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Antique map titled 'Persia sive Sophorum Regnum'. Original old map of Persia. The map extends from the Eastern Mediteranian to Tacalistan and the Indus River and the Dalanguer Mounta...

Mocking of Christ, with all around in grisaille: the Crucifixion, the Resurrection, God the Father, Mankind after the Fall,; in the corners the four evangelists. J. Dijkstra ao, cat. The paintings of Museum Catharijneconvent, Utrecht (Museum Catharijneconvent) 2002, p. 196, pict., as Frans Francken...

Unique and very beautiful pair weathered white marble baroque ornaments. They most likely once adorned a church altar. Original period pieces, Italy, ci...

Florentine painter, 17th-18th century Equestrian portrait of Pietro Strozzi (Florence, 1511 - Thionville, 1558) Oil on canvas 79 x 115 cm. - Framed cm. 92 x 127 A valiant knight, p...

Herman Saftleven the Elder (Rotterdam 1609 - Utrecht 1685) workshop Winter Landscape with the City of Utrecht Oil on canvas 81 x 65 cm. - framed 105 x 91 cm. The painting depicts a...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). A gentleman in silver-studded armo...

Antichità Castelbarco SRLS is proud to present: Claudio Ridolfi (Verona, c. 1570 - Corinaldo, 1644) Workshop/circle The Guardian Angel in Glory Oil on canvas 124 x 84 cm. - With fr...

Beautiful dish in blue and white, with added copper red. This is a Jingdezhen made dish made for the Japanese market. Kosometsuke. With a floral and bird decoration. Base with a che...

Antique map titled 'Accuratissima Galliae Tabula vulgo Royaume de France'. Detailed map of France. Shows provinces, cities, rivers etc. Artists and Engravers: Frederick de Wit (1...

Antique map titled 'Kaart van Oost Indie'. Old map of the East Indies. It shows the routes of Captain William Dampier's voyage throughout the regio...

This drawing shows several studies of a donkey with a carriage. Its style is close to Flemish 17th century artists. On the passepartout one reads "Mathias Scheyer/ Jacob Weyer", both...

Set of 5 antique horse riding prints. Published circa 1680.

Cats Fighting, 17th Century attributed to David DE CONINCK (1642-1700) Large 17th Century interior scene of cats fighting, oil on canvas. Excellent quality and condition for its ag...

Antique map titled 'Basse Partie de la Basse Saxe ou sont les Duchés de Sleswick, Holsace, Meckelenbourg et Lauvenbourg (..)'. Original old map of northern Germany, including Schlesw...

This 17th-century Solomonic column, adorned with gilt carvings and a well-aged polychrome finish, boasts a fantastic patina, though it shows some documented loss in areas, as seen in...

A rare and true rococo fantasy coffee pot. Fire-gilded vermeil, gilt silver, repousse with mannerist detailing including lobes, garlands, grotesque masques, scrolls, and rocaille. Ma...

Scandinavian Mid-Century Modern design darkwood bookcase designed by Poul Hundevad and produced by Hundevad Møbelfabrik in the 1960s, variable ...

Flemish master active in Italy (17th century) - Sermon of St. John the Baptist in a landscape. 58 x 73.5 cm. Old oil painting on canvas, without frame. Condition report: Lined can...

Rustic Antique Hand Carved Stone Birdbath Center Fountain Basin Sink Container . A beautiful 17th Century Hand Sculpted Benitier reflects t...

Gaspard Dughet, called Gaspard Poussin (Rome 1615 - 1675) - attributable to Wooded landscape of the Roman countryside with the Archangel Raphael and Tobiolo oil painting on canvas second half of the 17th century (cm.) 75 x 98, with frame 91 x 115 On the back old label inscribed "Monte dei Paschi di Siena" The painting has characters clearly linked to the Roman culture of the seventeenth century and, in particular, to the works of Gaspard Dughet, an author who was able to achieve surprising results in describing the Lazio countryside with a unique grace and sensitivity. Brother-in-law of Nicolas Poussin, of whom he was a pupil, Dughet is to be considered among the most important landscape painters of the Roman Baroque, highly sought after and celebrated by the aristocracy, a reference model for the artists of the following generation, such as Crescenzo Onofri, Jan Frans van Bloemen and Andrea Locatelli...

