Furniture on Sale

A rare and important French Art Nouveau tea table with two shapely shelves. Engraved with lily pads petals & leaves. Decorative bronze handles.

A lovely hand-carved round Italian alabaster or opaline glass trinket box in pink. This piece will be fabulous to display on a coffee table or dressing table. The exterior is a peach...

Art Nouveau French porcelain ormolu-mounted urn.

Elegant vintage teapot and tray featuring a beautiful heraldic-style "Royal Sheffield" mark on the base. Likely produced in the mid-20th century, this ...

Antique Art Nouveau Daum Nancy Cameo Glass Vase, France circa 1910. Multilayered glass cameo vase with exquisite detailed decor of flowers and leaves etched in purple glass against a...

Émile Gallé (1846-1904) Rare and Important Galle French Cameo Glass Vase Cased glass, opalescent, colorless, yellow and blue, acid-etched design with the Basilica of St Nicolas de P...

This antique Art Nouveau double-handled majolica ceramic vase features a beautifully embossed floral motif and was made by the famous French manu...

Vintage Tiffany Style Slag Glass Hanging Light. Multi color shade, Bronzetone trim. Has patina on brass, no cracks or chips or breakage in shade, shade measures approximately 18.75" diameter at bottom, 10 1/4" diameter at top, approximately 12" tall. Beautiful vintage slag glass...

Attributed to Eugène Gaillard Eugène Gaillard, born January 31, 1862 in Paris, where he died January 27, 1931, is an architect and furniture designer. He was one of the most renowne...

Émile Gallé (1846-1904) French Art Nouveau Caméo Glass Vase « Anemones » circa 1900 Rare Galle French cameo glass vase in dark blue over yellow Blue Anemones flowers design Signed in cameo Gallé Émile Gallé was born in Nancy on 4 May 1846, the only son of Charles Gallé...

Secessionist Art Nouveau porcelain vase. Tall highly decorated porcelain vase, created in Czechoslovakia, circa 1920. This beautiful pieces has been crafted in white porcelain hav...

This stunning vintage Le Tallec porcelain box, created circa 1982 exclusively for Saks Fifth Avenue, showcases Le Tallec's exceptional craftsmanship and refined design. The box is ri...

A set of four Perrier-Jouët hand-painted champagne flutes. This set features 4 vintage glasses each hand-painted with a Japanese anemone design of pink, white, and gold. The original...

Pair of three-arms candelabras designed by Tiffany & Co. Beautiful antique pair of candleholders created with Art Nouveau patterns at the Tiffany Studios in New York city, circa 1903. They was crafted under the directory presidency of Charles T. Cook (1902-1907) during the Edwardian era (1901-1911) in solid sterling silver .925/.999 with a fluted repousse trumpet plain patterns. They are convertible and can be dismounted to be used as a single or with three candles. This extremely rare pieces are from a very small edition of only 20 pieces and was carefully crafted with beautiful and elegant Art Nouveau patterns in solid sterling silver .925/.999 with very high polished finish. As with all Tiffany pieces, the quality and design are beyond compare. Exceptional and rare example of Tiffany's finest work. Weight: Combined of 1796.3 grams or 57.72 troy ounces Measurements: 12.5 by13.6 by 5.3 inches (31.75 x 34.55 x 13.46 Cm). Hallmarks: Both are stamped at the bottom part, with the, maker's mark, the director's mark "C" Charles T. Cook, the model 4619 and pattern number and signed in full, "TIFFANY & CO. 13434 MAKERS 4619 STERLING SILVER .925/1000 C". In addition, they are hand engraved with the maker's initials D.K and the inventory set number 02/20. Note: This model 13434 was designed by Charles L. Tiffany and was first produced in the 1897. This is the number 2 of the edition of 20 pieces produced. Note: Tiffany silver holloware...

Most Gustave Asch Porcelain vase works come in cobalt blue. This piece is a rare blue green. It was created in the village of Sainte Radegonde in Southern France in the early 1900s b...

Stunning and elegant Art Nouveau hat and coat stand. Design in the style of Thonet and Jacob and Josef Kohn. Striking French design from the 1900s. Stained beech and bentwood frame w...

A pair of Art Nouveau / Arts & Crafts styled israeli candlesticks in cast ornamented and partially perforated brass. Set with polished oval pieces of Eliat. The Eilat stone...

Superb and impressive wrought iron chandelier / pendant composed of 6 winged dragons each holding a torch / torchiere. Good quality of manufacture: well-made subjects, beautiful pat...

