Paintings on Sale

Artist: John McCormick, American Title: 1956 Ford Thunderbird Year: 1983 Medium: Oil on Canvas Size: 18 in. x 32 in. (45.72 cm x 81.28 cm)

"The Great Man Comes to Take His Oath" Life Magazine Spread, July 4th, 1960, This epic narrative depicts the celebration of George Washington's inauguration, en route to Federal Hall...

Portrait of a Gentlemen, c. 1835 Oil on Canvas 30" x 25" Housed in a 2 1/2" Frame Overall Size: 34 1/2" x 29 1/2" Craquelure throughout, some inpainting. In otherwise good condi...

This is an original oil painting on by Ginny Williams. Celebrating the elements of still life often found in paintings of the Dutch golden age, this piece showcases blue and white po...

Arctic Stream in Forest Landscape with Lush Greens & Blues by 20th Century British Artist, Jack Strickland Art measures 16 x 20 inches Frame measures 19 x 23 inches Original, Oi...

Presented is a wonderful example of mid-19th-century American Portraiture. Portrait of a Girl, c. 1850s Oil on Canvas 27" x 22" Housed in its original period frame Spandrel Sit...

Dee Milbocker (American, 20th Century) Signed: Dee Milboker 1984 (Lower, Right) " The Old Farm ", 1984 Oil on Canvas 18" x 24" Housed in its original 1 1/2" Frame Overall Size:...

John F Francis (American, 1808 - 1886) " Portrait of a Gentleman ", 1838 Oil on Canvas 30" x 25" Housed in a 3 1/2" Frame Overall Size: 37" x 32" ...

'Monuments: Sunrise', original vintage 1950s oil painting of a southwestern desert landscape in early morning with rock formations, trees and brush with brilliant sky with clouds by ...

Linda Hefner is known for her vibrant acrylic paintings of historical New England barns and architecture. Hefner’s love of endangered Americana is rooted ...

Khawam’s first genre of paintings started in 1980 during the heights of the Superrealism movement in New York City where Khawam was the youngest among the group and in his first year...

Now in a period frame, carved italian and gold leaf ask for images please In frame Little is know about George Frank Higgins, but his work sugge...

C Hjalmar Amundsen's 'Boats at Dock' is a Mid-20th Century Oil on Canvas painting depicting a sailing vessel docked next to a couple of wharf buildings. The colors are rich values of...

​Represented by George Billis Gallery -- Gary Faigin says of Kurt Solmssen’s work, “Though a realist, Kurt Solmssen does not so much record what he sees, as use his surroundings as a...

Le Pot de Confiture is an original oil painting on panel. It is framed in a handmade, black frame with gold lip. The overall dimensions of the framed piece are approximately, 14x16 inches. Master Still Life painter Dale Zinkowski was born in New York and his earliest memories of painting and drawing were from his Grandfather's own work, which hung throughout the home. Fascinated by the world around him, and the ability to capture fleeting moments on paper, he began to draw and paint from nature almost exclusively. ​From 1993-97, he attended the School of Visual Arts in New York City where he studied the Reilly method with both Marvin Mattelson and John F. Murray. Inspired by the techniques, and hungry for more information, he began copying from the old masters at the Metropolitan Museum of Art.  ​When Murray moved his studio to Tucson, Arizona, Dale followed and focused his studies on the palettes, methods, and materials of artists such as Velazquez and Rembrandt.  ​In 2012, Dale attended the Florence Academy of Art in Italy, where he pushed his understanding of traditional techniques and materials even further while drawing and painting master copies in museums and painting landscapes in the countryside.  ​In 2013, Dale returned to New York City, where he immersed himself in the full-time program at Grand Central Atelier studying under Jacob Collins, Ted Minoff, Will St. John and Colleen Barry...

Susan is a native Houstonian. She is passionate about oil painting, specializing in large scale florals. She was inspired to start painting florals when she began photographing flowers on her daily walks. Susan is an early childhood educator and teaches at a private school in Houston. She is a member of the Lassaulx studio in Houston, Texas. Susan graduated from HCC with honors with a degree in Fine Arts. She studied at the Glassell School of the Museum of Fine Arts, Houston. Susan Meeks...

Susan is a native Houstonian. She is passionate about oil painting, specializing in large scale florals. She was inspired to start painting florals when she began photographing flowers on her daily walks. Susan is an early childhood educator and teaches at a private school in Houston. She is a member of the Lassaulx studio in Houston, Texas. Susan graduated from HCC with honors with a degree in Fine Arts. She studied at the Glassell School of the Museum of Fine Arts, Houston. Susan Meeks...

Magnolia After the Rain is 24 x 36 oil on canvas . Gallery Wrapped Susan is a native Houstonian. She is passionate about oil painting, specializing in large scale florals. She was inspired to start painting florals when she began photographing flowers on her daily walks. Susan is an early childhood educator and teaches at a private school in Houston. She is a member of the Lassaulx studio in Houston, Texas. Susan graduated from HCC with honors with a degree in Fine Arts. She studied at the Glassell School of the Museum of Fine Arts, Houston. Susan Meeks...

