Mixed Media Abstract Drawings and Watercolors
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Artist: Nancy Berlin
Medium: Mixed Media
"Exploration 2" Abstract Expressionist Modern Contemporary Green Mixed Media
By Nancy Berlin
Located in Wellesley, MA
Exploration 2, 2016, Mixed Media on Paper, 17 x 10.5 Inches (Image), 22 x 15 Inches (Paper). This painting on paper is unframed.
Geometric abstraction of multi-textured ground and...
Category
2010s Abstract Mixed Media Abstract Drawings and Watercolors
Materials
Mixed Media
"Blown Away 22" Abstract Expressionist Bright Playful Yellow Mixed Media Modern
By Nancy Berlin
Located in Wellesley, MA
Blown Away 22, 2010, Mixed Media on Paper, 17.5 x 14 Inches (Image), 29 x 22 Inches (Paper). This painting on paper is unframed.
Playful geometric abstraction of swirling linear e...
Category
2010s Abstract Geometric Mixed Media Abstract Drawings and Watercolors
Materials
Mixed Media
"Blown Away 23" Abstract Expressionist Yellow Bright Colorful Mixed Media
By Nancy Berlin
Located in Wellesley, MA
Blown Away 23, 2010, Mixed Media on Paper, 17.5 x 14 Inches (Image), 29 x 22 Inches (Paper)
Playful geometric abstraction of multi-layered shapes and swirling linear elements in shades of yellow green, yellow, black, red and white. This is one of 6 works in this series
available which work well in conjunction with each other.
Nancy Berlin was born in New York City. After graduating from Barnard College, Berlin received her MA in painting and printmaking from Hunter College. She has received grants for her drawings from the Massachusetts Cultural Council, the New York Foundation for the Arts and the Berkshire Taconic Foundation. She has had residencies at the American Academy in Rome, at Centrum in Port Townsend...
Category
2010s Abstract Geometric Mixed Media Abstract Drawings and Watercolors
Materials
Mixed Media
"Changing Perceptions 2" Abstract Geometric Red White Blue Playful Mixed Media
By Nancy Berlin
Located in Wellesley, MA
Changing Perceptions 2, 2015, Mixed Media on Paper, 11 x 9 Inches (Image), 17 x 14 Inches (Paper). This painting on paper is unframed.
Playful geometric abstraction of rectangular ...
Category
2010s Abstract Geometric Mixed Media Abstract Drawings and Watercolors
Materials
Mixed Media
"Exploration 3" Abstract Expressionist Red Orange Mixed Media Modern
By Nancy Berlin
Located in Wellesley, MA
Exploration 3, 2016, Mixed Media on Paper, 17 x 10.5 Inches (Image), 22 x 15 Inches (Paper). This painting on paper is unframed.
Geometric abstraction of textures, geometric shape...
Category
2010s Abstract Geometric Mixed Media Abstract Drawings and Watercolors
Materials
Mixed Media
"Maybe Later 3" Abstract Geometric Mixed Media Modern Blue
By Nancy Berlin
Located in Wellesley, MA
Maybe Later 3, 2015, Mixed Media on Paper, 19 x 16 Inches (Image), 28.5 x 22 Inches (Paper). This painting on paper is unframed.
Playful geometric abstraction of swirling linear e...
Category
2010s Abstract Geometric Mixed Media Abstract Drawings and Watercolors
Materials
Mixed Media
"Notations P" Abstract Expressionist Blue Colorful Playful Mixed Media
By Nancy Berlin
Located in Wellesley, MA
Notations P, 2007, Mixed Media on Paper, 17.5 x 14 Inches (Image), 29 x 22 Inches (Paper). This painting on paper is unframed.
Playful geometric abstraction of swirling linear ele...
Category
2010s Abstract Geometric Mixed Media Abstract Drawings and Watercolors
Materials
Mixed Media
"In Every Direction 3" Abstract Modern Black White Red Mixed Media Geometric
By Nancy Berlin
Located in Wellesley, MA
In Every Direction 3, 2015, Mixed Media on Paper, 11 x 9 Inches (Image), 17 x 14 Inches (Paper). This painting on paper is unframed.
Playful geometric abstraction of rectangular sh...
Category
2010s Abstract Geometric Mixed Media Abstract Drawings and Watercolors
Materials
Mixed Media
"In Every Direction 7" Abstract Geometric Green Red Black Mixed Media
By Nancy Berlin
Located in Wellesley, MA
In Every Direction 7, 2015, Mixed Media on Paper, 11 x 9 Inches (Image), 17 x 14 Inches (Paper). This painting on paper is unframed.
Playful geometric abstraction of rectangular sh...
Category
2010s Abstract Geometric Mixed Media Abstract Drawings and Watercolors
Materials
Mixed Media
"Notations Q" Abstract Expressionist Playful Orange Bright Colorful Mixed Media
By Nancy Berlin
Located in Wellesley, MA
Notations Q, 2007, Mixed Media on Paper, 17.5 x 14 Inches (Image), 29 x 22 Inches (Paper). This painting on paper is unframed.
