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Medium: Paper
Untitled by Jacob El Hanani
Located in New York, NY
Ink on paper, signed in Hebrew and dated.
Category

1960s Paper Abstract Drawings and Watercolors

Materials

Ink, Paper

Bridge Contemporary African American Urban Landscape 20th Century Alvin Ailey NY
Located in New York, NY
"Bridge" Contemporary African American Urban Landscape 20th Century Alvin Ailey NYC ROMARE BEARDEN (American, 1914-1988) The Bridge, 1982 signed 'Romare Bearden' (upper left); with...
Category

1980s Contemporary Paper Abstract Drawings and Watercolors

Materials

Paper, Watercolor

19th century pastel of a river scene, The Chapel Bridge, Lucerne, Switzerland.
Located in Cotignac, FR
Mid 19th century pastel drawing view of the Chapel Bridge and river Reuss in Lucerne, Switzerland by Hercules Brabazon Brabazon. The work...
Category

1860s Paper Abstract Drawings and Watercolors

Materials

Paper, Pastel, Pencil

F…FF (Fuck) - Line Drawing Woman Body with red gloves
Located in Fort Lee, NJ
Interior design paintings. The artwork was done with watercolor on watercolor paper 300g. The works are 15 by 11 inches in size, framed (black) with a styrene face on a mat board in ...
Category

2010s Abstract Paper Abstract Drawings and Watercolors

Materials

Paper, Watercolor

"Falaise d'Aval"
Located in Astoria, NY
Manfred Schwartz (American, b. Poland, 1909-1970), "Falaise d'Aval", Pastel on Paper, 1960, signed lower right, titled to verso, wood frame. Image: 30" H x 22" W; frame: 32" H x 24" ...
Category

1960s Modern Paper Abstract Drawings and Watercolors

Materials

Paper, Oil Pastel

Wave - abstract painting, made in ultramarine blue, grey color
Located in Fort Lee, NJ
Interior design paintings. The work was done with alcohol ink in ultramarine blue and grey color on Yupo paper. The work is 11 by 14 inches in size, framed (gold or black) with a sty...
Category

2010s Abstract Paper Abstract Drawings and Watercolors

Materials

Paper, Ink

'Omvetya I'. Blue white ocean landscape abstract nature drawing
Located in Penzance, GB
'Omvetya I (Prye, Rising Tide)' Original Artwork. Unframed ______________ Softly dancing seaweed, patiently awaits the return of the salty sea to fill the tidal pools. Created outdo...
Category

2010s Naturalistic Paper Abstract Drawings and Watercolors

Materials

Paper, Conté, Mixed Media, Pencil, Carbon Pencil, Photogram

Pouring My Heart Out II
Located in New York, NY
About the Series: “Sensitive Material” In this Work on Paper Series, started in 2020, Claire Gilliam continues her exploration of Visual Language. She uses a common motif, the Latin ...
Category

2010s Contemporary Paper Abstract Drawings and Watercolors

Materials

Wood, Paper, Ink

Abstract Watercolor Painting, 'Design for Sculpture', C. 2000 by David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category

Early 2000s Abstract Expressionist Paper Abstract Drawings and Watercolors

Materials

Paper, Watercolor

Specifically Nowhere, Yellow (Abstract Geometric Painting with Grids on Yellow)
Located in Hudson, NY
Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...
Category

2010s Abstract Geometric Paper Abstract Drawings and Watercolors

Materials

Canvas, Gouache, Archival Paper, Color Pencil, Graphite

Pop Flower 48 - Contemporary Yellow Orange Geometric Flower Mandala Brown, 2017
Located in Kent, CT
This contemporary geometric abstract drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Pop Flower 48 is a predominately golden yell...
Category

2010s Contemporary Paper Abstract Drawings and Watercolors

Materials

Rag Paper, Pigment

"fear not, all will be revealed" - paleolithic, rock formation, abstract, earthy
Located in Atlanta, GA
This work on paper features deep hues of pink, orange, yellow and brown. The unframed piece measures 25 by 19 inches. Lizzy Storm is an Atlanta-based Artist and educator creating we...
Category

