Art

This is the greatest and most iconic picture and vintage Las Vegas even done. This classic view of downtown neon signs of Las Vegas before the wrecking ball demolished one of Americ...

Mundane grey ruins are pierced by sharp pings of neon color in this painting that both suggests and supersedes narrative, colliding, conflating, and contrasting the figurative and th...

Six artworks by Richard Heeps capturing New York City street neon. This artwork is part of Richard's portfolio of street photography he is building up which depict the colour, fabric...

This photograph is of old Last Vegas - The Fremont Sign, Las Vegas, 1974 The work is signed, dated number lower right 4/15. It's printed later, unframed and other sizes are available. Printed on Hahnemühle Fine Art paper Before one of America's most iconic streets was desecrated into a mall, Fremont street was a wonderland of classic casino signs...

"Nihon Noir arose from my fascination with Tokyo and my desire to translate the feeling that struck me on my first visit, that somehow you have been transported to a parallel future ...

This artwork is classic roadside Americana 'Sign Porn' photography and Richard Heeps captured it in its original site. The owners since sold the Lariat Motel and donated the 1950's s...

Gallery service: Complimentary worldwide shipping is offered, with Signet Contemporary Art covering all tariffs, customs duties and import taxes, making international collecting simp...

This piece is classic roadside Americana 'Sign Porn' photography and Richard Heeps captured it in its original site. The owners since sold the Lariat Motel and donated the 1950's sig...

Parry Lodge, photograph from Richard Heeps' Dream in Colour series. This roadside America sign has a cinematic style, take in Kanab, and area used as Western movie locations due to i...

'Lariat Motel II' is classic roadside Americana 'Sign Porn' photography and Richard Heeps captured it in its original site. The owners since sold the Lariat Motel and donated the 195...

"Stardust Dine-o-Mat" is an original watercolor painting by Bruce McCombs. The artist signed the piece lower center. This piece depicts a photorealist rendition of a bright and color...

Bates Motel (The Last Picture Show) - 2005, 78x76cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist...

Neon Shapes - Large-Scale Abstract Composition in Acrylic on Canvas Abstract composition by Ellis Hopkins (American, b. 1952). Bold arcs of color sweep across a smoky gray backgroun...

Parry Lodge, photograph from Richard Heeps' Dream in Colour series. This roadside America sign has a cinematic style, take in Kanab, and area used as Western movie...

"Shoe Repair Window" is an original signed watercolor by Bruce McCombs. It depicts the front of a shop and the reflection of the neon sign. This painting d...

Bates Motel I (The Last Picture Show) - 2005, 78x76cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Arti...

This is a unique watercolor study by Greek neon artist Chryssa. Although it does not closely resemble any of her known completed works, the forms are similar to her series "Analysis ...

Street Photographer Mitchell Funk uses a Nikon Z8 mirrorless megapixel camera to photograph the screen of a Times Square tourist's cell phone camera. The resulting image is a photogr...

Following a BA in Fine Art at Portsmouth, Brian Bartlett was awarded a travel scholarship to the USA, where he gained his Masters Degree at the University of Eastern Illinois. Brian...

"Drive Thru Open" is an original watercolor painting by Bruce McCombs. The artist signed the piece lower right. This piece features a photorealist depiction...

Artist: Clayton J. Gorder, American (1936 - 1987) Title: Neon Bullseye Year: circa 1974 Medium: Acrylic and Airbrush on Custom Shaped Canvas, signed on label verso Size: 32.5 x 57 x ...

This gray, black and neon gestural mixed media painting on canvas was created by Spanish artist Ángel Celada in 2022. Against a predominantly gray ground, diluted black passages, whi...

"Studio 54" Original Neon Dancer Designs. Final Print and 4 Preliminary Drawings Tony Walton (1934-2002) Studio 54 "Neon Dancers" Ink, pen, pencil, collage, print on paper and tis...

ADDITIONAL INFORMATION: Fei Alexeli No Bad Days Limited edition of 20 70 H x 70 W x 0.1 D cm (27.56 x 27.56 x 0.04 in) Giclée print on Hahnemühle paper signed in front by the artist...

