Recognized Dealers

Pierre Chapo, dining table model 'T21B', elm, France, 1960s This early edition 'T21B' table is designed by Pierre Chapo in the 1960s. The shape of the base creates a very dynamic lo...

Modernist swivel chair in original moleskin upholstery, on casters.

A walnut and rush stool designed and produced in Italy, c. 1940s. Dimensions (inches): 27.5” H x 25.8” W x 16.5” D Seat Height: 17.4”

Dining chairs, oak, reupholstered in sheepskin, Denmark 1960s These elegant Danish dining chairs are crafted from oak and feature soft, beige sheepskin upholstery. Designed without ...

Set of ten dining chairs, oak, reupholstered in sheepskin, Denmark, 1960s These elegant Danish dining chairs are crafted from oak and feature soft, beige sheepskin upholstery. Desig...

A George Nakashima Single Slab Coffee Table Expressive free-edged American Black Walnut Signed and dated 1967 Original Clients name available

Poison Ring in solid 18K Yellow Gold with Flower crown decorated with natural Green Sapphire 6.5 mm x 5 mm / ca. 1ct and eleven Bohemian Red Garnets cut rose Ø 2.75 mm / ca. 0.17 ct...

A curved yellow fabric and wood sofa designed and produced in Denmark, c. 1940s.' Seat height: 15.75” All upholstered furniture can be reupholstered upon request for an additional ...

A beautiful scrollwork iron lantern / hanging light with hand blown coral green shade. The outer structure of the light is made with wrought iron scroll decorations nesting the glass...

An oak console table designed designed by Paul Laszlo and produced by Brown Saltman, USA, 1950s.   Table originally configured as flip-top console, present table is missing one...

Adrian Pearsall for Craft Associates, ‘platform’ curved sofa, fabric, walnut, United States, 1960s This beautifully shaped sofa designed by Adrian Pearsall is characterized by a sol...

A brass and beige fabric wall light designed and produced in Norway, c. 1950s. Overall Dimensions (Inches): 12.5” H x 8.75” W x 5.5“ D Back Plate Dimensions (Inches): 3.3” H x 1.5“...

Armchair, teak, velvet fabric, brass, the Netherlands, 1930s This charming lounge chair belongs to the Hague School, a movement that emphasizes geometric shapes, simple proportions,...

A very small brass and glass wall shelf designed and produced in Italy, c. 1930s. Dimensions: 1.9” H x 16.6” W x 3.25” D

A black-lacquered wood, beige-lacquered metal and white acrylic floor lamp attributed to Joaquim Tenreiro, Brazil, c. 1960. Moderate staining to metal shade. Dimensions of Lamp wit...

An oak and brown fabric sofa produced by Howard Furniture, Starkville, Mississippi, USA, c. 1950s. Dimensions: 26.3” H x 84.25” W x 30.5” D Seat height: 14.5”

Elegant Swedish Modern table lamp from B.H. Edlunds Silverfabrik, made from pewter. Tapering handle with a square base and art deco decor.

Regent Sofa by Marco Zanuso for Arflex shown here in its original marigold teddy upholstery. It could be cleaned with some inner refurbishment and used as is or reupholstered in COM....

A brass and cream-white string fabric wall light designed and produced by Fog & Mørup, Denmark, c. 1950s. Overall Dimensions (Inches): 13.0"H x 8.0"W x 5.0"D Back Plate Dimensions ...

A dark-stained wood and beige leatherette lounge chair, model Leve, designed by Joaquim Tenreiro in 1942, produced c. 1950s, Brazil. Light staining to leather and a jagged tear uppe...

Pair of armchairs, designed by Paolo Buffa in the 1950s. The chairs are crafted from light wood, with beautifully sculpted lines that reflect Buffa's mastery of traditional craftsman...

A rare Mid-Century Modern writing desk in full birch and red linoleum model K81 manufactured by Huonekalu- ja Rakennustyötehdas for Artek. The minimalist design of this table which w...

An adjustable brass and off-white fabric wall light designed and produced in Sweden, c. 1940s. Overall Dimensions (Inches): 17” H x 10” W x 34” D (measured fully extended) Back Pla...

A Ring with claw set natural Carnelian stone oval cabochon cut 22 mm x 12 mm x 6 mm deep / ca 12 ct. Color of stone is dark Orange ( not Red). The color may change depending on lig...

Solid Ash stool or side table with carved layers.

Vintage Ring in solid 18K Yellow Gold and Platinum decorated with 19 natural Blue Sapphire stones and 2 Diamonds . Vintage ring , hand - made in Europe ca 1950s -1960s, band hallm...

Guillerme et Chambron for Votre Maison, sectional lounge piece or lounge chair, fabric, oak, France, 1960s Beautiful sectional 'Elmyre' element that can be positioned in any preferr...

Vintage Ring decorated with bezel set oval cut cabochon of natural Opal stone Ø 12 x 10 mm x 5.25 mm deep, ca. 5 ct . Stone with natural flows inside, shows multicolored effects ofte...

Illum Wikkelsø, 'Ox' lounge chair, sheepskin, teak, Denmark 1960s An exquisitely designed easy chair upholstered in sheepskin by esteemed Danish designer Illum Wikkelsø, this 'Ox Ch...

