Vertical Abstract Drawings and Watercolors

Executed in 1930, this abstract yet representational biomorphic charcoal work by African American Artist Charles Henry Alston prefigures his ...

Marker, gouache, ink, metallic paint, colored pencil, and collage on archival colored paperr Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. His work has been featured in many solo shows, over 200 group shows, and over 200 Living Installations in New York. His art has been discussed in over 200 publications, books and media sources, including the New York Times, The Huffington Post, Bomb Magazine, Art 21,NBC's Today Show, Marie Claire Italia, Frank 151, Art+Auction, the New York Post, Fox Channel 5, the Village Voice's “Best in Show", The Creator's Project, Art Forum...

Untitled molded mud-dried paper with collage elements, 1996 Signed and dated lower edge (see photo) Annotated and titled verso Sheet size: 24 x 7 inches Provenance: Ralph Drake, fir...

Artist: Stephen Greene, American (1917 - 1999) Title: Untitled Year: 1986 Medium: Acrylic and Mixed Media on Paper, signed and dated l.r. Size: 40 x 30 inches

Day and night belong together, just like light and dark, good and bad, sadness and happyness. This painting is part of the dyptichon "Day & Night", each 40x30 cm (both 40x60 cm), ...

This is a framed original drawing. Humberto Ramirez was born in Guadalajara, México, 1982. Lives and works in Guadalajara. His recent work explores human behavior from primitive perspective...

Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by the Grège Gallery. Her artistic practice reflects a deep exploration of mat...

> Papercut, Watercolor > signed and dated lower right Barbara Szüts was born in Bad Bleiberg in Carinthia (AUSTRIA) in 1952. She studied painting with Carl Unger at the University o...

Abstract watercolor painting of outer space. Gustave Alhadeff did a series of these space works for a poster design for the Houston Museum of Natural Science. The work is signed by the artist in the bottom corner. The painting is not currently framed. Artist Biography: Born in the Belgian Congo in 1940, Gustave Alhadeff won his first award at the annual art show in Elisabethville, at age 13. His formal art education began with Mr. Marcel Pire (Prix de Rome). He continued his studies at the Michaelis School of Fine Art, with Mr. Van Nesche in Cape Town, South Africa from 1956 to 1957. He was awarded a scholarship from the Art Academy to continue his studies with Mr.Creytens at the "Institute National Superieur des Beaux Arts" in Anvers, Belgium. The following year he entered the class of Mr. Leon Devos...

A contemporary mixed media vinyl and watercolor paint on paper by emerging female artist Winslow Tee. This work measures 20 x 16 on the wall, and the paper size is 14" x 11". A wh...

From the series “Zi huaâ€

From the series “Zi huaâ€

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in white with sizes 16 by 20 in. Mila Akopova is New York artist. She graduated from Moscow State University with a degree in History and Theory of Art. Her Artwork got 3rd place at the 2020 and 2021 American Art Awards, juried by 25 best galleries and museums in America, with artist from 63 countries, in category: minimalism. Also, several works took part in exhibitions of the All-Russian Decorative Art Museum and in the Cube Moscow exhibition space . It was published as the catalog: “The game of tic tac toe, or creating a collection in one year”. Several works by Mila Akopva were created specifically for the collaboration with Vintage Dream...

Translated title: "Souls". Watercolor on high-quality cotton paper, which is handmade in Italy. This is part of an album. The price refers to the single drawing.

Dorothy Dehner (1901–1994) was an influential American multidisciplinary artist who worked with drawing, painting, printmaking, and most notably sculpture. Dehner's legacy has been overshadowed for many years by her ex-husband, the acclaimed sculptor David Smith. Stifled by their tumultuous relationship, Dehner only fully committed to her practice after divorcing him in 1951. This break was highly fruitful for her artistic output and reputation in the following years. After the divorce, Dehner refined her artistic voice and expanded her practice to include printmaking and sculpture. Her new-found independence and renewed ambition led to a pivotal relationship with the esteemed printmaking studio Atelier 17. Working there she formed a close and enduring friendship with Louise Nevelson. Today Dehner has been re-embraced and repositioned in the American art canon. Her work is best understood and appreciated in the context of not only David Smith but other artists dedicated to sculpture including Lee Bontecou, Louise Bourgeois, and of course Louise Nevelson. This energetic and hypnotic work on paper is somewhat of a departure from Denher's structured and intricate approach. Bold, frenetic strokes of ink loop chaotically across the surface, revelling in a sense of fluid dynamism that is in contrast with the artist's architectural arrangements. While it is notably looser and bolder then some of the drawings we expect from this era, we find the artist creating forms that are a harbinger of the muscular sculpture she would create in the following decade. Click here to see an example of a bronze sculpture from 1966 sold at Wright auction house...