This antique miniature vase from Meissen is a remarkable example of fine porcelain craftsmanship. Crafted from pristine white porcelain, it f...

Stunning and rare Art Nouveau tea cabinet. Striking Dutch design from the 1900s. Solid walnut frame with four original drop-leaf doors. All four doors have the original beveled gl...

This mirror in is wood, in a brown color. It is Art nouveau Style and Period. It has been made in Autria circa 1900.

An exquisite pair of 19th century leaded stained glass windows. Features a large rectangular frame with arched area beneath a transom that opens via hinge to allow fresh air in. Each...

Stunning and rare Art Nouveau file cabinet. Striking Dutch design from the 1900s. Solid oak base with original roll top door. Original patinated brass handle and lock plate. The lock...

A beautiful metal and cork bottle stopper. Some wear with a nice patina, but this is old-age. Made of metal and cork. A beautiful nice barware item or just a display item in your collections of...

This is an Emile Galle small urn shaped landscape cameo vase. It has a frosted yellow glass background highlighted by different shades of brown color. The brown color get darker at the round base and covers it completely. The landscape cameo depicts a countryside scenery with trees, a lake and a small barn fence. Some of the trees are reflected in the lake. The glass vase is signed Galle. The urn vase comes with a round wood pedestal.

This is a beautiful French Art Nouveau sideboard. The sideboard features gorgeous jewelry- like cast bronze ormolu and incredible radial i...

The Vertiko made from walnut with brass fittings, a mirror with facet cut, with typical Art Nouveau ornamentations. In good restored condition with the original glasses and mirror.

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Pair of Art Nouveau vases with dandelions by Mont Joye/Legras et Cie, Staint Denis. About 1910. Beautiful emamel painting with a golden rim o...

Antique wrought iron decorative Transom or window guard. Lovely half moon shape with detailed scroll work. Some restoration done to piece. See photos. Perfect ornamentation for above...

This provocative, desk-size bronze statuette of a semi-nude oriental dancer in a sensuous, rather candid pose rendered in the best Art Nouveau traditions of the world-famous Viennese foundry of Franz Xavier Bergman...

Galle cameo glass Hydrangea vase C1905. Unusual shaped pedestal vase decorated with stylised hydrangeas.The vase is built up with five layers of glass a...

The picture retains its original gilt frame. The image is rendered in a mixture of silkwork and hand painted decoration and depicts the injured traveler on the roadside being aided by the Samaritan while the Levite and the Priest are seen in the distance. This parable is told by Jesus in the Gospel of Luke. A certain man was going down from Jerusalem to Jericho, and he fell among robbers, who both stripped him and beat him, and departed, leaving him half dead. By chance a certain priest was going down that way. When he saw him, he passed by on the other side. In the same way a Levite also, when he came to the place, and saw him, passed by on the other side. But a certain Samaritan, as he travelled, came where he was. When he saw him, he was moved with compassion, came to him, and bound up his wounds, pouring on oil and wine. He set him on his own animal, and brought him to an inn, and took care of him. On the next day, when he departed, he took out two denarii, gave them to the host, and said to him, 'Take care of him. Whatever you spend beyond that, I will repay you when I return.' Now which of these three do you think seemed to be a neighbor to him who fell among the robbers?" This work is vastly bigger than 19th century silkwork pictures...

Bring an elegant light into any space with this stunning antique torchiere lamp. A lovely marble and brass base features the timeless beauty of Art ...

Magnificent mahogany wardrobe with double doors inlaid with flowers. From the Art Nouveau period but some elements such as the pediment recall the Napoleon III style. Key present,...

By Krieger, a important Parisian cabinetmaking, one of the most important of the time. Maison Krieger was created in 1826 by Antoine Krieger and his brother Nicolas in Paris. It fir...

Antique Art Nouveau chalice shaped art glass vase created by the Loetz glassworks company, which was active during the late 19th and early 20th centuries, this vase represents a prime example of their artistic mastery. The vase features a cobalt blue ground that adds depth and richness to its overall appearance. Its surface showcases a captivating iridescent wave pattern, which adds a mesmerizing shimmer and dynamic quality to the glass. This iridescence is a hallmark of Loetz glassware and is achieved through the application of special techniques during the glassblowing process. The chalice-form of the vase gives it an elegant and graceful silhouette. This design creates a harmonious balance between the visually striking upper portion and the sturdy base. Loetz glasswares are renowned for their exceptional artistry and their ability to capture and play with light. The Phaenomen Genre 6893 vase, with its dark blue color and iridescent wave pattern, is no exception. When light interacts with the glass, it reveals a captivating range of colors and reflections, making it a visually stunning and attention-grabbing piece. As an antique Loetz glass vase...