Chinese, Ming Dynasty. Pair, Ming Dynasty Gilt Bronze Diminutive Chinese Foo Dogs or Guardian Lions of extraordinary quality and casting. Procured from an important New York Collect...

The painting "The Road to Emmaus in a Landscape" by Gillis de Hondecoeter is a masterful example of early 17th-century Dutch landscape painting. The sce...

Panoramic View of Isfahan in the Late 17th Century by J.C. Haffner The translation of the German text on the engraving: "A. The Meidan or Great Market and Promenade Square in front...

Very special coin, listed under photos all documents please review them, this is 1715 Fleet coin absolutely astonishing piece of history. WHAT YOU GET AT S...

Lombard painter of the seventeenth century Ecce Homo Oil painting on canvas 56 x 43 cm. , framed 75 x 63 cm. Provenance: Florence, Pandolfini, 5.10.2021, lot 209 The proposed canv...

Antique Italian painting from the second half of the 17th century. Artwork oil on canvas depicting a religious subject Penitent Magdalene of excellent pictorial quality. Large size p...

Guido Reni (Bologna 1575 - 1642) Workshop of Probably Gian Domenico Cerrini, the Cavalier Perugino (Perugia 1609 - Rome 1681) Saint Catherine of Alexandria Oil on canvas 65 x 5...

PORTRAIT OF BARBARA PALMER, THE DUCHESS OF CLEVELAND, workshop of Sir Peter Lely (1618-1680) Oil on canvas, excellent coniditon in a gilded frame...

A nice strainer. Qing Dynasty - Qing Period. Central scene of flowers. Additional information: Material: Porcelain & Pottery Color: Blue & White Region of Origin: China Emperor: Qia...

Lombard School, 17th century Portrait of a Young Boy oil on canvas 109 x 78 cm - 127 x 97 cm with frame The protagonist of the offered canvas is a chubby little boy, aged approxima...

This lovely Dutch Old Master oil painting is attributed to artist Pieter Wouwerman. Painted circa 1660 it is figurative landscape with horseback travellers and their dogs in the foreground with ruins on their right. Beyond is a river and hilly landscape, all in the fading light of approaching dusk. There are some superb details making this an excellent Dutch Golden Age oil painting. Provenance: Devonshire estate. Condition. Oil on canvas, 24 inches by 20 inches and in good condition. Frame. Housed in a complementary gilt frame, 31 inches by 27 inches and in good condition. Pieter Wouwerman (1623-1682) was a Dutch Golden Age landscape painter. He was born in Haarlem. According to Arnold Houbraken, a biographer of artists from the Dutch Golden Age, Pieter Wouwerman was the brother of the landscape painters Jan and Philips Wouwerman, who, like his more famous brother, made a living selling Italianate landscapes in the manner of Pieter van Laer...