Dorothy Dehner (1901–1994) was an influential American multidisciplinary artist who worked with drawing, painting, printmaking, and most notably sculpture. Despite her artistic cont...

Forest edge 1981. Paper, mixed media, 41x30 cm "Forest edge" is a mixed media artwork created in 1981 on paper, measuring 41x30 cm. It features a colorful depiction of a forest with a variety of trees and foliage. The colors used are vibrant and vivid, giving the piece a lively and energetic feel. Oskars Berzins (1940) Born on September 20, 1940 Education 1970 graduated from Art academy of Latvia Graphics department. Diploma work-holiday poster...

"Butterfly" original drawing on French papers, framed in a handmade color coordinated frame. The mat is hand done in the green orbs and the surrounding green marbleized paper is h...

Oil on canvas Katherine Filice is an award-winning American abstract artist born in 1963 who lives and works in Hollister, Northern California, USA. Her work is known for its explor...

"Untitled," Flashe on Paper, 30 x 22 Inches A highly sophisticated series of large and small paintings, drawings and monoprints by Margo Margolis, NY artist who recently retired as...

graphite on paper, drawing measures 5.5 x 4 inches Vintage frame is 12.5 x 9 x 2 inches with beautiful floral carved detail and fabric inlay. This graphite work on paper was inspire...

Sarah Brenneman is an American artist based in West Orange, New Jersey working primarily in painting. Her overarching interest lies in abstraction as a universal language and she wor...

Chorus Line Oil pastel on paper, c. 1960's Signed (see photo) Provenance: Estate of the Artist Estate of the artist (Estate No. 745) Condition: Excellent Image/Sheet size: 5 3/4 x 4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News (April 1, 1954); Sam Feinstein, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art Digest (March 1, 1955); Pat Horner, “Big Heart, Timeless Art —Sam Spanier Retrospective at Fletcher Gallery, Woodstock Times (July 1, 1999); Donald Judd, “In the Galleries: Sam Spanier,” Arts Magazine (April 1960); Liam Nelson, “Human Force...

Guillermo Bublik is an Argentinian/American painter based in New Jersey. His works are easily recognizable by their bold combinations of colors and abstract geometric forms. Commonly...

Shape 10 (2018) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral pal...

Shape 33 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Deep purple...

Jody Rasch’s work is drawn from various science practices, including astronomy, biology, and sub-atomic physics. In his subject matter and technique, Rasch builds on historical conce...

"Untitled," Flashe on Paper, 30 x 22 Inches A highly sophisticated series of large and small paintings, drawings and monoprints by Margo Margolis, NY artist who recently retired as ...

Mixed media Paper size: 21.75 x 14.5 inches Framed size: 36.25 x 29 inches Signed lower left

Interior design paintings. The work was done with alcohol ink in blue color on Yupo paper. The work is 11 by 14 inches in size, framed (gold or black) with a styrene face on a mat bo...

Untitled Watercolor on paper. 1971 Unsigned Sheet size: 24 x 19 inches Condition: Excellent From the collection of Ileana Sonnabend (1914-2007) Laddie John Dill, a Los Angeles artist...

Interior design paintings. The work was done with alcohol ink in ultramarine blue and grey color on Yupo paper. The work is 11 by 14 inches in size, framed (gold and black) with a st...

"Portrait 4" Drawing 23" x 17" inch by Oleksandr Miroshnychenko Unique work ball pen, spray paint, water colour, paper 300g ARTIST BIO: Oleksandr Miroshnychenko lives and works at his studio in Kochetok, a small village in the Kharkiv region of Ukraine. In 2001, he decided to become an artist after one year of studying radiophysics at Karazin Kharkiv National University. Miroshnychenko subsequently enrolled at Kharkiv Artist College but after two years of education was expelled. The aspiring artist's first meeting...

Translated title: "Bombs are coming" Acrylic paint and pencil paint on high-quality cotton paper, which is handmade in Italy. This is part of an album. It's been drawn in one go, w...

Complete title: "Tracciati ( cerca di non dire cazzate )" Translated title: "Traces ( try not to bullshit )" Acrylic paint and pencil on high-quality cotton paper, which is handmad...

Translated title: "Traces" Acrylic paint on high-quality cotton paper, which is handmade in Italy. This is part of an album. It's been drawn in one go, with no erasure and with a c...

The work was done with ink and watercolor on watercolor paper 300g. The work is 11 by 15 inches in size framed (black) with a styrene face on a mat board in beige color with size 20 ...

