Paul Desmond Brown

"Paul Brown 2 Polo Players Charging Down The Field Drypoint Etching"

Art Sz: 7 1/2"H x 10 1/2'W Frame Sz: 13"H x 15 7/8"W Inscribed lower right: To Mr. F.S. O'Reilly Very Sincerely Paul Brown

Art Sz: 6 1/2"H x 8 1/2"W Signed lower right Mounted on 4"H x 5"W x 1/4"D wooden block

Art Sz: 7 1/2"H x 11 1/4"W Frame Sz: 14"H x 17 3/4"W Paul Desmond Brown (American; 1893 – 1958) Down the Field #2 Etching on paper Signed to the lower right Dedication lower right: To Roy Chapman Andrews with kindest personal regards Paul Brown

Pencil signed LR c1940s Art Sz: 7 1/2"H x 9"W Frame Sz: 13 1/4"H x 14 1/2"W

Don Quixote Galloping is an etching and drypoint print on ivory-colored Japanese paper, realized by Wladyslaw Jahl in 1951. It belongs to a limited edition of 125 specimens. Good c...

Modern abstract black and white etching of three men in uniform on horseback. Dated and titled in lower left corner and signed in the lower right in pencil. Hung in a complimentary black matte and frame. Includes original 1970s purchase information on the back. Dimensions Without Frame: H 11 in. x W 9 in. Artist Biography: Lucas Johnson (1940-2002) was born in Hartford, Connecticut and raised in southern California. His work is included in the permanent collections of The Menil Collection...

This framed watercolor is signed lower right by the American artist J.W. Dunn. It depicts a thrilling equestrian polo match from the 1930s, featuring four riders in traditional pol...

Vintage dry point etching "Going to the Wagon, No. 1" with original pencil doodle by noted western artist, Edward Borein, circa early 1900s. The piece is hand signed in pencil by the artist in the lower right and contains a small original pencil doodle in the lower left of a cowboy on a horse. The image (plate mark) is 9.875" x 7.875 and the piece is presented in a custom oak frame measuring 19" x 15.25" with a double cut cream mat. Overall, the etching is in very good vintage condition. This outstanding work is also titled "The Texans" and is extremely rare with the small doodle sketch by Borein. #4452 Born in San Leandro, California, Edward Borein became one of the most popular artists of western scene painting, equally adept at ink drawing, watercolor, and etching. He was raised in San Leandro, a western cow town, in a family where his father was a county politician. Edward had many childhood memories of herded cattle and their cowboys, which he began sketching at the age of five. He was educated in the Oakland, California schools, and at the age of 17 began working on a ranch near Oakland and then drifted and sketched as a working cowboy throughout the Southwest, Mexico, and Guatemala. It was said that he practiced his art on anything he could find from bunkhouse walls to scraps of paper. At age 19, he enrolled at the San Francisco Art School, his only formal art training, and there he met Jimmy Swinnerton and Maynard Dixon who encouraged him in his art career. The first person to purchase his work was Charles Lummis, editor of The Land and Sunshine magazine in California, and the two became life-long friends. Borein and Lucille Maxwell were married in the Lummis home. Borein, a typical westerner in dress and manner, also became close friends with Charles Russell, actor Will Rogers, and President Theodore Roosevelt. Borein often traveled north to visit Russell in Great Falls, Montana and to travel among Indian tribes. In 1899, Borein visited Arizona while returning from Mexico. By 1902, he was a successful illustrator in San Francisco for the San Francisco Call, and in 1907 to enhance his illustration skills, went to New York to learn etching techniques. There he enrolled in the Art Students League and was a student of Child Hassam. In the theatre district, he opened a studio that became a gathering place for 'lonesome' westerners such as Charles Russell, Will Rogers, Olaf Seltzer...