This is a historical sea chart titled "Carte Generale des Costes d'Irlande, et des Costes Occidentales d'Angleterre avec une Partie de celles d'Ecosse," which translates to "General Map of the Coasts of Ireland and the Western Coasts of England with a Part of Scotland." The map was first published in 1693 in the atlas "La Neptune Francois," created by Jaillot and published by Pieter Mortier in Amsterdam. This initiative was started by the French minister Colbert to improve maritime navigation. Details of the Map: 1. **Geographical Coverage:** - The map primarily focuses on the Irish coast. - It also includes the west coast of England and Wales. - Parts of the west coast of Scotland are also depicted. 2. **Inset Map:** - There is a detailed inset map showing the area around Chester and the course of the River Dee. 3. **Features:** - **Depth Soundings:** The Irish Sea is detailed with depth soundings to assist in navigation. - **Coastal Towns and Islands:** Numerous coastal towns, islands, and geographical features are indicated. - **Rhumb Lines:** The map includes extensive rhumb lines, which are lines used by navigators to plot a straight-line course. - **Key:** There is a key describing the quality of the terrain along the coast, important for navigators to understand the nature of the coastal landscape. 4. **Labels and Annotations:** - **Coastal Settlements:** Ports, forts, and villages along the coast are labeled. - **Geographical Features:** Islands and other significant features are marked. 5. **Artistic and Practical Elements:** - The map is printed on thick paper and is hand-colored, reflecting contemporary coloring techniques. - Detailed lines and soundings are included to help ships navigate around the numerous small islands and narrow inlets safely. 6. **Historical Context:** - The map was part of a significant French maritime project aimed at improving navigation and charting European waters more accurately. - It reflects the high level of cartographic skill and knowledge of the late 17th century. This map would have been a valuable tool for mariners of the time, providing them with crucial information about the coastal features, depth soundings, and safe passage routes around the complex coastlines of Ireland, England, and Scotland. About the Makers and the Atlas **1. Alexis-Hubert Jaillot (1632-1712):** - **Background:** Jaillot was a prominent French cartographer and publisher in the 17th century. He was known for his detailed and accurate maps and atlases. - **Work:** He collaborated with other notable cartographers of his time and played a key role in improving and publishing detailed maps. Jaillot's work was characterized by its precision and artistic quality. - **Contribution:** He was instrumental in the creation of "La Neptune Francois," a maritime atlas aimed at improving French naval navigation. **2. Pieter Mortier (1661-1711):** - **Background:** Mortier was a Dutch engraver, publisher, and mapmaker based in Amsterdam. He was well-known for his high-quality prints and maps. - **Work:** Mortier published several important atlases and maps, often collaborating with other cartographers and engravers. His work was recognized for its detailed craftsmanship and accuracy. - **Contribution:** Mortier published "La Neptune Francois" in Amsterdam, making significant contributions to maritime navigation by providing highly detailed sea charts. About the Atlas "La Neptune Francois": **1. Purpose:** - The atlas was created as part of an initiative led by Jean-Baptiste Colbert, the French minister of finance under King Louis XIV. The goal was to enhance the accuracy and availability of maritime charts for French naval and commercial vessels. - "La Neptune Francois" was designed to be a comprehensive and detailed reference for navigators, covering various European waters with a focus on the French coast and adjacent regions. **2. Content:** - The atlas includes a series of sea charts, each providing detailed information on coastal regions, depth soundings, rhumb lines, and other navigational aids. - The maps were printed on high-quality paper and hand-colored, reflecting the artistic standards of the time. **3. Historical Significance:** - "La Neptune Francois" was a landmark in the history of cartography, representing a significant advancement in the accuracy and detail of maritime maps...

Rare 17th century carved walnut chest of drawers, bracket carved feet. Italy , Emilia PLEASE NOTE THAT THE EXPORT AUTHORIZATION BY THE ITALIAN MINISTRY OF CULTURAL HERITAGE TAKES ...

The Resurrection of Christ Follower of Tiziano Vecellio (Pieve di Cadore 1490 - Venice 1576)   Venetian school of the late 16th/early 17th century Oil on canvas 108 x 78 cm. - Framed 129 x 99 cm. This jewel of the Venetian school, a work executed between the 16th and 17th centuries by a Venetian artist, illustrates the episode of the Resurrection of Christ: as reported in the Gospel of Matthew (Matthew 28:1-7) the event is accompanied by an explosion of light and glow, with the figure of Christ rising into the sky. Christ's face, serene and victorious, looks up towards the Light and the Infinite, in contrast to his majestic figure, here constructed with the appearance of a classical sculpture, contrasted by an intensely luminous background. The Risen One firmly holds in His hand the banner (white with a red cross) of the Resurrection, also known as the flag of St. George, which iconographically represents His victory over death, while raising His right hand in a blessing act. With his feet he crushes a snake and a skull, a sign of Christ's triumph over sin and death. The painting belongs to the Venetian school and presents clear reminiscences with the works of Titian Vecellio...

Sybil, 18th Century Italian School - After Guido Reni Large 18th Century Italian Old Master depiction of a Sybil (Apollonian Oracle / Prophetess), oil on canvas. Beautiful quality ...

