Gouache Abstract Drawings and Watercolors
Color: Yellow
Medium: Gouache
Untitled (#2 Pri-Rain) (SF64-592)
By Sam Francis
Located in London, GB
Sam Francis
Untitled (#2 Pri-Rain) (SF64-592)
1964
Gouache on paper
57.2 x 75.6 cms (22 1/2 x 29 3/4 ins)
Frame size: 82.9 x 103.2 cms (32 5/8 x 40 5/8 ins)
SF14652
$300,000
Exhibit...
Category
1960s Abstract Expressionist Gouache Abstract Drawings and Watercolors
Materials
Gouache
Dolphin Dance 24 (Abstract Drawing)
By Ellen Priest
Located in London, GB
Dolphin Dance 24 (Abstract Drawing)
Gouache on rag tracing vellum - Unframed.
This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #1...
Category
Early 2000s Abstract Gouache Abstract Drawings and Watercolors
Materials
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Dolphin Dance 05 (Abstract painting)
By Ellen Priest
Located in London, GB
Dolphin Dance 05 (Abstract painting)
Gouache on rag tracing vellum - Unframed.
This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #...
Category
Early 2000s Abstract Gouache Abstract Drawings and Watercolors
Materials
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Sixteen Street 7.15 (Abstract Expressionism painting)
By Jill Moser
Located in London, GB
Sixteen Street 7.15 (Abstract Expressionism painting)
Gouache on paper - Unframed.
Jill Moser is an American abstract artist whose work explores the intersection of “painting, writ...
Category
Early 2000s Abstract Gouache Abstract Drawings and Watercolors
Materials
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Dolphin Dance 24 (Abstract Drawing)
By Ellen Priest
Located in London, GB
Dolphin Dance 24 (Abstract Drawing)
Gouache on rag tracing vellum - Unframed.
This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #1...
Category
Early 2000s Abstract Gouache Abstract Drawings and Watercolors
Materials
Gouache, Vellum
Sixteen Street 7.15 (Abstract Expressionism painting)
By Jill Moser
Located in London, GB
Sixteen Street 7.15 (Abstract Expressionism painting)
Gouache on paper - Unframed.
Jill Moser is an American abstract artist whose work explores the intersection of “painting, writ...
Category
Early 2000s Abstract Gouache Abstract Drawings and Watercolors
Materials
Paper, Gouache
Sixteen Street 7.15 (Abstract Expressionism painting)
By Jill Moser
Located in London, GB
Gouache on paper - Unframed.
Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the animated image.”
Her work is in the colle...
Category
Early 2000s Abstract Gouache Abstract Drawings and Watercolors
Materials
Paper, Gouache
Dolphin Dance 05 (Abstract painting)
By Ellen Priest
Located in London, GB
Gouache on rag tracing vellum - Unframed.
This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #1-22”.
Those brush paintings are Pri...
Category
Early 2000s Abstract Gouache Abstract Drawings and Watercolors
Materials
Gouache, Vellum
Sixteen Street 7.15 (Abstract Expressionism painting)
By Jill Moser
Located in London, GB
Gouache on paper - Unframed.
Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and the animated image.”
Her work is in the colle...
Category
Early 2000s Abstract Gouache Abstract Drawings and Watercolors
Materials
Paper, Gouache
Dolphin Dance 24
By Ellen Priest
Located in London, GB
Gouache on rag tracing vellum - Unframed.
This work on paper is part of a series of collaged paintings titled “Jazz: Herbieʼs ʻDolphin Danceʼ #1-22”.
Those brush paintings are Pri...
Category
Early 2000s Abstract Gouache Abstract Drawings and Watercolors
Materials
Gouache, Vellum
Untitled 2 (Graphic Abstract Painting on Paper in Purple, Yellow & Blue)
By Jenny Kemp
Located in Hudson, NY
Graphic abstract painting on paper in complementary shades of blue and purple with contrasting yellow detail
"Untitled 2" by Jenny Kemp, painted in 2019
gouache on paper, unframed
15 x 11 inches
Signed verso
Jenny Kemp’s abstract paintings are inspired by the artist’s desire to represent unseen phenomenon. With intricate and calculated line-work, the artist builds parallel layers against opaque backgrounds, while shifts in color and shape call attention to organic forms that give reference to the human body or atomic structures. Precise lines in bright yellow radiantly contrast against the blue and purple opaque background. The drawing is currently unframed, measuring 15 x 11 inches.
About the artist:
Jenny Kemp received a BS in Art from the University of Wisconsin - Madison and an MFA in Painting from the University at Albany. Her work has been exhibited in galleries and museums across the country, most recently at Gold/Scopophilia* in Montclair, NJ and the Mandeville Gallery at Union College in Schenectady, NY. She has been featured in publications such as 100 Painters of Tomorrow published by Thames & Hudson, New American Paintings, The Huffington Post, Seattle’s City Arts, New York Times, and The New England Review. Kemp is also a recipient of the 2015 NYFA fellowship in painting and the 2015 Emerging Artist Award recipient from the Art Center of the Capital Region in Troy, NY. She sits on the board of Collar Works, an art space dedicated to the support of emerging and under-represented artists exhibiting challenging and culturally relevant contemporary artworks in Troy, NY where she lives and works.
