Art

"Drive Thru Open" is an original watercolor painting by Bruce McCombs. The artist signed the piece lower right. This piece features a photorealist depiction...

Jung LEE (*1972, South Korea) LOVE #1, 2019 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 166,8 x 206,9 x 3,5 cm (65 5/8 x 81 1/2 x 1 3/8 in.) Edition of 5, plus 2 ...

This contemporary painting in ink, gouache and pencil on archival paper is composed of solid shapes surrounded by a pattern of delicate lines and dots in bright blue, luminous neon y...

This piece titled "Emblem" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white frame and measures 6"h x 6"w framed. The catalyst for this new body of work was a jar of leftover magazine cutouts from a collage I made in 2010. Reusing leftover materials as well repurposing items that might end up thrown away, has become a very important part of my process the past decade. Stumbling across this jar of coin sized images that had waited patiently on a shelf for 12 years, ignited my creative process and drove me to explore collage in a new way. Unlike the piece from 2010 in which I assembled the images by piecing them together, I decided to examine each individual cut out on its on. By removing the image from any other context it allows you to focus solely on its meaning, purpose or feelings that it may evoke. Each image is embedded in a field of French knots which felt like a way of creating a time capsule of sorts for the object. Another inspiration behind this collection is my six year old son and his endless piles of sticks, stones, leaves, etc in our home. Only to him they aren’t sticks and stones, they are treasures. His ability to find a tiny twig or scrap of paper and not only cherish it but give it a backstory of why it is so special, is a beautiful thing and one I have tried to tap into with my new work. By placing a picture of a rubberband ball or a set of Dracula teeth or a banana in this embroidered box...

Original Victor Moscoso Neon Rose #12 – The Chambers Brothers at the Matrix (1967). Grade A. This is the definitive original 1967 psychedelic concert poster, arguably the most famo...

Original oil painting by Alexandra Pacula

Moody image of a man looking out while the photographer looks in. The picture is organized in a composition of alternating floating faces and floating signs. This work also represen...

Original 1972 "Switzerland" Bicycle Poster – Vintage Psychedelic Pop Art Screen Print. Archival linen-backed in excellent condition, ready to frame. V...

JOSHUA EDWARD BENNET lives and works in New Orleans, LA. He received his MFA from Tulane University in New Orleans, LA in 2019 with a concentration in digital arts. Bennett received ...

Acrylic & marker on Fabriano paper Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in International Fashi...

A seedy night street scene becomes an art statement through the lens of Mitchell Funk. He transforms a gaudy commercial sign into a colorful abstraction with the blur of car lights i...

Shipping should be around $100. Signed, dated, numbered lower right, recto. Edition 4 of 15, Unframed. Other size available Mitchell Funk is a pioneer of " Color Photography" In 19...

Signed, dated, numbered lower right, recto. Edition 4 of 15, Unframed, printed later Other size available Printed on Hahnemühle Fine Art paper Mitchell Funk is a pioneer of " Color ...

ITEM DETAILS The edges are painted Some parts of the picture glow under blue light The painting's surface has a craquelure effect ABOUT THE ARTWORK This artwork offers a captivati...