Art Nouveau WMF Mirror, circa 1906, Germany, silver plated, pattern number 108a. Original beveled glass mirror and wood back, the frame decorated with openwork foliage and a reclinin...

Art Nouveau Pine Nightstand from the Early 20th Century with Stone Top We present you an Art Nouveau nightstand circa 1910. This piece of furniture is made of pine and topped with a stone board...

A turn of the 20th century Emmanuel Villanis styled Virgin Mary bust sculpture exudes the ethereal grace reminiscent of the virgin saint in an Art Nou...

Antique very beautiful Art Nouveau set of six Thonet chairs with a printed pattern all chairs are labeled with the original THONET paper logo. Thonet...

A 19th century antique French patinated bronze tri-pod vase or urn featuring cherubs, foliage and torches. The vase rim or mouth is finely crafted in acanthus motif. Timeless and cla...

Set of 12 antique Gorham styerling silver 925 champagne or dessert glasses with pierced edge and hand blown glass inserts. Marked with lion anchor and ...

Antique Early 20th century French Mirror. Manufactured France, circa 1940. Materials: Wood, mirror In original condition, with minor wear consistent with age and use, preserving a...

Fine G1V Mahogany Daws Patent improved Recumbent chair circa 1830, This improved Recumbent chair was patented by Daws circa 1830, Described : [ by elevating a spring beneath the ...

Beautiful green and white slag glass tulip pendant light. Art Nouveau style Brass hardware and trim. Original chain is 19" long. There was a time back in the 1950's that these shade...

Wonderful tall glazed vintage mid-century modern style celadon green glazed porcelain vase or umbrella stand / holder by an unknown artist or maker. Delightful embossed Jugendstil - ...

The chair from the time of Art Nouveau is to turn up and down. The chair is made of solid beech wood and in good restored condition.

A marvelous French art nouveau flying putto cherub chandelier or pendant. The two light chandelier features a putto holding a beautiful brass arch embellished classical art nouveau l...

This a wonderful example of French Art[Nouveau furniture. This French Antique Bamboo & Lacquer Cabinet is Attributed to Perret Vibert, the famous cabinetmaker from the Art Nouveau pe...

This is a gueridon or side table that you can use also as a lamp table near your sofa. We have manufactured this table using a special black marble with white veines that sits on a b...

Elegant Art Nouveau ceiling lamp from France. Made of black painted metal with four white opaline glass shades. A beautiful example of the Art Nouveau style with its flowing lines an...

This cute antique Art Nouveau figurative toothpick holder by WMF is a delightful representation of the period's artistic sensibilities. Crafted from silver-plated pewter in a material known as "Britannia Metall," this piece exudes a certain charm and whimsy that is characteristic of Art Nouveau design. The toothpick holder features a figurative scene depicting a young boy cradling a dachshund puppy in his arms. This tender and endearing scene captures a moment of affection and companionship between the boy and his furry friend. The attention to detail in rendering both the boy's features and the dachshund's playful expression showcases the skilled artistry of the WMF craftsmen. "Britannia Metall" refers to a high-quality pewter alloy that was favored during the Art Nouveau period for its malleability and durability. The silver-plated finish lends a touch of elegance to the piece, while still allowing the fine details of the figurine to shine through. WMF, or Württembergische Metallwarenfabrik, was a renowned German metalware company that was at the forefront of Art Nouveau design. Their pieces are highly collectible and sought after for their exceptional craftsmanship and artistic merit. This antique toothpick...

A vintage figural table lamp depicting a young country girl feeding her birds by a fence. Rising above her are intertwining vines with leaves ending in a lovely Czechoslovakian frost...

Ornate raised floral design Art Nouveau plateau or cake stand centrepiece made by Juventa in pewter with a mirror on top. The mirrored area for the cake is 8” in diameter. Juventa ...

A pair of Art Nouveau or Secessionist WMF 'Britannia metal' (pewter) and silver plate candle holders. Both marked to the interior of the base 'WMFB' and 'OX'. This finish was used be...

Antique Rookwood Irene Bishop vase or urn featuring Art Nouveau / Arts & Crafts styling with an Autumn Oak leaf motif of browns and orange glaze. Cirac 1901. Shape 40. Signed IB f...

Superb wrought iron chandelier / pendant composed of 4 winged dragons each holding a torch / torchiere. Good quality of manufacture: well-made subjects, beautiful patina of the meta...