Recognized Dealers

Antique Yellow Gold Bracelet 9ct Yellow Gold Tagged Circa 1880 This 9ct yellow gold Victorian bracelet is a statement piece that is sure to catch the eye. The bracelet features b...

A purple velvet and oak slipper lounger chair designed and produced by Guillerme & Chambron, France, c. 1950s. Reupholstered in brand new velvet. Dimensions (Inches): 32.375” H x 2...

A glass and brass table lamp, designed by Ture Berglund and produced by Skansen glas, Sweden, c. 1940s. Dimensions of Lamp (inches): 9.4"H x 5.5"W x 5.5"D Dimensions of Shade (inch...

A George Nakashima Single Slab Coffee Table Expressive free-edged American Black Walnut Signed and dated 1967 Original Clients name available

Set of 2 Photographs Aventure d'une libertine, 2015 From The Secret Album Series Overall Frame size: 20.5 H x 28.5 W x 1 D in. Overall Sheet size: 17.7 H x 24 W in. Individual size: ...

Adrian Pearsall for Craft Associates, ‘platform’ curved sofa, fabric, walnut, United States, 1960s This beautifully shaped sofa designed by Adrian Pearsall is characterized by a sol...

A brass and white fabric table lamp designed and produced in Sweden, c. 1940s. Dimensions of Lamp with Shade (inches): 17.5"H x 14.25"W x 6.75"D Bulb Specifications: E-12 (Candelab...

John Emms (1841-1912) "Ruff", a collie Oil on canvas Signed and dated '95 lower right Inscribed 'Ruff' lower centre Canvas Size - 15 x 18 in Framed Size - 20 1/2 x 23 1/2 in Provenance The Collection of Charlie Watts. Charlie Watts, the legendary drummer of The Rolling Stones, was renowned not only for his musical prowess but also for his profound affection for animals, particularly Collies. He and his wife, Shirley, resided at Halsdon Manor in Devon, where they managed a stud farm for Arabian horses. Their estate was also home to numerous dogs, reflecting their deep commitment to animal welfare. John Emms was a British artist best known for his dynamic and characterful paintings of dogs, especially working breeds like foxhounds, terriers, and collies. Born in Blofield, Norfolk, in 1843, Emms developed a deep connection to the countryside and rural life, which became the heart of his artistic inspiration. While he painted horses and hunting scenes, it was his dog portraits that brought him enduring recognition. Emms had a remarkable ability to capture the individuality and spirit of each animal, portraying them not just as pets or working animals, but as noble and expressive beings. His brushwork was confident and lively, and he often painted dogs with a sense of pride, intelligence, and dignity. Among the many breeds he painted, collies held a special place. Emms portrayed them with great sensitivity, often emphasizing their alert expressions, soft coats, and loyal nature. His collie paintings...

Matched pair of oak coffee tables, solid tops on large baluster feet linked by a circular oak band, a very unusual design. Sold as a pair or a single.

A green velvet, wood and black-lacquered metal lounge chair designed and produced in Brazil, c. 1950s. Overall Dimensions (inches): 30.25"H x 25.25"W x 25.0"D Seat Height (inches):...

An elegant round center table with a rounded edge, the center is wood treated to have the appearance of leather. It is on four solid square legs, each carved with an intricate hidden...

Derived from the French word "brut", meaning raw, Brutalism is the architectural style that emerged in the mid-20th century, post–World War II, when low-cost housing and government b...

A curved yellow fabric and wood sofa designed and produced in Denmark, c. 1940s.' Seat height: 15.75” All upholstered furniture can be reupholstered upon request for an additional ...

John Emms (1841-1912) "Bob", a collie in a landscape Oil on canvas Signed and dated 1904 lower right Inscribed 'Bob' lower centre Canvas Size - 20 x 24 in Framed Size - 24 x 28 in Provenance The Collection of Charlie Watts. Charlie Watts, the legendary drummer of The Rolling Stones, was renowned not only for his musical prowess but also for his profound affection for animals, particularly Collies. He and his wife, Shirley, resided at Halsdon Manor in Devon, where they managed a stud farm for Arabian horses. Their estate was also home to numerous dogs, reflecting their deep commitment to animal welfare. John Emms was a British artist best known for his dynamic and characterful paintings of dogs, especially working breeds like foxhounds, terriers, and collies. Born in Blofield, Norfolk, in 1843, Emms developed a deep connection to the countryside and rural life, which became the heart of his artistic inspiration. While he painted horses and hunting scenes, it was his dog portraits that brought him enduring recognition. Emms had a remarkable ability to capture the individuality and spirit of each animal, portraying them not just as pets or working animals, but as noble and expressive beings. His brushwork was confident and lively, and he often painted dogs with a sense of pride, intelligence, and dignity. Among the many breeds he painted, collies held a special place. Emms portrayed them with great sensitivity, often emphasizing their alert expressions, soft coats, and loyal nature. His collie paintings...

