Art

Keith Haring Growing (Plate 4), 1988  Vibrant, energetic, and instantly recognizable, Growing (Plate 4) exemplifies Keith Haring’s iconic visual ...

Joshua Shaw (Billingborough 1776-1860 New Jersey) An open landscape with cattle watering signed and dated 'J. Shaw. 1810' lower right Oil on canvas Canvas Size 36 x 51 in Framed Siz...

'Oranges and Apples', oil on canvas, still life by Guillaume Dulac (circa 1920s). A magnificent study of fruit and light painted with a deft touch and a delicate brushstroke. The evi...

Artist: Alexander Calder Title: Skybird Portfolio: Flying Colors Medium: Lithograph Year: 1974 Edition: Unnumbered Framed Size: 27" x 33" Image Size: 20" x 26" Sheet Size: 20" x 26"...

Alexander Calder Les Vagues, 1975 Signed and Numbered 29 (on a label affixed to the reverse) Handwoven Aubusson wool tapestry 40 1/2 x 59 inches Edition 29/200 Provenance Truist Ban...

Harriet Peale Portrait of Rebecca, 1840 Inscribed verso, “Portrait of Rebecca Greenwood (?)/ Aged 25 years/ Painted by Harriet C. Cany/ May 1840” Oil on canvas 28 3/4 x 23 3/4 inches...

Zō is a bronze sculpture by contemporary Argentinian artist Marcelo Martin Burgos, portraying an abstracted elephant, a reference subtly embedded in its title, which translates to el...

“I prefer drawing to talking. Drawing is faster, and leaves less room for lies.” This colorful modern lithograph was printed at the Atelier Mourlot in Paris in 1963 and is from the printer's edition. It is signed and dated in the plate in the bottom left quadrant. Le Corbusier...

Artist: Slonem, Hunt Title: Society Finches 2 Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.25" x 12.25" Signature: Signed by Artist on Ve...

Artist: Josef Albers, German (1888 - 1976) Title: In the Water - P1, F2, I1 Year: 1972 Edition size: 1000 Medium: Screenprint on Mohawk Superfine Bristol paper Image Size: 13 x 15 in...

Swiss born artist Marco Schmidli creates minimalist paintings with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An im...

A fine oil painting on canvas depicting a Portrait of what i believe to be 2 Grand Griffon Vendéen Hunting Dogs. pairs of Grand Griffon Vendéen hunting dogs, as well as single portr...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Wild Orchid Pink background with thick use of pai...

Louis Aimé Japy 1840 - 1916 Oil painting on canvas Fully signed Picture Size: 21.25 x 28.25" (54 x 72cm) Outside Frame Size: 28.25 x 35.25" (72 x 89cm) Excellent age appropriate con...

Color screenprint on wallpaper, 1971. Printed by Bill Miller's Wallpaper Studio, Inc., New York. Published for a Warhol exhibition at the Whitney Museum by Factory Additions, New Yor...

From the series 20 Flowers and Some Bigger Pictures inkjet (or digital printed) computer drawing/painting, iPad painting printed on paper Edition 32 of 50 88.9 x 63.5 cm (35 x 25 in)...

Title: Mid-20th Century Post-Impressionist Beach Scene with Women and Parasol by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: 10.5 ...