EDUCATION
MFA - Painting, University at Albany, SUNY 2012 BS - Art, University of Wisconsin, Madison 2002
EXHIBITIONS
2019
Gold / Scopophilia* Art on Paper, Pier 36, NYC
Steady Curve Gold / Scopophilia*, Montclair, NJ (solo)
2018
Slow Grow Mandeville Gallery, Union College, Schenectady, NY (solo) FENCE + ECHO, Far x Wide, Brooklyn, NY (curated by Jes Cannon) Crazy Beautiful III, Kenise Barnes Gallery, Larchmont, NY
Three Square, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll)
2017
When We Were Young: Rethinking Abstraction from the University at Albany Art Collections (1967-present)
University at Albany Art Museum, Albany, NY
Surface 4, ARENA at Brooklyn Dermatology, Brooklyn, NY (curated by Renée Riccardo)
The Whitney Houston Biennial: Greatest Love of All, Chashama, NYC (curated by Christine Finely)
2016
Reality is Wrong, Dreams are Real, David&Schweitzer Contemporary, Brooklyn, NY (curated by Phil and Sue Knoll)
Squared, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll)
Something Else, The Painting Center, New York, NY (curated by Dee Shapiro and Miriam Brumer)
Living Color, Art Center of the Capital Region, Troy, NY (2 person)
2015
Howdy Doody, Collar Works, Troy, NY (curated by Leona Christie)
Remains to be Seen, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll)
Painting Parallels, GRIDSPACE, Brooklyn, NY (solo)
Double Vision, Laffer Gallery, Schuylerville, NY (2 person) Mohawk Hudson Invitational Albany Center Gallery, Albany, NY Snowbirds Kenise Barnes Gallery, Larchmont, NY
Valentine’s Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA (curated by Phil & Sue Knoll)
Variations in Paint (invitational), The Painting Center, New York, NY
2014
100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Mohawk Hudson Regional, Albany Institute of History and Art (juror: Stephen Westfall) Tracery, PS209 Gallery, Stone Ridge, NY
Connections Todd Art Gallery at Middle Tennessee State University, Murfreesboro, TN (2 person)
Perceptions Opalka Gallery at Sage College, Albany, NY
Modern Artists Carrie Haddad Gallery, Husdson, NY
2013
Second Nature Albany Airport Gallery, Albany, NY
Admit One Collar Works Gallery, Troy, NY
Works by Jenny Kemp and Richard Harrington Gallery 105, curated by MCLA Gallery 51, N. Adams, MA An Early Spring Carrie Haddad Gallery, Hudson, NY
2012
Recent work and new paintings on paper Fulton Street Gallery (solo)
FISSURE GalleryEll online exhibition, curated by Amanda Kates In Orbit Little Gallery at Sage College of Albany. Albany, NY. Works on Paper Carrie Haddad Gallery, Hudson, NY
MFA National Competition First Street Gallery, NYC. Juror: John Yau
BioLogical Salem Art Works Carry House Gallery, Salem, NY
MFA Thesis Exhibition University at Albany Art Museum, Albany, NY
2011
Back to School Fulton Street Gallery, Troy, NY
Fence Select The Art Center of the Capital Region, Troy, NY. Juror: Carrie Haddad Honorable Mention
Chain Letter Samson Projects, Boston, MA
SUNY Best of Show New York State Museum, Albany, NY
Members Only Collar Works Gallery, Troy, NY
Fountain Art Fair Pier 66, New York, NY
Nathan Meltz with Jenny Kemp and Doug Holst...
Category
2010s Abstract Gouache Abstract Drawings and Watercolors
Materials
Gouache, Archival Paper
The Yellow Shock Absorber - Gouache American Kinetic Art Post War
Located in London, GB
ALEXANDER CALDER 1898-1976
Lawnton, Pennsylvania 1898 - 1976 New York (American)
Title: The Yellow Shock Absorber, 1969
Technique: Original Signe...
Category
1960s Kinetic Gouache Abstract Drawings and Watercolors
Materials
Gouache
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Specifically Nowhere, Yellow (Abstract Geometric Painting with Grids on Yellow)
Located in Hudson, NY
Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background
"Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022
gouache, acrylic, pencil, and colored pencil on paper, mounted on panel
48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame
Surface is protected with four coats of an archival UV protective varnish
Signed, verso
Excellent condition and ready to hang
This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish.
More about the work:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
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2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
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“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
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“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
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2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College,
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“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
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“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
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2007
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'Biomorphic Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru
Located in Santa Cruz, CA
Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash.
Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso)
Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'.
A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist.
Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...
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Gouache abstract drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Gouache abstract drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, yellow, purple, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Joanne Freeman, Cheryl R. Riley, Jean Feinberg, and Marcy Rosenblat. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Gouache abstract drawings and watercolors, so small editions measuring 0.5 inches across are also available Prices for abstract drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $400,000, while the average work can sell for $1,500.