Antique map titled 'Pas kaart van de Noord Kust van Espaniola (..)'. Beautiful sea chart of the northern part of Hispaniola, western Cuba. The map includes the Turks & Caicos Islands and southern part of the Bahamas. Shows Guanahami or S. Salvador. Guanahani is an island in the Bahamas that was the first land in the New World sighted and visited by Christopher Columbus' first voyage, on October 12, 1492. It is not known precisely which island it was, and several theories have been put forth by historians. Guanahani is the native Taíno name; Columbus called it San Salvador. Originates from 'De Nieuwe Groote Lightende Zee-Fakkel'. Published by J. van Keulen, circa 1684. The Van Keulens were a family of chartmakers and publishers. The firm, In de Gekroonde Lootsman (In the Crowned Pilot), was founded in 1678 by Johannes van Keulen (1654-1715). Van Keulen originally registered his business as a vendor of books and instruments (specifically cross-staffs). In 1680, however, he gained a privilege from the States of Holland and West Friesland for the publication of pilot guides and sea atlases. In that year, van Keulen released his Zee-Atlas (Sea Atlas), which secured him a name in the competitive maritime publishing market. In 1681, he published the first volume of Nieuwe Lichtende Zee-Fakkel (New Shining Sea Torch). This would be the first of an eventual five volumes originally published between 1680 and 1684. A sixth volume was added in 1753. The Zee-Fakkel won van Keulen lasting fame. The atlas had charts compiled by Claes Jansz Vooght and artwork from Jan Luyken...

Lombard painter of the 17th century Portrait of a Knight in Armour Oil on canvas 81 x 70 cm./ Framed 93 x 82 A handsome gentleman in armour, immortalised in an authoritative and pr...

"Daily Life in Brazil" This striking copper engraving, part of Arnoldus Montanus' "Die Unbekannte Neue Welt oder Beschreibung des Welt-teils Amerika und des Sud-Landes", presents a ...

Title: Nieuwe Kaart van’t Koninkryk Hongaryen en Zevenbergen by Isaak Tirion, 1753 – Antique Map of Hungary and Transylvania Description: This is an antique 1753 map titled *Nieuwe Kaart van’t Koninkryk Hongaryen en Zevenbergen*, created by the notable Dutch cartographer and publisher Isaak Tirion. The map showcases the Kingdom of Hungary and the region of Transylvania (referred to as "Zevenbergen") as they appeared in the mid-18th century. Tirion’s maps are well-known for their clarity, precision, and attention to geographic detail, making them highly sought after by collectors of antique maps. This map provides a detailed view of Hungary and Transylvania, including borders, towns, cities, rivers, and mountain ranges. It was created using the latest discoveries and updates of the time and reflects the political landscape of the region, which was part of the Habsburg Empire during a period of territorial changes and consolidations. The map’s borders are highlighted with color to distinguish different regions, and significant cities such as Buda, Pest, and Debrecen are clearly labeled. Isaak Tirion was one of the most prominent Dutch publishers of the 18th century, particularly known for his *Nieuwe en Beknopte Hand-Atlas* (New and Concise Hand Atlas) series, which included a wide range of maps of Europe and beyond. His works were appreciated for their cartographic accuracy and artistic quality. This map is a valuable piece for collectors interested in 18th-century European maps, particularly those that highlight Central Europe, Hungary, Transylvania, and the Habsburg Empire. It is a fine example of the craftsmanship of Isaak Tirion and offers insight into the historical geography of the region. Condition: Excellent for its age, with finely preserved hand-coloring and wide margins. Slight edge wear typical of maps from this period. Effective keywords that may help attract collectors or enthusiasts interested in historical maps of Hungary, Transylvania, and Central Europe: - Antique map of Hungary - Historical map of Transylvania - 18th-century map of Central Europe - Habsburg Empire map - Isaak Tirion map - Nieuwe Kaart van’t Koninkryk Hongaryen en Zevenbergen - Kingdom of Hungary map...

Quality work attributed to the painter Peter Van Der Velde (Antwerp 1634 - c.1714) - Monogrammed Coastal view with vessels and perched castle Oil painti...

Capture the allure of the past with our Brussels Flemish 17th Century Tapestry Pillow. Sized at 12" x 9", its detailed design and compact form make it a charming accent for any chair...

