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David Knudsvig
Cteno Drawings set of ten abstract ink drawings by David Knudsvig

1989

Price:$1,200
$1,800List Price

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Selfportrait as a Flowerpot by Dieter Roth abstract lithograph
By Dieter Roth
Located in New York, NY
This proof is one of just a few printed in this color combination: the edition of 110 is printed with an orange background, while this copy is a muted yellow with the central, scribb...
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1970s Abstract Abstract Prints

Materials

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Black Moonlight: abstract black white and gray gouache and watercolor portrait
By Howard Hodgkin
Located in New York, NY
Moody, expressive large scale black and white abstract interior scene with grey watercolor and gouache, depicting a bust, indian Mugal carpet, floral design...
Category

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Materials

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Ferris Wheel: abstract modern minimalist color field drawing with rainbow colors
By Gene Davis
Located in New York, NY
This geometric, minimalist print glows in rainbow shades. Vibrant raspberry pink, magenta, yellow, lime green, and sky-blue lines take on the organic quality of handmade paper, resul...
Category

1970s Abstract Abstract Prints

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David Hockney in Hollywood by Howard Hodgkin abstract red watercolor etching
By Howard Hodgkin
Located in New York, NY
Bright colors and abstract textures highlight two shapes, like a pair of eyes, at the center of this etching with watercolor and pastel. Howard Hodgkin based this print on a trip he...
Category

Late 20th Century Abstract Abstract Prints

Materials

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Witch Doctor: abstract modern minimalist color field drawing with rainbow colors
By Gene Davis
Located in New York, NY
Vibrant magenta, yellow, orange, brown, purple, lime green, jungle green, dark green, cerulean, and sky-blue lines take on the organic quality of handmade paper, resulting in this su...
Category

1970s Abstract Abstract Prints

Materials

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Tightrope: abstract modern minimalist color field drawing with rainbow colors
By Gene Davis
Located in New York, NY
Rainbow shades shine in delicate clusters of vertical lines, in this abstract, geometric lithograph. Vibrant yellow, green, magenta pink, blue and brown take on the organic quality o...
Category

1970s Abstract Abstract Prints

Materials

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Wayfinding (No. 4) is a 16.5 x 11.5-inch unframed painting with ink and pastel drawing on paper featuring grey, blue and pink elements that captures the spirit of searching—physicall...
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Wayfinding (No. 3) Forest-Inspired Work on Paper by Katherine Filice
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Ink and Pastel Forest-Inspired Work on Paper by Katherine Filice Wayfinding (No. 3) is a contemplative 16.5 x 11.5-inch work on paper by Katherine Filice, created with ink and pastel...
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Untitled (Līnea Study), 2022
Located in Washington, DC
Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...
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