A fine & large antique oil painting on canvas by Raimond Louis Lecourt (1882-1946), the cliffs at the Atlantic Ocean, Etretat, Normandy, France, circa 1910. Lecourt was the quintessential painter of scenes of Normandy France, this is a large and very fine example of his work. The painting depicts the Falaise d' Amont located near Etretat, Normandy, the Falaises (cliffs) are on the Atlantic coast and are a very impressive formation of flint cliffs with huge naturally created archways. The painting is beautifully rendered and in some areas the artist has employed impasto technique (thickly applied paint) to provide texture to the ocean & cliffs, in the foreground of the cliffs is a flock of herring gulls circling overhead. The painting is signed "Lecourt" lower right with a dedication, the painting is housed in the original sponge decorated gesso frame, also created by the artist. Condition is excellent, this charming painting is ready to hang on your wall. The artist was born in Le Havre, and studied at the National School of Fine Arts and the Regional School of Fine Arts of Rouen, he studied under Charles Lhuillier and Léon Bonnat. He received the Croix de Guerre 1914-1918 Military medal during WW1. Lecourt studied at the Le Havre School of Fine Arts under the direction of Charles Lhuillier , then with Léon Bonnat at the Paris School of Fine Arts . He then lived in Fontaine-la-Mallet , where he painted in the Normandy region, which was his favorite subject. In 1899, Lecourt obtained the honorary prize for the upper course with the city's silver medal. A municipal scholarship which allowed him to enter the Paris School of Fine Arts in the studio of the painter Léon Bonnat . There he found his comrades from Le Havre who had preceded him there: Othon Friesz , Raoul Dufy , the brothers René and Henri de Saint-Delis . He debuted at the Salon of French Artists in 1901 with his painting Le Herseur . He completed his studies in the studio of Luc-Olivier Merson and it was around this time that he got into the habit of spending his holidays in Fontaine-la-Mallet with his comrade Othon Friesz . He settled there permanently in 1907, after a trip to Brittany from where he brought back numerous sketches and portraits. During the First World War , he was mobilized on August 1, 1914 in the same regiment and behaved like a hero, decorated with the Croix de Guerre and the Military Medal . During an engagement at Courcy - Brimont , September 14, he was injured by a gunshot to the right forearm. He continued to draw with his left hand then, after a long rehabilitation, he regained the use of his right hand. He became a member of the Society of French Artists, also exhibited at the Salon des Indépendants, and made regular submissions to the Salons. Many paintings by him appear in museums & galleries in Denmark , Germany, the United States, Japan, and in England where the "Dogs of the Duchess of Manchester" painting was exhibited and won Lecourt great acclaim. After the outbreak of World War II, Lecourt takes the German Occupation of France very badly. After General Philippe Petains's handshake with Hitler in Montoire-sur-le-Loir, he returned his military medal to the Chancellery, accompanied by this comment: "We have no need for decorations in a country which no longer has the sense of honor" During this period, he resided with Charles Toussaint, a Le Havre broker and companion from the 74th infantry regiment, at the Frescinet manor, a property which would disappear under the bombings of the September 11, 1944. At this time, he painted mainly on wood, as canvases were rare and expensive at this time. In the winter of 1943-1944, he was hit by a military truck which skidded on the ice, during the fighting for the liberation of the port of Le Havre, the village of Fontaine-la-Mallet, where he lived, was raised to the ground under heavy bombing. His house, his studio, his notes and sketches were destroyed. However he went back to work with courage, but something had broken inside him. The following winter, he caught a cold and contracted pneumonia which took him away in eight days, unable to be properly treated following the refusal of an American army colonel, to give to civilians penicillin that only the Americans had at the time. His friends mourned him and others said that he was a gifted painter of Cauchoise (Normandy) painting, and who knew so well how to render plough horses, Normandy cows...

This stunning Dutch Old Master animal portrait oil painting is attributed to circle or follower of Paulus Potter. Painted circa 1650 it is th...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

This exquisite heliogravure after Sir Cecil Beaton (1904–1980), titled Audrey Hepburn, from the folio Cecil Beaton, Electa Editrice Portfolios, 1981, originates from the 1981 edition...

Alexander Calder The Flying Colors, 1974 Signed with artist's monogram and dated, from the edition of 250, published by State Street, New York for Braniff International Airline, with...

Guillaume Corneille (1922-2010) Cat and Bird at the Sunset, 1991 Original color lithograph Signed and dated in pencil Artist proof On vellum, 53 x 76 cm (c. 21 x 30 in) Very good ...

12 Colour Screenprint with a Varnish Overlay on Somerset Tub Sized 410gsm Paper. Limited edition of 125. Hand signed and numbered verso by David Shrigley.

Artist: Slonem, Hunt Title: Lemon Bunnies Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 24" x 16" Framed Dimensions: 29" x 22" Signature: Signed...

Jean Solombre, French (1948 - ) - Incomparable Chant D'été De L'azur, Year: 1981, Medium: Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil, Edition: 1...

French School, 19th century. Still life with oranges. Oil on canvas mounted on panel. 22.5 x 54 cm (49 x 60,5 cm with frame) without signature

Sol LeWitt Unique Geometric Abstraction on Postcard, 1982 Original drawing done on postcard from the Van Gogh Museum (Amsterdam), mailed, stamped and postmarked (franked) from Spolet...

A wonderful composition of one of Slonem's newest series, Daisy's. This piece depicts a gestural Daisy on a lime green background with thick use of paint. Inspired by nature and a ge...

Figures in a Classical Landscape French School, 18th/ 19th century oil painting on copper, unframed copper: 4 x 5 inches provenance: private collection condition: the work has paint ...