COLUMN FRAGMENT, LIME SQUARE An exhilarating standout from the conceptually driven "From Stone to Canvas" exhibition, this square-format dimensional artwork offers a brilliant juxtaposition of Renaissance architecture and high-voltage contemporary color. While the overarching collection honors the pristine white-and-gold interiors of the Cathedral of Granada—originally conceived by master architect Diego de Siloé—this specific piece shatters historical convention. Infused with an intensely vibrant fluorescent lime hue, the artwork seamlessly fuses the heavy classical monumentalism of the cathedral with the electric, neon-pop aesthetic of the artist’s celebrated "Pop Miami" series. Symmetrically framed and highly tactile, it is crafted to be a magnetic focal point in any upscale interior. Textural Mastery & Sculptural Process: Sartorial Construction: Channeling an extensive professional background in haute couture, the artist manipulates raw textiles with the precision of a master tailor. Intricate folding, draping, and gathering techniques are applied directly to the canvas matrix. Tridimensional Hardening: Transcending traditional flat painting, the draped fabrics are heavily treated and sculpted until they cure into a semi-rigid state. This meticulous process successfully mimics the vertical, carved fluting of an antique stone semi-column fragment. Neon & Classical Synergy: The audacious fluorescent lime colorway provides a striking, modern shock to the eye, making this square piece a perfect standalone statement for minimalist, eclectic, or avant-garde luxury settings. Curated Framing: To elegantly ground the explosive neon color and tie it back to the Cathedral's original palette, the artwork is beautifully presented in a bespoke white and gold wooden frame, elevating its overall exquisiteness and gallery-ready appeal. About the Artist: Cristina Estañ...

Minimalist black and neon pink organic sculpture by contemporary Houston, TX artist Matthew Reeves. Inspired by buoys commonly found along major waterways, the work features a column...

Neon Pop Art, Portrait Artwork, Yellow Portrait Art-Antithesis Charm A R T I S T S T A T E M E N T: Introducing the iconic Andy Warhol style print w...

This contemporary sculptural wall installation is comprised of more than 275 individual acorn caps mounted on brass pins - each cap is filled with plaster and paint in bright hues of...

Robert Cottingham is known for imagery that celebrates the history of communications in America, specifically neon signage on urban storefronts and signs on railroad cars. In 2008, Lincoln Center commissioned Robert Cottingham to commemorate the 46th anniversary of its Film Festival. Inspired by his earlier photographs of the Empire Theatre in Montgomery Alabama...

Jung LEE (*1972, South Korea) Promise me, 2018 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 166,9 x 207 x 3,5 cm (65 3/4 x 81 1/2 x 1 3/8 in.) Edition of 5, plus 2...

Gun Gordillo (Swedish, 1945-) Ege Axminster, Denmark. Danish Tapestry Rug Art-Line 55" X 79" "Blue Hour" Tapis rectangulaire en laine tuftée, fond bleu marine sur lequel se détache un néon bleu turquoise. Etiquette de l'éditeur Ege Axminster (Danemark) titrée au revers. vintage 1980's. This had a velcro strip to be used as a wall hanging. It can also be laid on the floor. This is a tufted pile wool tapestry not a flat weave like an Aubusson. Perfect for a Memphis Milano 80's interior. Gun Gordillo was born in Lund, Sweden. Contemporary Scandinavian Artist. Her fluency with the material, which comes so natural to Gun Gordillo, makes her works unusually suited to function in many different context in a public milieu. Dolerite, lead, copper, and zinc plate in combination with contemporary fragile art materials such as glass, plexiglass and, above all, neon light makes her works stand out among those which have been created with light as the basic architecture of their artistic expression. There is a decidedly personal angle to her way of dealing with neon light which gives it a poetic dimension in marked contrast to the harsh stridency of advertising signs. Gordillo's work has been shown at several major solo exhibitions, most recently in 2015 at the famous French galerie denise rené, Paris. She has worked with the legendary gallerist Denise Rene for more then 30 years. She has also participated many group exhibitions including "The spirit of white" at Galerie Beyeler, Basel in 2004 and most recently "Néon, who's afraid of red, yellow and blue?" at la Maison Rouge, Paris in 2012. She has also been invited to create several major installations at world famous companies and public sites in cities like Basel, Paris, Copenhagen and Stockholm. Gordillo today lives and work in Copenhagen, Denmark after spending many years living and working in Paris, France. Her work straddles the lines of design and sculpture with her Neon and Fluorescent Light installations reminiscent of the California Light & Space artists such as Larry Bell, Robert Irwin, Bruce Nauman, James Turrell as well as Dan Flavin. Tapisserie d' Artiste. select group exhibitions 2021 galerie denise rené, paris, "Retour à la ligne" Artists included: Carlos Cruz-Diez, Geneviève Claisse, Gun Gordillo, Jesus-Rafael Soto, Julio Le Parc & others. galerie denise rené, Espace Marais Paris, "Esprit des couleurs" Artists included: Aurélie Nemours, Carlos Medina, Christian Megert, Darío Pérez...

The paintings of Aleix Font (Sabadell, Spain, 1984) function as a narrative between the collective and the individual world, exploring space and its interac...

Bold neon abstract composition in six parts with bright green, orange, and hot pink geometric forms by California artist Gary Ermoloff (American, b. 1949), 1982. Dated and signed on verso. Unframed. Gary Ermoloff (American b. 1949) attended the Academy of Art University in San Francisco, where he received his BA in Fashion Illustration. He is a former member of AIGA and a former Board Member...

Maeve Eichelberger is a Colorado native, capturing both urban and rural lifestyles in her artwork. Passionate about collage, Maeve specializes in a new form of 3 dimensional collage....

--------------------------------------------------------------------------------------------------- - For UK residence; Ronald Hunter will cover the import tax - ------------------...

Date: circa 1975 Screenprint Image Size: 15.25 x 28 inches Size: 20.5 x 33.5 in. (52.07 x 85.09 cm)

Title: Evening Street Scene With Figures and Neon Awning Mediterranean Nocturne Study Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W)...

Castelloland works with objects whose uniqueness is fundamental to the narrative of each story, as each image reacts and develops through the interaction between the word and the obj...

Elisabeth Grace, a visionary artist based in Denver, CO (USA), is renowned for her immersive large-scale paintings, collages, murals, and installation art. With a BA in oil painting ...

Neon orange portrait painting with floral emoji pattern and hyper-saturated color exploring identity and digital visual language. This acrylic portrait on canvas belongs to Natasha ...

“The God Sign” is a visually arresting limited edition fine art photograph by Albert Watson, transforming a simple roadside sign into a powerful meditation on belief, symbolism, and ...

Oil painting of a bustling street at night. Carl Bretzke cheekily renames the street "C. Bretzke Av" in his rendition of the scene. A bright squiggle of blue neon light ribbons acros...

Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...

Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...

Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...

NICK KNIGHT (*1958, Great Britain) Gemma Ward, 2002/2016 Hand-coated pigment print Sheet 124.5 x 123.5 cm (49 x 48 5/8 in.) Edition of 5, plus 2 AP; Ed. no...

Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...

Andy Warhol Marilyn Monroe (Pink), 2022 Acrylic-printed Marilyn lined with pink and yellow neon LED artwork with energy-efficient tubing, full board backing Box is plate signed; acco...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

Almo wonders about his identity, the countries he has lived in, his daily routine and how he creates himself. An outsider who has made the world his home, skin, and citizenship, and ...

"Central Cafe, N.Y.C." is a photorealist watercolor painting by Bruce McCombs. The artist signed the piece lower right. This piece features a reflection of a neon sign with some silh...

Shot on the streets of New York, a neon-yellow pop art photographic portrait called Modern Man, 2011 by Roberta Fineberg. Modern Man is a 14" x 11" c-pri...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

