Floor Lamps on Sale

Carved and gilded wooden foot, enhanced with a green patina. Pearly glass and pearl lampshade. Art Deco, France, circa 1910-1920 In excellent condition: new electricity , new lamps...

Timeless style, heirloom quality. Gilt finish over metal, likely iron or steel. In the inimitable style of Jacques Adnet.

Introducing a unique Spanish gilt metal floor lamp from the 1950s. This captivating piece seamlessly blends Art Nouveau and mid-century modern styles. Its organic carved metal decora...

Introducing a unique Spanish 1950s gilt iron floor lamp that adds a touch of elegance to any space. This iron floor lamp features a stunning gilt gold patin...

Rare and extraordinary French sculptural Maison Jansen flower table or floor lamp, Paris France, circa 1970s. The three light beauty which is 74 cm / 29.13 inches tall, 42 cm / 16.54...

Floor Lamp Fins with polished brass rods on metal base in gold finish. With brass shades in satinated finish. Power LED light source, rated luminous flu...

An unusual Spanish 1950s gilt iron floor lamp on an elevated tripod base. This remarkable and rare hand-wrought gilt iron floor lamp boasts intricate stylized motifs and an elevated ...

Presenting an extraordinary Spanish 1950s gilt iron floor lamp resting on an elevated tripod base. This lamp boasts a beautifully aged dark gold patina and a stunning hand-hammered t...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

This captivating Spanish iron floor lamp has its original patinated gilt finish. The charm of this lamp lies in its scrolled tripod base, which...

This amazing floor lamp was made by the famous Italian craftsmen at Li Puma in the heart of Florence in Italy - it is a unique "one off" individual piece made for Andrew Kornat as a ...

Elegant tole ware mid century floor with glass table sandwiched in. Beautiful gilt flowers and leaves, table supported by 3 arching scroll type legs.   

This Spanish gilt iron floor lamp, dating back to the 1950s, is a distinctive piece with its elevated tripod base. The lamp possesses an aged darkened gold patina that adds character...

Absolutely beautiful 1920's Bridge floor lamp with a metal and marble base and giltwood pole. This magnificent lamp stands approximately 60" tall, the base measures 10" in diameter a...

This tall Torchere was produced by Frances Elkins The gilding has a lovely aged patina with some loss. The casting is crisp and true to the original d...

Floor lamp / torchiere / candlestick in gilded wrought iron. 5 lights. Clover / heart shaped base. Mid century, France. In excellent condition, electricity redone. Dimensio...

This pair of magnificent torcheres are of the finest quality carved wood, gilding and faux marble painting. Each are comprised of a giltwood cherub or putto figure sitting on faux m...

A Rare Tall Pompeiian Style 19th-20th century gilt patinated bronze tripod torchere Floor Lamp fitted with a molded glass shade. The tall fluted center column, topped with decorated ...

Carved & polychromed wood Chinoiserie pagoda motif floor lamp England, Circa 1900s An extraordinary carved and polychromed substantial chinoiserie pagoda floor lamp...

A pair of two patina bronze torcheres attributed to V. Paillard. Each modelled as a pair of putti holding aloft a large foliate shaft issuing eleven berried-acanthus scrolled branche...

A Palatial Pair of French 19th/20th Century Neoclassical Revival Style Ebonized Cast-Iron and Parcel-Gilt Torcheres (torchières - Lamp Posts). The park-like torcheres surmounted with...

A gilt metal floor lamp from Italy made in the 1960s. This four element candelabra is made up of sheet metal, cast elements and tubing, that has been hand assembled and coloured. Th...

Extremely rare lamp, later electrified with a lamp. No umbrella available. (F-50).

Midcentury Stewart Ross James for Hansen gilt bronze floor lamp, circa 1960s Offered for sale is a sculptural gilt bronze floor lamp by Stewart Ross James for Hansen, circa 1960s....

Floor Lamp Loggi in raw iron in polished iron finish and in polished stainless steel in gold finish.

Pair of grand scale torchiers in bronze dore’ with crystal, each having 19 lights. The Candles have been electrified with new wiring. A large Reeded post supports multiple candleabr...

A fine and Large French 19th-20th century Louis XV Style Belle Époque gilt bronze four-light torchère with Laurel Wreaths with white opaline glass globes, raised on a two-tone circul...

Pair of tall and elegant Lucite torchieres with gilt metal reverse shades by Lucite artist Hivo Van Teal. Tapered bodies with etched stylized chevron ...

Very stylish gold gilt sheaf of wheat Italian floor lamp with original shade circa, 1950s. The floor version of this iconic sheaf of wheat deign lamp is quite rare and the fact that ...

Fabulous gilt metal floor lamp featuring a geometric chain link design made in the Hollywood Regency style. Delicately covered in gold leaf with a distressed finish and double head b...

Gilt bronze tripod floor lamp by Maison Ramsay, circa 1940. Great patina, two lights.

Floor lamp Coltrane with structure in solid brass in gold finish. With 3 black lacquered brass shades. With 3 bulbs, lamp holder type E14, max 40 Watt. Bulbs not included. Also a...

Amazing vintage gilded brass and large faceted crystals floor lamp. Germany, 1950s. Lamp sockets: Two x E27 (US E26).  

A palatial pair of French Belle Époque 19th-20th century gilt bronze and alabaster tall torchières. The slender center column raised on a circular intri...

Vintage Midcentury Italian, gilded metal bamboo-form, 3-light Floor Lamp with original matching metal shades. The gilding of the metal was executed in a beautiful aged dark bronze co...

Set of two floor lamp gilded Murano glass, with structure and leaves in gold metal and with leaves in real handmade gilded Murano glass. Each piece: 19500,00€. set of 2 Price: 39000,...

Brass and acrylic floor lamp end table. Needs a new shade.

This pineapple floor lamp is made of brass and gilt metal with a black shintz shade, gilt inside. This is a very decorative floor lamp, in the sty...

A mix of modern, classical and Art Deco, this floor lamp is composed of veined marble at the base and a sectional lucite shaft of rings and twisted tubing. The very bottom is gilt me...

Introducing a captivating 1950s Spanish floor lamp that effortlessly combines the elegance of Art Nouveau with the sleekness of mid-century modern design. This remarkable piece is a ...

A pair monumental of Art Deco revival floor lamps in the shape of allegorical female nudes, each one holding up a light source with one raised leg and arm. The pair is made of solid ...

Introducing an exceptional Spanish floor lamp from the 1950s, a unique piece that features a twisted stem and stylized leaf decorations on both the bobeche and tripod base, adding a ...