Watercolor Animal Drawings and Watercolors

This beautiful late 19th-century watercolour by British artist James Herbert Snell (1861-1935) depicts a shepherd herding sheep in the evening. Snell was an interesting painter as h...

Translated title: "Study for a sculpture". Watercolor on high-quality cotton paper, which is handmade in Italy. This is part of an album. The price refers to the single drawing.

A finely painted still life in the style of British painter Oliver Clare (1853-1927). Well-presented in a gilt frame with card mount. Unsigned. On paper.

Orange Kittens watercolour painting on artist paper painting: 9.5 x 12.5 inches provenance: private collection condition: very good and sound condition

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...

Luigi Bazzani (Bologna 1836 - 1927), Roman fresco with fountain, roosters and herm Watercolor 18 x 35 cm signed lower right. Provenance: Arch. Cesare Bazzani (Rome 1873 - 1939).

Drawing in gouache, made on a sheet of paper with lithographs from the 19th century (on the back), found in antique shops in Brussels, Belgium. Bela Silva's work, so organic and col...

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). A Three Horse Race, 1963. Gouache & Watercolor. Signed & dated 1963. Image size 15.6 inches x 21.5 inches ( 39.5cm x 54.5cm )....

Drawing in gouache, made on a sheet of paper with lithographs from the 19th century (on the back), found in antique shops in Brussels, Belgium. Bela Silva's work, so organic and col...

French Expressionist by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 12.5 x 9.5 inches provenance: artists estate, France condition: very good and ...

Elin Siân Blake. Welsh ( b.1981). Polo Match, Cirencester, Player Leading Pony. Watercolor on paper. Signed lower right. Image size 11.2 inches x 15.4 inches ( 28.5cm x 39cm ). Fram...

Malcolm Edwards. Welsh ( b.1934 ). Welsh Sheepdog, Shepherd and Sheep Watercolor. Signed. Image size 8.9 inches x 19.7 inches ( 22.5cm x 50cm ). Frame size 16.7 inches x 27.2 inches...

Elin Siân Blake. Welsh ( b.1981). Polo Match, Cirencester, The First Chukka. Watercolor on paper. Signed lower right. Image size 11.2 inches x 15.6 inches ( 28.5cm x 39.5cm ). Frame...

Elin Siân Blake. Welsh ( b.1981). Polo Match, Cirencester, Player and Pony. Watercolor on paper. Signed lower right. Image size 15.2 inches x 11.6 inches ( 38.5cm x 29.5cm ). Frame...

Achille Vianelli (1803-1894) - Original Italian School watercolour. Signed lower right. Presented in a fine gilt-effect frame. On paper.

This charming late 19th-century watercolour by British artist E Wood depicts a beautiful 15th/16th century farmhouse near Godalming in Surrey, England. As chickens rummage for food ...

Geoffrey Key. English ( b.1941 ). Horse with Rising Sun, 1989. Ink and Watercolor Wash. Signed & Dated. Image size 13.6 inches x 9.7 inches ( 34.5cm x 24.5cm ). Frame size 20.5 inch...

Tina Ribarits Snake VI, 2020 Watercolor on paper, framed 75 x 116 cm Unique copy There is a ca. 5 cm long tear on the right side of the drawing. Tina Ribarits focuses on the forest...

Arthur Wardle. English ( b.1864 - d.1949 ) Welsh Hounds from the packs of Lieutenant Buckley & The Hon. H.C. