Art on Sale

Exceptional and large painting by French artist Christian Gardair (French, b.1938). Painting is acrylic on polyester paper. Signed and titled "Oceano Graphie" dated 1983. Painting me...

Wolf Kahn Brattleboro Seen as a "Flugstadt" (European river town), 1980 Pastel on paper painting. Framed with handwritten label by the artist and Grace Borgenicht label Hand-signed by artist, hand signed front; bears the artist's handwritten label as well as label from Grace Borgenicht verso and a sticker from original collector Frame included: original vintage frame This work was acquired from the Brattleboro Museum in Vermont, which sold it to raise funds for their ongoing programming. As its title notes, it depicts the "Brattleboro Seen as a Flugstadt (European River Town)" - which has important autobiographical images. Wolf Kahn was born in Germany but he and his wife spent summers in Brattleboro Vermont...

Kenneth Noland screenprint of "Virginia Site, 1959" printed in Belgium 2002. This is an unsigned edition. Paper dimensions are 27.5" x 27.5" and image dimensions are 19.5" x 19.5".

Holi powder Tantra painting #4 - Colorful abstract tantric stain painting, acrylic and powder on raw canvas by contemporary artist Elisa Niva 42 inches x 32 inches. One of the main...

Earthen Tantric Painting #3- tantric soak stain meditation painting by abstract artist Elisa Niva 30”x40” Acrylic on cotton canvas. One of the main inspirations of this soak-stain ...

Glow Tantra painting #2- soak stain color-field abstract meditation painting by contemporary painter Elisa Niva. 32"x40" acrylic on raw canvas. One of the main inspirations of this...

'summer solstice moon' 26"x24" acrylic and oil pigment stick on raw cotton canvas by Abstract painter Elisa Niva. This earthy and soft painting uses the soak- method created by He...

Earthen Tantra painting #3 - Abstract tantric stain painting 28" x30" Acrylic and oil pigment stick on raw cotton canvas by abstract artist Elisa Niva. One of the main inspiration...

Earth and Sky #2 - Abstract color field stain painting, acrylic on raw canvas by Abstract painter Elisa Niva. 31 inches by 29 inches This bright and cheerful color field painting ...

'Earthen Tantra painting #6' - Abstract tantric stain painting 31" x 31" acrylic and powder on raw cotton canvas by abstract painter Elisa Niva One of the main inspirations of this ...

Shooting Star - 1979 Print - Silkscreen 36.5'' x 36.75'' Edition: Signed in pencil, dated and marked 238/250 Unframed

Kenneth Noland Untitled Target, 2001 Acrylic paint on offset lithograph Signed, dated, and dedicated along lower edge: For Howard and Susan with Love Kenneth Noland 6.10.01 Framed This original acrylic target painting on offset lithograph paper was gifted by the artist to the influential publishers, authors, and film producers Howard and Susan Kaminsky, and it bears a warm personal inscription followed by the artist's signature. Measurements: Framed: 22 x 21.75 x 1.25 inches Unframed: 19 1/2 x 19 inches Provenance: Gifted by Kenneth Noland to the distinguished publishers, authors, and film producers Howard and Susan Kaminsky. (Howard also became a member of the Council on Foreign Relations...

from the smoke and ash - Abstract tantric stain painting, acrylic on raw canvas by contemporary artist Elisa Niva33 inches x 29 inches. One of the main i...

Jules Olitski Play of Angels, 2000 Watercolor and gouache on all-rag paper Signed and dated 2000 by the artist on the front Frame included (elegantly floated and framed in light wood...

'ephemeral vignette #03' acrylic painting by contemporary artist Elisa Niva, Acrylic on raw canvas 36 inches x 44 inches. Ephemeral is a large fluid pain...

Ex collection Carolyn Dunlap Millet Exhibited: Knoedler and Co, NY; Tibor de Nagy, Houston; Berry Campbell, NY Walter Darby Bannard was a leading prop...

"Moving and Changing" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, an...

Stewart Waltzer was Kenneth Noland's studio assistant in the 1970s and 1980s, an acclaimed artist in his own right and a noted curator and art critic. His work appears rarely

"Fields of Colors" is an abstract painting by Spanish artist Natalia Roman. It is a beautiful combination of geometric shapes in a vivid gamut of gradient colors. Natalia Roman was born in 1984 in Girona...

Paul Feeley Rafina II Greece, 1961 Watercolour on paper Hand Signed, titled and dated lower front In 1961, color field painter Paul Feeley created a series of watercolors - Rafina an...

