Recognized Dealers

From Gucci’s Spring/Summer 2003 collection under Tom Ford, this light green chiffon mini skirt features tiered ruffle layers crafted from a soft semi-sheer silk. Approximate measur...

A pair of dark-stained pine, brass and mohair stools designed and produced in the US, c. 1980s. Dimensions: 31.25” H x 16” W x 15.375” D All upholstered furniture can be reupholste...

Bochic “Orient” Mandarin Garant & Sapphire Brooch Set In 18K Gold & Silver Natural Mandarin Garnet - 13 carat Natural Sapphires from Sri Lanka - 3 carat Natural White Topaz - - 4 c...

Gisele Bündchen modeled variations of this top on Valentino Garavani’s Spring/Summer 2003 collection. Part of the runway presentation's finale look, this off-the-shoulder crop top is...

Mark Cross Alligator Fold with 14k Gold Trim from the 1950's. One exterior compartment with 3 interior slots. Each corner is crafted in 14K gold for protection. Calf leather lining. ...

Bochic “Orient” Natural Diamond & Fire Opal Ring Set In 18K Gold & Silver Natural Pear Shape Fire Opal - 14.50 Carat Natural Round Brilliant Cut Multi Fancy Color Diamonds 1.00 Ca...

A rare John Galliano bias cut Carnation dress from the Dolores collection, Autumn-Winter 1995-96. Of Bianchini Férier ivory and black satin backed rayon acetate crêpe inset with intarsia'd black chiffon and satin embroidered in white silk running stitch embroidered carnation flower heads and unfurling leaf designs. Gently cowled neckline and back. Due to the complex design and construction very few of these dresses were put into production, and sold. There are no traditional seams on sides and the fit of the dress is integrated into the inserted black floral patterns onto the bias cut base. In the period, they cost $5000 US dollars and upwards depending on the retail establishment through special order. John Galliano’s 1995...

Rare and early coffee table with Chinese scene on top in patinated and engraved bronze and pewter with stunning enamel cloisonne in blue, green, and red by Philip and Kelvin LaVerne,...

An adjustable brass and waxed cotton wall light produced by Armaturhantverk Tibro, Sweden, c. 1970s. Assorted lampshade. Overall Dimensions (inches):  21.5” H x  20” W (max width) ...

A pair of beige-lacquered metal and glass flush mounts produced by Itsu, Finland, c. 1950s. Overall Dimensions (inches): 8.375” H x 9.9” W x 9.9” D Dimensions of Canopy: 4“ H x 4.3...

TIFFANY & Co. Elsa Peretti 18K Gold Diamond Starfish Charm Bracelet The starfish evokes life beneath the waves and in the celestial heavens. Bracelet with diamonds in 18k gold. 7.25...

An organic stained birch side table designed and produced Sweden, c. 1930s. Dimensions: 21.8” H x 35.5” W x 33.15” D

Edouard Benedictus, 'Poppy' from the portfolio 'Relais', plate 14, color pochoir, 1930. Signed in the matrix, in the center bottom margin. A superb, richly-inked impression, with fresh, vibrant colors, including metallic gold and silver inks, on heavy, cream wove paper; the full sheet with margins (1 3/8 inches), in excellent condition. Published by Éditions Vincent, Fréal et Cie, Paris. The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Matted to museum standards, unframed. Image size 14 3/8 x 11 inches (365 x 279 mm); sheet size 17 1/4 x 13 7/8 inches (438 x 352 mm). Impressions of this work are held in the following museum collections: Cooper-Hewitt National Design Museum Library (Smithsonian), Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Toledo Museum of Art, Victoria and Albert Museum (London), Virginia Museum of Fine Arts. ABOUT THIS WORK The Pochoir process is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by virtue of its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Edouard Benedictus (1878 -1930), artist, designer, composer, and chemist, was born and died in Paris. A highly-regarded designer and art critic of the Art Nouveau era, Benedictus gained renown as a colorist and creator of Art Deco-inspired geometric and floral motifs. His work had a significant influence on international fashions in clothing, home furnishings, graphic design, and decorative objects of the period, earning him commissions from leading European design firms. In 1925 he was invited to represent Art Deco textile design...

The rarest and most valuable turquoise in the world: Lander Blue. Discovered by a blackjack dealer named Rita who was picnicking in the area, the tiny "hat mine" (so called because i...