2010s Contemporary Paper Abstract Drawings and Watercolors

Materials

Archival Paper, Pigment

1950s "Abstract #4" Ink and Gouache Painting Univ of Paris
Located in Arp, TX
Donald Stacy "Abstract #4" c.1950s Ink & Gouache on paper 10.5x19.5" brown, ripple, wood frame 11.5”x1”x20.75” Signed in pencil lower right with label on reverse Came from artist's e...
Category

Early 20th Century Abstract Paper Abstract Drawings and Watercolors

Materials

Paper, Ink, Gouache

Untitled Floral Still Life
Located in Wilton Manors, FL
Beautiful floral still life by American artist Jane Piper (1916-1991) . Untitled. 1980. Pastel, oil crayon and pencil on tracing paper. Image measuring 9 x 12 inches in original ...
Category

1980s Abstract Paper Abstract Drawings and Watercolors

Materials

Parchment Paper, Crayon, Pastel, Pencil

Field Study #749
Located in Houston, TX
Terrell James Field Study #749, 2020 Oil on vellum 20 x 16 in (50.8 x 40.6 cm)
Category

21st Century and Contemporary Abstract Paper Abstract Drawings and Watercolors

Materials

Oil, Vellum

"Drawing Study" Charles Burchfield, American Modernism Design
Located in New York, NY
Charles Burchfield Drawing Study Graphite on paper 5 1/2 x 8 inches Charles Ephraim Burchfield (1893–1967) was an American painter, best known for his watercolor landscapes. Burchfi...
Category

Early 20th Century Abstract Paper Abstract Drawings and Watercolors

Materials

Paper, Pencil

Soul Flowers 47 Floating Land, Forest Life, Tree, Roots, Windows Black and White
Located in Kent, CT
Through a window, a small outlined figure can be seen walking up a staircase in a meticulously rendered tree with tiny leaves and windows and doorway portals peeking out from the bra...
Category

2010s Contemporary Paper Abstract Drawings and Watercolors

Materials

Archival Paper, Pen

Surrealist Painting Royal College of Art LGBTQ+ artist Blue Fountain Pink Poodle
Located in Norfolk, GB
Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you and you decide to follow. Artwork Details: Isabel Rock , 'Just another Day in Paradise', mixed media on best archival paper, 85cm x 140cm, unframed, 2022 In Rock's own words, 'It was just another day in Paradise for the Pink Poodle People of the Everlasting Fountain of Eternal Joy. Since every day was Paradise it was just another normal day filled with love, ecstasy and wonder. It started slowly at first, things began to appear in paradise, strange objects that the Pink Poodle People did not know what to do with. Some had sharp edges, others were so and smelt strange, bad strange. Some things glittered and shone. Every day more of these objects would arrive in Paradise. ' If this happens every day then soon Paradise will be full of these strange objects. Some of them are nice but many are bad and smelly. One day there will be no Paradise, only bad, sharp and smelly things.' But the Pink Poodle People did not know what to do with the objects and every day more arrived.' Artwork Provenance: from the Artist Studio A certificate of authentication comes from Gallery Art 1821 photo credits, Isabel working, black and white shots, James Brown About Isabel Rock and her work: Taking inspiration from Japanese woodblock prints and Indian miniature painting Rock has developed a unique collage technique that combines bold structures with large-scale woodblock prints and intricate detailing. The subject is a grand mixture of humour, drama, hidden morals, fanciful characters, modern culture, mythical beings and fantastical situations. Rock creates a world that pulls you in and demands your attention. Quality of line is paramount, the drawings are created using a dipping pen and acrylic ink. An essential tool is a squirrel...
Category

