Color-Field Abstract Drawings and Watercolors
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Style: Color-Field
Larry Poons, Midget Racer, unique Color Field Abstract Geometric drawing, signed
By Larry Poons
Located in New York, NY
Larry Poons
Midget Racer, 1963
Colored Pencil on Graph Paper
Signed, titled, and dated by the artist on the lower right front
Original frame with gallery label included
Provenance: H...
Category
1960s Color-Field Abstract Drawings and Watercolors
Materials
Mixed Media, Color Pencil
Dexter's Choice, State II, signed mixed media watercolor (unique variant) Framed
By Larry Zox
Located in New York, NY
Larry Zox
Dexter's Choice, State II, ca. 1990
Mixed media, Watercolor pochoir, and Oil stick Wax, Water-Based Crayons, on heavy Arches museum watercolor rag paper with deckled edges
40 × 60 in
101.6 × 152.4 cm
Edition 8/30 (unique variant)
Frame included
Measurements:
Sheet: 40 inches (vertical) by 60 inches (horizontal)
Frame: 42 inches x 62 inches x 1 inch
Dexter's Choice, State # II is a unique, mixed media work from an edition of 30 unique variants done in pochoir, (25 stencils, 14 colors). Here, Zox uses watercolor instead of inks, which is applied to heavy 300 lb. watercolor paper. Although it is a multiple signed and numbered from the edition of 30, each work of art is unique because of how the paper receives the watercolor brush. In addition, this work is created like a mixed media painting because it has 11 lines added by hand with wax and water based crayons and oil sticks. The unique watercolor technique that Zox employed in making "Dexter's Choice" is documented in the textbook, "Screen Printing: Water Based Techniques,Roni Henning, NYIT ".
Dexter's Choice was published by Images Gallery, and this work was acquired directly from the publisher before they sold out. This work is elegantly floated and framed in a white wood frame.
Accompanied by gallery issued Certificate of Guarantee
Larry Zox Biography:
A PAINTER who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions that question and violate symmetry.1 Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using
a mechanical format with X number of possibilities.”2 What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–1974 solo exhibition at the Whitney Museum of American Art.3 Zox’s robust paintings reveal
a celebrated artist and master of composition who is explored and challenged the possibilities of Post-Painterly Abstraction and Minimalist pictorial conventions.
Zox began to receive attention in the 1960s when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Solomon R. Guggenheim Museum, New York. In 1973–1974, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum and Sculpture Garden, Wahsington, DC, which acquired fourteen of his works.
Zox was born in Des Moines, Iowa in 1937. He attended the University of Oklahoma and Drake University, Des Moines, Iowa, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers, and he occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock.
In his earliest works, such as Banner (1962) Zox created
collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. In paintings such as For Jean (1963), he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade.
From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times in 1964 wrote of the works in show such as Rotation B (1964) and of the artist: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.”4
In 1965, he began the Scissor Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels. With a mathematical precision and a poetic license, Zox flattened the three dimensional object onto graph paper, and later translated his interpretation of the vessel’s lines onto canvas with masking tape, forming the structure of the painting.
The Diamond Cut and Diamond Drill paintings...
Category
1990s Color-Field Abstract Drawings and Watercolors
Materials
Crayon, Oil, Watercolor, Monoprint, Mixed Media, Graphite
Target acrylic on paper geometric Color Field painting signed & inscribed Framed
Located in New York, NY
Kenneth Noland
Untitled Target, 2001
Acrylic paint on offset lithograph paper
Signed, dated, and dedicated along lower edge: For Howard and Susan with Love Kenneth Noland 6.10.01
Fra...
Category
1990s Color-Field Abstract Drawings and Watercolors
Materials
Acrylic, Permanent Marker, Lithograph, Offset
"Untitled" Vivian Springford, 1960s Color Field Abstract Expressionist Forms
Located in New York, NY
Vivian Springford
Untitled (Rice Paper Mounting), 1963-65
Signed lower left
Ink, watercolor and acrylic on rice paper laid to canvas
27 1/4 x 53 3/8 inches
A contributor to Abstrac...
Category
1960s Color-Field Abstract Drawings and Watercolors
Materials
Canvas, Ink, Watercolor, Rice Paper
Monotype w/hand painting, geometric art famed color field painter, signed Framed
Located in New York, NY
Kenneth Noland
Untitled, 1987
Monotype with hand painting on wove paper
Hand signed and dated with artist's copyright in pencil on the back; also with the blind stamp/chop mark lower...
Category
1980s Color-Field Abstract Drawings and Watercolors
Materials
Acrylic, Monotype, Screen
"Color Field (Chalk on Wet Paper)" original pastel by Sylvia Spicuzza
Located in Milwaukee, WI
In this composition, Sylvia Spiczza works in the manner of color field artists like Mark Rothko and Helen Frankenthaler, presenting a gradation of colors shifting from yellow to red ...
