Art on Sale

Jean Jansem (1920-2013) Christina et sa poupée, 1985 Lithographie sur papier Arches Signée et justifiée 76 x 54 cm Imprimeur: Mourlot, Paris Editeur Sanbi, Tokyo Bibliographie: Jan...

TItle: The Guardians of Circles and Source Striking Vibrant Expressionist Stylish This work portrays the circles of life... ebb and flow, feelings of liberty or constraint, movement and rest. Graffiti, spray-paint, acrylics, mark making and pencils where used with colors red, periwinkle purple, burgundy, hues of blue, orange, yellow, teal, turquoise and black - layer upon layer of shapes and forms to create this unique and bold artwork! This work is part of a series. It is part of a story... It portrays the absolute qualities within all of us! Sealed with high quality varnish. Not mounted. Framing on request. Ships in a tube. While creating this artwork, she let her attention rest on reflecting, going inwards, finding solace and freedom. There are hidden treasures – go find them in the detail - make them your own story... the abundance of color, to unite with our interconnectedness! And the Guardians that are always there to support and love. This work is created on top quality, heavy duty canvas. It is unmounted and will be shipped in a roll. If the collector chooses to do so, the artist can have it stretched on wooden bars or framed in a style that suits the décor of the place that it will be displayed at. (Cost is for the collector. Keep in mind that the South African Rand exchange rate is favorable and makes it most cost effective to have it framed here. Shipment cost...

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (verde)', 1975 Lithograph on paper 24.5 x 20.9 in. (62 x 53 cm.) Edition of 75 ID: BUR1102...

Abstract Landscape Painting of Lone Tree on the Moor by Cubist Fauvist British Artist, Steve Capper Art measures 20 x 24 inches Frame measures 25 x 29 ...

Pilgrims Waiting at the Gate shows that flowers, birds and snow are symbols for emotional states or story elements. Dogs sometimes accompany the pale bald “Everywoman” protagonist on her journeys that often take place beneath a starry moonlit sky. She has been called a mythic artist, telling ancient stories that never grow old. Pilgrims are beneath the Moon approaching the Gate as seen in Pilgrims at the Gate in the oil painting on canvas. LOOK FOR 1STDIBS DISCOUNT CODE ON SHIPPING OR GALLERY QUOTE The artists says: "I love to show the strength and optimistic attributes of women. Even when they are in a quandary or in danger, I always try to show a glimmer of hope and wisdom—that they will solve the riddle and make it through, stronger and with dignity. Being bald and shorn of any particular identity, they become all women.” She is also a published poet and her paintings have appeared as cover art for literary journals and poetry collections. Recently her painting “Thoreau’s Pumpkin” was included in the Hudson River Museum...

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (carmín)', 1975 Lithograph on paper 20.9 x 24.5 in. (53 x 62 cm.) Edition of 75 ID: BUR110...

Paul Klee (after) Country House In The North (Landhaus im Norden) Year: 1925 Serigraph Size: 14x16.9 on 19x21.5 inches Edition: 440 Signed in the stone, numbered by hand Publisher: K...

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (azul)', 1975 Lithograph on paper 24.5 x 20.9 in. (62 x 53 cm.) Edition of 75 ID: BUR1102-...