Exceptional Art Deco Mazer Pendant Brooch from the 1930's. High Art Deco design with step faceted faux aquamarines and sapphires set within an intricate pave and baguette dangle sett...

Bochic “Orient” Natural Emerald & Topaz Cocktail Ring Set In 18K Gold & Silver Natural Round Brilliant Emeralds - 3.00 Carat Natural White Topaz - 2.00 Carat This Ring is from ...

TIFFANY & Co. Etoile 18K Gold Diamond 4mm Band Ring 5 Metal: 18K Gold Size: 5 Band Width: 4mm Diamond: 10 round brilliant diamonds, carat total weight .22 Hallmark: TIFFANY&CO. 750...

Bochic “Capri” Blue Opal & Multi Color Sapphire Ring Set In 18K Gold & Silver Natural Blue Opal - 6 Carats Natural Rose Cut Multi Color Sapphires and Ruby 7 nCarats This Ring is...

"Large streams from little fountains flow, tall oaks from little acorns grow." This 14th century English proverb reminds us that greatness often springs from humble beginnings. What ...

Bochic “Orient” Emerald, Sapphire & Topaz Ring Set In 18K Gold & Silver Natural Red Ruby, Oval Cut 7.50 Carat Natural Green Emeralds from Zambia, Round Cut 2.00 Carat Natural R...

This gorgeous -and huge- opal and diamond halo ring features a brilliantly colorful, solid and natural opal from Australia that is consistent with opals from the mines in Coober Pedy...

Bochic “Capri” Multi Color Tourmalines & Amethyst Ring Set In 18K Gold & Silver Natural Multi Color Tourmalines - 2.00 carats Nautural Amethyst- 1.00 carats Natural Blue Topaz ...

18k ring. Carved Scarab Amethyst Cabochon.

Hailing from the late 19th century, these delightful dormeuses showcase cheerful turquoise cabochons, cradled by twinkling rose-cut diamond tipped prongs at each compass point. Compl...

Highly sought after GUCCI EMBROIDERED LEATHER PANTS and RUCHED SILK TOP by TOM FORD Circa 1999 Extremely RARE Made in Italy The set is IT Size 40 - US 4

Bochic “Orient” Emerald, Sapphire & Topaz Ring Set In 18K Gold & Silver Natural Blue Sapphire from Sri Lanka, Oval Cut 7 Carat Natural Green Emeralds from Zambia, Round Cut 2.50 ...

An ash and blue laminate console table designed by Gio Ponti and produced by ISA Bergamo, Italy, 1950s. Provenance: Hotel Royal, Pietra Ligure. Authenticated by the Gio Ponti Archi...

A stunning gown fashioned of deep plum silk charmeuse designed by Yves Saint Laurent from his runway Haute Couture Collection circa 1997-98. With inspiration in style and color from ...

Bob Mackie Boutique Long Beaded Dress US size - 6 Devore Semi-Sheer Velvet, Floral Print, Embellished with Beads and Sequins, Bias Cut, Slip-On, Open Cowl-Style Back., Fully Lined. ...

Black Opal and Diamond White Gold Pendant Necklace, circa 2000. The Black Opal and Diamond White Gold Pendant Necklace from around 2000 is a very special piece. The Black Opal's co...

A large and comfortable pair of leather-covered injected foam loungers. Another pair is available.

From Dolce & Gabbana’s Spring/Summer 1996 collection, this sheer brown maxi dress features a fitted silhouette with a fold-over collar, three-quarter sleeves, and a full button-up fr...

Favored as a wedding band choice in the last two years, this elegant, classic Victorian cigar band style ring comes to us from Australia c. 1895. ...

Bochic “Orient” Multi Color Gems & Ruby Brooch Set In 18K Gold & Silver Natural Ruby - 13.00 carat Natural Amethyst - 3.00 carat Natural Emerlad - 2.00 carat Natural White Topaz ...

An adjustable brass and beige parchment paper floor lamp designed and produced in Italy, c. 1950s. Dimensions of Lamp with Shade (inches): 67.4” H x 22” W x 41.5” D Bulb Specificat...

From the early 1990s, this Donna Karan strapless bustier top is crafted from sheer white lace with intricate an floral motif. Structured with internal boning for a sculpted, corset-l...

