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Sale Items
Style: Japonisme
Tanoue Shinya Eggshell Vessel Kara Shell vase, 2011 Original artist box
By Tanoue Shinya
Located in Uccle, BE
Tanoue Shinya, is a ceramic artist from Kyoto. His work is already placed in the Museum of Kyoto and the Hyogo Ceramic Art Museum as well as being shown at US museums (Cincinnati, P...
Category
21st Century and Contemporary Japanese Japonisme Ceramics
Materials
Ceramic
A Théodore Deck (1823-1891) Enamelled Faience Soliflore Vase circa 1875
By Theodore Deck
Located in Saint-Ouen, FR
Théodore DECK (1823-1891)
A polychromatic enamelled earthenware soliflore and quadrangular shape vase with Sino-Japanese inspiration design of flowers and geometrical friezes all around.
Impressed uppercase mark "TH.DECK" under the base.
Circa 1875
Born in Guebwiller in Alsace, Théodore Deck trained as a ceramist in his home region, then in Germany. He went into partnership with his brother, Xavier Deck, to create his own factory in Paris in 1858. At the Exhibition of Industrial Arts in 1864, he presented pieces covered with transparent enamels that were not cracked, and then made his first attempts at reliefs under transparent enamels. He developed a bright turquoise color, famously renowned as "Bleu Deck". It is this nuance that we find on the salamander represented on this vase. In 1887 he published a treatise entitled "La Faïence", in which he explained some of his discoveries. That same year, he became director of the Manufacture de Sèvres.
Theodore Deck (1823-1891) is a French ceramist born in Guebwiller in Alsace. He is passionate about chemistry and the physical sciences. In 1841, he joined the master stove maker Hügelin father as an apprentice in Strasbourg. In two years, he learned of the methods inherited from the 16th century, such as the encrustation of colored pastes in the style of Saint-Porchaire. This apprenticeship did not prevent him from spending his free time draw-ing or modeling clay in the studio of sculptor André Friederich. Escaping military service, he made a tour of Germany as is the tradition with fellow Alsatian stove-makers. The quality of his work allows him to obtain important orders in Austria for the castles of the provinces and the imperial palaces, in particular for the palace of Schönbrunn. He continues his journey in Hungary to Pest, to Prague, then, going north through Dresden, Leipzig, Berlin and Hamburg. On the strength of his apprenticeship, he arrived in Paris in 1847. Recommended by Hügelin, he went to the stove factory of the Bavarian potter Vogt, located rue de la Roquette. The Revolution of 1848 interrupts production and Deck decides to return to his hometown. His family then advised him to set up a small terracotta workshop: he made a few busts, statuettes, vases, lamps and copies of famous antiques there. Aware that this situation would not allow him to provide for himself properly, he returned to Paris in 1851 where he was employed by the widow Dumas, daughter of the earthenware maker Vogt for whom he had worked. Hired as a foreman, he supplied the drawings and models to the workers, while working the land himself.
The following year, he made the decision to settle not far from his former employer at 20, rue de la Fontaine-au-Roi, probably using his ovens. His brother, Xavier Deck, joins him. It was officially in 1858 that the Deck brothers created their business and settled in Paris at 46, boulevard Saint-Jacques. Initially, the brothers only carry out coatings for stoves. But the business is going so well that barely a year after their installation, they want to diversify their production and engage in ceramics for the cladding of buildings as well as in shaped parts. Deck is interested in politics. In 1870, he opted for French nationality and was elect-ed deputy mayor in the 15th arrondissement of Paris.
In 1861, at the Salon des arts et industries de Paris, which was held on the Champs-Élysées, Théodore Deck exhibited his works for the first time: these were pieces with an inlay decoration called “Henri II” and others. pieces covered with turquoise blue enamel or decoration in the style of Iznik ceramics.If he wins a silver medal, reviews are mixed, however. The following year, on the occasion of the Universal Exhibition of 1862 in London, he won over English customers. He surprised by presenting, like the previous year, his Alhambra Vase...
Category
Antique 1870s French Japonisme Vases
Materials
Faience
Stunning Midcentury Japanese Inspired French Decorative Object, Signed Forestier
Located in Miami, FL
Stunning French ceramic decorative object inspired by Japanese pottery designs with wonderful prominent blue and green hues. The shape and colors makes this piece exceptionally inter...
Category
Mid-20th Century French Japonisme Vases
Materials
Ceramic
Pair of Glazed Ceramic and Gilt Bronze Vases, France, Late 19th Century
Located in Buenos Aires, Buenos Aires
Pair of glazed ceramic and gilt bronze vases, France, late 19th century.
Category
Antique 1890s French Japonisme Vases
Materials
Bronze
Ceramic and Gilt Bronze Vase by Sarreguemines, France, circa 1900
By Sarreguemines
Located in Buenos Aires, Buenos Aires
Ceramic and gilt bronze vase by Sarreguemines, France, circa 1900.
Category
Early 20th Century French Japonisme Vases
Materials
Bronze
Massive Antique Japanese Arita Porcelain Emperor Meiji
By Arita
Located in Hillringsberg, SE
This very large plate made in Japan during the Emperor Meiji time 1868-1912. Wonderful blue pattern on fine porcelain.
There is a crack that’s shown thro...
Category
Antique 19th Century Japanese Japonisme Ceramics
Materials
Ceramic
Japanese Style Ceramic Cup Takuya Hamajima Contemporary Zen
Located in Shibuya-ku, Tokyo
Japanese style cup made of ceramic and wood.
Wood is zelkova and ceramic with zelkova ash glaze.
Category
21st Century and Contemporary Japanese Japonisme Ceramics
Materials
Wood, Ceramic
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19th Century Spanish Green Glazed Earthenware Jar
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Large Pair of Rococo Style Gilt Bronze and Blue Ceramic Vases
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Royal Copenhagen, Malmer & Thorsson, Faience Vase, Denmark, circa 1960's
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Art Déco Turquoise Faience Vase, France, 1940s
Located in Firenze, IT
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Art Nouveau French Clement Massier Vase, 19th Century
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A stunning Art Nouveau French twin handled earthenware vase by Clement Massier decorated with brown, yellowand blue streaked glazes. The vase has an impressed CLEMENT MASSIER GOLFE JUAN.
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Pair 19th Century Delft Hand-Painted Blue & White Vases
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19th Century French Barbotine Cylinder Vase with Gros Relief Flowers
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Previously Available Items
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Midcentury Ceramic Pitcher by Albert Thiry, 'circa 1960s'
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Midcentury Ceramic Pitcher by Albert Thiry, circa 1960s
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Massive Japanese Blue and White Charger with Carp Motif
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