An Arita dish in storage box. Edo Period ( 17th century) Decorated in overglaze enamel on underglaze blue. Flowers, landscape, Dragon and Phoenix. Color bursting from it. Period; ...

17th Century English carved oak corbel “The Green Man”. Rare antique decorative architectural ornament of the enigmatic Green Man. Images and carvings ca...

This map, titled 'Royaume des Amazones', was created by Alain Manesson Mallet and published in 1684 in a German edition of *Beschreibung des Gantzen Welt-Kreisses*, a renowned work d...

Antique Italian painting from the second half of the 17th century. Oil on canvas artwork depicting a religious subject, Christ and the Samaritan woman at the well. Jesus is traveling...

This charming 17th century Old Master portrait oil painting is attributed to the circle of Swedish born Michael Dahl who lived and work in England for most of his life. Painted circa...

Rare antique Italian kneeler, Mid-17th Century Louis XIV. Made of solid walnut with relief decoration carved into the wood. In the part dedicated to the knees there is a compartment. Of great value all the hand forged iron part of the escutcheons and fantastic large antique keys...

Antique map titled 'Holy Island, Staples and Barwick.' A map of the coast of Northumberland, England. This map includes Holy Island, Buckton, Sunderland and the Farne Islands. Th...

17th century Flemish school The Mismatched Couple Oil on canvas 75 x 96 cm. Framed 96 x 118 cm. The curious subject we see depicted in the canvas proposed here belongs to the trad...

Description A rare Ming blue and white Porcelain dish. Great quality decoration Three Friends of Winter. Chenghua marked. Box included. Condit...

An antique print depicting a cultural practice in Florida. The German title at the bottom of this print reads: "Opfer, welches die Floridaner der Sonne mit einem Hirsche bringen," ...

This map titled *Pascaret van Schager-Rack de Bælt en de Sondt* was created by the prominent Dutch cartographer Johannes van Keulen and published in Amsterd...

Identical piece is housed in the Longhai Museum of Zhangzhou City. On October 7, 1989, it was appraised as a third-class cultural relic by the Cultural Relics Appraisal Team of the F...

18th Century Antique French Tapestry Verdure Wool & Silk 7x11ft 213cm x 323cm "This is very fine antique Flemish tapestry made of wool & silk depicting noblemen beneath a large verd...

Saint George A follower of Giovanni Battista Cima, known as Cima da CONEGLIANO (Conegliano c. 1449 - Conegliano c. 1517) Oil on canvas 126 x 49 cm. Framed 143 x 65 cm. The painting...

This is an original detailed engraving of the greater coat of arms of Sweden, referred to in Swedish as "Svea rikes huvudvapen." The engraving was printed in Paris in 1669 according to Erik Vennberg. The coat of arms is elaborately detailed, with each escutcheon representing a component of the Swedish empire, including the arms of the House of Vasa among others. At the center, the shield is crowned with a regal crown, symbolizing the Swedish monarchy. Two regally posed lions, a common heraldic symbol of courage and strength, support the shield. The entire composition is topped with a mantle that looks to be teeming with various heraldic motifs, representing the unity and history of the Swedish nation. The intricacy of the work is indicative of the period's engraving techniques, with each line meticulously carved to bring out the opulence and intricate detail of the symbols. The coat of arms is a visual representation of the sovereignty and history of Sweden. The engraving is attributed to Jean Le Pautre, a notable French engraver from the 17th century, while the author of the work is Erik Dahlbergh...

Antonio Travi, called Sestri (Genoa, Sestri Ponente 1608 - Genoa 1665) Landscape with ruins and biblical scene First half of the seventeenth century oil on canvas, 82 x 121 cm The beautiful painting published, which presents a vast landscape with architectural ruins, fully reflects the pictorial poetics of Antonio Travi (Sestri Ponente 1608 - Genoa 1665), the first landscape painter of the Genoese pictorial school; A poetic that remains constant throughout his career: Bernardo Strozzi...

Globe gore by Vincenzo Maria Coronelli shows the North Pole with the coasts of Canada, Greenland, Scandinavia and Siberia, and is decorated with pictorial scenes of bear, seal and wh...