2010s Surrealist Paper Abstract Drawings and Watercolors

Materials

Paint, Mixed Media, Archival Paper, Pen

Abstract Composition Drawing, Chinese Poem 1929
Located in Stockholm, SE
An interesting and highly decorative chalk drawing by Edvard Andersson, 1929. Drawn on a quite large scale. Signed and dated EA, 1929. A tergo written "Kinesisk dikt" (Chinese Poem) ...
Category

1920s Abstract Paper Abstract Drawings and Watercolors

Materials

Paper, Chalk

Female control - line drawing figure with red gloves
Located in Fort Lee, NJ
Interior design paintings. The artwork was done with watercolor on watercolor paper 300g. The works are 15 by 11 inches in size, framed (black) with a styrene face on a mat board in ...
Category

2010s Abstract Paper Abstract Drawings and Watercolors

Materials

Paper, Watercolor

'Still Life with Strings', Italian School (circa 1940s)
Located in London, GB
'Still Life with Strings', ink and pencil on paper, from the Italian School of artists (circa 1940s). This gallery acquired this artwork with two similar works for which this one may...
Category

1940s Modern Paper Abstract Drawings and Watercolors

Materials

Paper, Ink, Pencil

7.10.24 #22 - Jewel Tone Emerald Peridot Watercolor Minimalist Painting
Located in Los Angeles, CA
Delicate strokes and natural hues shape Shiri Phillips' watercolor, ink, and colored pencil artworks, showcasing her exploration of minimalism and organic forms. Departing from her u...
Category

2010s Abstract Paper Abstract Drawings and Watercolors

Materials

Paper, Ink, Watercolor, Color Pencil

"Gehl Dairy Farm, " Original Mixed Media Surrealist signed by David Barnett
Located in Milwaukee, WI
"Gehl Dairy Farm" is an original mixed media piece by David Barnett and his daughter, Sarah Barnett, signed and dated in the lower right. Begun in 1997 and ...
Category

Early 2000s Surrealist Paper Abstract Drawings and Watercolors

Materials

Paper, Mixed Media

Fiesta en Xalitla / Amate Paper Mexican Folk Art Painting Frame
By Edalinda Perez Velazquez
Located in Jesus del Monte, MX
FREE SHIPPING TO WORLDWIDE! Artisan: Edalinda Perez Velazquez Picture painting with Chinese ink and acrylics over Amate Paper. - Dimensions: 28" x 20" x 2" in or 72 x 51 x 4 cm - ...
Category

2010s Folk Art Paper Abstract Drawings and Watercolors

Materials

Paint, Paper, Watercolor

Composition with Circles II
Located in London, GB
'Composition with Circles II', gouache on art paper, by James Pichette. A dynamic, lively abstract composition by an artist known for such stunning, viv...
Category

1970s Abstract Paper Abstract Drawings and Watercolors

Materials

Paper, Gouache

La Dulce Aqua Vita (large signed carborundum etching on hand made paper)
Located in Aventura, FL
Carborundum etching on hand made paper. Hand signed lower front by Roberto Matta. Edition 111/125. Published by Nordstamp. Artwork is in overall excellent condition. Certificate...
Category

Early 2000s Contemporary Paper Abstract Drawings and Watercolors

Materials

Paper, Etching

Composition with Circles
Located in London, GB
'Composition with Circles', gouache on paper, by James Pichette (circa 1970s). A dynamic, lively abstract composition by an artist known for such stunni...
Category

1970s Abstract Paper Abstract Drawings and Watercolors

Materials

Paper, Gouache

No title 2 and 3, Diptych. Abstract Watercolor
Located in Miami Beach, FL
No title 2 and 3, Diptych, 2018 by Rodrigo Zampol Black ink on paper Overall size: 67 cm H x 100 cm W Individual size: 67 cm H x 50 cm W Unframed Unique piece Signed on back The pi...
Category

2010s Abstract Paper Abstract Drawings and Watercolors

Materials

Paper, Ink

Original-Golden Summer-UK Awarded Artist, British School, Exhibition Collection
Located in London, GB
Shizico spent three days painting this plein air in her sunlit garden. She applied 550 Ture Gold paint and Van Gogh Yellow creating a stunning backdrop which served as the canvas for...
Category