Lovis Corinth (1858 Tapiau - 1925 Zandvoort), Rudolf von Rittner as Florian Geyer, 1924 (Müller 854), drypoint signed in pencil. 20.4 × 14.2 (plate size), 37.7 × 30.6 cm (sheet size). Published by Karl Nierendorf, Berlin. Framed in a passepartout. - Strong, precise impression. Frame a little bit rubbed and with two small damages. About the artwork The knight is a leitmotif in Lovis Corinth's work, culminating in his Self-Portrait in Armour of 1914. Of all the paintings on this theme, Corinth most often depicted Florian Geyer. Descended from a Franconian noble family, he fought for the freedom of the peasants during the peasant wars of the Reformation, first diplomatically and then militarily, leading the legendary Schwarzen Haufen (Black Troops). The name derives from the black uniforms with which Geyer dressed the peasants willing to fight. During the Napoleonic occupation, the freedom fighter Florian Geyer was sung about by the Romantics, and the free corps Die Schwarze Schaar, founded in 1813 by Major von Lützow, succeeded the Schwarzer Haufen. It was against this historical background that Gerhard Hauptmann wrote the revolutionary drama Florian Geyer, which premiered at the Deutsches Theater in Berlin in 1896. While the actor Rudolf Rittner, who would later appear in Fritz Lang's films, initially played the role of Schäferhans, he took over the leading role in the new production at Berlin's Lessing Theatre in 1904, again directed by Emil Lessing, which established his fame as an actor. Hauptmann himself praised the acting. He wrote to Hugo von Hofmannsthal: "It went quite well with Florian Geyer. In any case, I had the great pleasure of seeing the play again in an admirable performance". And Lovis Corinth was so taken with Rittner's performance that he painted an oil portrait of him in the role of Florian Geyer in 1906. After two further graphic versions in 1915 and 1920/21, Corinth returned to the painting a year before his death and almost twenty years after the oil painting to create this graphic version in 1924. Even the inscription in the picture was taken over. This proves all the more the importance of the knight and freedom fighter for Corinth's self-image. The oil painting, in particular, proclaims the single-minded determination to fight to the last for the values defended, manifested in the oil painting by the tattered flag held out to the enemy. There is a parallel with Rainer Maria Rilke's 1899 story The Cornet, in which the protagonist goes down with the flag that he first saved at the risk of his life. Consequently, the portrait is also a self-portrait, and the knight's armour is not an academic costume or an ironic refraction, but an expression of Corinth's self-image, which also includes his self-representation as an artist. The Secession poster...

'The Parade Ring at the Races', gouache and pastel on art paper, by Maurice Empi (circa 1970s). The Parade Ring, otherwise known as the paddock, is the pla...

Pinchas Burstein ¨Maryan¨ (Polonia, 1927-1977) 'Sin título (rosa)', 1975 Lithograph on paper 24.5 x 20.9 in. (62 x 53 cm.) Edition of 75 ID: BUR1102-...

Oil on wood, Sold with frame Total size with frame is 71,5x90,5 cm Jacques Berger is a Swiss artist born in 1902 and died in 1977

“Chapel of Three Moons” by Catherine Picard-Gibbs is an expressionist interior church scene. This evocative 24 x 30 x 1.5 inch oil on canvas painting depicts a mysterious golden encrusted chapel with a figure praying and a suggestion of a ritual taking place. The textural brushwork in rich gold contrasted with purples and blues add drama to this dynamic painting. Catherine Picard-Gibbs paints with bold brush strokes, using vibrant colors to show emotion and movement in landscapes and urban scenes. Her inspiration comes from the nuance and drama of her everyday world. Her evocative works have been featured throughout Massachusetts, in New York, and in the Midwest. Picard-Gibbs is represented by Fountain Street...

Romantic and expressionist nude artwork on canvas.

Portrait of a horse in gray dressage attitude with a red mane. the artist transmits all the power of the horse through this canvas. As a rider and owner of horses, she lives with th...

Romantic and expressionist nude artwork on canvas.

Nun in the Shadows - Figurative Composition in Acrylic on Paper A dark abstracted portrait by California-based artist, Ricardo de Silva (American/Brazil, 20th C). This piece is abst...

A Citizen of the World Expressionist Portrait of Ernst Kirchner German Modernist A bright abstracted portrait and collage by California-based artist, Ricardo de Silva (American/Braz...

Amazing Figurative Expressionism painting with exceptional color and movement. Oil on canvas, ca. 1960s. Measures 40 x 52 inches. Unsigned and unattributed. Excellent condition.

In Zion Mor's "Just Love", lighter colors take the forefront of this masterpiece and invoke a lighter and brighter feeling, one of love. A pale canvas is brought to life with gentle ...

Oil on cardboard with frame. Total size with frame is 47x39 cm Artist from Zurich Switzerland, unknown from the gallery

Vibrant contemporary nude figure in neon orange on a purple abstract background by Aromas, California, Monterey Bay Area abstract expressionist artist Frank Romero (American, b-1985)...

Georg Gelbke, Untitled (Women Bathing), etching, 1920. Signed and dated in pencil. Initialed and dated in the plate, lower right. A fine, richly-inked im...

Jean Jansem (1920-2013) Pélerin au cierge, 1986 Lithographie sur papier Japon, justifiée XIV / XXX Signée en bas à droite 67 x 51 cm / 76 x 54 cm Bibliographie: CR Jansem, 1993, n...