Thomas Victor Downing (1928 - 1985) Nineteen, 1968 Acrylic on canvas 35 1/2 x 16 1/2 inches Signed on the reverse Provenance: Estate of the artist Henri Gallery, Washington, D.C. Private Collection, Washington, D.C. Thomas Downing was born in Suffolk, Virginia. In 1950, after graduating from Pratt Institute in New York City, he received a grant from the Virginia Museum of Fine Art to study in Europe. Upon returning from Europe, he settled in Washington, DC to teach at Catholic University. In 1954 Downing became a friend of Kenneth Noland, whose life drawing course he attended. From 1955 to 1956 Downing shared a studio with Howard Mehring, another artist who came to be identified with the Washington Color School. Downing had his first one-man show at the Washington Workshop Center for the Arts in 1959. That year, Downing, Mehring, and Betty Pajac founded Origio, a cooperative art gallery in Washington. In 1959 Downing first began using the small dot in his work, a motif he explored fully into the 1970s. In the early works colorful dots determined the structure of the painting in their size, position, and repetition within a grid. Often there was a sense of concentration and expansion of the composition from the center to the edge of the canvas, achieving a visual impression of expanding open space. Looking for the fusion between the grid and color, Downing eliminated overlapping dots in 1962. The dots arranged in grids seem to project from the canvas surface, giving the impression the color floats unrestricted by the square format of his paintings. Downing’s position in the Washington Color School came from his consistent approach to color. The canvas was the receptacle of color, on which Downing often worked in tonal modulations of a hue. Downing developed shaped canvases in 1966 as a structural solution to his deeper consideration of the “spatial definition” of color. After first working in a parallelogram shape, Downing next worked in chevron-shaped canvases that examined the illusionistic qualities of color. He exhibited these works in a solo exhibition at the Corcoran Gallery in 1966-1967 and later at the Allan Stone Gallery in New York in 1967. Downing’s second series of shaped canvases titled Folds were created in 1968. In the Fold series he discovered a new effect of relief and spatial depth within a flat work that could be enhanced by color. The projections and folding in the Fold paintings suggest the paintings exist in a world without gravity. Downing exhibited in a group show at Jefferson Place Gallery in 1960 and had his first solo exhibition there in the spring of 1961. Downing had solo exhibitions in New York at Allan Stone Gallery in 1962, 1967, and 1968. He also had solo exhibition in New York at Stable Gallery in September 1963 and January 1965. In the early 1970s Downing had regular solo exhibitions at the Pyramid Galleries in DC. In the 1960s Downing was included in important museum exhibitions, including: Post Painterly Abstraction at Los Angeles County Museum of Art, 1964 (Clement Greenberg curated and included three of Downing’s dial paintings); The Responsive Eye at the Museum of Modern Art, 1965; Colorists, 1950-1965 at the San Francisco Museum of Art, 1965; Systemic Painting at the Solomon R. Guggenheim Museum, New York, 1966; and Color Field Painting at the Philadelphia Museum of Art in 1970. Thomas Downing: Recent Paintings was held at the Corcoran Gallery of Art in December 1966 - January 1967. A solo exhibition of his paintings from 1962 to 1968 was held at the La Jolla Museum of Art then travelled to the Phoenix Art Museum in 1968. Downing had a solo exhibition at the Phillips Collection in 1985. Downing taught at the Corcoran School of Art and Design, Washington, DC from 1965 to 1968. There he was influential for the next generation of DC color...

"Soothing" marine paint oil 92x72cm 2008 Emmanuelle Vroelant The algae flowing in the transparency of the water. The sense that they’ve been there for so long....

Provenance: Southampton, NY collector; Peter Marcelle Gallery, Southampton Raymond Parker (1922-1990) was an Abstract expressionist painter who also is associated with Color Field ...

Larry Zox Dexter's Choice, State II, ca. 1990 Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges ...

Agent X Chorioferol mRNA (black) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 70 Size: 35 x 35 inch Signed COA provided Ref.: 924802-855 ---...

Colorful abstracted color field painting of matchsticks by Bay Area artist Michael Pauker (American, b. 1957), circa 2000. Unsigned, but was acqui...

"Layered Curvilinear Forms" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes and shapes combined with subtle tones a...

Agent X Alfuderm mRNA (white) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 70 Size: 37 x 35 inches Signed COA provided Ref.: 924802-854 -----...

Piero Dorazio Lot of 2 (two) Lithographs - "Night Circles" & "Morning Circles" Color Lithographs Year: 1992 "Night Circles" Size: 27.56 x 19.68 in (70 x 50 cm) "Morning Circles" Siz...

Piero Dorazio Night Circles (Cercles De Nuit) Color Lithograph Year: 1992 Size: 27.56 x 19.68 in (70 x 50 cm) Signed, dated and numbered by hand Edition: 90 Publisher: Erker Presse,...

