Art

Bearded Male Nude, ca. 1960's. Oil on illustration board. Measuring 13 x 20 inches. Unframed. Unsigned and unattribted.

Catalan Post-Impressionist Mountain Landscape, El Montmell Spain Artist: Mossèn Ramon Gimbert Canals Title: Font de Volta, Montmell Medium: Oil on canvas Dimensions: 60 x 73 cm / 23.62 x 28.74 in Signature: Signed lower right, “R. Gimbert” Date: 1965 Frame: Unframed Condition: Good vintage condition, consistent with age. Please see photographs for full details. Inscription: Inscribed, titled and dated on the reverse: “Font de Volta – Montmell – 1965” Origin: Catalonia, Spain Description Atmospheric 1965 Catalan Post-Impressionist landscape by Mossèn Ramon Gimbert Canals, depicting the mountainous surroundings of El Montmell in the Baix Penedès region of Tarragona, Catalonia. The painting is specifically identified on the reverse as “Font de Volta – Montmell – 1965”. The Font del Montmell is located in the recreational area of La Joncosa del Montmell, a mountainous landscape in southern Catalonia traditionally associated with the walking route known as the Volta al Montmell. Gimbert presents the landscape through an intensely Mediterranean palette of emerald greens, turquoise blues, ochres and luminous whites. The composition opens from a secluded foreground garden bordered by stone walls and dense vegetation toward the monumental mountain range beyond. A large tree rising at the right edge acts almost as a natural architectural element, framing the view and creating a powerful sense of depth. The handling of the paint is especially attractive. Areas of broad, vigorous brushwork alternate with thicker passages of impasto, particularly across the mountains, vegetation and cloudy sky. Rather than describing every detail literally, Gimbert builds the landscape through colour, texture and light, giving the scene a distinctly modern and expressive character. Painted in 1965, only four years before the artist’s death, the work belongs to Gimbert’s late period and shows the confidence of a painter deeply familiar with the Catalan countryside. El Montmell was not an isolated subject in his production. Other documented works by the artist depict the same area, confirming its importance within his landscape painting. The combination of identifiable location, original reverse inscription, strong Mediterranean character and substantial 60 x 73 cm format makes this a particularly representative example of mid-20th-century Catalan landscape painting. Biography Mossèn Ramon Gimbert Canals was born in Sant Quirze del Vallès on 25 May 1882 and died in Barcelona on 31 July 1969. He was ordained as a Catholic priest in 1908 while simultaneously developing a sustained career as a painter. These biographical dates are recorded by the Arxiu Diocesà de Barcelona. His artistic production concentrated principally on landscape, especially views of Catalonia, rural architecture, gardens, mountain scenery and coastal subjects. El Montmell appears repeatedly among his known works, alongside subjects including Horta, Camprodon and maritime scenes. Gimbert participated actively in the Barcelona art world. His most significant documented exhibition was a solo presentation at the prestigious Galeries Laietanes in Barcelona from 28 December 1935 to 10 January 1936. The exhibition is recorded in the Institut d’Estudis Catalans repertory of individual art exhibitions in Catalonia and included a catalogue listing the exhibited works and their prices. His paintings belong to the broader tradition of 20th-century Catalan landscape painting, combining naturalistic observation with increasingly free brushwork, expressive colour and a distinctly Mediterranean sensitivity to light. Artistic Inspiration The work belongs to the rich tradition of Catalan modern landscape painting developed from the late 19th century onward. Its expressive treatment of colour and vegetation recalls the Mediterranean landscapes of Joaquim Mir, while its luminous atmosphere and direct observation of nature can also be related to painters such as Eliseu Meifrèn, Santiago Rusiñol and Joaquim Sunyer. Rather than suggesting direct stylistic dependence, these comparisons place Gimbert within the wider Catalan and Spanish tradition in which landscape became a vehicle for colour, atmosphere and personal expression. Landscape Paintings Mountain Paintings Post-Impressionist Paintings Spanish Paintings Catalan Art Modern European Paintings Mediterranean Landscape Paintings Post-Impressionism Catalan Modernism Spanish Modern Art Mediterranean Landscape Painting Catalan landscape, Spanish landscape painting, El Montmell, Baix Penedès, Tarragona landscape, Catalonia painting, Mediterranean landscape, mountain landscape, Post-Impressionist landscape, Spanish Post-Impressionism, Catalan Post-Impressionism, 1960s Spanish painting...