Le Romaine is an original oil painting on panel. It is framed in a water-gilded gold frame. The overall dimensions with the frame are approximately 10x14 inches. Master Still Life painter Dale Zinkowski was born in New York and his earliest memories of painting and drawing were from his Grandfather's own work, which hung throughout the home. Fascinated by the world around him, and the ability to capture fleeting moments on paper, he began to draw and paint from nature almost exclusively. ​From 1993-97, he attended the School of Visual Arts in New York City where he studied the Reilly method with both Marvin Mattelson and John F. Murray. Inspired by the techniques, and hungry for more information, he began copying from the old masters at the Metropolitan Museum of Art.  ​When Murray moved his studio to Tucson, Arizona, Dale followed and focused his studies on the palettes, methods, and materials of artists such as Velazquez and Rembrandt.  ​In 2012, Dale attended the Florence Academy of Art in Italy, where he pushed his understanding of traditional techniques and materials even further while drawing and painting master copies in museums and painting landscapes in the countryside.  ​In 2013, Dale returned to New York City, where he immersed himself in the full-time program at Grand Central Atelier studying under Jacob Collins, Ted Minoff, Will St. John and Colleen Barry...

Close up of Magnolia after the Rain is 40 x 30.. Gallery Wrapped Susan is a native Houstonian. She is passionate about oil painting, specializing in large scale florals. She was inspired to start painting florals when she began photographing flowers on her daily walks. Susan is an early childhood educator and teaches at a private school in Houston. She is a member of the Lassaulx studio in Houston, Texas. Susan graduated from HCC with honors with a degree in Fine Arts. She studied at the Glassell School of the Museum of Fine Arts, Houston. Susan Meeks...

​Represented by George Billis Gallery -- Gary Faigin says of Kurt Solmssen’s work, “Though a realist, Kurt Solmssen does not so much record what he sees, as use his surroundings as a...

​Represented by George Billis Gallery -- Gary Faigin says of Kurt Solmssen’s work, “Though a realist, Kurt Solmssen does not so much record what he sees, as use his surroundings as a...

An American Still Life of an Apple, Pear and Grapes Oil on canvas on board Signed illegibly circa late 1800s 9 3/4 x 5 7/8 (16 x 12 3/4 frame) inches This is an example of late 19...

Joseph Kardonne (1911-1985). Portrait of Man in Trench Coat, 1950. Ink on paper, measuring 8 x 12 inches. Signed, dated and titled lower right. Unframe...

Joseph Kardonne (1911-1985).Male Figure at Beach, 1952.. Gouache on cardboard panel, 9 x 10 inches, 14.5 x 15.25 inches in maple frame. Signed, dated lower left. Born in Newark, New...

Superbe original painting on canvas depicting the mysterious portrait of a man in the shadow wearing a cowboy hat. keywords; western, cowboy Hat, green coat, americana, surrealism, ...

Superbe original painting on canvas depicting an Anonymous man holding a Brown leather satchel. keywords; Brown leather, satchel, travel bag, americana, surrealism, vintage, oil pai...

A Fine depiction of a Sailing Ship in the Hudson River. For this wonderful depiction, Nemethy uses a Fine technique which depicts the figures on the boat in a miniature way. With joyful colors, this piece is bright and peaceful. This painting is signed by the artist lower left and it comes comes housed in a beautiful simple wood frame and ready to be displayed with hanging wire on verso. This painting measures 8 x 14 inches Framed measures 13 x 19 inches PROVENANCE: Lilac Gallery...

Joseph Kardonne (1911-1985). Ocean Beach, Fire Island, NY, 1946. Ink on paper, measuring 9 x 12 inches. Signed, dated and titled lower right. Unframed ...

Dorothy Eaton Tully Lumber Mill, Orange, Massachusetts, 1935 Signed and dated lower right Oil on canvas 17 1/2 x 23 1/2 inches Dorothy Eaton was born in East Orange, New Jersey in 1893. She studied at Smith College...

Joseph Kardonne (1911-1985). Pleasure Beach, Bridgeport, CT, 1936. Gouache on cardboard panel, 11.5 x 18 inches. Signed, dated and titled lower right. ...

This painting features two children with big brown eyes peeking behind red-slatted shutters. The innocence on their faces contrasts with some sense of embarrassment, like if they had...

This framed 21.5" x 17.25" watercolor on paper painting, 'Still Life with Fruit,' is by Oklahoma artist Cletus Smith. The subject matter include a brown b...

John Aldrich Ruthven American Painter Bison in a Snow Blizzard Watercolor and Gouache on Paper signed lower left

In addition to having his work in museums and fine corporate collections, Alabama artist Donny Finley showed for years at prestigious Bryant Galleries on ...

Green-toned hyperrealistic figurative painting by Texas artist Kevin Peterson. The painting depicts a woman in a white dress sitting by a lush green sce...

