Abstract Drawings and Watercolors
Abstract Drawings and Watercolors For Sale
Color: Black
Pleasure by Annemarie Ambrosoli, color pencil, 21x21cm, Abstract
Located in Kiens, BZ
Pleasure (2019) cm 21x21, by Italian artist Annemarie Ambrosoli, is a colored drawing with color pencil on a black cardboard, that measures 29x27 cm.
This work is a one-of-a-kind piece. It is unframed. Hand-signed by the artist in the bottom center and on the back.
The work Pleasure is part of a series of small colorful unique drawings.
Certificate of authenticity included.
This colored drawing conveys pleasure, enjoyment, joy, and the three figures convey a feeling of happy contentment. The colors used for this colorful design are green, ochre, blue, white, orange, yellow, red.
About the artist
Annemarie Ambrosoli is an award-winning artist, the following are her most recent awards:
- Collectors Art...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Color Pencil
Shining by Annemarie Ambrosoli, color pencil, 21x21cm, Abstract
Located in Kiens, BZ
Shining (2023) cm 21x21, by Italian artist Annemarie Ambrosoli, is a colored drawing with color pencil on a black cardboard, that measures 29x26,5 cm.
This work is a one-of-a-kind pi...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Color Pencil
Joyfully by Annemarie Ambrosoli Color Pencil Abstract Expressionist
Located in Kiens, BZ
Joyfully (2023) cm 21x21, by Italian artist Annemarie Ambrosoli, is a colored drawing with color pencil on a black cardboard, that measures 29x26,5 cm.
This work is a one-of-a-kind p...
Category
2010s Abstract Expressionist Abstract Drawings and Watercolors
Materials
Color Pencil
Moonlight by Annemarie Ambrosoli Color Pencil Abstract Expressionist
Located in Kiens, BZ
Moonlight (2019) 21x22 cm, by Italian artist Annemarie Ambrosoli, is a colored pencil drawing framed with a black passepartout, that measures 29x27 cm
©Annemarie Ambrosoli
This wor...
Category
2010s Abstract Expressionist Abstract Drawings and Watercolors
Materials
Color Pencil
Rainbow by Annemarie Ambrosoli, color pencil, 21x22cm, Abstract
Located in Kiens, BZ
Rainbow (2019) 21x22 cm, by Italian artist Annemarie Ambrosoli,is a colored pencil drawing framed with a black passepartout, that measures 29x27 cm
©Annemarie Ambrosoli
This work ...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Color Pencil
Love is in the Air by Annemarie Ambrosoli Color Pencil Abstract Expressionist
Located in Kiens, BZ
Love is in the Air (2019) cm 21x21,5, by Italian artist Annemarie Ambrosoli, is a colored drawing with color pencil on a black cardboard, that measures 29x27 cm.
This work is a one-o...
Category
2010s Abstract Expressionist Abstract Drawings and Watercolors
Materials
Color Pencil
Thinking by Annemarie Ambrosoli, color pencil, 21x21cm, Abstract
Located in Kiens, BZ
Thinking (2023) cm 21x21, by Italian artist Annemarie Ambrosoli, is a colored drawing with color pencil on a black cardboard, that measures 29x27 cm.
This work is a one-of-a-kind pie...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Color Pencil
Reminiscence by Annemarie Ambrosoli, color pencil, 21x21cm, Abstract
Located in Kiens, BZ
Reminiscence (2023) cm 21x21, by Italian artist Annemarie Ambrosoli, is a colored drawing with color pencil on a black cardboard, that measures 29x26,5 cm.
This work is a one-of-a-ki...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Color Pencil
Watercolor and Gouache on Paper, by Charles Burchfield, circa 1925
Located in New York, NY
Charles Burchfield, 1893-1967
Wallpaper Design No.2, 1922-28
Watercolor and gouache on paper
Category
1920s Abstract Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
Veiled Series L, Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida.
She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art.
On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas.
She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970.
In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973.
Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said.
During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake.
By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel.