Medium: lithograph (after the drawing). Printed in Paris in 1951 at the atelier Dreux-Barry in an edition of 1000. Sheet size: 9 1/4 x 12 1/4 inches (235 x 310 mm). Signed in the pla...

Edgar A. (Ted) Batzell (1915=1996) Cubist Tabletop Still Life Composition, ca. 1960. Oil on artist board measuring 16 x 20 inches. Measuring 24 x 28 inches in a wide white frame. Signed by the artist lower right. Ted Batzell, was listed in Who's Who in American Art in 1957, and is now listed in Who Was Who in American Art. First in his class in the Master's of Fine Art program at Syracuse University he was awarded the highest honor along with the Augusta Hazard scholarship to study abroad. In high school he entered a nationwide poster contest and won a four year scholarship to Syracuse, where today for one year's tuition the cost is $45,000. But he never got to use the Augusta Hazard award because World War II broke out and he went to New York City where he studied at the Art Students League and with artist Walt Kuhn as well as others. Hired by the General Electric company art department in Schenectady, N.Y. , he progressed over the 35 years he was there (the only job he had until retirement), to an art director. At General Electric he was a "Madison Avenue Ad Man" for many years, like those in the series "Mad Men", spending every week at General Electric headquarters in New York City. He was known to his fellow artists, many also renowned, as "the Renaissance Man" having a voracious appetite for reading and collecting art books...

6239 Pair of dachshund in a moody oil painting Set in a gilt frame signed Image size 19.5x23.5"

A stone lithograph from Picasso's Sketchbook (Carnet de la California, 1955-1956) which was limited to 1000 copies. Dated, in the design, November 1, 1955 and numbered 13. Different lithograph printed verso, as issued. Unsigned. Accompanied with a copy of the inside cover page and colophone with publishing information. Around 1959, Editions Cercle d’Art published Carnet de la Californie, a facsimile of a sketchbook that Picasso worked on at his house in Cannes, La Californie. Printed at Mourlot Studios in Paris, this edition was prepared for the American market by publisher Harry N. Abrams, New York (1960). With thanks to Claire Lui and the Guggenheim for the below: Carnet de la Californie sheds light on Picasso’s interests and focus at the time. Over and over he returned to the same themes—copies of Old Masters, and drawings of a woman in Turkish clothing...

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...

Marc Chagall (1887-1985) - La Bastille Lithograph from 1954. A rare artist’s proof (épreuve d’artiste) on Arches paper, produced outside the limited numbered edition of only 75 imp...

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

#5-2752b Tuscan Country House Landscape, a country scene painting , oil on artist board displayed in a gilt-silver wood frame, signed lower left by Wane. Image size 17 H x 12.5 W

6054 Portrait of a young Noble Prince Set in gilt frame Image size 19.5x15.5"

A striking Machine Age Modern oil painting of the historic Bronx Span, Triborough Bridge, New York City by notable American artist, Lessing Whitford Williams (1894-1989). Artwork ...

Medium: original lithograph. Catalogue reference: Mourlot 508. Printed in 1967 for the art revue Derriere le Miroir (issue number 164-165 -- L'Oiseau Solaire, L'Oiseau Lunaire, Etinc...

A stunning depiction a romantic Parisian street scene painted in 1957. We are drawn to the playful use of light and how the rain sparkles on the sidewalk. Figures go about in the day...

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld in an edition of 2000 for the 1 Cent Life portfolio. Size 16 1/8 x 11 3/8 inches (410 x 288 mm). There...

