Archival Paper Abstract Drawings and Watercolors

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fascinated and horrified her. Gilliam always knew the seriousness of the brain injury suffered as a baby; however, it was the first time she confronted the visual evidence of the injury. Around the same time, she experienced a continuous period of profound familial loss. Both these episodes left her thinking about the body in a new light. This led her to study the biology and physiology of our bodies and the seemingly cruel, capricious way the body can behave, vacillating between strength and fragility. Gilliam began to make drawings from the MRIs recording the brain to understand how its structure and pathways form to activate the circumstances of the individual being we become. As the series has developed, the imagery has dissolved into abstraction, capturing something more existential. The repetitive lines revealed rhythms, and the patterns formed conversations. Ultimately, Life Lines has evolved into a visual story about connections, threading together a human body with its physical, metaphysical, and interpersonal environment. About the Artist: Claire Gilliam is an English photographer, printmaker, painter now based from her home and studio in Warwick, NY. In 1997, she graduated from Sheffield Hallam University in the UK with a BA(Hons) in Fine Art and completed the Professional Certificate in Photography at Rockport College, Maine in 2000. She has studied with photographers such as Arno Minkkinen and John Goodman and master gelatin silver printer, Chuck Kelton and master printmaker, Vijay Kumar. She is an assistant for author and fine art photographer Barbara Mensch. Her works have been shown across Europe and the USA and held in several private and public collections, including The ICP Library Print...

This is a unique work on paper made in 2018 measuring 20 x 25 inches from my ongoing "mound" series. This "Purple Orb" has a "companion" work ,made at the same time, the same size an...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years ...

Black & Gold Glyphs III by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary Feminist / ...

Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a thin blond wood frame, glass. Philip Wittmann work is based on signs. Sign...

Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a thin blond wood frame, glass. Philip Wittmann work is based on signs. Sign...

'Untitled (#721)' 2023 by American artist, Clay Johnson. Acrylic on Arches paper, 20 x 16 in. This colorful abstract painting features bands of colors in red, yellow beige, white, an...

'Untitled (#725)' 2023 by American artist, Clay Johnson. Acrylic on Arches paper, 20 x 16 in. This colorful abstract painting features bands of colors in orange, red, pink, white, an...

Original drawing signed and dated in pencil by Aubrey Penny 1971 from Reflection series #6021. Aubrey Penny (American 1917-2000) was an innovative Califo...

Pastel blue, gray and white abstract surrealist drawing by artist T. Moore. The drawing depicts a calm ocean under a big white cloud. This piece has some impeccable details and is a ...

'Untitled (#727)' 2023 by American artist, Clay Johnson. Acrylic on Arches paper, 20 x 16 in. This colorful abstract painting features bands of colors in red, blue, beige, orange, pi...

'Untitled (#708)' 2023 by American artist, Clay Johnson. Acrylic on Arches paper, 22 x 30 in. This colorful abstract painting features bands of colors in cobalt blue, light blue, bei...

Original drawing signed and dated in pencil by Aubrey Penny January 1972 from Reflection series #6629. Aubrey Penny (American 1917-2000) was an innovativ...

Bold Abstract and Figurative Composition in Blue and red Acrylic on Paper Bright and colorful abstracted figural painting by California-based artist, Ricardo de Silva (American/Bra...

Time Travel Black & Gold Glyphs I by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary F...

This triptych "Before and After" consists of three conceptual drawings on paper from the collection "Manuscripts". The size is 40x30cm of each artwork, high-density paper (360g/m2). ...

"Harvest" Pencil Drawing 8" x 12" in by Inji Efflatoun Stamped Unique work. Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibitions of the Av...

Untitled painting/collage 2022 acrylic and painted silkscreen mesh on 140 lb. cold press paper 30x22” unframed blue, green, transparent yellow on bright red irregular texture surface...

Untitled painting/collage 2022 acrylic and mixed media - painted silkscreen mesh on 140 lb. cold press paper 30x22” unframed blue, green, orange on bright red irregular texture surfa...