2010s Abstract Expressionist Paper Abstract Drawings and Watercolors

Materials

Gold

Untitled 4 - Contemporary Expressive Abstract Painting, Conceptual Art
Located in Salzburg, AT
Urszula Wilk – artist statment: I have always been interested in the idea of infiniteness of a painting and its opposite – that is the physical finiteness of the painting. This phys...
Category

2010s Contemporary Paper Abstract Drawings and Watercolors

Materials

Paper, Watercolor

Klimt Tattoo, disrupted realism charcoal acrylic on Strathmore paper red, tan
Located in Brooklyn, NY
Charcoal, acrylic mixed media As a feminist artist, Audrey Anastasi's first commitment is to painting other women, the human face, and figure. Whether working with figurative descri...
Category

2010s Neo-Expressionist Paper Abstract Drawings and Watercolors

Materials

Charcoal, Acrylic, Archival Paper

Wavy lines original signed Minimalist ink drawing on card with Andy Warhol stamp
Located in New York, NY
Sol LeWitt Wavy lines, original signed Minimalist ink drawing on card with Warhol stamp, 2004 Drawing in black felt tip pen on postmarked (franked) postcard with Warhol postage stamp...
Category

Early 2000s Minimalist Paper Abstract Drawings and Watercolors

Materials

Postcard, Felt Pen

Shape 19 (2019) - Abstract shape, work on paper, geometric, minimalist, orange
Located in Jersey City, NJ
Shape 19 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, geometric art, acrylic on 300gsm archival paper. Abstract shape innovated by the artist. Orange on white. Min...
Category

2010s Abstract Paper Abstract Drawings and Watercolors

Materials

Acrylic, Archival Paper

Figurative Composition / - Expressive Signs -
Located in Berlin, DE
Max Neumann (* 1949 Saarbrücken) and Eta Bender (*1948 Heidelberg), Figurative Composition, around 1970. Mixed media on tracing paper, mounted on thin backing paper, 29.6 cm x 21 cm,...
Category

1970s Abstract Expressionist Paper Abstract Drawings and Watercolors

Materials

Paper

Shape 35 (2019) - Abstract shape, minimalist gestural, bright chartreuse & white
Located in Jersey City, NJ
Shape 35 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral palette. Yellow-green...
Category

2010s Abstract Paper Abstract Drawings and Watercolors

Materials

Acrylic, Archival Paper

'Paradise Remembered'. Botanical environmental tropical painting
Located in Penzance, GB
'Paradise, Remembered' Original Artwork. Unframed ___________________ Late August sun breaks joyously through the low morning cloud, an easterly breeze rustling through the strelitzi...
Category

2010s Contemporary Paper Abstract Drawings and Watercolors

Materials

Paper, Ink, Mixed Media, Photogram

Roberto Burle Marx, Stamp. Drawing From The Series Terms And Conditions
Located in Miami Beach, FL
Roberto Burle Marx, 2021 (Framed) by Rodrigo Spinel From The Series Terms And Conditions Chinese ink on Fabriano paper 250 g. Frame size: 46 cm H x 38 cm W x 6 cm D Image size: 32 ...
Category

2010s Abstract Paper Abstract Drawings and Watercolors

Materials

Paper, India Ink

New Looking Methods: Cobalt Blue & Gold Abstract Expressionist Painting, Framed
Located in Hudson, NY
Gestural abstract painting on paper with gold metallic powders and cobalt blue, pastel green, and rust colored enamel paint "New Looking Methods", made in 2022 by Hudson Valley paint...
Category

2010s Abstract Expressionist Paper Abstract Drawings and Watercolors

Materials

Enamel

III-8, Hand painted, signed Monoprint composition of two separate sheets, Framed
By Michael Heizer
Located in New York, NY
Michael Heizer III-8 (two pages), 1983 Monoprint on two individual sheets of white handmade TGL paper, hand colored with colored pencils, paint sticks, and liquid and spray acrylic p...
Category

1980s Abstract Expressionist Paper Abstract Drawings and Watercolors

Materials

Paint, Mixed Media, Acrylic, Handmade Paper, Color Pencil, Monoprint, Mo...

