Len Poteshman

Turtle Man

Beautiful drawing by enigmatic artist Len Poteshman

India Ink

Surrealism has been my passion since a young age. The concept of being able to manifest my visions into a space where it can be seen and interacted with has always been fascinating...

Ink, white ink, colored lead, 2b/hb graphite on bristol

Todd Siler (American, b. 1953) Untitled, c. Late 20th Century Pen/ink on paper Framed: 32 3/4 x 24 in. Signed verso The following, submitted August 2005, is from the artist. The Am...

Creature is a drawing realized by Joseph Colin in the Mid-20th Century. Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft expr...

Original pen and black ink drawing with watercolor wash in specific areas. Study of figures and animals intertwined. Signed vertically right side along with the artist’s initials lower right. The artwork is tabbed on top two corners to a heavy card backing. Circa 1965. Condition is good to very good. Under UV plexiglass. Framed in a contemporary silver gallery frame. Overall framed measurements are 16.5 by 19 inches. Provenance: A Sarasota, Florida estate. Craig Rubadoux...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...