COLUMN FRAGMENT, RED SQUARE Hailing from the conceptually grounded exhibition "From Stone to Canvas", this compelling square-format artwork is a masterclass in striking visual contrasts. While the overarching collection meditates on the serene white-and-gold architectural legacy of the Cathedral of Granada—originally curated by the 16th-century master Diego de Siloé—this particular iteration boldly shatters convention. Ablaze in an intense, arresting fluorescent red, the piece serves as a brilliant bridge between historical Spanish monumentalism and the high-octane, neon-drenched energy of the artist’s celebrated "Pop Miami" series. It is a dramatic, highly tactile focal point intentionally designed to ignite the senses within luxury interiors. Textural Mastery & Sculptural Technique: Haute Couture Transition: Merging the distinct worlds of fine art and high fashion, the artist treats the raw canvas much like a bespoke garment. Expert sartorial techniques—including precise draping, folding, and gathering—infuse the piece with a profound sense of organic movement. Dimensional Architecture: Moving beyond the two-dimensional plane, the heavily manipulated textiles are painted, sculpted, and cured into a semi-rigid physical state. This intricate process flawlessly replicates the vertical, carved fluting of an antique stone pillar. Striking Crimson Accent: The introduction of a vivid, fluorine red provides a spectacular punch of color. It offers an energetic, contemporary twist that functions as the ultimate statement piece for minimalist spaces, monochrome rooms, or eclectic modern galleries. Regal Framing Presentation: To beautifully contain the explosive modern red and pay direct homage to the Cathedral’s original classical palette, the artwork is meticulously encased in a bespoke white and gold wooden frame, adding an exquisite final layer of sophistication. About the Artist: Cristina Estañ...

'Neon Cross', part of Richard Heeps' 'This is Not America' series photographed in Vietnam in 2016. This artwork has a fun kitsch vibe, the neon really makes...

Mixed media on Japanese paper 1/10 21.25 x 17 inches framed Artist Biography: Angela A’Court was born in London, UK and lives and works in New York and London. She studied at the University for the Creative Arts UK (UCA),UK, Parsons School of Art and Design, New York, Goldsmiths College, London and in 2022 received a Masters from City and Guilds Art School London in Art...

ALTERATION ART . . .is a collaboration process between Rick Wolfryd, fin artist and art dealer with over 40 years experience, and various Mexican Huichol artists and mexican Huichol ...

ITEM DETAILS The edges are painted Some parts of the picture glow under blue light ABOUT THE ARTWORK This painting captures the essence of the nightly reflections and deep emotio...

This contemporary sculptural wall installation consists of more than 270 individual acorn caps mounted on brass pins - each cap is filled with plaster and paint in bright hues of pin...

In this contemporary abstract painting in oil on linen mounted on panel, carefully ordered patterns, geometric shapes and delicate lines in pale pink, cobalt blue, yellow and pale gr...

Paul E. Maxwell (1925–2015) This is a unique painting on either paper or canvas. It is framed in a gold toned metal frame Framed 46 X 34 sheet 41 X 29 inches Hand signed and dated. T...

Paul E. Maxwell (1925–2015) This is a unique painting on either paper or canvas. It is framed. Framed 46 X 34 sheet 41 X 29 inches Hand signed and dated. This can be hung either hori...

Jung LEE (*1972, South Korea) The End #2, 2020 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 167 x 206,9 x 3,5 cm (65 3/4 x 81 1/2 x 1 3/8 in.) Edition of 5, plus 2...

Laura Moriarty's Ex Uno Plures 8 is a multicolored encaustic monotype on kozo paper. Layers of pigmented beeswax on lightweight paper create an undulating composition suggesting laye...

Layered paint colors in acrylic on canvas make up this abstraction. The ladder like form anchors the composition. Colors are revealed under the largely white painting, showing hints...

Clarence Holbrook Carter (American, 1904-2000) Transection No. 3, 1972 Acrylic on paper Signed and dated upper right 30 x 22 inches Provenance: Collection of William H. Milliken Cl...

Layered paint colors in acrylic on canvas make up this abstraction. The ladder like form anchors the composition. Colors are revealed under the largely white painting, showing hints...

In this contemporary abstract oil painting on canvas, thoughtfully combined sections of varying textures and areas of pattern, stripes, circles, dots and undulations are lively and c...

CHRIS WATTS "Neon Daisy" Acrylic on Canvas 59 x 47.5 inches _____________________________________ Chris Watts is an award-winning graphic designer, singer...

'Bates Motel' part 2 (The Last Picture Show) - 2005, 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji crystal archive paper, matte finish, based on a Polar...