Board Abstract Drawings and Watercolors

Goodbye Picasso. Cardboard, mixed media, 31x20 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic ar...

Acrylic and collage on cardboard Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is above all a multidisciplinary ...

the painting is being offered with a work and authenticity certificate

the painting is being offered with a work and authenticity certificate

Oil on cardboard Giorgi Kukhalashvili is a Georgian artist born in 1982 who lives and works in Tbilisi, Georgia. He's founder of the organization...

"Glimpse of the Party" is an original oil pastel drawing on board by Reginald K. Gee. The artist signed the piece on the back. It features abstract marks on a blue background. Some a...

"Untitled" is an original oil pastel drawing on illustration board by Reginald K. Gee. This piece features abstract marks in blue, black, green, and yellow. 40" x 30" art Custom fr...

"Destruction of the Apple Juice Pool" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece upper right. It features abstract marks ...

"Baghdad Rain" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece on the back. It depicts some abstracted figures in a dream-like...

Entitled “Garage,” this work by Chicago artist Patrick Fitzgerald is one of a series of “track paintings” that materialize the imagined tracks navigated by his miniature soap-box car...

This Harry Beckhoff illustration is masterfully rendered and intricately designed in line and wash. It's as abstract as it's representational with its graphic style, clean lines, and flat patterning. Every element in the composition works in harmony without a line out of place. The flat and abstract nature of the work rivals that of the great modernist painters of the 1930s. Perhaps this was done for a major newsstand magazine like Collier's. Although he studied with Dean Cornwell and Harvey Dunn, he didn't pursue the style of painterly brushstrokes and impastos. Instead, he defined his forms with flat shapes, whose internal forms are defined by thin lines. The emphasis is more on silhouette and line than it is on texture and lighting. Beckhoff also described his work as having been influenced by illustrators like Pierre Brissaud...

6.5" x 8" Unframed Original - Water Color on Board Hand Signed by Ian Leventhal

Pablo Picasso 1881-1973 Spanish Guitare sur un guéridon (Guitar on a pedestal) Gouache on Western wove paper laid on board Signed “Picasso” (upper left) Picasso’s prolific career has been marked by many grand love affairs, both romantic, intellectual and creative. Beyond his lovers like Olga Khoklova and Dora Maar and his intellectual muses like Georges Braques and Gertrude Stein, Picasso’s greatest love and inspiration was perhaps a humble instrument: the guitar. Whether it be the Old Guitarist from his early blue period, his groundbreaking series of three-dimensional guitar sculptures from his nascent explorations in Cubism, or his Mandolin and Guitar composition’s grander explorations with color and biomorphic shapes, the guitar is an elusive calling card for modern art’s greatest genius. In Guitare sur un guéridon, Picasso intertwines his signature guitar and a bowl of fruit. These two elements are playfully brought together and skillfully anchored on the tabletop by a square positioned at the center of the composition. The result is a captivating and harmonious arrangement that showcases Picasso's artistic ingenuity in blending these everyday objects into a visually striking and cohesive composition. This rare gouache was created during the pivotal summer of 1920. During this time, Picasso lived in Juan-les-Pins, a small coastal resort town in the South of France away from the confines of the city and the fallout of World War I. With this newfound freedom, Picasso entered an exciting and innovative creative period and began to interrogate the connections between Neoclassicism and Cubism. Picasso created a series of gouache paintings characterized by their flat, geometric nature, sinuous contours and strikingly vivid colors. Though not a complete departure from his previous Cubist works, this series showcased the influence of the Surrealists, especially the biomorphic subconscious explorations of Joan Miró, upon Picasso’s oeuvre. While the breadth of his creativity grew, he returned back to a familiar motif — the guitar — with a renewed sense of vigor and excitement. Guitare sur un guéridon’s undulating lines and biomorphic appeal bring Picasso's preoccupation with the guitar into deeper focus. The sinuous lines of guitar mirror...

Gouache on board