Drop Necklaces on Sale

Belle Epoque pin designed by Cartier. Colorful and very rare stick pin made during the Edwardian-Belle Epoque period. This beautiful piece was created in Paris France by the jewelry house of Cartier, back in the 1900. Carefully crafted in two parts made up of solid platinum, yellow and white gold of 18 karats. Embellished with a central panel decorated with engine turned guilloche topped with purple glossy enamel. Accented with thirty-five natural earth mined rose cut diamonds and the settings are finished with millegrain. Diamonds: Mounted in millegrain settings, with 35 old rose cut diamonds, 0.30 carats, G/H color, SI-1 clarity. Weight: 2.35 Grams, (1.51 Dwt). Measurements: 70 mm by 12 mm (2.76 x 0.47 Inches). Hallmarks Stamped with French marks, the maker's maitre mark CA inside a lozange cartouche, the head of the eagle for the assay and warranty of the gold, the four digits serial numbers and signed, "CARTIER PARIS 3840". Cartier The move to the rue de la Paix coincided with a period of extraordinary economic growth and affluence in France and the world. Cartier was also growing and expanding and had started to shift their emphasis from retailing to design and manufacture. Although they produced a small number of pieces in the Art Nouveau style, Cartier paid scant attention to the movement. They made their distinguishing mark in pioneering the use of platinum in creating the delicate and graceful Garland style that came to be associated with the Belle Époque. The discovery of the great diamond deposits in South Africa in the late 1860’s engendered the popularity of extravagant diamond jewelry. The technical advances in the manufacturing of platinum enabled designs of great intricacy, strength and flexibility such as found in the spectacular résille designs of Cartier. (See Edwardian Jewelry: 1901-1915). Cartier marked the beginning of the twentieth century by opening branches in London and New York, where their wealthiest and most dedicated clientele resided. The 1902 coronation of Edward VII occasioned a large number of commissions from England’s leading families. Records indicate that Cartier produced twenty-seven tiaras alone for the coronation and the event was instrumental in convincing the firm to seek a permanent presence in London. Indeed, by 1904 they had achieved their first of fifteen royal warrants being appointed official purveyor to the court of King Edward VII. The London branch came to thrive under the tutelage of Alfred’s youngest son, Jacques Cartier, establishing London based design and manufacturing workshops. Opening a Cartier store in New York was a natural progression as many of America’s wealthiest families and business magnates had been traveling to Paris for some time to purchase their jewels from Cartier. By 1906 Alfred had largely retired and Louis and his brother Pierre operated the Cartier business jointly. One of their first major decisions was to establish a New York presence and workshop in 1909 under the skilled direction of Pierre. Indicative of his business skills, Pierre famously secured Cartier’s present location, an elegant Beaux-Arts mansion at 653 Fifth Avenue, from industrialist Morton F. Plant in 1917. The building changed hands in exchange for $100 and a double strand of natural pearls, admired by Plant’s wife and valued at one million dollars, the asking price for the mansion. While the Fifth Avenue location remains priceless to the firm, when the pearls came up for auction in 1957, they fetched a mere $170,000. (From Lang's with thanks). Edwardian Jewelry This Period was during the King Edward VII, after whom this period of jewelry history is named, reigned over England for only nine years, yet the style of jewelry known as “Edwardian” was created roughly between 1890 and 1920. Edwardian-era rings tend to be larger, opulent pieces, and stacked ring designs were popular. The metal surfaces of the rings were often diamond-encrusted for additional shimmer. Each of these rings is a work of art, showcasing a bygone era of grace, elegance and the royalty the Edwardian era is named for. Guilloché This term is used in fine jewelry or objects de Vertu to enhance the appearance of boxes, frames, brooches, rings or pendants. Guilloché enamel refers to metal pieces that have been given the Guilloché treatment and then covered with a translucent layer of enamel, giving the geometric patterns underneath the enamel a colorful hue. Millegrain This is a jewelry technique which refers to the textural effect of a close-set line of metal beads that are typically used as a border on the edges or bezels of jewelry. Literature: Sotheby's fine jewels, London September 17 1021, Lot 146 for an identical piece illustrated with the original box Collateral: It is accompanied by the original Cartier presentation green jewelry box...

Edwardian gem set convertible necklace with peridot. Beautiful piece of jewelry, created during the late Edwardian period in the art-nouveau style, circa 1908. This beautiful neckla...

Exquisite dangling old pear cut diamond necklace with fine milgrain work, beautiful high jewelry. 347 diamonds total, 14.11 carats total. 11 old pear cut ...

THIS IS A STUNNING VICTORIAN - ART NOUVEAU - BELLE EPOQUE FESTOON NECKLACE WITH THE MOST GORGEOUS NATURAL ROUND FACETED PERIDOT GEMS SET WITH PEARLS AND AN...

This is a beautiful Edwardian - Art Deco Pendant Necklace with Old Mine and Rose Cut Diamonds with gorgeous Pearls all set in Platinum with a Platinum link chain. The wonderful knif...

Important exquisite grand diamond floral necklace platinum, high jewelry circa 1950's. 354 total diamonds, approximately 60 carats total. 146 r...

This is a stunning antique Victorian - Edwardian Peridot Platinum Diamond Lavaliere Pendant Necklace. The gorgeous Peridot is a cushion shape peridot of 7.25 Carat. The color of this gem is just divine and it has wonderful sparkle and presence. The peridot is set with sparkling Rose Cut and Old Mine Cut Diamonds of great beauty in a gorgeous Platinum openwork filigree beaded milgrain pendant...

Antique necklace of finely carved and pierced natural vivid blue lapis. This handmade gold necklace is in total 17 inches long. The pendant portion is 3 inches in length, and the necklace of punctuated early gold period scrolls and fine lapis is 14 inches. The necklace is in fine condition, weighs 27.3 grams, and marked 14K and with the maker's mark of WL, for Walter Lampl, A fine early American...

This is a spectacular museum quality antique Edwardian 43 Carat Black Star Sapphire and Seed Pearl Garland Suite. The suite comprising a necklace, bracelet and earrings each with black star sapphires, which total approximately 43 Carat total weight. The gorgeous black star sapphires and pearls are set in 10 Karat Yellow Gold in a motif of foliate vines tied by ribbon bows. The suite of jewels represents extraordinary design in the pantheon of Victorian - Edwardian garland motif jewels. The suite dates to the Edwardian Period, circa 1905. Provenance: The jewels are from the estate of Muriel Gluck, the esteemed patron and philanthropist of the arts in New York, Los Angeles and San Diego. From her Los Angeles Times obituary: "Muriel Gluck, a philanthropist who gave millions of dollars to support the arts and education, primarily in Los Angeles and San Diego. From the early years of her marriage to retail magnate and race horse breeder Maxwell H. Gluck in the late 1940s, she was an art collector who also appreciated classical music. The couple established the Maxwell H. Gluck Foundation. Over the years, she was a major supporter of the opera companies in San Diego and Los Angeles, the San Diego Museum of Art and Los Angeles County Museum of Art and music programs at UCLA, UC Riverside and the Juilliard School...

This is a Museum Quality Antique Edwardian Locket Necklace from the estate of Ambassador Evan Galbraith. The magnificent locket (one of two ...

An extraordinary Edwardian - Victorian Pendant with spectacular Old Mine Cut Diamonds of incredible white color and fire, and two stunning silvery white Pearls. The Diamonds and Pea...