Jung LEE (*1972, South Korea) LOVE #1, 2019 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 166,8 x 206,9 x 3,5 cm (65 5/8 x 81 1/2 x 1 3/8 in.) Edition of 5, plus 2 ...

This piece titled "Emblem" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white frame and measures 6"h x 6"w framed. The catalyst for this new body of work was a jar of leftover magazine cutouts from a collage I made in 2010. Reusing leftover materials as well repurposing items that might end up thrown away, has become a very important part of my process the past decade. Stumbling across this jar of coin sized images that had waited patiently on a shelf for 12 years, ignited my creative process and drove me to explore collage in a new way. Unlike the piece from 2010 in which I assembled the images by piecing them together, I decided to examine each individual cut out on its on. By removing the image from any other context it allows you to focus solely on its meaning, purpose or feelings that it may evoke. Each image is embedded in a field of French knots which felt like a way of creating a time capsule of sorts for the object. Another inspiration behind this collection is my six year old son and his endless piles of sticks, stones, leaves, etc in our home. Only to him they aren’t sticks and stones, they are treasures. His ability to find a tiny twig or scrap of paper and not only cherish it but give it a backstory of why it is so special, is a beautiful thing and one I have tried to tap into with my new work. By placing a picture of a rubberband ball or a set of Dracula teeth or a banana in this embroidered box...

Original oil painting by Alexandra Pacula

Moody image of a man looking out while the photographer looks in. The picture is organized in a composition of alternating floating faces and floating signs. This work also represen...

The paintings of Aleix Font (Sabadell, Spain, 1984) function as a narrative between the collective and the individual world, exploring space and its interac...

JOSHUA EDWARD BENNET lives and works in New Orleans, LA. He received his MFA from Tulane University in New Orleans, LA in 2019 with a concentration in digital arts. Bennett received ...

Marie Craig's "Everybody had a Bad Year" is an original montage of four hand-colored deep blue photographs of a tropical leaf. This piece was created using cyanotype, an early photog...

This contemporary painting in ink, gouache and pencil on archival paper is composed of solid shapes surrounded by a pattern of delicate lines and dots in bright blue, luminous neon y...

Shipping should be around $100. Signed, dated, numbered lower right, recto. Edition 4 of 15, Unframed. Other size available Mitchell Funk is a pioneer of " Color Photography" In 19...

Andy Warhol Marilyn Monroe (Pink), 2022 Acrylic-printed Marilyn lined with pink and yellow neon LED artwork with energy-efficient tubing, full board backing Box is plate signed; acco...

A seedy night street scene becomes an art statement through the lens of Mitchell Funk. He transforms a gaudy commercial sign into a colorful abstraction with the blur of car lights i...

Signed, dated, numbered lower right, recto. Edition 4 of 15, Unframed, printed later Other size available Printed on Hahnemühle Fine Art paper Mitchell Funk is a pioneer of " Color ...

Marie Craig's "We All Shine On" is an original montage of four hand-colored deep blue photographs of the Mill Mountain Star. This piece was created using cyanotype, an early photogra...

Thoughtfully combined sections of varying textures and areas of pattern, stripes, circles, dots and undulations are cheerful in bright, exuberant color. Little moments in vibrant sha...

COLUMN FRAGMENT, LIME SQUARE An exhilarating standout from the conceptually driven "From Stone to Canvas" exhibition, this square-format dimensional artwork offers a brilliant juxtaposition of Renaissance architecture and high-voltage contemporary color. While the overarching collection honors the pristine white-and-gold interiors of the Cathedral of Granada—originally conceived by master architect Diego de Siloé—this specific piece shatters historical convention. Infused with an intensely vibrant fluorescent lime hue, the artwork seamlessly fuses the heavy classical monumentalism of the cathedral with the electric, neon-pop aesthetic of the artist’s celebrated "Pop Miami" series. Symmetrically framed and highly tactile, it is crafted to be a magnetic focal point in any upscale interior. Textural Mastery & Sculptural Process: Sartorial Construction: Channeling an extensive professional background in haute couture, the artist manipulates raw textiles with the precision of a master tailor. Intricate folding, draping, and gathering techniques are applied directly to the canvas matrix. Tridimensional Hardening: Transcending traditional flat painting, the draped fabrics are heavily treated and sculpted until they cure into a semi-rigid state. This meticulous process successfully mimics the vertical, carved fluting of an antique stone semi-column fragment. Neon & Classical Synergy: The audacious fluorescent lime colorway provides a striking, modern shock to the eye, making this square piece a perfect standalone statement for minimalist, eclectic, or avant-garde luxury settings. Curated Framing: To elegantly ground the explosive neon color and tie it back to the Cathedral's original palette, the artwork is beautifully presented in a bespoke white and gold wooden frame, elevating its overall exquisiteness and gallery-ready appeal. About the Artist: Cristina Estañ...