Group Shows Conceived and Curated by Dorothy Gillespie
Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category
Early 2000s Abstract Expressionist Abstract Drawings and Watercolors
Materials
Paper, Ink, Watercolor, Permanent Marker
American (1917 - 2000) Abstract Drawing, Marker on Paper. Signed & Dated
Located in Los Angeles, CA
Aubrey Penny (1917 - 2000) Abstract Drawing, Marker on Paper. Signed and Dated 64, lower right
Titled: "Laws of Chance" Structure Series 11-1513-D, 1964
Aubrey Penny (American 19...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Archival Paper, Permanent Marker
"Portrait 1" Drawing 23" x 17" inch by Oleksandr Miroshnychenko
Located in Culver City, CA
"Portrait 1" Drawing 23" x 17" inch by Oleksandr Miroshnychenko
Unique work
ball pen, spray paint, paper 300g
ARTIST BIO:
Oleksandr Miroshnychenko lives and works at his studio in...
Category
21st Century and Contemporary Abstract Abstract Drawings and Watercolors
Materials
Paper, Spray Paint, Ballpoint Pen
Veiled Series XXX, Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida.
She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art.
On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas.
She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970.
In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973.
Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said.
During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake.
By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel.
Group Shows Conceived and Curated by Dorothy Gillespie
Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category
Early 2000s Abstract Expressionist Abstract Drawings and Watercolors
Materials
Paper, Ink, Watercolor, Permanent Marker
Veiled Series X , Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida.
She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art.
On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas.
She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970.
In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973.
Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said.
During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake.
By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel.
Group Shows Conceived and Curated by Dorothy Gillespie
Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category
Early 2000s Abstract Expressionist Abstract Drawings and Watercolors
Materials
Paper, Ink, Watercolor, Permanent Marker
Veiled Series LX , Abstract Expressionist Organic Drawing Watercolor Painting
Located in Surfside, FL
Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida.
She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art.
On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas.
She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970.
In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973.
Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said.
During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake.
By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel.
Group Shows Conceived and Curated by Dorothy Gillespie
Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...
Category
Early 2000s Abstract Expressionist Abstract Drawings and Watercolors
Materials
Paper, Ink, Watercolor, Permanent Marker
Thoughts (triptych) - line drawing woman figure with white dandelions
By Mila Akopova
Located in Fort Lee, NJ
Interior design paintings. Triptych. The artworks were done with acrylic, ink and watercolor in white color on black watercolor paper 360g. The works are 12 by 16.5 inches in size, f...
Category
2010s Minimalist Abstract Drawings and Watercolors
Materials
Paper, Acrylic, Watercolor
HEART
Located in London, GB
Inner and outer force, turmoil, in search of direction, under pressure.
Pen drawing on paper, not mounted unless requested for additional price
Category
21st Century and Contemporary Abstract Drawings and Watercolors
Materials
Paper, Pastel, Pen
Georgian Contemporary Art by Rezo Khasia - Graphics
Located in Paris, IDF
Mixed media on paper
Rezo Khasia is a Georgian artist born in 1947 who lives and works in Tbilisi, Georgia. The sculptures performed by him are generalized and minimalist. He Uses a...
Category
2010s Contemporary Abstract Drawings and Watercolors
Materials
Mixed Media, Paper
Iain Baxter& "Merging Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with ironing board in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Abstract Drawings and Watercolors
Materials
Mixed Media, Monoprint, Monotype
Georgian Contemporary Art by Rezo Khasia - Graphics
Located in Paris, IDF
Mixed media on paper
Rezo Khasia is a Georgian artist born in 1947 who lives and works in Tbilisi, Georgia. The sculptures performed by him are generalized and minimalist. He Uses a...
Category
2010s Contemporary Abstract Drawings and Watercolors
Materials
Paper, Mixed Media
Prize Blade 1, abstract male nude, expressionist brushwork, dark, monochromatic
By Tom Bennett
Located in Brooklyn, NY
Monotype
Dramatic imagery from Tom Bennett’s series of monotypes, blending surrealistic mindscapes with stark realism
About Tom Bennett:
With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic.
Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut.
His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light.
Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...