Jean Jansem (1920-2013) Le tambour, 1984 Lithographie sur papier Arches, justifiée EA Signée en bas à droite 67,5 x 47 cm / 76 x 54 cm Bibliographie: CR Jansem, 1993, n°1 "Ma pre...

LOVIS CORNTH (German 1858 - 1925) JOSEPH und POTIPHARS WEIB 1, 1914 (S. 168) Drypoint, Unsigned, platemark 7 3//8" X 9 5/8 " on good watermarked laid paper. Full margins, deckl...

'Le Pont Neuf', gouache on fine art paper, by Lucien Génin (circa 1930s). The Pont Neuf is the oldest standing bridge across the river Seine in Paris, France. It stands by the western point of the Île de la Cité, the island in the middle of the river that was, between 250 and 225 BC, the birthplace of Paris. It is called 'The New Bridge' because at the time of its inauguration (built 1578-1607), it embodied a very modern look compared to other bridges which spanned the Seine. Lucien Génin has captured its beauty in this lively depiction from the 1930s. Just before the bridge is a 'Bateau Mouche' an open excursion boat that provides visitors with a view of the city from along the river. The artwork is in good overall condition commensurate with age and medium used. It has been newly frame with anti-reflective glass. Please enjoy the photos accompanying this listing. Signed by the artist in the lower left hand. Upon request a video may be provided. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

Jean Jansem (1920-2013) Les acadiens, 1993 Lithographie sur papier Arches, justifiée E/A 16/30 Signée en bas à droite 65,5 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°9...

"Disappearing" Oil Painting 27.5" x 39" inch by Sergey Dolmatov Year: 2010

'The Racing Horses', gouache on art paper (circa 1970s), by Pierre Gaillardot. France has produced some of the world’s greatest horses and riders, wi...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Titles: Male Nude 2 Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 17...

'Still Life with Flowers of the Field', oil on canvas, by Pierre Ambrogiani (circa 1960s). Unique in its vertical orientation, the artwork depicts...

A fine expressionist oil on canvas by Paullette Fedarb, 'Cedar of Lebanon'. oil on canvas circa 1970's. The painting has an allover medative, rhythmic...

This painting of a lush, wooden landscape with a house by a lake was painted by New Mexico, female artist Mabel Dodge Lujan in the 1940's. It signed "M...

Gracious ballerina, in a moment of silence and meditation. Part of my "Nude in Interior" series Original painting, one a kind. No need for frame. Shipping directly from the artist's studio, stretched, wide stretcher. 15.7x15.7x2in / 40x40x5cm "As a woman artist I’ve been preoccupied with the female form and imagery. My goal is to capture the nude’s relation to the surrounding space and the solitary moments. My interest turned from depicting the space to depicting the atmosphere, and the feeling a woman adds to the environment: warmth, joy, a feeling of power and control, or the opposite – sadness, despair. The human figure is more present than ever in my paintings." Paula Craioveanu

A vivid, multicolored expressionist depiction of a gracefully reclining female figure by Bay Area artist Rick Rodrigues (American, 20th Century). Signed with the artist's symbol lowe...

Green, landscape Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical and expressive results dominated by an impetuous sign assimilated, among others, by Oskar Kokoschka at the Academy in Salzburg in 1958. This evolution comes to an expressionist language highly communicative that characterizes its landscapes, portraits and nudes. Numerous prestigious exhibitions in Italy and abroad MUSEUMS Orléans, France, Musée Collégiale Saint Pierre le Puellier Salon de Provence...

'La Montera', gouache, watercolour and ink on art paper, by Pierre Ambrogiani (circa 1960s). The artist created many artworks with bullfighting as theme. In this case, a single torer...