Watercolor by Willem De Looper (1932-2009). Painting is signed "de Looper" and dated 76' lower right. Painting measures 20" x 8". Willem De Looper was a Washington D.C. abstract...

Houses of town. 1972, watercolor on paper, 55x75,5 cm Olgerts Jaunarajs (1907-2003) He was so-called legend of abstract expressionism in the Latvia...

Colorfield #410 is a wonderful example of American modernist Leonard Nelson's color field compositions and expression. The unframed, abstract oil on canvas measures 52" x 60" and is ...

A striking contemporary two-toned colorfield abstract by Bay Area artist Michael Pauker (American, b. 1957). A large neutral textured section in cream sits atop a wavy abstraction in...

"At Sea between Fossils and Satellites 7" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with art deco aestheti...

If ever the art world could be said to have a Renaissance Man (excluding Da Vinci!) it would be Jack Roth, abstract expressionist painter, poet, photographer and mathematician. He received degrees in chemistry and fine art, did graduate work in mathematics, and would teach mathematics and art throughout his career. Roth is a second-generation Abstract Expressionist painter, known for his Colorfield work. Though he was fully two decades younger than some of the elder statesmen...

LIFE FORCE is a limited edition color lithograph printed using traditional lithography techniques on archival Arches paper by Lamar Briggs (1935-2015) American painter and Texas arti...

"At Sea between Fossils and Satellites 7" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with art deco aestheti...

Composition 7. 1996, oil on board, 81x65 cm Abstract composition with orange blue fields and black circle Olgerts Jaunarajs (1907-2003) He was so-c...

"At Sea between Fossils and Satellites 7" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with art deco aestheti...

"At Sea between Fossils and Satellites 7" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with art deco aestheti...

Striking abstract colorfield oil painting on wood panel by Michael Pauker (American, b. 1957). This uniquely textured two-toned abstract is divided into color-fields of super vivid a...

"Abstraction #13", beautiful modernist abstract color field watercolor in pastel hues on paper by Alexander Kwiat (American, b. 1955). Signed lower right hand corner. Gallery label...

SPIRIT COSAS VIII is a limited edition color lithograph by the American painter Lamar Briggs printed using traditional lithography techniques on archival Arches paper. Lamar Briggs (...

Original vintage Spanish poster 1er Salon de la Industria Cinematografica. This cinematography vintage poster was the first one in the field ...

TIVA LANDSCAPE is a limited edition color lithograph printed on archival Arches paper, 100% acid free by Lamar Briggs (1935-2015) American painter and Texas artist who was born in La...

Oil on canvas - Unframed Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical traditions. He looks toward el...

Wonderful large scale abstract painting on canvas on wood panel titled "Eruption", painting is wrapped around the edges. Has a hard high gloss finish. Signed on verso "Kristina Quinones '06." Image, 60"L x 48"H x 2.75"D. "My work challenges the boundary between control and uncertainty. The grounding I feel through my work is an expression of the space that exists between these two phenomena. I mix my color and pour my paint, unsure of the outcome. I pick up the panel and start to dance with the movement of the paint as it slides from one side to the next. As the layers of color accumulate on each painting, the opportunity to manipulate the space between control and uncertainty diminishes. A sense of urgency arises, which is expressed in the textured movement of color. Paradoxically, as the process unfolds, my desire to control dissipates, and I am left with the ambiguous feeling of uncertainty. This cycle is repeated endlessly, incessantly, as if my will alone could leave its imprint. Whereas in the past this ambiguity would disturb me, I now find the process reassuring. It is clear that, despite my best intentions, each piece will choose its own path." Kristina Quinones was born and raised in Connecticut. Received her bachelor's degree in Printmaking from the University of Connecticut in 2001 then moved to California. In 2005 she received her Masters of Fine Arts in Printmaking from the San Francisco Art Institute. Quinones has exhibited in group shows throughout the United States. Recently Quinones was awarded the Affiliate Program...

Artist: Jay Rosenblum, American (1933 - 1989) Title: Untitled XVI Year: circa 1977 Medium: Acrylic on Paper, signed in pencil Paper Size: 40 x 26 in. (101.6 x 66.04 cm)

encaustic on wood Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers beeswax and pigment to ...

Tom Thumb - 1979 Print - Silkscreen 36.5'' x 36.75'' Edition: Signed in pencil, dated and marked 250/250 Unframed

Josef Albers Homage to the Square: Protected Blue (from "Albers") Screenprint in brilliant Colors on strong wove paper double folded, 1971 Image 6.25 x 6.25 inches Sheet: 9 x 7.625 i...