ITEM DETAILS The edges are painted Some parts of the picture glow under blue light The painting's surface has a craquelure effect ABOUT THE ARTWORK This artwork offers a captivati...

Minimalist black and neon pink organic sculpture by contemporary Houston, TX artist Matthew Reeves. Inspired by buoys commonly found along major waterways, the work features a column...

Jung LEE (*1972, South Korea) Promise me, 2018 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 166,9 x 207 x 3,5 cm (65 3/4 x 81 1/2 x 1 3/8 in.) Edition of 5, plus 2...

Neon Pop Art, Portrait Artwork, Yellow Portrait Art-Antithesis Charm A R T I S T S T A T E M E N T: Introducing the iconic Andy Warhol style print w...

Bold neon abstract composition in six parts with bright green, orange, and hot pink geometric forms by California artist Gary Ermoloff (American, b. 1949), 1982. Dated and signed on verso. Unframed. Gary Ermoloff (American b. 1949) attended the Academy of Art University in San Francisco, where he received his BA in Fashion Illustration. He is a former member of AIGA and a former Board Member...

Christopher Ganz Neon Cat 2021 Pastels & charcoal on tinted paper 18h x 24w in 45.72h x 60.96w cm CG0073 -ARTIST STATEMENT- I depict my person in multiplicity with different ...

Robert Cottingham is known for imagery that celebrates the history of communications in America, specifically neon signage on urban storefronts and signs on railroad cars. In 2008, Lincoln Center commissioned Robert Cottingham to commemorate the 46th anniversary of its Film Festival. Inspired by his earlier photographs of the Empire Theatre in Montgomery Alabama...

--------------------------------------------------------------------------------------------------- - For UK residence; Ronald Hunter will cover the import tax - ------------------...

Original 1972 "Switzerland" Bicycle Poster – Vintage Psychedelic Pop Art Screen Print. Archival linen-backed in excellent condition, ready to frame. V...

Original Victor Moscoso Neon Rose #12 – The Chambers Brothers at the Matrix (1967). Grade A. This is the definitive original 1967 psychedelic concert poster, arguably the most famo...

Maeve Eichelberger is a Colorado native, capturing both urban and rural lifestyles in her artwork. Passionate about collage, Maeve specializes in a new form of 3 dimensional collage....