Busy Blue (Abstract Checkered Pattern Gouache and Collage on Paper)
Located in Hudson, NY
Donise English Busy Blue, 2020 14" X 17" gouache and collage on paper This abstract geometric composition on paper features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...
Category

2010s Contemporary Paper Abstract Drawings and Watercolors

Materials

Archival Paper, Gouache

Mandorla - Large Format Charcoal On Paper, Black White Drawing
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category

Early 2000s Conceptual Paper Abstract Drawings and Watercolors

Materials

Paper, Charcoal

Contemporary Watercolor Painting, 'Design for Panel', C. 1994 by David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category

1990s Abstract Expressionist Paper Abstract Drawings and Watercolors

Materials

Paper, Watercolor

Set of 6 drawings. From the series Latin America Artists & Architects
Located in Miami Beach, FL
Set of 6 drawings 2022 From the series Terms and conditions Gliceé printed on Hahnemule Fiber Matt paper, intervened by the artist. Overall size: F...
Category

2010s Abstract Paper Abstract Drawings and Watercolors

Materials

Paper, India Ink, Color

Abstract Impressionist seaside nature oil painting on paper "The French coast"
Located in VÉNISSIEUX, FR
This contemporary abstract impressionist painting with touches of expressionism, "The French Coast" is a delicate and emotive creation by French artist Natalya Mougenot. Part of a su...
Category

2010s Abstract Impressionist Paper Abstract Drawings and Watercolors

Materials

Oil, Paper

Light, Series Drawing From Israel - Large Format, Charcoal On Paper
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category

Early 2000s Conceptual Paper Abstract Drawings and Watercolors

Materials

Paper, Charcoal

Neige (Abstract painting)
Located in London, GB
Neige (Abstract painting) Collage, Gouache, acrylic and oil pastel on Arches paper — Unframed Marie de Lignerolles is an artist, designer, illust...
Category

2010s Abstract Paper Abstract Drawings and Watercolors

Materials

Paper, Oil Pastel, Acrylic, Gouache

Shape 28 (2019) - Abstract shape, minimalist gestural, chartreuse on white paper
Located in Jersey City, NJ
Shape 28 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral pal...
Category

2010s Abstract Paper Abstract Drawings and Watercolors

Materials

Acrylic, Archival Paper

"Vibrant spring colors" (contemporary abstract expressive acrylic floral)
Located in VÉNISSIEUX, FR
In this abstract floral artwork I experience the world of nature through the bright colors of a spring period. While painting, I sought to capture the beauty of spring flowers which...
Category

2010s Abstract Impressionist Paper Abstract Drawings and Watercolors

Materials

Paper, Acrylic

AN OLD TREE
Located in Philadelphia, PA
This wall-hanging artwork titled "AN OLD TREE" is an original artwork by Jim Houser made of collage on panel. This piece measures 4"h x 4"w. Jim Houser was born in 1973 in Philadelp...
Category

21st Century and Contemporary Contemporary Paper Abstract Drawings and Watercolors

Materials

Panel, Paper

Does not speak - line drawing figure with red gloves
Located in Fort Lee, NJ
Interior design paintings. Part of the triptych “Does not see. Does not hear. Does not speak”. The artwork was done with watercolor on watercolor paper 360g. The works are 14 by 11 i...
Category

2010s Abstract Paper Abstract Drawings and Watercolors

Materials

Paper, Watercolor

Challenge - line drawing figure with red gloves
Located in Fort Lee, NJ
Interior design paintings. The artwork was done with watercolor on watercolor paper 360g. The works are 14 by 11 inches in size, framed (black) with a styrene face on a mat board in ...
Category