Category
2010s Expressionist Abstract Drawings and Watercolors
Materials
Archival Ink, Archival Paper, Monotype
Chthonic. Contemporary Ink and Graphite Drawing
Located in Brecon, Powys
Chthonic is derived from Ancient Greek and concerns the underworld and this painting by Wayne Summers shows a contemporary depiction of something decidedly other worldly. This is a p...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Ink, Graphite
Flock 5, Black and White Abstract Drawing, Starling Art, Nature Art, Monochrome
By Nigel Bird
Located in Deddington, GB
Original work on paper work by Nigel bird. It is part of a collection of work inspired by sound. “During the time I lived in Southern France, I once had the good fortune to be walkin...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Pen, Paper
Ash Drawing #2
Located in Fairfield, CT
Represented by George Billis Gallery.
New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...
Category
21st Century and Contemporary Abstract Abstract Drawings and Watercolors
Materials
Paper, Charcoal, Ink
Ash Drawing #4
Located in Fairfield, CT
Represented by George Billis Gallery.
New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...
Category
21st Century and Contemporary Abstract Abstract Drawings and Watercolors
Materials
Pastel, Paper, Charcoal
Ash Painting #4
Located in Fairfield, CT
Represented by George Billis Gallery.
New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...
Category
21st Century and Contemporary Abstract Abstract Drawings and Watercolors
Materials
Paper, Charcoal, Oil, Ink
Abstract Composition
Located in Cliffside Park, NJ
Abstraction by Max Olderock
Watercolor on paper, signed
Painter, stage designer, weaver and commercial artist. Olderock studied at the Hamburg school of applied arts under A. Kling and M. Brinckmann. He was member of 'Deutscher Werkbund...
Category
Mid-20th Century Abstract Expressionist Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Original 70's Hand Painted Textile Design Gouache Black & Orange on White Paper
Located in ALCOY/ALCOI, ES
Abstract Expressionist design. Sealed on the back with the design studio name and number 91. Ilegible signature
We offer a small number of these original illustration designs by thi...
Category
1970s Abstract Abstract Drawings and Watercolors
Materials
Paper, Gouache
Swing, a highly detailed geometric black ink drawing on clay-coated panel
By Jenifer Kent
Located in New York, NY
This mesmerizing ink drawing on clay-coated panel by Jenifer Kent shows off the artist's meditative process as she hand-draws, without assistance from a straight edge, a network of l...
Category
2010s Abstract Geometric Abstract Drawings and Watercolors
Materials
Ink, Wood Panel
A Conversation With Myself VII
Located in New York, NY
About the Series:
Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fascinated and horrified her. Gilliam always knew the seriousness of the brain injury suffered as a baby; however, it was the first time she confronted the visual evidence of the injury. Around the same time, she experienced a continuous period of profound familial loss. Both these episodes left her thinking about the body in a new light. This led her to study the biology and physiology of our bodies and the seemingly cruel, capricious way the body can behave, vacillating between strength and fragility. Gilliam began to make drawings from the MRIs recording the brain to understand how its structure and pathways form to activate the circumstances of the individual being we become. As the series has developed, the imagery has dissolved into abstraction, capturing something more existential. The repetitive lines revealed rhythms, and the patterns formed conversations. Ultimately, Life Lines has evolved into a visual story about connections, threading together a human body with its physical, metaphysical, and interpersonal environment.
About the Artist:
Claire Gilliam is an English photographer, printmaker, painter now based from her home and studio in Warwick, NY.
In 1997, she graduated from Sheffield Hallam University in the UK with a BA(Hons) in Fine Art and completed the Professional Certificate in Photography at Rockport College, Maine in 2000. She has studied with photographers such as Arno Minkkinen and John Goodman and master gelatin silver printer, Chuck Kelton and master printmaker, Vijay Kumar. She is an assistant for author and fine art photographer Barbara Mensch.
Her works have been shown across Europe and the USA and held in several private and public collections, including The ICP Library Print...
Category
2010s Abstract Drawings and Watercolors
Materials
Ink, Archival Ink, Watercolor, Archival Paper
Thoughts - line drawing woman figure with white dandelion
By Mila Akopova
Located in Fort Lee, NJ
Interior design paintings. The artwork were done with acrylic, ink and watercolor in white color on black watercolor paper 360g. The work are 12 by 16.5 inches in size, framed (black...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Paper, Acrylic, Watercolor
TWO SPACES - Expressive Charcoal On Paper Painting, Black White Drawing
Located in Salzburg, AT
The work is on 1 paper.
