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Mark di Suvero
Project for Sculpture in Chalon-sur-Saône (Signed, unique watercolor & ink wash)

1992

$15,000
£11,455.58
€13,121.75
CA$21,398.41
A$23,322.36
CHF 12,145.23
MX$281,401.44
NOK 152,670.45
SEK 143,322.05
DKK 98,002.85

About the Item

Mark di Suvero Project for Sculpture in Chalon-sur-Saône, 1992 Marker, Watercolor and Ink Wash on Paper. Hand signed and dated by artist on lower right front Uique Frame included: elegantly framed under UV plexiglass The rare signed watercolor by Mark di Suvero was a sculptural proposal created in 1992 for the town of Chalon-sur-Saone in France - one of the most influential places in the artist's long career. In the 1970s di Suvero lived in the industrial French town of Chalon-sur-Saône, on a houseboat anchored next to a waterfront shipyard, where he used cranes and cherry pickers to create a series of large-scale sculptures made of steel I-Beams. He was financed by a wealthy Frenchman who owned a steelyard, paid the artist's expenses, promoted his career and arranged exhibitions for him. As a result, in 1975, Mark di Suvero became the first artist to have a solo show at the Jardin des Tuileries in France --where many of his massive sculptures, with their large, familiar industrial I-Beam tripods, where exhibited. This drawing is annotated with the text: île Saint-Laurent and la Saône - all parts of Chalon-sur-Saône The text of this proposal reads as follows: La Saone Ile St Laurent Le Pont For fans and collectors of Mark di Suvero's work and career, this is an extremely rare and desirable original drawing, referencing one of the most influential places periods in his career. Measurements: Frame: 24 x 21.5 x 0.5 inches Artwork: 20 x 16 inches Mark di Suvero Biography Mark di Suvero is best known for his soaring steel structures. Often working on a monumental scale, di Suvero transforms industrial materials into evocative, dynamic abstractions. His work sometimes features movable elements and actively invites the viewer's participation. Born in Shanghai, di Suvero grew up in California. He studied philosophy and fine arts at San Francisco City College and the University of California at both Santa Barbara and Berkeley. During these studies, he took an interest in art, especially sculpture. In 1957 he moved to New York. His earliest exhibited works were in plaster, wax, and wood. Di Suvero's use of steel developed out of necessity. In 1960, he was crushed by a freight elevator. Following this serious accident, wood proved difficult to manipulate by hand. In essence, di Suvero used heavy machinery to "draw" in steel, making and erasing gestures on a vast scale. His early steel pieces incorporate railroad ties, scrap metal, tires, and structural steel. This exploration has transformed over time into a focus on modern construction materials like I-beams and heavy gauge metal. Di Suvero does much of the welding, cutting, and crane work himself. In the 1960s, di Suvero protested the Vietnam War in several sculptures. He moved to Europe for four years in the early 1970s. A retrospective of his work at the Whitney Museum of American Art in the mid-1970s brought di Suvero greater prominence and acclaim. He has become especially known for what he calls "all city" shows--projects in which several of his often enormous forms are installed across a single city. Today, he divides his time between studios in France, California, and New York. -Courtesy The Getty Museum

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