This is a 30 x 36 inch work on paper created in 2020, which places flowers and "pink subjects" in the clearly dotted, gridded space of the rectangle. Ideas of what Masculine and Femi...

Painting from COVID-19 documentary art collection. Participant SWISS ART EXPO 2020 in Zürich! All COVID paintings are published in the official catalog...

This artwork is a part of the COVID-19 Documentary art (2020). Paintings on high quality, acid-free, high-density paper 360g/m2. All COVID paintings a...

This artwork is a part of the COVID-19 Documentary art (2020). Paintings on high quality, acid-free, high-density paper 360g/m2. All COVID paintings a...

Viridian Arc is a unique Gouache on Paper artwork. The image is 15 x 15 on 22 x 22 inch archival paper. It is currently framed to 25 x 25. According to Boston Artist, Nancy Simond...

This artwork is a part of the COVID-19 Documentary art (2020). Paintings on high quality, acid-free, high-density paper 360g/m2. All COVID paintings a...

Finesse and delicateness are what best characterize Antonin Anzil’s artistic practice. Using a sharp tool to carefully pull the fiber of the paper from the front, the artist gives bi...

Here for your consideration is a original and vibrant watercolor on archival paper by the California artist, Edward Darrell Crisp. Signed in pencil D. Crisp in lower right margin and dated Oct 6, 1967 in pencil in lower left margin. Condition is excellent. The artwork is framed in a one and a half inch narrow matte black frame with off white matte. Overall framed measurements are 12 by 10 inches. Provenance: Estate of the artist. Edward Darrell Crisp was a California painter...

Cobolt and Teal is a unique Gouache on Paper artwork. The image is 10.5 x10.5 on 17 x 18 inch archival paper. It is matted and currently framed to 21 x 21. According to Boston Artist, Nancy Simonds: “I make large-scale abstract gouache paintings on paper and panel. In each of my OVOID, BLOCK STACK, ARC SWEEP and CROPPED OVOID series I use different arrangements of shapes and colors to create a feeling of transcendent order. These images are anti-chaos. All strive for a connection to a moment for reflection resolution and calm. My works have luxuriant protean color and are infused with sublime soft texture. In painting each piece there is an experience of exhilaration and renewal. In each painting I stack and pile simple shapes, placing then sizing and creating visual relationships that build to larger rhythms. My best paintings work like Japanese haiku; each image is paired down...

Untitled painting/collage #3 2022 acrylic and painted silkscreen mesh on 140 lb. cold press paper 30x22” unframed blue, green, yellow, white irregular texture surface abstract

Abstract mixed medium painting on paper. - Original one of a kind artwork - Artist Signature on back - Certificate of Authenticity provided Beautiful abstract organic shapes are mon...

Anna Kruhelska is a visual artist and architect working across fields of art and design. She creates abstract, three-dimensional paper wall reliefs that...

A meticulously rendered pair of butterflies on either side of the center are the prominent feature of this mandala. Many cultures associate the butterfly with life and transformation...

Dominic Mingolla (1922 – 1999) Mingolla created paintings in many different materials and genres. Best known for his large abstract expressionist watercolor paintings similar in style to Paul Jenkins and for his Enamel work. His work bears affinities both to Lyrical Abstraction and to Tachisme artists such as Nicolas de Staël, Serge Poliakoff, Andre Lanskoy, Hans Hartung, Jean-Paul Riopelle, Gustave Singier, Alfred Manessier, Roger Bissiere, "Lyrical Abstraction arose in the 1960s and 70s, following the challenge of Minimalism and Conceptual art. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions worked in a loose gestural style. These "lyrical abstractionists" sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly 'tradition' in American art. At the same time, these artists sought to reinstate the primacy of line and color as formal elements in works composed according to aesthetic principles – rather than as the visual representation of sociopolitical realities or philosophical theories." "Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy. Artists associated with Lyrical Abstraction include: Natvar Bhavsar, Lamar Briggs, Friedel Dzubas, Sam Francis, Ronnie Landfield, Pat Lipsky...

