milano. The artist Andrea Salvetti was inspired by the posture of the Madonna holding Christ in the famous Pietà sculpture of Michelangelo...

Contemporary American abstract sculpture made of patinated bronze, mounted on a square white marble base. (in the style of BRANCUSI).

Hand painted with gilt bronze mounts with frogs and florals.

Ferdinand Barbedienne (Saint-Martin-de-Fresnay 1810 – 1892 Paris) after Lorenzo Ghiberti (Florence, 1378 – 1455) Signed at the lower right of the principal relief: F. BARBEDIENNE Provenance: Private Collection, USA. Barbedienne’s “Gates of Paradise” reliefs are one of the triumphs of nineteenth-century bronze casting and patination. The nine panels that comprise our example are half-size reductions of the famous originals by Lorenzo Ghiberti, made for the Baptistery of Florence and now housed in the Museo del Opera del Duomo. Mounted in an impressive, mullioned frame surround, our work is an exceptional exemplar of the Renaissance Revival, the broadly influential style and movement that infused architecture, design, and artistic culture in the latter half of the nineteenth century. The central scene, The Story of Joseph, is perhaps the most celebrated of the entire series depicting as it does seven episodes from the Biblical narrative integrated into a single composition: Joseph cast by his brethren into the well, Joseph sold to the merchants, the merchants delivering Joseph to the pharaoh, Joseph interpreting the pharaoh’s dream, the pharaoh paying him honor, Jacob sending his sons to Egypt, and Joseph recognizes his brothers and returns home. The surrounding reliefs—two vertical figures in niches, two recumbent figures, and four portrait heads in roundels—are as well faithful reductions of Ghiberti’s original bronzes on other parts of the doors. The maker of these casts was the renowned 19th-century French fondeur Ferdinand Barbedienne. Gary Radke has recently written of this great enterprise: “The Parisian bronze caster Ferdinand Barbedienne began making half-sized copies of ancient and Renaissance sculpture in the 1830s. His firm benefitted enormously from the collaboration of Achille Collas, whom Meredith Shedd has shown was one of numerous pioneers in the mechanical reproduction of sculpture. Their competitors largely devoted themselves to reproducing relief sculpture, but Collas devised a process for creating fully three-dimensional copies. A tracing needle, powered by a treadle, moved over the surface of a full-sized plaster cast or bronze of the original and triggered a complementary action in a cutting stylus set over a soft plaster blank…He signed an exclusive contract with Barbedienne on November 29, 1838, and won medals for his inventions in 1839 and 1844. Barbedienne’s half-sized copies of the Gates of Paradise were famous not only for their fidelity to the original, but also for the way their gilding…suggested the glimmering surface that was hidden under centuries of dirt. Some critics even saw Collas’s and Barbedienne’s work as ‘philanthropic, an exemplary adaptation of industry to the requirements of art, the artist, the workers, and the public alike.’ At 25,000 francs, Collas’s and Barbedienne’s reduction of the Gates of Paradise was singularly more expensive than any other item for sale in their shop. All the reliefs, individual statuettes, and busts were cast separately and could be purchased either by the piece or as an ensemble. Fittingly, Barbedienne’s accomplishment earned him the Grand Prix at the 1878 Paris Exposition Universelle, along with numerous other medals.” Three complete examples of the Barbedienne-Ghiberti doors are known. One, first installed in a chapel in the Villa Demidoff of San Donato near Pratolino, was later acquired by William Vanderbilt...

Fitted with candle arms in the shape of horns surmounted by a nozzle with gadrooned circular drip pans and with headdress moulded as cover opening to reveal a circular detachable gla...

Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...

19th century pair of Regency bronze three light candlesticks, in the Classical style, patinated with gilt highlights, and featuring Greek cut key banding. The reeded naturalistic pil...

Philip and Kelvin LaVerne unique "Acceptance" bronze painting with etching in patinated bronze and pewter with colorful hand-painted enamels. This Abstract Expressionist illustration...

Exact origin unknown. Handsome desk accessory.

1970'S Loris Azzaro Gold Lurex Fringe Jacket With Swarovski Crystals

GOLDEN GOOSE Private EDT Running chunky metallic gold distressed sneaker EU38 Reference: AAWC/A00139 Brand: Golden Goose Model: Running Private EDT Material: Leather, Fabric Color: G...