Young Model Expressionist Portrait Rutsch is always "scribbling and scrabbling." He is an artist of the purest breed—an artist who has no choice but to paint. He is a chosen traveler of the depths of existence; a man who follows a longing to explore his inner self and relate his findings with the energy and identity of the universe. The celebrated Austrian artist approaches painting and sculpture as he lives life—with the eyes of a child and the hand of a poet. Constantly in the quest for rhythms of form and vibrations of color, he catches those "sparks in the shadow" and evidences their fullest reality and beauty in his creations. Each of his paintings is a careful construction as it is a spontaneous act of love. While he might attribute certain artistic expressions to "coincidence," his inspiration comes from such diverse sources as: memories, dreams, sounds, numbers, telephone poles and drift wood. Rutsch has an affinity to vibrant colors, strong contours and rich brush strokes which are apparent in his oils, mixed media works and ink drawings. He has a sensitivity to the unusual, the discarded and a fondness for the ugly as well as the chaotic. These, he often transforms into poignant welded steel abstractions. Rutsch has an aversion to politics, citing dates and expounding upon honors achieved. There is no talk about 'profound symbolism' in his work and as Carlo McCormick writes in the introduction to Rutsch's monograph, "Meaning is not a seed that Rutsch plants, nurtures and then harvests. It is what grows wild in a volcanic swamp of fossilized, decaying and new-born fancies—as an afterthought and aftershock." Alexander Rutsch is not concerned with interpretations; he is, however, passionate about the process of making art and surrenders his entire being as an instrument to the act of creation. The geometry of his imagination overflows with figures, profiles and penetrating strong eyes—windows to a deeper place. Their vitality and sensuality pulsate through the "dreamscapes" of Rutsch's created worlds. At times romantic, yet always wild with energy, human forms and experiences are essential to the artist's vocabulary. The son of opera singers and a singer himself, Rutsch speaks of "the art of painting as the art of silence" and the job of the painter "to dedicate himself to the silence." He adds though, "that this silence is the greatest existing sound in the universe." One wonders why then, if painting is "the art of silence," that Rutsch's paintings scream with sound. Sometimes melancholy, sometimes sensual, sometimes dissonant and sometimes whispering, the rhythms are always rich in the celebration of life and our shared humanity. Painter, sculptor and poet, Rutsch's oeuvre over the past four decades is tremendous. Celebrated and collected especially in Vienna, Paris, Brussels and New York, he studied with renowned teachers like Boeckl and Dorowsky and collaborated with such geniuses as Salvador Dali. Having left Vienna in the fifties, Rutsch moved to Paris and took the city's art scene by storm. There, Picasso was so enthralled with a portrait Rutsch has done of him that, in a state of great excitement, he countersigned it. Biography Alexander Rutsch was born in Russia in 1916 but raised in Belgrade, Yugoslavia. After studying voice in Austria he became an opera singer like his parents, but after WWII, Rutsch's love for visual expression propelled him to change careers. He was a painter, sculptor, philosopher, musician, singer and poet. His life as a romantic is reflected in his work, as he sought to perfect his soul and humanity, "I paint my dreams," said Rutsch. "My dreams are color and life. They soar in my head like millions of symphonies. I can never stop building dreams." In 1952, after studying under Josef Dobrowsky, Josef Hoffmann and Herbert Boeckl at the Vienna Academy of Fine Arts, Alexander Rutsch received a scholarship to study in France. There he made contacts and began collaborations with his contemporaries, Picasso and Dali. Rutsch said of his experiences with Picasso, "Picasso played a short but important moment in my life in Paris that affected my entire artistic future. I learned from him that it is not important if art is not aesthetically finished. It can be raw, uncooked, rough. If an artist feels he has said it—it is not important to polish or finish it. Because of Picasso, I learned that if I don't feel the need to finish—I don't have to." In 1954 he exhibited his work at the Salon Artistique International de Saceux and won first prize for abstract painting, the first of may awards received during his prolific career. During the 13 years he lived in Paris, Rutsch exhibited in many prominent galleries there and throughout Europe. In 1958, The City of Paris awarded him the prestigious Arts, Science and Letters Silver Medal. In 1966, Jean Desvilles presented his prize winning film "Le Monde de Rutsch" at the Cannes Film Festival and the Venice Biennial. In 1968 Rutsch moved to Pelham, New York where he continued to work in his studio and exhibit in galleries and museums worldwide. Rutsch's work, as seen through his mastery of many art forms—sculpture, painting, print-making, and drawing, and a wide variety of other media has been described as "vibrating showers of lines, bold geometries, wounded anatomically rambling scrap-wood skeletons...

'The Park', oil on canvas, by M. Phidias (circa 1920s). Painted using this artist's trademark impasto, the effect is to add depth and texture to the exuberant display of hues and ref...