A round oak coffee table with a thick top on carved legs, joined by a carved stretcher and held together with wooden keys.

A dark-stained oak and teak "Wishbone" desk designed by Hans Wegner and produced by Johannes Hansen, Denmark, c. 1950s. Dimensions: 29.5” H x 67.8” W x 33” D

An iron and rattan floor lamp designed and produced in Italy, c. 1950s. Dimensions of Lamp with Shade (inches): 75.625"H x 18.0"W x 37.0"D Dimensions of Shade (inches): 4.5" Top Di...

A large scale thunderbird plate in solid brass with faux stone inlay by Pepe Mendoza.

A caviúna wood, black-painted iron, rattan and brass coffee table designed by Carlo Hauner and produced by Móveis Artesanal, Brazil, c. 1950s. With makers label to underside as ill...

A pair of walnut side tables designed and produced in the US, c. 1950s. Overall Dimensions (inches): 21.125"H x 30.0"W x 20.5"D All items ship from High Point, North Carolina.

A pair of wood and glass nightstands designed and produced in Italy, c. 1960s. Overall Dimensions (inches): 22.25"H x 22.5"W x 14.2"D All items ship from High Point, North Carolina.

Elegant lounge chair and footstool by Ib Madsen and Acton Schubell, model called “Prag”. Made from beech with sheepskin upholstery. Generous size and lovely details, like the neck cu...

Art Deco period three stones Blue Sapphire and Diamonds Ring hand - made in 1943. This design with secure bezel clusters is perfect for everyday/ permanent wear. Swedish hallmarks...

Late 19th century fine quality Japanese hand held lady's fan for keeping cool; hand painted on silk with hand carved bone frame, floral leaf and fret work design; with 18 sticks in a...

An organic red fabric and wood sofa designed and produced in Sweden, c. 1940s. Dimensions: 36.25” H x 73.5” W x 31.25” D Seat Height: 16.25”  All upholstered furniture can be reup...

A black-lacquered iron, wood and brown velvet lounge chair or armchair designed and produced in Brazil, c. 1950s. The metal legs and frame present with moderate oxidation. Reupholst...

Pair of elegant floor lamps by Bertil Brisborg, made from brass in a towering size. Stems dressed in cognac colored leather.

A rattan wall mirror designed and produced in Italy, c. 1960s. Dimensions: 20.5” H x 15.75” W x 1.375” D

Charming Original by Robert Multi Color Crystal Heart Brooch from the 1940's. Hand made with vari shaped crystals and faux pearls. Has a bale for use as a pendant as well. 1.5" x 1.2...

Elegant Swedish Gilt Bridal Crown with triangular hands decorated with seven chased amphora ornament on perimeter. It's supposed to be affixed to the hear of the head with long thin ...

Dangle earrings in 9 kt rose gold and silver structure mounted with leaves studded with diamonds and rubies and, as pendant, a flower of turquoise paste. These earrings were totally ...

A sizable etched mirror-glass, metal and wood wall mirror designed and produced in Sweden, c. 1940s. Overall Dimensions (inches): 44.25"H x 30.0"W x 1.75"D All items ship from High...

A black-lacquered iron and beige fabric chaise longue designed and produced in Brazil, c. 1950s. Reupholstered in brand new fabric. Overall Dimensions (inches): 33.5” H x 26.25” W ...

An oak and off-white fabric sofa designed and produced by A. Brandt Ranch Oak, USA, c. 1950s. Reupholstered in brand new fabric. Dimensions: 32.25” H x 85.5” W x 40” D Seat Height...

A drink table from the officer’s quarter with an amazing Saint Gobain Glass top (Stool for visual reference).

A pair of teak, brass and rattan table lamps produced by Görlitz, Germany, c. 1960s. Replaced rattan lampshades. Dimensions of Lamp with Shade (inches): 8.875” H x 7.5“ Diameter B...

Derived from the French word "brut", meaning raw, Brutalism is the architectural style that emerged in the mid-20th century, post–World War II, when low-cost housing and government b...

A pair of vintage dangle earrings decorated with bezel set Seed Pearls. Swedish hallmarks, 18K, maker is GD & Co, Malmö. Year marks D9 / hand -made in 1954. Dangle parts are exact...

A monumental gold-lacquered metal and white opaline acrylic chandelier design attributed to William Wesley Peters. Commission work produced by Taliesin Associated Architects for Wil...

The textured gold bangle-bracelet decorated with three charms depicting two ballet dancers at the sides and a golf bag at the center, set with variously-cut diamonds, rubies, sapphir...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: New Mexico Museum of Art, Phoenix Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

A maple dresser produced by Templeton, Brattleboro, Vermont, USA, c. 1950s. Dimensions: 32.9” H x 50.4” W x 18.4” D

An adjustable brass and rattan wall light produced by Elidus, Sweden, c. 1950s. Overall Dimensions (Inches): 14.25"H x 7.125"W x 18.5"D Back Plate Dimensions (Inches): 3.875"H x 3....

A large round oak coffee table with a rich grain on four legs with curved tapering endings.

A pair of bronze-painted metal and white fabric chandeliers designed and produced in the US, c. 1940s. Overall Dimensions (inches): 19.75” H x 18” W x 12” D Dimensions of Mount: 1....