Pendant Necklaces on Sale

St. Sebastian (Milan, 256 - Rome, January 20, 288) was a Roman soldier, martyr for having supported the Christian faith, venerated as a saint by the Catholic Church and the Orthodox ...

Silver and approx 85ct rock crystal. Signed and dated 1937. The pendant is 6,7 cm long on a 59 cm long chain. Wiwen Nilsson (1897-1974) - An Art Deco Silversmith in the Age of Modernism. Wiwen Nilsson was born in Copenhagen, Denmark in 1897. Born as Karl Edvin, but since he did not like his christening name, he was, within the family, called Wiwen. He was the son of Karolina and Anders and grew up with his sister Edith. In 1897 the family moves to Lund, Sweden when the father takes over the gold and silversmith company J.P. Hasselgren & Son. In 1906, Wiwen began at Katedralsskolan in Lund and finished school when he graduated fifth grade in 1912. It was common to continue up to sixth grade and then high school, but Wiwen who does not thrive in a school environment wants to become a pianist or aviator instead. However, as the father is a recognized jeweler and court supplier, the son's career is already marked. Instead, he embarks on an educational journey with the goal Königliche Zeichenakademie in Hanau am Main, Germany. The school is Germany's oldest and most prestigious goldsmith's school. Wiwen enrolled on the fourth of August in 1913 and studied drawing, workshop work, engraving and hammering work. The education comes to an abrupt end with the outbreak of the First World War in 1914, and he instead continues his education in his father's workshop, where he stays until 1919. He does, however, make two breaks, the first quarter of 1917 he enrolled at the Technical Society's School in Copenhagen where he studied modeling, among other things, and in 1917-1918 he did his military service in Stockholm. In 1919 he applied for and received his companion letter, at the same time he received the Swedish Craft Organization's large medal in silver for his professionalism. In 1920 he is again at the school in Hanau, Germany where he stays until 1921 and practices with the jewelry company Chr. Kissling also in Hanau. At school, he mainly studies drawing and chiseling, a type of relief technique that was very popular during the 17th century. Wiwen is driven by his own design language and thinks that the prevailing technique under the influence of Danish designers is a setback in the development of chiseling. During his time in Hanau, he visits several arts and craft exhibitions and comes into contact with the Wiener Werkstätte and the Wiener Werkbund, among others. At the same time as he is studying, he writes travel stories where it emerges that he believes that Sweden's conservatism inhibits the development of arts and crafts, something he himself wants to change. Back in Sweden in 1921, he was appointed the company's artistic designer. In 1923, the company participates in the Gothenburg exhibition, but here Wiwen receives devastating criticism. His creations are considered ugly and meaningless, a critic writes that it is a typical case of poor material sense. In 1924, Wiwen Nilsson travels to Paris. Just like in Hanau, he studies chiseling, silver, drawing and modeling at the Académie de la Grande Chaumiére (now Académie Charpentier). One of France's foremost art schools where, among others, Siri Derkert (1888-1973) and Bror Hjorth (1894-1968) have also studied. In Paris he became acquainted with Georg Jensen (1866-1935), in whose workshop he chiseled for a period. He also meets and hangs out frequently with Jules Schyl (1893-1977) and Gösta Adrian-Nilsson, GAN (1884-1965). The meeting with GAN becomes extremely important and came to influence and refine Wiwen's own design language and together they hold a joint exhibition in 1925 in Lund. From 1925 until the end of the 1920s, Wiwen Nilsson produces a large amount of church silver. He designs and manufactures for, among others, Allhelgonakyrkan in Lund, Knästorps and Tottarps kyrka in Skåne. In total, Wiwen's workshop manufactures 677 objects for churches, of which 483 are found in churches within the diocese of Lund and 194 in other Swedish churches. Some are also sent internationally to the Church of Sweden in Paris, Berlin, Copenhagen and churches in West Germany, Iceland and to Zululand in South Africa. His church silver unmistakably bears the same design language as his profane works. All with the same angular but harmonized and modernist shapes, not infrequently his vessels like jugs and lid boxes are often hexagonal or octagonal. In 1925 he participated in the Exposition Internationale des Arts Décoratifs et Industriels à Paris (World Exhibition) where he received a gold medal in Class 10, the category for crafts and art industry in metal. Other exhibitors included C.G. Hallbergs Guldsmeds AB and Jacob Ängman...

This is a necklace from our Sa'mma = Sky collection. Inspired by the idea that the sky is a universal blanket the covers mankind and connects us all under its pillars.. Ammanii celestial necklace...

A blooming rose ­- the universal symbol for love, beauty and gratitude. Dilys' Blooming Rose Solitaire Diamond Necklace features the rose motif with a round collection-grade solitaire diamond as the centrestone (0.07ct). Set in 18K white gold, this elegant chain necklace is made for the everyday. This piece was set in Dilys’ in-house atelier in Hong Kong by the most skilled craftsmen, trained and attuned to the House of Dilys...

This gold protection charm necklace has powerful words hand engraved around the disc to protect its wearer. Gratitude, Love, Protection. To remind us ...

The pendant in the shape of a ladybug with open wings, can be worn both as a pendant and as a brooch. The ladybug is decorated with transparent enamels of various colors. Its manufa...

This gold charm pendant has powerful words hand engraved around the disc to help protect its wearer. Gratitude, Love, Protection reminds us to be grateful for all we have, to invite ...

Chain necklace in 18 karat white gold and five drop pendant with diamonds Total diamonds weight: 0.85 carat Total length: 45 cm / 17.7 inch The necklace has an additional ring for d...

Exquisite Purple Amethyst Gemstone Satin Yellow Gold Pendant, from Sacchi's "Spring" Collection, hand-crafted with lost-wax casting technique. Lost-wax casting, one of the oldest te...

Honor the love you have for yourself or a special someone with our Diamond Initial Petal Necklace. The initial is casted from 18Karat Yellow Gold and set with natural glimmering diamonds on a freshwater petal shaped pearl. Each petal pearl...

In ancient Jadeite culture, the carved Aubergine carries a few important symbolic interpretations: good health, a long life and promising career growth. This natural A-grade, lustrous green jaidete carving, weighing 21.73 carats and certified by HKJSL*, makes for an exquisite collectable amulet instilled with age-old blessings. Dilys' modernist design boldly frames this jadeite centrepiece with an asymmetrical outline of 74 dazzling black diamonds (totalling 0.92ct), held together by 16 white diamonds (totalling 0.12ct) at the pendant head. This pendant also comes with a 20-inch leather cord necklace with 18K gold clasps. This piece was set in Dilys’ in-house atelier in Hong Kong by the most skilled craftsmen, trained and attuned to the House of Dilys’ high standard for quality and wearability. It is signed with Dilys’. This piece is in excellent condition. Free shipping – we will cover the 1stdibs facilitated shipping cost. Ships out within 1 week. Jade is a rare stone that protects and nourishes the heart energy of its wearer in Chinese culture. Inspired by the harmonious and calming effects of this stone, Dilys Young strives to reignite the spark for jade jewellery...

The HEXA S Pendant is FLOWEN's signature statement piece. A 3 dimensional sculptural art object inspired by nature, driven by innovative design t...