Men With Cigar is a woodcut print realized by an Anonymous artist in the early 20th Century. Good condition. The artwork is depicted through quick and expressive strokes in a well-...

Young Model II Expressionist Portrait Rutsch is always "scribbling and scrabbling." He is an artist of the purest breed—an artist who has no choice but to paint. He is a chosen traveler of the depths of existence; a man who follows a longing to explore his inner self and relate his findings with the energy and identity of the universe. The celebrated Austrian artist approaches painting and sculpture as he lives life—with the eyes of a child and the hand of a poet. Constantly in the quest for rhythms of form and vibrations of color, he catches those "sparks in the shadow" and evidences their fullest reality and beauty in his creations. Each of his paintings is a careful construction as it is a spontaneous act of love. While he might attribute certain artistic expressions to "coincidence," his inspiration comes from such diverse sources as: memories, dreams, sounds, numbers, telephone poles and drift wood. Rutsch has an affinity to vibrant colors, strong contours and rich brush strokes which are apparent in his oils, mixed media works and ink drawings. He has a sensitivity to the unusual, the discarded and a fondness for the ugly as well as the chaotic. These, he often transforms into poignant welded steel abstractions. Rutsch has an aversion to politics, citing dates and expounding upon honors achieved. There is no talk about 'profound symbolism' in his work and as Carlo McCormick writes in the introduction to Rutsch's monograph, "Meaning is not a seed that Rutsch plants, nurtures and then harvests. It is what grows wild in a volcanic swamp of fossilized, decaying and new-born fancies—as an afterthought and aftershock." Alexander Rutsch is not concerned with interpretations; he is, however, passionate about the process of making art and surrenders his entire being as an instrument to the act of creation. The geometry of his imagination overflows with figures, profiles and penetrating strong eyes—windows to a deeper place. Their vitality and sensuality pulsate through the "dreamscapes" of Rutsch's created worlds. At times romantic, yet always wild with energy, human forms and experiences are essential to the artist's vocabulary. The son of opera singers and a singer himself, Rutsch speaks of "the art of painting as the art of silence" and the job of the painter "to dedicate himself to the silence." He adds though, "that this silence is the greatest existing sound in the universe." One wonders why then, if painting is "the art of silence," that Rutsch's paintings scream with sound. Sometimes melancholy, sometimes sensual, sometimes dissonant and sometimes whispering, the rhythms are always rich in the celebration of life and our shared humanity. Painter, sculptor and poet, Rutsch's oeuvre over the past four decades is tremendous. Celebrated and collected especially in Vienna, Paris, Brussels and New York, he studied with renowned teachers like Boeckl and Dorowsky and collaborated with such geniuses as Salvador Dali. Having left Vienna in the fifties, Rutsch moved to Paris and took the city's art scene by storm. There, Picasso was so enthralled with a portrait Rutsch has done of him that, in a state of great excitement, he countersigned it. Biography Alexander Rutsch was born in Russia in 1916 but raised in Belgrade, Yugoslavia. After studying voice in Austria he became an opera singer like his parents, but after WWII, Rutsch's love for visual expression propelled him to change careers. He was a painter, sculptor, philosopher, musician, singer and poet. His life as a romantic is reflected in his work, as he sought to perfect his soul and humanity, "I paint my dreams," said Rutsch. "My dreams are color and life. They soar in my head like millions of symphonies. I can never stop building dreams." In 1952, after studying under Josef Dobrowsky, Josef Hoffmann and Herbert Boeckl at the Vienna Academy of Fine Arts, Alexander Rutsch received a scholarship to study in France. There he made contacts and began collaborations with his contemporaries, Picasso and Dali. Rutsch said of his experiences with Picasso, "Picasso played a short but important moment in my life in Paris that affected my entire artistic future. I learned from him that it is not important if art is not aesthetically finished. It can be raw, uncooked, rough. If an artist feels he has said it—it is not important to polish or finish it. Because of Picasso, I learned that if I don't feel the need to finish—I don't have to." In 1954 he exhibited his work at the Salon Artistique International de Saceux and won first prize for abstract painting, the first of may awards received during his prolific career. During the 13 years he lived in Paris, Rutsch exhibited in many prominent galleries there and throughout Europe. In 1958, The City of Paris awarded him the prestigious Arts, Science and Letters Silver Medal. In 1966, Jean Desvilles presented his prize winning film "Le Monde de Rutsch" at the Cannes Film Festival and the Venice Biennial. In 1968 Rutsch moved to Pelham, New York where he continued to work in his studio and exhibit in galleries and museums worldwide. Rutsch's work, as seen through his mastery of many art forms—sculpture, painting, print-making, and drawing, and a wide variety of other media has been described as "vibrating showers of lines, bold geometries, wounded anatomically rambling scrap-wood skeletons...