2010s Abstract Paper Abstract Drawings and Watercolors

Materials

Paper, Watercolor

"Untitled" Hans Hofmann, circa 1943 Navy Blue Olive Green Early Abstract Work
Located in New York, NY
Hans Hofmann Untitled, circa 1943 Signed lower right Oil and watercolor on paper 22 1/4 x 30 3/4 inches The only artist of the New York school to participate directly in European m...
Category

1940s Abstract Expressionist Paper Abstract Drawings and Watercolors

Materials

Paper, Oil, Watercolor

Golf Bags, Caddy with Golf Bag on His Back
Located in Missouri, MO
Framed Size: approx 17 3/4 x 20 3/4 inches Fred Conway (1900-1973) "Golf Bags, Caddy with Golf Bag on His Back" Pen/Ink/Watercolor on Paper Site Size: approx. 10 x 13 inches Framed Size: approx. 17 3/4 x 20 3/4 inches A member of the faculty of the Washington University Art School from 1929 to 1970, Frederick Conway...
Category

1960s American Modern Paper Abstract Drawings and Watercolors

Materials

Paper, Ink, Watercolor, Pen

Dirty Fall - Blue Pink Botanical Flowers Pattern Drawing Shaped Paper, 2020
Located in Kent, CT
In this contemporary drawing on cut paper with carefully drawn dots and lines in soft shades of indigo blue with light pink flowers, the intricate composition is inspired by patterns...
Category

2010s Contemporary Paper Abstract Drawings and Watercolors

Materials

Ink, Watercolor, Archival Paper, Color Pencil, Graphite

Primavera Pop 17 - Geometric Mandala Green Orange Yellow Red Lines, 2022
Located in Kent, CT
This contemporary multicolored drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Primavera Pop 17 is a predominately dark green, br...
Category

2010s Contemporary Paper Abstract Drawings and Watercolors

Materials

Rag Paper, Pigment

Untitled Floral Still Life
Located in Wilton Manors, FL
Beautiful floral still life by American artist Jane Piper (1916-1991) . Pastel, oil crayon and pencil on tracing paper. Image measuring 13 x 15.5 inches in ...
Category

1980s Abstract Paper Abstract Drawings and Watercolors

Materials

Parchment Paper, Crayon, Pastel, Pencil

"Mass Study III", Layered paper and drawing collage, architectural, dimensional
Located in Philadelphia, PA
This layered paper collage and drawing artwork titled "Mass Study III" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, an...
Category

21st Century and Contemporary Contemporary Paper Abstract Drawings and Watercolors

Materials

Paper, Charcoal, Pastel, Acrylic, Wood Panel, Graphite

7.10.24 #2 - Jewel Tone Emerald Watercolor Minimalist Painting
Located in Los Angeles, CA
Delicate strokes and natural hues shape Shiri Phillips' watercolor, ink, and colored pencil artworks, showcasing her exploration of minimalism and organic forms. Departing from her u...
Category

2010s Abstract Paper Abstract Drawings and Watercolors

Materials

Paper, Ink, Watercolor, Color Pencil

Blue & Yellow Abstract Watercolor
Located in Soquel, CA
Blue & yellow abstract watercolor by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed on verso and unframed. Image...
Category

1980s Abstract Expressionist Paper Abstract Drawings and Watercolors

Materials

Paper, Watercolor

Abstract Watercolor Painting, 'Design for Light', c. 2000 by David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category

Early 2000s Abstract Expressionist Paper Abstract Drawings and Watercolors

Materials

Paper, Watercolor

Paper abstract drawings and watercolors for sale on 1stDibs.

Find a wide variety of authentic Paper abstract drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Mila Akopova, Fieroza Doorsen , Martin Reyna , and Renato Garza Cervera. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Paper abstract drawings and watercolors, so small editions measuring 0.1 inches across are also available Prices for abstract drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $400,000, while the average work can sell for $1,500.

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