Tavlaridis Untitled (Box), 2016 32x42cm handmade cut out on paper Stratis Tavlaridis, was born in 1990 in Thessaloniki, Greece. He is a visual artist who constructs perforated inst...

Translated title: "Face with a flower on the head". Marker on paper. This is part of an album. The price refers to the single drawing.

Translated title: "Composition". Watercolor and acrylic paint on high-quality cotton paper, which is handmade in Italy. This is part of an album. The price refers to the single dra...

Translated title: "Rebel angel". Watercolor on high-quality cotton paper, which is handmade in Italy. This is part of an album. The price refers to the single drawing.

charcoal on paper on panel :: Drawing :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signat...

Artist: Ray Dougherty, American Title: Thrust Year: 1992 Medium: Watercolor on Paper, signed and dated l.l. Size: 22 x 28.5 in. (55.88 x 72.39 cm)

"M-0048" is my new drawing series, watercolor marker pen & mixed media on 260g "Bristol" paper. 17x14" Thanks! :: Drawing :: Abstract :: This piece comes with an official certificate...

Empath * Communication * Translate * Sharing (One of the Arts) Gouache and metallic ink on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / G...

Accomplish (To Accomplish * Goals & Task) Gouache and metallic ink on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction /...

Her beautiful vagina. 2009, ink on paper, 26x17 cm Erotic ink drawing in black and white colors

Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...

Dorothy Gillespie (June 29, 1920 – September 30, 2012) was an American artist and sculptor who became known for her large and colorful abstract metal sculptures. Gillespie became best known for the aluminum sculptures she started to produce at the end of the 1970s. She would paint sheets of the metal, cut them into strips and connect the strips together to resemble cascades or starbursts of bright colored ribbon. The New York Times once summarized her work as “topsy-turvy, merrymaking fantasy,” and in another review declared, “The artist’s exuberant sculptures of colorful aluminum strips have earned her an international reputation.Her works are featured at her alma mater (Radford University) in Virginia, where she later returned to teach, as well as in New York (where she was artist in residence for the feminist Women's Interart Center), Wilmington, North Carolina and Florida. She enrolled both at Radford University near her hometown, and the Maryland Institute College of Art in Baltimore, Maryland. The director of the Maryland Institute, Hans Schuler, helped foster her career in fine art. On June 5, 1943, aged 23, Gillespie moved to New York City. There she took a job at the B. Altman department store as assistant art director. She also joined the Art Students League where she was exposed to new ideas about techniques, materials, and marketing. She also created works at Atelier 17 printmaking studio, where Stanley William Hayter encouraged to experiment with her own ideas. She and her husband, Bernard Israel, opened a restaurant and night club in Greenwich Village to support their family. She returned to making art in 1957, and worked at art full-time after they sold the nightclub in the 1970. In 1977 Gillespie gave her first lecture series at the New School for Social Research, and she would give others there until 1982. She taught at her alma mater as a Visiting Artist (1981-1983) and gave Radford University some of her work to begin its permanent art collection. Gillespie then served as Woodrow Wilson visiting Fellow (1985-1994), visiting many small private colleges to give public lectures and teach young artists. She returned to Radnor University to teach as Distinguished Professor of Art (1997–99).[8] She also hosted a radio program, the Dorothy Gillespie Show on Radio Station WHBI in New York from 1967-1973. Gillespie began moving away from realism and into the abstraction that marked her career. Gillespie returned to New York City in 1963 to continue her career. She maintained a studio through the 70s and advocate worked towards feminist goals in the art industry, picketing the Whitney Museum, helping to organize the Women's Interart Center, curating exhibitions of women's art, and writing articles raising awareness of her cause. Gillespie numbered among her acquaintances such art-world luminaries as Jackson Pollock, Lee Krasner, Alice Neel, Louise Nevelson and Georgia O’Keeffe. “She had amazing stories that unfortunately are gone,” her son said. During the 1960s, she built multimedia art installations that made political statements, such as 1965’s “Made in the USA,” that used blinking colored lights, mirrors, shadow boxes, rotating figures and tape recordings to convey a chaotic look at American commercial fads. The floor was strewn with real dollar bills, which visitors assumed were fake. By the 1980s, Gillespie's work had come to be known internationally. She completed many commissions for sculptures in public places, including Lincoln Center, Rockefeller Center and Walt Disney World Epcot Center in Orlando, Florida. Her work is in many collections across the United States, including the Delaware Museum, the Solomon R. Guggenheim Museum, and the National Museum of Women in the Arts. Her sculptures can also be found in the Frankfurt Museum in Germany and the Tel Aviv Museum in Israel. Group Shows Conceived and Curated by Dorothy Gillespie Women's Interart Center, New York, NY 1974 included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...