6069 Oversized Oil on canvas of Parisians strolling in the park set in a period frame Image size 22.5x27.5"

Rare and giant vintage poster of Pablo Picasso Exhibition Milan, Palazzo Reale, 1953.  Limited edition of 1,000 copies, most of which lost or badly damaged overtime. In loose sheets...

A large, cheerful 1950s American Scene, Mid-Century Modern oil painting, "The Picnic" by notable Chicago artist, Walter Burt Adams (Am. 1903-1990). A vibrant, painterly depiction of...

Intimate reclining woman in blue, modern European figurative interior Artist: Josep Lloveras i Feliu (Spanish, 1922–2014) Title: Reclining woman in blue Medium: Oil on canvas Dimens...

Artist: Henri Matisse (1869–1954) (after) Title: Mrs. Colette (Mrs. Colette) Year: December 20, 1954 Medium: Heliogravure on grand velin Renage filigrane a la marque de l'editeur pap...

Mediterranean Catalan Interior Garden Post-Impressionist Oil Painting Technical details Artist: Ramon Gimbert Canals (1882–1969) Title: Interior with Figures and Garden Medium: Oil ...

Pablo PICASSO La Petite Corrida, 1957 Original lithograph Printed signature in the plate On wove paper 31 x 24 cm (c. 12 x 10 in) Edition San Lazarro, 1958 - The edition was of ab...

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format...

Lithograph from the book Derrière le Miroir (Behind The Mirror) by French artist Marc Chagall. Femme avec Parapluie from Derriere Le Miroir by Marc Chagall, 1887 - 1985 Date: 1964 M...

6205 California seascape crashing waves Framed image size 12x15"

Dining Al Fresco Capri 1980 by Slim Aarons Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umberto Terrelli dinin...

Montego Bay Fisherman by Toni Frissell Local fisherman bring in their nets on the beach in Montego Bay, 1948. (Toni Frissell) Limited signature stamped edition print 40 x 40" inche...

Artist: Ellsworth Kelly (1923–2015) Title: Orange Shape (Forme Orange) Year: 1958 Medium: Lithograph on velin paper Paper Size: 15 x 11 inches (38.1 x 27.94 cm) Condition: Well prese...

Artist: Ellsworth Kelly (1923–2015) Title: Red, Blue (Rouge, Bleu) Year: 1964 Medium: Lithograph on velin paper Paper Size: 15 x 11 inches (38.1 x 27.94 cm) Condition: Well preserved...

Vintage American modernist cafe scene oil painting. Oil on board. Signed. Gallery label verso. Thick impasto and wonderful color palette. Measuring: 25.75 by 21.75 inches overall,...

Owe Zerge (1894–1983) Sweden Blåsippor och vitsippor (Blue and White Anemones) signed lower left Owe Zerge oil on panel unframed 54 × 64.5 cm (21.3 × 25.4 in) framed 70 × 80 cm (27...

Pablo Picasso (1881-1973) - La Petite Corrida Lithograph from 1957. Dimensions of work: 31.5 x 24 cm. Plate signed. Publisher: Cahiers d’Art, Paris. Reference: Bloch 839; Mourlo...

Psycho 1960 Unframed Original Vintage Cinema Lobby Card Extra Large 10x14" inches / 25x36 cm paper size Unframed (framing options available - please enquire) Condition: Excellent ...

Medium: pochoir (after the gouache). Printed in Paris in 1959 at the atelier of Daniel Jacomet and published by the Berggruen Gallery. Image size: 5 3/8 x 7 3/4 inches (138 x 198 mm)...

Lithograph on BFK Rives-Velin, realized in 1981. Hand signed in pencil. One of 4 CTP Proofs, preceding the edition of 24. Printed by Georges Page at Litho Shop, Santa Monica. Blin...

La obra va firmada por el artista en la parte inferior y fechada del año 1946 El estado de la obra es bueno Se presenta enmarcada la obra (el marco presenta algunas pequeñas faltas...

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on ...

