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Giselle HalffCat - Original Watercolor by Giselle Halff - Mid 20th Century Mid 20th Century
Mid 20th Century
$536.19
£395.27
€450
CA$734.10
A$814.17
CHF 427.56
MX$9,998.55
NOK 5,412.51
SEK 5,104.07
DKK 3,424.64
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About the Item
Cat is an Original Drawing in watercolorl realized in the Mid-20th Century by Giselle Halff (1899-1971).
Good conditions.
Giselle Halff (1899-1971) born in Hanoi, student of R.X. Prinet, R. Ménard, L. Simon, B. Boutet de Monvel. Animal painter and draughtsman.
- Creator:Giselle Halff (French)
- Creation Year:Mid 20th Century
- Dimensions:Height: 10.63 in (27 cm)Width: 14.97 in (38 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1325501stDibs: LU650310528582
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View AllCat - Original Watercolor by Giselle Halff - Mid-20th Century
By Giselle Halff
Located in Roma, IT
Cat is an original watercolor realized by Giselle Halff (1899-1971). Hand signed on the lower right margin.
Good conditions.
Giselle Halff (1899-1971) born in Hanoi, student of R.X...
Category
Mid-20th Century Modern Animal Prints
Materials
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Cat - Drawing by Giselle Halff - Mid-20th Century
By Giselle Halff
Located in Roma, IT
Cat is an Drawing in watercolor realized in the Mid-20th Century by Giselle Halff (1899-1971).
Good conditions.
Hand-Signed.
Giselle Halff (1899-1971) born in Hanoi, student of R....
Category
Mid-20th Century Modern Animal Drawings and Watercolors
Materials
Watercolor
Sleeping Cat - Original Watercolor by Giselle Halff - Mid-20th Century
By Giselle Halff
Located in Roma, IT
Sleeping Cat is an original watercolor on paper realized by Giselle Halff (1899-1971). Not signed nor dated.
Good conditions.
Giselle Halff (1899-1971) born in Hanoi, student of R...
Category
Mid-20th Century Modern Animal Drawings and Watercolors
Materials
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Cat - Original Drawing by Giselle Halff - Mid 20th Century
By Giselle Halff
Located in Roma, IT
Cat is a charcoal drawing realized by Giselle Halff (1899-1971).
Good conditions.
Giselle Halff (1899-1971) born in Hanoi, student of R.X. Prinet, R. Ménard, L. Simon, B. Boutet de...
Category
Mid-20th Century Modern Animal Drawings and Watercolors
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The Cat - Original Watercolor on Paper by Carl Kubler - Mid-20th Century
Located in Roma, IT
The Cat is an original drawing in watercolor realized by Carl KÜBLER in the Mid-20th Century.
Fair conditions with some cutaways and the sign of humidity.
Hand-signed.
The artwork...
Category
Mid-20th Century Modern Figurative Drawings and Watercolors
Materials
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Sam Spanier (1925-2008)
Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann.
By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period.
Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed.
As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired.
Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007.
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Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999).
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Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955);
Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004).
Selected Writings on the Artist:
Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News...
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