This exquisite silkscreen by Roy Lichtenstein (1923–1997), titled Sandwich and Soda, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum Museum of Art, Hartford, and printed by Sirocco Screenprints, Inc., North Haven, in Sandwich and Soda, Lichtenstein translates his signature Pop Art vocabulary—bold outlines, flat commercial color, and Ben-Day dot structure—into a crisp, iconic composition that reimagines everyday consumer imagery with graphic intensity and conceptual clarity. Executed as a silkscreen on Mylar over Mohawk Superfine Bristol paper, this work measures 20 x 24 inches. Unsigned and unnumbered as issued. Printed by Sirocco Screenprints, Inc., North Haven, one of the most capable American screenprinting ateliers of the mid-20th century. Artwork Details: Artist: Roy Lichtenstein (1923–1997) Title: Sandwich and Soda, from X + X (Ten Works by Ten Painters), 1964 Medium: Silkscreen on Mylar over Mohawk Superfine Bristol paper Dimensions: 20 x 24 inches (50.8 x 60.96 cm) Inscription: Unsigned and unnumbered as issued Date: 1964 Publisher: Wadsworth Atheneum Museum of Art, Hartford Printer: Sirocco Screenprints, Inc., North Haven Edition: D Catalogue raisonne reference: Corlett, Mary Lee, and Roy Lichtenstein. The Prints of Roy Lichtenstein: A Catalogue Raisonne 1948–1997. 2nd rev. ed., Hudson Hills Press in association with the National Gallery of Art, Washington, D.C.; Distributed in the U.S. by National Book Network, 2002, No. 35. Condition: Well preserved, consistent with age and medium Provenance: From the 1964 folio X + X (Ten Works by Ten Painters), published by the Wadsworth Atheneum Museum of Art, Hartford Notes: Excerpted from the folio, This portfolio was commissioned and printed in an attempt to extend as much of the visual impact as possible of ten artists to paper and to make these prints available to collectors who might not otherwise have such a vivid slice of the artist. The dry surface of screening seemed to be most apt to translate the effect of their painting, both the flatness which is the unifying bond between the ten, and the insistance of paint on the surface of canvas so like the visible heft of ink on paper here. Samuel J. Wagstaff, Jr., Curator of Printings. About the Publication: X + X (Ten Works by Ten Painters), published in 1964 by the Wadsworth Atheneum Museum of Art in Hartford, stands as one of the most ambitious and influential printmaking endeavors of postwar American art. Conceived under the direction of curator Samuel J. Wagstaff, Jr., the project sought to capture and translate the defining visual languages of ten leading American painters of the era—Stuart Davis, Ellsworth Kelly, Robert Indiana, Adolph Gottlieb, George Ortman, Larry Poons, Richard Anuszkiewicz, Frank Stella, Andy Warhol, and Roy Lichtenstein—into original silkscreens. Each artwork was created as an autonomous work that embodied the formal, chromatic, and conceptual principles of its respective artist. The choice of silkscreen printing, executed by Sirocco Screenprints, Inc., was central to the portfolio’s purpose: its dry, matte surface and capacity for crisp, saturated color allowed for a faithful translation of the painters’ flatness, surface tension, optical effects, and graphic precision. Organized and published by a major American museum at a moment of seismic change in contemporary art, X + X marked a turning point in institutional engagement with editioned works, representing one of the first concerted efforts by a museum to commission an ensemble of original graphics from the leading figures of its time. The portfolio captured the pulse of 1960s American painting—from Hard-Edge abstraction to Pop, Op, and Color Field—offering both a curated snapshot of artistic innovation and an accessible format that expanded the audience for contemporary art. Today, X + X is widely regarded as a landmark in American printmaking, celebrated for its curatorial vision, technical accomplishment, and its role in defining the dialogue between museum patronage and the burgeoning print culture of the 1960s. About the Artist: Roy Lichtenstein (1923–1997) was an American painter, printmaker, and sculptor whose revolutionary elevation of comic-book graphics, Ben-Day dots, commercial illustration, and mass-media visual language into the realm of fine art made him one of the founding giants of Pop Art, drawing on the breakthroughs of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray to synthesize Cubist fragmentation, Surrealist wit, Modernist experimentation, and Duchampian conceptualism into an unmistakable style defined by bold outlines, flat industrial color, graphic reduction, and the now-iconic Ben-Day dot technique; emerging in the 1960s alongside Andy Warhol, Claes Oldenburg, James Rosenquist, Jasper Johns, and Robert Rauschenberg, Lichtenstein shifted American art away from Abstract Expressionism toward a cool, analytical investigation of consumer culture, mass reproduction, advertising, and the manufactured image, creating paintings, prints, sculptures, and monumental public works that reimagined romance comics, war scenes, cartoons, brushstroke parodies, landscapes, and art-historical citations while offering a humorous yet incisive commentary on how images shape contemporary life; his influence is immense, shaping artists such as Jeff Koons, Takashi Murakami, Damien Hirst, Julian Opie, KAWS, Banksy, and numerous contemporary painters, designers, fashion houses, and digital creators, while his works are held in major institutions including the Museum of Modern Art, the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, the Art Institute of Chicago, the National Gallery of Art, Tate, Centre Pompidou, SFMOMA, the Hirshhorn Museum and Sculpture Garden, and LACMA, with his highest auction record achieved when Nurse (1964) sold for 95,365,000 USD at Christie's New York on November 9, 2015. Roy Lichtenstein silkscreen...