A brass and etched white opaline glass pendant light designed and produced in Sweden, c. 1940s. Overall Dimensions (inches): 41” H x 16.5” Diameter Dimensions of Canopy:  3.25“ H x...

Pave Crystal Snakeskin Clutch by Finesse La Model made in the Judith Lieber style. A large frame is hand encrusted with clear and white crystal stones on gilt metal on a gathered ivo...

A small bamboo and rattan wall console or shelf designed and produced in Italy, c. 1950s. Dimensions: 9” H x 20.625” W x 9” D

A walnut sideboard or cabinet produced by Framar Pavia, Italy, c. 1970s. Dimensions: 31.5” H x 86.5” W x 18.5” D

TIFFANY & Co. Elsa Peretti Platinum .20ct Diamond Cross Pendant Necklace Metal: Platinum Weight: 6.20 grams Chain: 16" Pendant: 17mm x 14mm Diamond: 11 round brilliant diamonds, c...

"The work explores the interconnection between organic nature and circuits, reflecting the relationships between human beings. On the canvas, organic shapes are displayed that evoke ...

Bochic “Capri” Amethyst & Blue Topaz Gem & Cuff Set In 18K Gold & Silver Natural Rose Amethyst - 6 Carats Natural Blue Topaz - 27 Carats The Bochic "Capri" & Multi Fancy Gems Br...

Schiaparelli's 1945 Talleyrand Silhouette revival stove pipe hat is a later 1950's interpretation of her earlier design. When Schiaparelli returned to Paris, she presented her first...

Beautiful brand new in box Chanel gold and black Maryjane ballet flats. Gold leather with black toe and black bow strap at center ankle. Gold CC logo plaque at outer ankle. Pair with...

Bochic “Capri” FreshWater Pearl, Pink Sapphire, Peridot & Mix gems Necklace Mix Gems Clasp Set in 18K Gold & Silver - 2.00 Carats The Bochic "Capri" Opal & Multi Fancy Gems Necklac...

Wrought iron coffee table int the style of Ateliers Marolles with solid steel legs and nail head details on the edge with slate inserts.

A console in wrought iron with a live edge top linked by walnut butterflies, the legs end in large circles

This charming mid-century floral brooch by Binder Brothers will add a touch of whimsy to any jewelry collection! At its heart, a dreamy cabochon moonstone shimmers with a mesmerizing...

Amazing Christian Louboutin early 2000s Y2K leopard / cheetah print slingback heels ! Bronze heel with signature red bottoms. Pair with jeans, shorts, a skirt or a dress. In good con...

A perfect choice for lovers of history, literature, and fine jewelry, this pendant offers a wearable celebration of art and intellect. This remarkable antique moonstone intaglio feat...

Andirons in brass and wrought iron. Two sizes available.

Large studio planter with a multicolored glaze.

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: New Mexico Museum of Art, Phoenix Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

Bochic “Capri” Ruby, Amethyst & Fancy Color Gem Necklace Set in 18K & Silver Elegant and Classic Italian style Natural Red Ruby - 10 Carats Natural Yellow, Green Quartz- 28 Carats Natural Amethyst - 7 carats...

Fabulous chic 1980s Furs by Ceresnie & Offen leopard / cheetah animal print mink fur jacket ! Oversized bomber jacket fit. Zipper up the front, with pockets at each side of the wais...

TIFFANY & Co. 18K Gold Cupid Arrow Heart Oval Link Bracelet Metal: 18K gold Length: 8" Weight: 37.10 grams Hallmark: ©1994 TIFFANY&Co. 750 Condition: Excellent condition, comes ...

TIFFAY & Co. Platinum Diamond Dragonfly Charm Bracelet 7" Metal: Platinum Length: 7" Weight: 9.20 grams Charm: 21mm(0.83") long x 21mm(0.83") wide Diamond: round brilliant diamonds,...

A wood and orange fabric table lamp designed and produced in Sweden, c. 1970s. Dimensions of Lamp with Shade (inches): 9.75“ H x 5.375” W x 5.375” D Bulb Specifications: E-14 Numb...

A pair of teak and cane nightstands designed and produced in Sweden, c. 1950s. Dimensions: 20.4” H x 19.625” W x 12.9” D