Category
1960s Color-Field Abstract Drawings and Watercolors
Materials
Pastel
Lechaim!
Located in Toronto, Ontario
Jules Olitski (1922-1977) is one of the most collected and accomplished artists associated with the color-field movement, if not 20th-century American abstraction.
Created in the m...
Category
1960s Color-Field Abstract Drawings and Watercolors
Materials
Pastel, Mixed Media
$10,200
Walter Darby Bannard, Ammersee #2 signed painting by renowned Color Field artist
Located in New York, NY
Walter Darby Bannard
Ammersee #2, 1975
Watercolor and acrylic painting on paper
Signed, titled and dated lower recto
This is a unique work
Frame included: elegantly floated and frame...
Category
1970s Color-Field Abstract Drawings and Watercolors
Materials
Ink, Mixed Media, Acrylic, Watercolor, Graphite
Bay with Boats Color Monotype unique signed abstract color field landscape frame
By Wolf Kahn
Located in New York, NY
Wolf Kahn
Bay with Boats, 1987
Color monotype on Somerset white wove paper
Hand signed and dated by Wolf Kahn on the lower right front, bears labels on the back
Frame Included: matte...
Category
1980s Color-Field Abstract Drawings and Watercolors
Materials
Lithograph, Monotype
Rafina II Greece (Kasmin London label) Signed 1961 painting color field artist
By Paul Feeley
Located in New York, NY
Paul Feeley
Rafina II Greece, 1961
Watercolour on paper
Hand Signed, titled and dated lower front
In 1961, color field painter Paul Feeley created a series of watercolors - Rafina an...
Category
1960s Color-Field Abstract Drawings and Watercolors
Materials
Watercolor, Graphite
Original signed pastel, Washington Color School & Color Field painter Paul Reed
By Paul Reed
Located in New York, NY
Paul Allen Reed
Untitled #31, 1982
Oil pastel on paper
Pencil signed dated and annotated "7 10 79 1" by Paul Reed on the lower front
Frame included: This work is elegantly floated an...
Category
1980s Color-Field Abstract Drawings and Watercolors
Materials
Oil Pastel
Abstraction #13, Mixed Media Abstract Watercolor on Paper by Alexander Kwiat
By Alexander Kwiat
Located in Soquel, CA
"Abstraction #13", beautiful modernist abstract color field watercolor in pastel hues on paper by Alexander Kwiat (American, b. 1955).
Signed lower right hand corner. Gallery label...
Category
1980s Color-Field Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Sans titre
Located in PARIS, FR
Original piece,
Mixed media
signed
70 x 53 x 3 cm (framed)
Category
1960s Color-Field Abstract Drawings and Watercolors
Materials
Mixed Media
WOP 2 - 00669
By Hiro Yokose
Located in Phoenix, AZ
mixed media on paper; unframed
signed lower right
Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated wi...
Category
2010s Color-Field Abstract Drawings and Watercolors
Materials
Paint, Paper, Mixed Media, Archival Paper
Lao (1.22.98)
By Mala Breuer
Located in Phoenix, AZ
watercolor on Arches, framed
Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she att...
Category
1990s Color-Field Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Rising Road Behind Trees
By Wolf Kahn
Located in New York, NY
WOLF KAHN
Rising Road Behind Trees, 2005
Pastel on paper
19 3/4 x 25 inches
50.2 x 63.5 cm
Signed: "W Kahn" (lower left recto)
Color-field landscape painting of trees against a brig...
Category
Early 2000s Color-Field Abstract Drawings and Watercolors
Materials
Pastel
Price Upon Request
Gray Foliage
By Wolf Kahn
Located in New York, NY
WOLF KAHN
Gray Foliage, 2007
Pastel on paper
19 x 25 inches
48.3 x 63.5 cm
Color-field landscape painting of trees against a light orange by Wolf Kahn.
--
Born in Stuttgart, Germ...
Category
Early 2000s Color-Field Abstract Drawings and Watercolors
Materials
Pastel
Price Upon Request
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About the artist:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
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2019
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2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
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2015
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2007
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The Soap Factory, Minneapolis, MN
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“Women in the Middle: Borders, Barriers, Intersections”
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Pastel
Color-field abstract drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Color-Field abstract drawings and watercolors available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract drawings and watercolors created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Wolf Kahn, Paul Jenkins, Jules Olitski, and Mala Breuer. Frequently made by artists working with Paint, and Crayon and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Color-Field abstract drawings and watercolors, so small editions measuring 9 inches across are also available. Prices for abstract drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $665 and tops out at $30,500, while the average work sells for $16,000.
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