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
The artwork is unframed and will be...
Category
Early 2000s Conceptual Abstract Drawings and Watercolors
Materials
Paper, Charcoal
Ajapa Jaapa Abstract Geometric Modern Indian Painting
By Jeet Aulakh
Located in Surfside, FL
Born and raised in India, Canadian Contemporary artist Jeet Aulakh participates in a rich and varied cultural and social history in which...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Thoughts - line drawing woman figure with white dandelions
By Mila Akopova
Located in Fort Lee, NJ
Interior design paintings. The artworks were done with acrylic, ink and watercolor in white color on black watercolor paper 360g. The works are 12 by 16.5 inches in size, framed (bla...
Category
2010s Minimalist Abstract Drawings and Watercolors
Materials
Paper, Acrylic, Watercolor
Antique American School Modern Abstract Expressionist Minimalist NYC Painting
Located in Buffalo, NY
Vintage American modernist abstract drawing. Pencil and graphite on paper, circa 1970. Unsigned. Image size, 31L x 23H. Housed in a period frame.
Category
1940s Abstract Abstract Drawings and Watercolors
Materials
Graphite
Sounds of consciousness
Located in Ridgewood, NY
Acrylic monoprint on paper
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Acrylic
Georgian Contemporary Art by Tamta Chachanidze - Flow
Located in Paris, IDF
Marker on paper
Category
2010s Contemporary Abstract Drawings and Watercolors
Materials
Permanent Marker, Paper
An Interior Language IV
Located in New York, NY
About the Series:
Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Photographic Paper, Photogram, Etching, Aquatint
"Landscape at sunset-Luberon-France" Watercolor , cm. 29, 5 x 21 1960 ca
By Dora Maar
Located in Torino, IT
orange, green, sunset
Dora Maar is the pseudonym of Henrietta Theodora Markovitch (Paris 1907 - 1997).
Shrouded in the monumental shadow of Picasso, she has long been - and reductive...
Category
1960s Abstract Expressionist Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Georgian Contemporary Art by Tamta Chachanidze - Send Nudes
Located in Paris, IDF
Marker & pastel on paper
Category
2010s Contemporary Abstract Drawings and Watercolors
Materials
Paper, Mixed Media
An Interior Language I
Located in New York, NY
About the Series:
Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...
Category
2010s Abstract Drawings and Watercolors
Materials
Photographic Paper, Photogram, Etching, Aquatint
An Interior Language II
Located in New York, NY
About the Series:
Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...
Category
2010s Abstract Drawings and Watercolors
Materials
Etching, Photographic Paper, Aquatint, Photogram, Silver Gelatin
Francesca 8: abstract painting w/ natural materials on black artist's paper
By Nancy Agati
Located in Bryn Mawr, PA
This painted work-on-paper is an abstract geometric design that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The densely layered compositio...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Slate
"Portrait 4" Drawing 23" x 17" inch by Oleksandr Miroshnychenko
Located in Culver City, CA
"Portrait 4" Drawing 23" x 17" inch by Oleksandr Miroshnychenko
Unique work
ball pen, spray paint, water colour, paper 300g
ARTIST BIO:
Oleksandr Miroshnychenko lives and works at his studio in Kochetok, a small village in the Kharkiv region of Ukraine. In 2001, he decided to become an artist after one year of studying radiophysics at Karazin Kharkiv National University. Miroshnychenko subsequently enrolled at Kharkiv Artist College but after two years of education was expelled. The aspiring artist's first meeting...
Category
21st Century and Contemporary Abstract Abstract Drawings and Watercolors
Materials
Paper, Spray Paint, Ballpoint Pen
Untitled, Kirsten Hawthorne
Located in Auburn Hills, MI
Kirsten Hawthorne received her MFA from the School of the Art Institute of Chicago, and she lives and works in New York City. Hawthorne is a master oil pastellist creating works on p...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Oil Pastel, Graphite
1980s "#2" Cross Hatch Abstract Charcoal Drawing Minimalist Modern Art
Located in Arp, TX
Jack Scott
"#2"
1980
Continuous, interwoven line, charcoal, drawing on paper
40"x30" unframed
Signed and dated in pencil on reverse
Now available for purcha...