Dramatic and colorful painting of two Koi. Circa 2000. Signed lower right corner "Linda H." Presented in white painted frame. Image size: 18"H x 36"W.

Wine Enologist Claude Wolf - Mid Century Portrait A stately mid-century portrait of Claude Wolf (1904-1973), a vintner Enologist by Abel George Warshawsky...

Ann Wyeth McCoy (1915 - 2005) Afternoon Sun Watercolor on paper Sheet 24 x 18 inches Signed lower left Provenance: Somerville Manning Gallery Private ...

Noble nautical scene of a small rowboat coming to shore from a larger sailing vessel by George A. Robbins (American, 1918-2010). In the foreground, sever...

Untitled, Scissione , oil Thinner and ink on canvas Eclectic artist, born in Atri in Abruzzo in 1980, he works in the field of contemporary art with conceptual creations from the ag...

Eclectic artist, born in Atri in Abruzzo in 1980, he works in the field of contemporary art with conceptual creations from the age of 18 years. He currently lives in Puglia. In his s...

Honore Sharrer (1920 - 2009) Woman Listening Signed lower right Caseine on paper 15 x 20 inches Provenance: Forum Gallery, New York Private Collection ...

Eclectic artist, born in Atri in Abruzzo in 1980, he works in the field of contemporary art with conceptual creations from the age of 18 years. He currently lives in Puglia. In his s...

Heller covers monumental and lesser-known works starting with Frank Lloyd Wright and tracing his design principles through his son Lloyd Wright, and students Richard Neutra, Rudolph ...

Eclectic artist, born in Atri in Abruzzo in 1980, he works in the field of contemporary art with conceptual creations from the age of 18 years. He currently lives in Puglia. In his s...

This interior portrait of a woman dressed in an elegant lace shawl is a 30" x 25" oil on canvas painting in the style of Jacob Eichholtz. The artist is unknown but the painting is believed to have been painted in the 1840's. It is not signed but framed and in good condition. Provenance: Private Collection, Old Queens Gallery...

James Britton Gantt (1911 - 1984) Child in an American Landscape, 1940 Egg tempera on board 17 1/2 x 14 inches Signed and dated lower right Provenance: Private Collection, San Francisco Regarding this painting, the artist's daughter said, "The subject matter of your painting reflects my father's propensity for presenting minority figures with dignity, as well as an admiration for the contributions of hard-working people. The painting's background packs in details reminiscent of the technique he used working on mural projects." Painter, printmaker, muralist. Born in Lawrence, Douglas County, Kansas (some sources wrongly indicate Kansas City), the son of Euphemia Lane Fox Blackburn (1883 – 1929) and Charles Whittle Gantt (1881 – 1952). He was the grandson and namesake of Judge James Britton Grant (1845 – 1912), a former Chief justice of the Supreme Court of Missouri. His father, Charles, though trained as a lawyer, suffered from alcoholism and instead worked for the railroad. James Gantt...

Magical outdoor realism in a grand scale is a fascinating conversation piece for an important indoor space. Kathryn Freeman, American, was living in ...

"When asked what kind of paintings I make, I usually call my work "Urban Landscapes" to distinguish them as paintings about areas of human habitation rather than landscapes that re...

Lionel S. Reiss (1894 - 1988) Lobstermen in Gloucester, Massachusetts, circa 1943 Watercolor on paper Sight 17 1/2 x 23 inches Signed lower left Provenance: Private Collection, Las Vegas, Nevada In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...

Ernest Fiene (1894 - 1965) Low Tide at Noon, Wellfleet, Massachusetts Oil on canvas 26 x 36 inches Signed lower right Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in Paris from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. He was the subject of the first monograph for the Younger Artists Series in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene's paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene's paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene's paintings. Also in 1928 Fiene became affiliated with Edith Halpert's Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled "Changing Old New York," in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene's oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art's exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene's Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art's exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene's landscape paintings attracted numerous commissions as part of the American Scene movement. From 1935-36 Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Leon Kroll (1884 - 1974) Portrait of a Woman, circa 1950 Oil on canvas 20 3/4 x 17 inches Signed lower left Provenance: Private Collection, New York Private Collection, North Caroli...

A contemporary female nude hovering a hairs breath over a lily pond, blue butterflies swirling around her, possibly lifting her into the twilight sky with them. Her arms are extende...

Khawam's Prosperity series, I wanted to flip the narrative upside-down opposite of the 'Chaos' series by examining prosperity through a lens of bird-eye views of the intracoastal wat...

Oil on panel painting by Lewis Lee Tilley (1921-2005) titled "Opera Matinee" from 1948. Image presents two women at an opera, one in pink leans over to the other in blue to whisper i...

Oil on panel, signed lower left. New England artist Grant Hacking was born and raised in South Africa and resided there until the age of twenty-five so he still experiences great pl...

Water does not have a form; it adapts to forms created by energy. There is something kind of futile yet exciting about capturing the effect of water in a painting. There is no start...