Playful geometric abstraction of swirling linear ele...
Category
2010s Abstract Geometric Mixed Media Abstract Drawings and Watercolors
Materials
Mixed Media
"Continuation 4" Abstract Bright Yellow Expressionist Bright Coloful Modern
By Nancy Berlin
Located in Wellesley, MA
Continuation 4, 2013, Mixed Media on Paper, 17.5 x 14 Inches (Image), 29 x 22 Inches (Paper). This painting on paper is unframed.
Playful geometric abstraction of swirling linear...
Category
2010s Abstract Geometric Mixed Media Abstract Drawings and Watercolors
Materials
Mixed Media
"Annotation 1" Abstract Bright Green Playful Colorful Bright Mixed Media
By Nancy Berlin
Located in Wellesley, MA
Annotation 1, 2010, Mixed Media on Paper, 17.5 x 14 Inches (Image), 29 x 22 Inches (Paper). This painting on paper is unframed.
Playful geometric abstraction of swirling linear el...
Category
2010s Abstract Geometric Mixed Media Abstract Drawings and Watercolors
Materials
Mixed Media
"Maybe Later 2" Abstract Geometric Red Contemporary Mixed Media Modern
By Nancy Berlin
Located in Wellesley, MA
Maybe Later 2, 2015, Mixed Media on Paper, 19 x 16 Inches (Image), 28.5 x 22 Inches (Paper). This painting on paper is unframed.
Playful geometric abstraction of swirling linear e...
Category
2010s Abstract Geometric Mixed Media Abstract Drawings and Watercolors
Materials
Mixed Media
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Watercolor and ink on paper of an abstract composition of brown, orange and blue shapes between black parallel lines throughout the the piece by Herbert Bayer (1900-1985). Presented in a custom black frame with all archival materials. Framed dimensions measure 17 ⅞ x 22 ⅝ x 1 inches. Image size is 10 ¼ x 15 ½ inches.
Painting is clean and in very good condition - please contact us for a detailed condition report.
Expedited and international shipping is available - please contact us for a quote.
About the Artist:
Herbert Bayer enjoyed a versatile sixty-year career spanning Europe and America that included abstract and surrealist painting, sculpture, environmental art, industrial design, architecture, murals, graphic design, lithography, photography and tapestry. He was one of the few “total artists” of the twentieth century, producing works that “expressed the needs of an industrial age as well as mirroring the advanced tendencies of the avant-garde.”
One of four children of a tax revenue officer growing up in a village in the Austrian Salzkammergut Lake region, Bayer developed a love of nature and a life-long attachment to the mountains. A devotee of the Vienna Secession and the Vienna Workshops (Wiener Werkstätte) whose style influenced Bauhaus craftsmen in the 1920s, his dream of studying at the Academy of Art in Vienna was dashed at age seventeen by his father’s premature death.
In 1919 Bayer began an apprenticeship with architect and designer, Georg Schmidthamer, where he produced his first typographic works. Later that same year he moved to Darmstadt, Germany, to work at the Mathildenhöhe Artists’ Colony with architect Emanuel Josef Margold of the Viennese School. As his working apprentice, Bayer first learned about the design of packages – something entirely new at the time – as well as the design of interiors and graphics of a decorative expressionist style, all of which later figured in his professional career.
While at Darmstadt, he came across Wassily Kandinsky’s book, Concerning the Spiritual in Art, and learned of the new art school, the Weimar Bauhaus, in which he enrolled in 1921. He initially attended Johannes Itten’s preliminary course, followed by Wassily Kandinsky’s workshop on mural painting. Bayer later recalled, “The early years at the Bauhaus in Weimar became the formative experience of my subsequent work.” Following graduation in 1925, he was appointed head of the newly-created workshop for print and advertising at the Dessau Bauhaus that also produced the school’s own print works. During this time he designed the “Universal” typeface emphasizing legibility by removing the ornaments from letterforms (serifs).
Three years later he left the Bauhaus to focus more on his own artwork, moving to Berlin where he worked as a graphic designer in advertising and as an artistic director of the Dorland Studio advertising agency. (Forty years later he designed a vast traveling exhibition, catalog and poster -- 50 Jahre Bauhaus -- shown in Germany, South America, Japan, Canada and the United States.) In pre-World War II Berlin he also pursued the design of exhibitions, painting, photography and photomontage, and was art director of Vogue magazine in Paris. On account of his previous association with the Bauhaus, the German Nazis removed his paintings from German museums and included him among the artists in a large exhibition entitled Degenerate Art (Entartete Kunst) that toured German and Austrian museums in 1937.