Medium: original lithograph. Reference: Mourlot 282. Printed in Paris in 1960 at the Mourlot atelier for the frontispiece of the "Chagall Lithographe I" catalogue. Sheet size: 12 1/2...

Salvador Dali (1904-1989) - La Tauromachie Individuelle (Bullfight) Heliograviure with stencil from 1966. The edition LXIX/C on Japanese paper. Dimensions of sheet: 51.4 x 64.8 cm...

Snorkelling In Antigua by Slim Aarons A woman wearing a scuba diving mask carries a pair of flippers and a harpoon gun, Antigua, West Indies, 1960. (Photo...

Medium: offset lithograph (after the watercolor). Printed in 1969 at the Mourlot Freres atelier for the "Marc Chagall: dessins et aquarelles pour le Ballet" book. Sheet size: 13 3/4 ...

Rapallo Italy by Toni Frissell The port of Rapallo in Italy 1954. 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed (framing available - please enquire) ...

Carmen Cicero - Untitled (Profile of a Woman) Lithograph on Rives Heavyweight, an English rag paper Pencil signed on the front Numbered 39 on the main colophon page, from the limite...

Marc Chagall (1887-1985) - Nous habitons parmi les fleurs...(We Live Among the Flowers...) Lithograph from 1967. The edition of 56/75 on Arches paper. Dimensions of work: 63.2 x 5...

Artist: Roy Lichtenstein Title: Girl Portfolio: 1¢ Life Medium: Lithograph on white wove paper Date: 1964 Edition: 2000 Frame Size: 20 3/4" x 18 5/8" Sheet Size: 16 1/4" x 11 1/2" Im...

Swedish winter landscape at dusk. The painting depicts a quiet winter landscape in the late afternoon and the setting sun, rendered in warm, softly atmospheric colors. Snow-covered ...

Created by La Motta in 1955, this original poster was commissioned for the 36th International Eucharistic Congress in Rio de Janeiro. Held from July 17 to 24, the congress was an important international Catholic gathering organized around the theme of Christ the Redeemer and his Eucharistic kingdom. The composition places Rio’s celebrated statue of Christ the Redeemer at the center of an expansive celestial vision. With his arms extended, Christ forms the upper section of a monumental cross rendered in the green and yellow colors associated with Brazil. Below, he stands upon a globe centered on South America, where a radiant star indicates the location of Rio de Janeiro. A deep blue background and surrounding constellation of stars give the poster a sense of spiritual grandeur. The restrained palette of blue, green, yellow and ivory combines religious symbolism with the visual identity of Brazil, while the bold typography at the bottom clearly announces the congress and its dates. Signed La Motta in the lower right, the design is characteristic of mid-century event posters, using simplified forms and carefully balanced geometry to communicate a powerful message from a distance. The poster was printed by Rebizzi in São Paulo. This original 1955 poster is an evocative document of Brazilian religious and cultural history. Its striking combination of Christ the Redeemer, cartographic imagery and modern graphic design makes it particularly appealing to collectors of Brazilian posters...

Space concept  is an artwork realized by Lucio Fontana in 1967.  Lithograph, 1967. Hand signed and numbered 32/150. Edition of 150. Ref. 2006 Lucio Fontana. Graphics, multiples an...

Francis Chapin (American, 1899-1965) Signed: Francis Chapin (lower, right) " Edgartown ", circa 1950s (titled on paper verso) Watercolor on paper Image Size: 15" x 22" Housed in...

Medium: original lithograph. Printed in 1958 for the art revue XXe Siecle (issue number 11) and published in Paris by San Lazzaro. Sheet size: 12 3/8 x 9 1/2 inches (314 x 242 mm). N...

Artist: Ellsworth Kelly (1923–2015) Title: Blue and Black (Bleu et noir) Year: 1958 Medium: Lithograph on velin paper Paper Size: 15 x 11 inches (38.1 x 27.94 cm) Condition: Well pre...

Henry CLEWS (1876–1937) Detail of the Entrance Vault, 1959 Engraving (transferred to copper by Bacons-Duplessis and André Collot) Unsigned Authenticated by Henry Clews’s studio stam...