Category
1980s Minimalist Abstract Drawings and Watercolors
Materials
Paper, Charcoal
1980s "#15" Cross Hatch Abstract Charcoal Drawing Minimalist Modern Art
Located in Arp, TX
Jack Scott
"#15"
1980
Interwoven, continuous line charcoal drawing on paper
40"x30" unframed
Signed and dated in pencil on reverse
Now available for purchas...
Category
1980s Minimalist Abstract Drawings and Watercolors
Materials
Paper, Charcoal
"Portrait 3" Drawing 23" x 17" inch by Oleksandr Miroshnychenko
Located in Culver City, CA
"Portrait 3" Drawing 23" x 17" inch by Oleksandr Miroshnychenko
Unique work
ball pen, spray paint, paper 180g
ARTIST BIO:
Oleksandr Miroshnychenko lives and works at his studio in...
Category
21st Century and Contemporary Abstract Abstract Drawings and Watercolors
Materials
Paper, Spray Paint, Ballpoint Pen
Modern Light Blue, Brown, and Black Geometric Abstract Circle Pattern Painting
By John Little
Located in Houston, TX
Modern light blue, brown, and black geometric abstract circle pattern painting by textile designer John Little. The work was created as a proposed design for a wallpaper and features the original color codes in the front lower left corner. Currently hung in a solid black frame with a large white margin.
Dimensions Without Frame: H 32.75 in. x W 35.63 in.
Artist Biography: A painter and textile designer, John Little is best known for gestural works filled with boldly explosive color that reflect the influences of his teacher Hans Hofmann and for his involvement in the Abstract Expressionist movement in East Hampton, where he moved in the late 1940s. In East Hampton Little congregated with Jackson Pollock, Lee Krasner, and the other artists who were the leading innovators in the New York School.
John Little was born in Sanford, Alabama. He left home at the age of fourteen to become an artist, and moved to Buffalo, New York, in 1923. After spending a year working as a stevedore on the docks to save money, he enrolled at the Buffalo Fine Arts Academy and developed an interest in singing. In 1927 he moved to New York City where he continued his vocal work and studied operatic literature. He also became involved in textile design, opening his own store in 1920, called John Little Studios: Fabric and Wallpaper Design. He ran the store until 1950.
In 1933 John Little resumed his painting studies at the Art Students League in New York under the guidance of George Grosz (1893-1959). The following year he made his first visit to East Hampton, Long Island, which he would eventually call home. Later in the decade, he traveled to Paris where he became familiar with European modernism. On his return to America, he taught textile design at the Pratt Institute in Brooklyn. He hired Josephine Watkins to work for him; she later became his wife. Little's textile store and teaching job gave him a financial security that was rare during the Depression, and he never found it necessary to find employment with the Works Progress Administration. At the end of the decade, John Little studied with Hans Hofmann (1880-1966) in New York and Provincetown. Little was greatly influenced by Hofmann, particularly by his views on color theory.
In 1942 John Little joined the Navy as an aerial photographer. In the late 1940s he purchased a rundown house on Three Mile Harbor...
Category
Early 20th Century Modern Abstract Drawings and Watercolors
Materials
Paper, Gouache
”DARK MEADOW” -collage, black textilepaint on silktextilecanvas, silk applicatio
Located in London, GB
Darkness, feminin darkness, strength stretched over woodenframe 4cm thick
Category
21st Century and Contemporary Abstract Drawings and Watercolors
Materials
Paper, Pastel, Color Pencil
Francesca 10: abstract painting w/ natural materials on black artist's paper
By Nancy Agati
Located in Bryn Mawr, PA
This dramatic work-on-paper is an abstract geometric painting that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The rich, dark background i...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Slate
1980s "#13" Cross-Hatch Abstract Charcoal Drawing MinimalistModern Art
Located in Arp, TX
Jack Scott
"#13"
1980
Interwoven, continuous line charcoal drawing on paper
40"x30" unframed
Signed and dated in pencil on reverse
Now available for purchase, this is one of fifteen 40"x30" cross-hatch, charcoal drawings
on Strathmore paper, created in 1980-1981. The drawings are a dense
constellation of cross-hatch lines that undulate in light and dark, creating a
deep three dimensional quality, as if the forms are detached or floating on the
paper. Minimalist in style, these black and white drawings are powerful,
compelling images.