Title: Chanel suite (four artworks) Year: 1997 Medium: Offset lithograph on archival paper mounted on canvas Size: 29 x 22 inches, each Condition: Excellent Inscription: Signed in th...

This exquisite lithograph after Henri Matisse (1869–1954), titled La danse (The Dance), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition p...

Billy Childish Untitled 20, 2013 Giclee archival print 30.48 x 45.1 cm 12 x 17.75 inches Billy Childish’s emotional, introspective portraits and landscapes take inspiration from the...

"Divine Spontaneity II" 2023, 48" H x 36" W. Vertical abstract painting consisting of acrylics, house paint, oil pastels, color pencils, and carbon pencils on canvas by Argentine-bo...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte au fond rouge (Still Life with Red Background), from the folio Eaux-de-vie, Esprit de la fleur et du fruit...

This exquisite linocut by Joan Miro (1893–1983), titled Personnage, Oiseau, Etoile (Figure, Bird, Star), from the album XXe Siecle, Nouvelle serie, XXIe Annee, No. 13, originates fro...

'Coupled Poppies’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof...

I use the word landscape in a broad sense that encompasses internal and external perceptions, but not necessarily what is visible. The landscape, in a space-time context, becomes a t...

My process is focused on maintaining authentic energy resolved when the shapes, marks and passages of color find a balance of harmony and dissonance.  Arranging elements dynamically ...

Capri Holiday, 1958 - Snorkelling off Coast of Capri Island in Crystal Waters by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'C...

Signed divisionist style oil on panel landscape circa 1906-1907 by French Neo-Impressionist painter Henri Edmond Cross. This brightly painted piece depicts a view Saint Tropez. This...

Blue Agave, AZ, USA - no. 11774 // Black and White Fine Art landscape photography. Blue Agave, plant, detail, Arizona, USA. Archival pigment ink print, edition of 9. Signed, titled,...

Part of Autumn Collection #3: Pocket Wild Apple is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale oil realistic oil painting...

This evocative landscape by Otto Lindberg captures the quiet beauty of a forest at dusk. The most striking feature is the luminous pink and violet glow of the fading sunlight, master...

Pablo Picasso (after) "Pigeons" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 327/500 lower left From the estate of Pablo Picasso wit...

Figurative oil on canvas painting of a young athletic male 24 x 20 inches, 29.5 x 23.5 inches vintage gold painted wood frame signed B. Sargeant in red in upper right hand corner T...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Frères and issued in a limited edition of 2000 on Arches wove paper. Image size: 3 1/4 x 7 1/2 inches (80 x 185 mm). ...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...

Andy Warhol Carly Simon, 1980 Stamped by The Estate of Andy Warhol on the reverse Gelatin silver print 10 x 8 inches Provenance The artist Estate of the artist Long-Sharp Gallery, I...

In 1950, Jean Cocteau, the renowned French artist, poet, and filmmaker, designed an original exhibition poster for Affiches des grands peintres (Posters of Great Painters), a show he...

Path to the Ocean - Pacific Coast Seascape in Oil on Canvas Gorgeous seascape of Big Sur coast by California artist Kathleen Murray (American, b. 1958). The viewer stands at a path ...

Arturs Nikitins (born 1936) - painter, graphic artist. 1962 – graduated from the Latvian Art Academy, Graphic Department with the diploma work “The workers of Novorosijsk” under th...

Alfred Wahlberg was a distinguished Swedish landscape painter whose career spanned Germany, France, and Sweden. During his early years, he resided in D...

Gerald Berghammer - Black and white minimalist seascape photography. Large rocks in the ocean with waves gently washing over them. Art for Sale. Archival pigment ink print as part o...

Otto Lindberg (1880-1955) 'Pine in the Moonlight' ‍ Oil on canvas Signed and dated '1931 50 x 46 cm Framed Dimensions: 59 x 54cm Otto Lindberg was a Swedish artist born in Söderham...

Artist: Slonem, Hunt Title: Pretty in Pink Bunnies Series: Bunnies Date: 2025 Medium: Lithograph on Paper Unframed Dimensions: 24" x 16" Framed Dimensions: 29" x 22" x 1.25" S...

A very rare and exceptional work by one of America's most versatile and interesting American Impressionists. This was done on an early trip the artist made to Spain. The artist live...

JERED SPRECHER says of his work…   I hunt and gather images of flowers, thick forests, sun-dappled foliage, and birds; seeking images that evoke wonder and depict natural beauty, com...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ros...