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Jogen ChowdhuryDrawing, Watercolor on Paper, Black & White by Modern Indian Artist "In Stock"2000
2000
About the Item
- Creator:Jogen Chowdhury (1939, Indian)
- Creation Year:2000
- Dimensions:Height: 17.8 in (45.22 cm)Width: 18.8 in (47.76 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Kolkata, IN
- Reference Number:1stDibs: LU60437221882
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Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well.
In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness.
Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms.
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Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India.
Family Background :
His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings.
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1979: The Sao Paolo Biennale.
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1982: The Royal Academy, London.
1982: The Hirschhorn Museum, Washington D.C.
1986: The II Havana Biennale.
1989: ‘Festival of India’, in Geneva.
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1971 Tel Aviv Museum of Art (cat. text: Haim Gamzu)
1966 Mos-lng-Projekt, Moscow
1965 Artist's House, Moscow
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1959 Mukhina Art Institute, Leningrad
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