Dominic Mingolla (1922 – 1999) Mingolla created paintings in many different materials and genres. Best known for his large abstract expressionist watercolor paintings similar in style to Paul Jenkins and for his Enamel work. His work bears affinities both to Lyrical Abstraction and to Tachisme artists such as Nicolas de Staël, Serge Poliakoff, Andre Lanskoy, Hans Hartung, Jean-Paul Riopelle, Gustave Singier, Alfred Manessier, Roger Bissiere, "Lyrical Abstraction arose in the 1960s and 70s, following the challenge of Minimalism and Conceptual art. Many artists began moving away from geometric, hard-edge, and minimal styles, toward more lyrical, sensuous, romantic abstractions worked in a loose gestural style. These "lyrical abstractionists" sought to expand the boundaries of abstract painting, and to revive and reinvigorate a painterly 'tradition' in American art. At the same time, these artists sought to reinstate the primacy of line and color as formal elements in works composed according to aesthetic principles – rather than as the visual representation of sociopolitical realities or philosophical theories." "Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy. Artists associated with Lyrical Abstraction include: Natvar Bhavsar, Lamar Briggs, Friedel Dzubas, Sam Francis, Ronnie Landfield, Pat Lipsky...

Alain Pino’s new works continue his exploration on the intersection between identity and industrial design. In a hyper-capitalistic age, in which social media frenzy and the commodit...

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

Anna Kruhelska is a visual artist and architect working across fields of art and design. She creates abstract, three-dimensional paper wall reliefs that...

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

"Dotted Collection I" is a work on paper from a larger series of abstract collages by Amanda Andersen created in 2023. This series includes visual elements familiar to the artists l...

Anna Kruhelska is a visual artist and architect working across fields of art and design. She creates abstract, three-dimensional paper wall reliefs that...

Aubrey Penny Collage Laws of Chance "Mind-Line" Series 2831, 1968 Size: 14" x 17" Aubrey Penny (American 1917-2000) was an innovative California abstract artist who worked in a vari...

Anna Kruhelska is a visual artist and architect working across fields of art and design. She creates abstract, three-dimensional paper wall reliefs that startle in their intricacy an...

"Dotted Profile II" is a work on paper from a larger series of abstract collages by Amanda Andersen created in 2023. This series includes visual elements familiar to the artists lar...

“Wind whispers through leaves Somewhere in pine scented shade Tree of songs concert “ - Rollo West

"Dotted Profile I" is a work on paper from a larger series of abstract collages by Amanda Andersen created in 2023. This series includes visual elements familiar to the artists larg...

"Dotted Collection II" is a work on paper from a larger series of abstract collages by Amanda Andersen created in 2023. This series includes visual elements familiar to the artists ...

“as one with the clouds enfold within still layers... mountains touch the sky” - Carol Brown

Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

This dramatic work-on-paper is an abstract geometric painting that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The rich, dark background i...

Contemporary abstract geometric colorful patterned painting by Texas-based artist Max Manning. The work features organic and geometric shapes in blues, pi...

This dramatic work-on-paper is an abstract geometric painting that references colors, shapes, and aesthetics that artist Nancy Agati encountered in Italy. The rich, dark background i...

Contemporary abstract geometric colorful patterned painting by Texas-based artist Max Manning. The work features organic and geometric shapes in green, magenta, black, and white. Si...

Gestural abstract expressionist painting on archival paper mounted to panel with gold and silver metallic powders and accents of orange and deep blue "Fall's Sympathy", made in 2022 ...

This work on paper titled Tallons Two is one in a series of two collages by Amanda Andersen, created in 2023 on 300g matte archival paper and comes with the white frame as pictured. ...

Contemporary abstract geometric colorful patterned work on paper by Texas-based artist Max Manning. The work features organic and geometric shapes in yell...