His inclusion in that exhibition and the worsening political conditions in Nazi Germany prompted him to travel to New York that year with Marcel Breuer, meeting with former Bauhaus colleagues, Walter Gropius and László Moholy-Nagy to explore the possibilities of employment after immigration to the United States. In 1938 Bayer permanently relocated to the United States, settling in New York where he had a long and distinguished career in practically every aspect of the graphic arts, working for drug companies, magazines, department stores, and industrial corporations. In 1938 he arranged the exhibition, “Bauhaus 1919-1928” at the Museum of Modern Art, followed later by “Road to Victory” (1942, directed by Edward Steichen), “Airways to Peace” (1943) and “Art in Progress” (1944).
Bayer’s designs for “Modern Art in Advertising” (1945), an exhibition of the Container Corporation of America (CAA) at the Art Institute of Chicago, earned him the support and friendship of Walter Paepcke, the corporation’s president and chairman of the board. Paepcke, whose embrace of modern currents and design changed the look of American advertising and industry, hired him to move to Aspen, Colorado, in 1946 as a design consultant transforming the moribund mountain town into a ski resort and a cultural center. Over the next twenty-eight years he became an influential catalyst in the community as a painter, graphic designer, architect and landscape designer, also serving as a design consultant for the Aspen Cultural Center.
In the summer of 1949 Bayer promoted through poster design and other design work Paepcke’s Goethe Bicentennial Convocation attended by 2,000 visitors to Aspen and highlighted by the participation of Albert Schweitzer, Arthur Rubenstein, Jose Ortega y Gasset and Thornton Wilder. The celebration, held in a tent designed by Finnish architect Eero Saarinen, led to the establishment that same year of the world-famous Aspen Music Festival and School regarded as one of the top classical music venues in the United States, and the Aspen Institute for Humanistic Studies in (now the Aspen Institute), promoting in Paepcke’s words “the cross fertilization of men’s minds.”
In 1946 Bayer completed his first architecture design project in Aspen, the Sundeck Ski Restaurant, at an elevation of 11,300 feet on Ajax Mountain. Three years later he built his first studio on Red Mountain, followed by a home which he sold in 1953 to Robert O. Anderson, founder of the Atlantic Richfield Company who became very active in the Aspen Institute. Bayer later designed Anderson’s terrace home in Aspen (1962) and a private chapel for the Anderson family in Valley Hondo, New Mexico (1963).
Transplanting German Bauhaus design to the Colorado Rockies, Bayer created along with associate architect, Fredric Benedict, a series of buildings for the modern Aspen Institute complex: Koch Seminar Building (1952), Aspen Meadows guest chalets and Center Building (both 1954), Health Center and Aspen Meadows Restaurant (Copper Kettle, both 1955). For the grounds of the Aspen Institute in 1955 Bayer executed the Marble Garden and conceived the Grass Mound, the first recorded “earthwork” environment In 1973-74 he completed Anderson Park for the Institute, a continuation of his fascination with environmental earth art.
In 1961 he designed the Walter Paepcke Auditorium and Memorial Building, completing three years later his most ambitious and original design project – the Musical Festival Tent for the Music Associates of Aspen. (In 2000 the tent was replaced with a design by Harry Teague.) One of Bayer’s ambitious plans from the 1950s, unrealized due to Paepcke’s death in 1960, was an architectural village on the outskirts of the Aspen Institute, featuring seventeen of the world’s most notable architects – Walter Gropius, Marcel Breuer, I.M. Pei, Minoru Yamasaki, Edward Durrell Stone and Phillip Johnson – who accepted his offer to design and build houses.
Concurrent with Bayer’s design and consultant work while based in Aspen for almost thirty years, he continued painting, printmaking, and mural work. Shortly after relocating to Colorado, he further developed his “Mountains and Convolutions” series begun in Vermont in 1944, exploring nature’s fury and repose. Seeing mountains as “simplified forms reduced to sculptural surface in motion,” he executed in 1948 a series of seven two-color lithographs (edition of 90) for the Colorado Springs Fine Arts Center. Colorado’s multi-planal typography similarly inspired Verdure, a large mural commissioned by Walter Gropius for the Harkness Commons Building at Harvard University (1950), and a large exterior sgraffito mural for the Koch Seminar Building at the Aspen Institute (1953).
Having exhausted by that time the subject matter of “Mountains and Convulsions,” Bayer returned to geometric abstractions which he pursued over the next three decades. In 1954 he started the “Linear Structure” series containing a richly-colored balance format with bands of sticks of continuously modulated colors. That same year he did a small group of paintings, “Forces of Time,” expressionist abstractions exploring the temporal dimension of nature’s seasonal molting. He also debuted a “Moon and Structure” series in which constructed, architectural form served as the underpinning for the elaboration of color variations and transformations.
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Mixed Media abstract drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Mixed Media abstract drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include David Barnett, Daniel Cayo, Mark Lembo, and Julio Le Parc. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Mixed Media abstract drawings and watercolors, so small editions measuring 0.1 inches across are also available Prices for abstract drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $400,000, while the average work can sell for $1,500.