Very Good Condition - Minor wear consistent with age and history. Corners have wear.
JACK SCOTT (1953-)
Education:
MFA San Francisco Art Institute (1978)
BA
San Francisco State University (1976)
College of Marin (1971-1974)
Exhibitions Include:
Los Angeles Institute of Contemporary Art (solo)
Hansen Fuller Golden Gallery, San Francisco (solo)
Kirk deGooyer Gallery, Los Angeles, (solo)
"California Drawings...
Category
1980s Minimalist Abstract Drawings and Watercolors
Materials
Paper, Charcoal
Georgian Contemporary Art by Giorgi Kukhalashvili - Black Sea Beach
Located in Paris, IDF
Mixed media on paper
Giorgi Kukhalashvili is a Georgian artist born in 1982 who lives and works in Tbilisi, Georgia. He's founder of the organization “Language of Art". In 2002, he ...
Category
2010s Contemporary Abstract Drawings and Watercolors
Materials
Paper, Mixed Media
Mid Century Cornish gouache abstract painting by William Black 'Doorway'
Located in Petworth, West Sussex
William Black (British, Fl. 1963 – 69)
Doorway
Ink and watercolour on paper
Signed, inscribed and dated ‘Doorway William Black 64’ (lower edge)
7.1/2 x 4.7/8 in. (19.2 x 12.4 cm.) (to site edge)
William Black is a little known and underrated member of the St Ives artist group who, having worked as an architect after the Second World War, went on to work as an artist following the inheritance of money in the early 1950s.
He was a self taught artist, producing numerous deconstructivist sculptures in the 1960s. He moved to St Ives in Cornwall where he knew artists such as Ben Nicholson, Barbara Hepworth and Naum Gabo. There is a clear architectural element to the sculptures that he made . They illustrate an assemblage of fragmented shapes and forms of a deconstructivist nature.
William Black’s artwork is very much rooted in the time and Cornish School so one can see elements from those such as Wilhelmina Barns Graham...
Category
20th Century Abstract Abstract Drawings and Watercolors
Materials
Paper, Ink, Watercolor
Open door - line drawing figure
By Mila Akopova
Located in Fort Lee, NJ
Interior design paintings. The artwork was done with white pen on black watercolor paper 360g. The works are 11,5 by 16,5 inches in size, framed (black) with a styrene face on a mat board in black and white with sizes 16 by 20 in.
Mila Akopova is New York artist.
She graduated from Moscow State University with a degree in History and Theory of Art.
Her Artwork got 3rd place at the 2020 American Art Awards, juried by 25 best galleries and museums in America, with artist from 63 countries, in category: minimalism. Also, several works took part in exhibitions of the All-Russian Decorative Art Museum and in the Cube Moscow exhibition space . It was published as the catalog: “The game of tic tac toe, or creating a collection in one year”. Several works by Mila Akopva were created specifically for the collaboration with Vintage Dream...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Paper, Felt Pen
Black Forest- Abstract contemporary painting on canvas, modern red and black
Located in Dallas, TX
Emma Godebska's artwork is inspired by the Parisian luxury world of fashion, textures and pure color. "Black Forest" is a dramatic and contemporary abstract painting. It is created u...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Acrylic, Pigment, Gesso, Cotton Canvas
Single Bottle II: Abstract Cubist Style Morandi Bottle Still Life Pencil Drawing
Located in Hudson, NY
Abstract cubist style still life graphite drawing inspired by Giorgio Morandi's bottle paintings
“Single Morandi Bottle II” by Hudson Valley artist, David Dew Bruner, made in 2022
G...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Paper, Graphite
Unique Cloud Drawing, hand signed, dated and inscribed to Caroline, in monograph
By KAWS
Located in New York, NY
KAWS
Unique Cloud Drawing, inscribed to Caroline
Original drawing done in silver marker. Hand signed inscribed and dated. Held in hardback monograph
11 ...
Category
2010s Street Art Abstract Drawings and Watercolors
Materials
Board, Offset, Permanent Marker, Mixed Media
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