Separe is an original offset and lithograph realized by George Grosz. The artwork is the plate n.22 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-Ve...

Sku: AW1177 Artist: Willem de Kooning Title: Spoleto-14 Giugno Year: 1974 Signed: No Medium: Offset Lithograph Paper Size: 41.25 x 29.5 inches ( 104.775 x 74.93 cm ) Image Size: 41.2...

Artist: Theo Tobiasse, French (1927 - 2012) Title: Le Reve de Jacob Year: 1984 Medium: Etching with Carborundum, signed and numbered in pencil Edition: 65/75 Image: 27 x 22.5 inc...

Lester Johnson Girls Walking State 3 etching 1986. Designated edition number 8 of 21 in pencil lower left recto. Signed in pencil "Lester Johnson" lower right recto.

'Woman with Hoop Earings', oil on canvas, by Louis Latapie (circa 1930s). Filled with colour, this extraordinarily seductive work by French artist, Latapie, is compelling in its warm...

'Gazebo Under the Trees in Versailles', oil on canvas, by M. Phidias (1921). Painted using this artist's trademark impasto, the effect is to add depth and texture to the exuberant di...

“Red Head” is a portrait that puts dynamic and powerful to shame. This woman from the 1970s at the height of the Feminist movement is an Amazon. Though you cannot see her body her powerful and determined gaze is that of an individual who knows where she is going and what she wants. Best if you get out of her way. Nonetheless, the aura she creates is hypnotizing and the viewer must struggle to break the spell or be absorbed into her presence. This spell-binding piece of Linder’s is unique in its ability to exude a physical push and pull upon its audience. Richard Linder...

Strong watercolor signed and dated by Randall Byron born in Tacoma, WA in 1918. A predominantly figurative artist, Randall experimented with abstraction in the 1940s, and again in the 1980s and 1990s. Throughout his career he produced still- life, portraits, nudes and landscapes, in oil, watercolor, gouache, pastel, and print. He also developed plaster sculpture, and three-dimensional collages on the theme of the sea (a recurrent interest). Randall's concern for social justice ran across his career. It was most explicit in art from the 30s through to the 50s, such as his 1947 'Diabolical Machines' print (held in numerous museums), his Spanish Civil War painting...

Artist: Kuno Lange, German (1950 - ) Title: Seated Nude Woman Year: 1996 Medium: Bronze Sculpture with Black Patina, signature and number inscribed Edition: 3/9 Size: 17 in. x 18 in....

'Sacré-Coeur, Montmartre at Willette Square, Paris', gouache on art paper (circa 1930s), by Lucien Génin. Created by the Director of Public Ways and Promenades under Napoleon III, Sq...

2018 Charcoal on paper Signed and dated lower left Framed (matte black wooden frame, black raised float mount on foam core, UV anti-reflective glass) Frame size 95 x 70 x 3 cm Felix Dolah...

Serigraph on paper. Hand signed and numbered by the artist. Frame size approx 32 x 24 in. Artwork is in excellent condition. Edition of 125. Certificate of authenticity included. Al...

Oil on cardboard with frame. Total size with frame 58x78 cm Signed and dated, illegible signature by the gallery

Jeanie Tomanek: I don’t intentionally set out to make a calming painting, no, but I do try to have a sense of hope in my stories. I’m an optimist who believes there’s always some way...

2018 Charcoal on paper Signed and dated upper left Framed (matte black wooden frame, black raised float mount on foam core, UV anti-reflective glass) Frame size 95 x 70 x 3 cm Felix Dolah...

red, odalisque,orange,yellow Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize La Coupole de Montparnasse (from Kisling to Pascin, from Derain to Vlaminck). He is considered one of most representative exponents of the Turin’s artistic scene in the ‘30s-‘40s, close to the Gruppo dei Sei. His works can be found in the following museums: Turin, Modern Art Gallery...