Unknown

Yellow Abstract Maze

1968

Enchanting abstract watercolor by French artist Claude Schun, circa 1990. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a sta...

Black and white French pen and ink with ink wash of weaving lines defining abstract complex alignements, circa 1970. Original artwork on paper displayed on a white mat with a gold ...

Bright and colorful ink and watercolor abstract by French artist Jaquel, circa 1990. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat...

Black and white French pen and ink with ink wash of weaving lines defining abstract complex alignments, circa 1970. Original artwork on paper displayed on a white mat with a gold b...

Pen and ink abstract by French artist Jaquel, 1978. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Arc...

French abstract emanating halos of jazz vibrations from repeating images of a saxophone player, 2000s. Original artwork on paper displayed on a white mat with a gold border. Mat fit...

“I have been living in Berlin as a painter for 45 years and since then a lot of water has flowed down the Spree, many ‘big’ and little names, many art scenes, a lot of noise and lots of hope have come along. There was the great period of 1920-1933, when Berlin was a real and free art city, when the public still visited the exhibitions and the painters had not yet invented the publicity. There was the ’12th Reich’, which eliminated art. And there came the laborious new beginnings after 1945. When I was a beginner, around 1925, I plunged rather carelessly into the lively art scene: first exhibition in the then very turbulent jury-free show. In 1927, for the first time, I succeeded in conquering a wall space in the academy on Pariser Platz, where Liebermann led a strict regiment. Many young exhibitions were organized and critically acclaimed (Paul Westheim). Paul Cassirer showed three generations in two beautiful exhibitions, I was one of the youngest. My first collective exhibition was in the Galerie Möller in 1928, after which I received a master studio in the ‘Akademie der Künste’ for three years. In the printing workshop on the Steinplatz I learned the etchings on the same press, on which I still create the plates at our university today. This was followed by further exhibitions, again at Möller in 1931, etchings in the gallery Gurlitt in 1932, in the Szczecin Museum, whose director Riezler acquired several pictures that were destroyed during the Nazi era. The Kronprinzenpalais had also bought a picture and the Kupferstichkabinett some etchings. Everything went ahead, and then, with one hit, it was over. In 1934, all free, progressive exhibitions were closed and the associations liquidated (Künstlerbund, Sezession). The end of painting. I learned ceramics and painted tiles and tiled stoves; The war...

Robert Motherwell (1915-1991) is one of the essential American abstract painters that radically defined post-war abstraction in New York City. Today, his work appears in museum collections around the world and is instantly recognizable for its boldness and black forms. His auction record was set in 2018 at $12.6 million USD. In addition to his impressive paintings, Motherwell is also revered as one of the most innovative and prolific printmakers of the 20th century. He was always searching for new techniques, whether at his own printmaking atelier, or collaborating with others, to expand his ideas and express his aesthetic. Created in 1980, "Paris Suite...

Lithograph on paper by Roger Lersy (France - 1920 - 2004). Stunning abstract seascape cubist composition with a highly colorful design of old boats executed by the artist in France circa 1958. The handwritten signature is on the bottom right corner and reads R. Lersy, and the piece is numbered 24 out of 50. The piece was newly reframed in a bright orange modern wood frame with cobalt blue matte and glass protection. Measurements: With frame: 21.26 in. wide (54 cm) x 24.80 in. high (63 cm). Opening view: 16.140 in. wide (41 cm) x 20.086 in. (51 cm). ( the last two pictures are for reference and show you the lithograph before it was reframed). About: Roger Lersy is a French painter, lithographer, and composer, born in Paris on April 2, 1920, and died in Orsay on June 22, 2004. He belongs to the School of Paris and the Young Painting movement. Roger Lersy was born in the 18th arrondissement of Paris on April 2, 1920. Studying the piano from his earliest childhood, likewise beginning to draw on his father's lap, Roger Lersy, son of a decorator, enters after his schooling and for three years at the École supérieure des arts appliqués Duperré in Paris. He lives at 19 rue du Faubourg-Saint-Antoine and begins to paint. He also worked as a decorator and pursued higher musical studies in parallel with Noël Gallon between 1950 and 1954. After 1954, the year when galleries, both in Paris and abroad, began to exhibit him regularly, he practiced painting (canvases, watercolors, tapestry cartoons) and music. From 1961 to 1968, Lersy lived in the United States. In 1970 he went on to personal exhibitions in Paris, London, Geneva, Houston, Los Angeles, and New York. Roger Lersy was initiated into the first degree of Freemasonry in the Ancient and Accepted Scottish Rite in 1979 at the Loge du Grand Val in the Paris region and later at the Grande Loge de France. Leading two careers at the same time, Roger Lersy has left paintings that present themselves as so many rhythms and tremors. In his paintings, the motif develops along a melancholy line with well-concerted chords, pauses, and cadences. One could define Lersy as a baroque expressionist. For Bernard Dorival, Roger Lersy is, along with Gabriel Dauchot, Jean Commère...

Carl Andre Letter from Dusseldorf to the Artist's sister (Postcard), 1991 Vintage Handwritten and hand signed letter on stamped, postmarked (franke...

Larry Rivers French Money, ca. 1966 Original graphite drawing with lithograph collage Boldly signed in graphite pencil in the center of this collage. Frame Included Larry Rivers orig...

Robert Indiana "My portrait was taken on Coenties Slip"...., 1993 Handwritten letter on an offset lithograph postcard Boldly signed in black marker under the letter 4 2/5 × 7 3/5 in...