Antique Diamond Bangle 15ct Rose Gold Tested Circa 1880 This exquisite Victorian bangle is a true beauty. Crafted in 15ct rose gold and dating back to around 1880, it features a ...

A pair of brass and fabric wall lights designed by Josef Frank and produced by Svenskt Tenn, Sweden, c. 1950s. Overall Dimensions (Inches): 9” H x 5” W x 11.75“ D Back Plate Dimens...

A large round oak coffee table with a rich grain on four legs with curved tapering endings.

Fine necklace in high graded Gilt Silver with 10 oval cut of natural Citrine stones and 28 Seed Pearls. Likely German hand - made between 1920s - 1930s. Hallmarked with Swedish cust...

The decoration on this pair of blue and white Dutch Delft jars features intricate floral patterns, scrolling foliage, and a central vase, all hand-painted in two shades of rich cobal...

An oak and brown fabric sofa produced by Howard Furniture, Starkville, Mississippi, USA, c. 1950s. Dimensions: 26.3” H x 84.25” W x 30.5” D Seat height: 14.5”

An oak and off-white fabric sofa designed and produced by A. Brandt Ranch Oak, USA, c. 1950s. Reupholstered in brand new fabric. Dimensions: 32.25” H x 85.5” W x 40” D Seat Height...

An organic red fabric and wood sofa designed and produced in Sweden, c. 1940s. Dimensions: 36.25” H x 73.5” W x 31.25” D Seat Height: 16.25”  All upholstered furniture can be reup...

Charming Original by Robert Multi Color Crystal Heart Brooch from the 1940's. Hand made with vari shaped crystals and faux pearls. Has a bale for use as a pendant as well. 1.5" x 1.2...

Antique Gold Thimble 15ct Yellow Gold Circa 1860 This Victorian thimble is not only a practical sewing tool but also a stunning work of art that captures the essence of the era....

A pair of brass and white opaline glass wall lights designed and produced in Denmark, c. 1950s. Overall Dimensions (Inches): 10.75"H x 3.875"W x 8.125"D Back Plate Dimensions (Inch...

An oak console table designed designed by Paul Laszlo and produced by Brown Saltman, USA, 1950s.   Table originally configured as flip-top console, present table is missing one...

Dining chairs, oak, reupholstered in sheepskin, Denmark 1960s These elegant Danish dining chairs are crafted from oak and feature soft, beige sheepskin upholstery. Designed without ...

Vintage Ring decorated with bezel set oval cut cabochon of natural Opal stone Ø 12 x 10 mm x 5.25 mm deep, ca. 5 ct . Stone with natural flows inside, shows multicolored effects ofte...

A wood console table designed and produced in Italy, c. 1950s. A 2”x3” inconsistency in color near top middle of top surface. Minor presence of old worm pinholes to inside of frame....

Dangle earrings in 9 kt rose gold and silver structure mounted with leaves studded with diamonds and rubies and, as pendant, a flower of turquoise paste. These earrings were totally ...

Frank Paton (1856-1909) Both parent and guardian signed and dated 'F. Paton. 1882.' lower left Oil on canvas Painting Size - 25 x 30 in Framed Size - 30 x 35 in Provenance With The ...

Bring a touch of timeless French elegance to your interior with this limestone fireplace mantel. Sourced from a historic French estate, this stunning piece embodies classic European ...

A Russian Silver & champlevé Enamel Easter egg with gilt interior, workmaster’s marks of Андрей Брагин / Andrei Bragin ( active 1852 - 1908 ) , "88" Imperial standard, St. Petersb...

Antique Silver Locket Sterling Silver Hallmarked Birmingham 1882 Makers Mark H W *THE CHAIN IS SOLD SEPARATELY This stunning large Victorian locket is a true treasure for any an...

Pair of armchairs, designed by Paolo Buffa in the 1950s. The chairs are crafted from light wood, with beautifully sculpted lines that reflect Buffa's mastery of traditional craftsman...