Medium: pochoir. Printed in 1952 for the Temoignages pour l'art abstrait portfolio (Witnesses for Abstract Art) and published by Editions d'Art d'Aujourd'hui in an edition of 1500. S...

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this multi-stone color lithograph faithfully reproduces the original Toulouse-Lautrec poster in a s...

Pablo Picasso (1881-1973) - L'Ecuyère (The Horsewoman) Lithograph from 1960. Dimensions of work: 51.5 x 66 cm. Plate signed. Reference: Bloch 999; Mourlot 333. The work is in Ex...

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical...

Medium: lithograph (after the painting). Printed in Paris on smooth wove paper at the atelier Mourlot and published in 1954. Size: 5 1/2 x 3 1/2 inches (140 x 87 mm). Not signed. C...

Page Size: 20 x 24 in. (visible) Frame size : 47 x 32 in. Signed, bottom right. Numbered, Bottom left: 144/200. COA available upon request. Created by Pablo Picasso in 1961, this ic...

Toshi Yoshida, 'Woman In Bagdad', color woodblock print, 1954, edition not stated. Signed, dated, and titled, in pencil. A fine, richly-inked impression, with fresh colors, on cream-wove Japan paper; the full sheet with margins (1/2 to 7/8 inch); minor toning in the margins, otherwise in excellent condition. Self-carved, self-printed. Archivally sleeved, unmatted. Image size 14 13/16 x 9 7/8 inches; sheet size 16 1/4 x 11 inches (oban tate-e). Exhibited: 'Color in Relief: Wood Block Prints from Origins to Abstraction', Georgetown University Library, 2016. Literature: Oliver Statler, Modern Japanese Prints: An Art Reborn, 1959, pp.168-169; Eugene M. Skibbe, Yoshida Toshi 1911-1999: Diversity, Change, and Continuity in the Yoshida Art Tradition, Andon 53, Society for Japanese Arts, 1996, pp. 5-14; Kendall H. Brown, Yoshida Toshi: The Nature of Tranquility, in, A Japanese Legacy: Four Generations of Yoshida Family Artists, The Minneapolis Institute of Arts, 2002, pp. 72-80; p. 91, no. 55 Exhibition: Japan & Beyond: The Yoshida Family Legacy in Japanese Woodblock Prints, curated by Kendall Brown and Quyen Le, The Ruth and Sherman Lee Institute for Japanese Art, Hanford, CA. February 3, 2004 - March 27, 2004. Collections: Art Institute of Chicago, Clark Center for Japanese Art and Culture, Minneapolis Institute of Art, University of California Merced, University of Oregon (The Lavenberg Collection of Japanese Prints). ABOUT THE ARTIST Yoshida Toshi (1911-1995) began training at the age of 14 under his father, Yoshida Hiroshi, one of the most acclaimed artists of the Japanese 20th-century printmaking revival movement shin-hanga (’new prints’ created in the traditional collaborative system of Japanese printmaking). He studied from 1932 to 1935 at the Taiheiyo-Gakai (Pacific Painting Association), co-founded by his father. Before the Pacific War, Toshi traveled widely with his father in Asia, Europe, Egypt, and the United States. Later he continued his worldwide travels, especially in Mexico, the United States, Canada, and Africa. Following his father’s death in 1950, Toshi began his very personal exploration of abstraction, joining the sôsaku-hanga movement (’creative prints’ wherein the artist is creator, carver, and printer). During this richly creative period (1954 to 1973), Toshi created over three hundred nonobjective designs. In the early 1960s, Toshi returned to large-scale figurative work, concentrating on scenes of African wildlife in its natural habitat, and in 1984 he published the first of many illustrated children's books on African wildlife (Dobutsu Ehon Shirizu), which he continued to produce until the early 1990s. In 1966 he published a book with the artist Yuki Rei...

3809 Floating world surreal figurative painting signed on verso Mury