Traces Mineral Oxide on Paper ( Fabriano Paper) 70x100 cm 2023 Original Art Authenticity certificate frame options one of a kind, non-reproducible Marilina Marchica orients her ...

Artist: Ben Hancocks Title: 31st March Year: 1981 Medium: Oil Pastel on Paper, signed and dated Image Size: 27.5 x 8.5 in. [69.85 x 21.59 cm] Paper Size: 34 x 15 inches [86.36 x 38....

Paco Rabanne ( 1934 -2023 ) " Profil Orange " 41 X 31 cm 49 X 39 cm framed . colored pencil , Gouache, felt-tip pen and graphite on paper . signed and dated 1990.

Study 4, 2024 This process serves as a catalyst for introspection, prompting her to investigate questions surrounding the history of representation, the boundaries of perception, an...

18 x 14 inch drawing on 20 x 16 inch Aquarelle Arches Paper 24 x 20 x .5 inches framed Thin profile black metal frame, 8 ply white mat Ralph Stout's works on paper reveal a drau...

Underworld, Past is a drawing realized by Iranian artist and Poet Parimah Avani in 2023. China ink, acrylic, and mixed media on Japanese Kozo paper with applied Tengujo Kashmir paper and Papyrus, Plettenberg, DE. Exhibited in " Heroine's Journey" 2023, in Gallery hall of German Bank " Sparkasse", Winner of scholarship and art residency "Werkstatt Plettenberg" in DE, 2023. From the series " Past,  Now, Future" in which the central piece "Earth- Now" is in the Municipal collection of Plettenberg, Germany. Hand-signed and dated. The artwork is represented with alchemical, magical, and mythological symbols and signs, through rebellious miniature figures, creatures and animals that shape the whole body of time and three words, here the past - underworld has the shape of the head of a horse, with by metal colors referring to the alchemical process of soul in a minimalistic manner, painting is characterized by expressive brushes. In a fusion of myth and archetypal features, the works aim to transport viewers into the intricate realm of "Heroine's Journey," an exhibition that encapsulates the essence of unity, rebellion and revolutionary figures, transformation, and resistance, and the enduring power of mythological narratives.  Through a combination of limited colors, shapes, and ancient symbolism, these works invite an odyssey that transcends the boundaries of culture, time, and narrative. Drawing inspiration from Joseph Campbell's Hero's Journey. Avani's works weave together a narrative that celebrates the interconnectedness of all living beings.  Avani employs a chosen palette of alchemical colors: various gold, silver, bronze, tint, and copper, representing metals and planets. Each color carries deep, symbolic significance. Gold symbolizes the golden spirit and enlightenment, while silver connects to the feminine aspect and the moon's goddess associations. Copper represents both women and the essence of love. These colors create a narrative resonating with universal themes of transformation and spirituality, mirroring the elevation of the soul through alchemical symbolism. Parimah Avani, born in 1988 in Tehran, Iran, is a multidisciplinary artist and a recognized figure in contemporary hermetic Persian literature and the avant-garde "Other" movement. Her book, "Magic Verses of Antalus," was a finalist for the prestigious "Shamlou" Award. Her most recent achievement is winning an art competition for a scholarship from Werkstatt Plettenberg in Germany, culminating in a solo exhibition held at the Gallery of the German Bank of Sparkasse. Avani's artistic journey began with travels to China and Russia during her formative years, oriental philosophies, particularly Zen and Buddhism, and folk arts ignited her passion for comparative mythology evident in her archaic style. In 2009, she moved to Rome, Italy to study multimedia art, and gained a Master’s in painting at the Fine Art Academy of Rome. Immersed in cultural parallels between East and West, mythological themes transcend boundaries in art, exploring magic and ancient scripts inspired by the scholarly insights of Frazer and Eliade on rituals. Her anthropological view culminated in a Ph.D. in the history of...

Mlle. Jeanne at the Window, No. II Charcoal on paper, 1933 Signed and dated lower right (see photo) Illustrated: Gustafson, Zimmerli Museum, 1988, "Benjamin Benno: A Retrospective Ex...

Original gouache on paper. Hand signed and dated lower front. Artwork sheet size 22 x 10 inches. Custom framed as pictured. Artwork is in excellent condition. Certificate of aut...

Interior design paintings. The artwork were done with acrylic, ink and acrylic in black and gold color on watercolor paper 300g. The work are 11 by 15 inches in size, framed (gold or...

Title work “ My en you “ -2019  Cloth 50x60 cm Mixed material tecnique,stucco ,acrylic