A wood and green velvet fabric lounge chair designed and produced in Brazil, c. 1960s. Overall Dimensions (inches): 33.75” H x 30” W x 32.5” D Seat Height (inches): 18.5” Arm Heig...

Art Deco period three stones Blue Sapphire and Diamonds Ring hand - made in 1943. This design with secure bezel clusters is perfect for everyday/ permanent wear. Swedish hallmarks...

A pair of brass and white fabric wall lights produced by Astra, Norway, c. 1950s. Brand new lampshades. Overall Dimensions (Inches): 16.1” H x 10” W x 5.75“ D Back Plate Dimension...

A teak and off-white fabric pendant designed and produced in Sweden, c. 1950s. Vintage fabric with stains as illustrated. Overall Dimensions (inches): 33.75” H x 15.5” Diameter Di...

Late 19th century fine quality Japanese hand held lady's fan for keeping cool; hand painted on silk with hand carved bone frame, floral leaf and fret work design; with 18 sticks in a...

A pair of teak, brass and rattan table lamps produced by Görlitz, Germany, c. 1960s. Replaced rattan lampshades. Dimensions of Lamp with Shade (inches): 8.875” H x 7.5“ Diameter B...

A round oak coffee table with a thick top on carved legs, joined by a carved stretcher and held together with wooden keys.

A maple dresser produced by Templeton, Brattleboro, Vermont, USA, c. 1950s. Dimensions: 32.9” H x 50.4” W x 18.4” D

Elegant lounge chair and footstool by Ib Madsen and Acton Schubell, model called “Prag”. Made from beech with sheepskin upholstery. Generous size and lovely details, like the neck cu...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: New Mexico Museum of Art, Phoenix Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

Diamond Stud Earrings 18ct White Gold Stamped 750 Circa 1940s Introducing our stunning diamond stud earrings, featuring old brilliant cut diamonds set in new white gold settings. ...

A pair of bronze-painted metal and white fabric chandeliers designed and produced in the US, c. 1940s. Overall Dimensions (inches): 19.75” H x 18” W x 12” D Dimensions of Mount: 1....

Wooded Sand Dune Oil on panel, 12 x 18 1/8 inches Framed dimensions: 17 1/2 x 23 1/2 inches Estate stamp lower right: RSwain Gifford Provenance The artist; By descent in the family ...

Antique Gold Locket 15ct Yellow Gold Stamped Circa 1865 * THE CHAIN IS SOLD SEPARATELY. Step back in time with this exquisite early Victorian pocket watch locket, crafted from 1...

Illum Wikkelsø, 'Ox' lounge chair, sheepskin, teak, Denmark 1960s An exquisitely designed easy chair upholstered in sheepskin by esteemed Danish designer Illum Wikkelsø, this 'Ox Ch...

A rattan wall mirror designed and produced in Italy, c. 1960s. Dimensions: 20.5” H x 15.75” W x 1.375” D

Luxus Vittsjö, floor lamp, oak, silk, Sweden, 1950s/60s This Swedish modern floor lamp, produced by Luxus Vittsjö in the 1950s or 60s, is characterized by its clean lines, natural m...

Poison Ring in solid 18K Yellow Gold with Flower crown decorated with natural Green Sapphire 6.5 mm x 5 mm / ca. 1ct and eleven Bohemian Red Garnets cut rose Ø 2.75 mm / ca. 0.17 ct...

A beautiful scrollwork iron lantern / hanging light with hand blown coral green shade. The outer structure of the light is made with wrought iron scroll decorations nesting the glass...

A pair of brass, metal and green, yellow fabric wall lights designed and produced in Sweden, c. 1950s. Overall Dimensions (inches): 16.5” H x 10” W x 4.875“ D Back Plate Dimensions...

A late 19th century opal and diamond half-hoop ring, the five graduated oval opal cabochons set in carved scrolling gold mounts accented with diamonds, maker's mark BS, stamped 18. S...

A drink table from the officer’s quarter with an amazing Saint Gobain Glass top (Stool for visual reference).

A wood and beige fabric lounge chair produced by Cushman Furniture, USA, c. 1940s. Dimensions: 35.5” H x 36.75” W x 33” D Seat Height: 17” 

A maple dining table produced by Baker Furniture, USA, c. 1950s. Depth 96.25” with one insert, 116.25” with both.

Emerald and Diamonds Ring with parts in solid 18K Yellow Gold and Platinum. Ca. 1930s -1940s, likely German Ring. No hallmarks 18K, metal tested solid 18K Yellow Gold. Bezel set nat...