Gun Gordillo (Swedish, 1945-) Ege Axminster, Denmark. Danish Tapestry Rug Art-Line 55" X 79" "Blue Hour" Tapis rectangulaire en laine tuftée, fond bleu marine sur lequel se détache un néon bleu turquoise. Etiquette de l'éditeur Ege Axminster (Danemark) titrée au revers. vintage 1980's. This had a velcro strip to be used as a wall hanging. It can also be laid on the floor. This is a tufted pile wool tapestry not a flat weave like an Aubusson. Perfect for a Memphis Milano 80's interior. Gun Gordillo was born in Lund, Sweden. Contemporary Scandinavian Artist. Her fluency with the material, which comes so natural to Gun Gordillo, makes her works unusually suited to function in many different context in a public milieu. Dolerite, lead, copper, and zinc plate in combination with contemporary fragile art materials such as glass, plexiglass and, above all, neon light makes her works stand out among those which have been created with light as the basic architecture of their artistic expression. There is a decidedly personal angle to her way of dealing with neon light which gives it a poetic dimension in marked contrast to the harsh stridency of advertising signs. Gordillo's work has been shown at several major solo exhibitions, most recently in 2015 at the famous French galerie denise rené, Paris. She has worked with the legendary gallerist Denise Rene for more then 30 years. She has also participated many group exhibitions including "The spirit of white" at Galerie Beyeler, Basel in 2004 and most recently "Néon, who's afraid of red, yellow and blue?" at la Maison Rouge, Paris in 2012. She has also been invited to create several major installations at world famous companies and public sites in cities like Basel, Paris, Copenhagen and Stockholm. Gordillo today lives and work in Copenhagen, Denmark after spending many years living and working in Paris, France. Her work straddles the lines of design and sculpture with her Neon and Fluorescent Light installations reminiscent of the California Light & Space artists such as Larry Bell, Robert Irwin, Bruce Nauman, James Turrell as well as Dan Flavin. Tapisserie d' Artiste. select group exhibitions 2021 galerie denise rené, paris, "Retour à la ligne" Artists included: Carlos Cruz-Diez, Geneviève Claisse, Gun Gordillo, Jesus-Rafael Soto, Julio Le Parc & others. galerie denise rené, Espace Marais Paris, "Esprit des couleurs" Artists included: Aurélie Nemours, Carlos Medina, Christian Megert, Darío Pérez...

This contemporary sculptural wall installation consists of more than 270 individual acorn caps mounted on brass pins - each cap is filled with plaster and paint in bright hues of pin...

Acrylic & marker on Fabriano paper Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in International Fashi...

Castelloland works with objects whose uniqueness is fundamental to the narrative of each story, as each image reacts and develops through the interaction between the word and the obj...

Frame: 15 3/8 x 35 3/8 in. Signed upper right Born in New York City in 1959, Max Ferguson started as a filmmaker, making award-winning animated films as a teenager. But it was whil...

Surreal woman portrait painting illuminated by neon green light, combining figurative painting, dark humor and psychological ambiguity. Fluorescent Husband belongs to Inés Silvalde'...

"Central Cafe, N.Y.C." is a photorealist watercolor painting by Bruce McCombs. The artist signed the piece lower right. This piece features a reflection of a neon sign with some silh...

Date: circa 1975 Screenprint Image Size: 15.25 x 28 inches Size: 20.5 x 33.5 in. (52.07 x 85.09 cm)

Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...

Keith Sonnier, American (1941-2020) lithograph From Neon series circa 1980-1981 Bears the Waterstreet Press watermarks and Arches paper blind stamp to lower right corner. Pub. Edizioni Lucio Amelio Hand signed with initials in pencil Dimensions: 30 x 21 3/4 inches Post minimalist Abstract by Keith Sonnier Keith Sonnier (1941 – 2020) was a post minimalist sculptor, performance artist, video and light artist. Sonnier was one of the first artists to use light in sculpture in the 1960s. With his use of neon in combination with ephemeral materials he achieved international recognition. Sonnier was part of the Process Art movement. James Keith Sonnier was born July 31, 1941, in Mamou, Louisiana. His family was Cajun and Roman Catholic. His father was a hardware store owner, Joseph Sonnier, and his mother was a florist and singer, Mae Ledoux. He graduated in 1963 from Southwestern Louisiana Institute (now known as the University of Louisiana at Lafayette). In 1966, he graduated with his MFA degree from Rutgers University, where he studied under Allan Kaprow, Robert Watts, and Robert Morris. After graduation from Rutgers, he moved to New York City with Jackie Winsor and some of his former classmates. Sonnier died in Southampton, NY on July 18, 2020. Sonnier began experimenting with neon in 1968. Neon lights became a signature material used in his sculptural works. The common materials Sonnier employed included neon and fluorescent lights; reflective materials; aluminum and copper; and glass and wires. Of the generation of James Turrell and Dan Flavin, He was also associated with the Light and Space movement, a loosely affiliated art movement related to op art, minimalism and geometric abstraction originating in Southern California in the 1960s and influenced by John McLaughlin. It is characterized by a focus on perceptual phenomena, such as light, volume and scale, and the use of materials such as glass, neon, fluorescent lights, resin and cast acrylic, often forming installations conditioned by the work's surroundings. Artists included Ron Cooper...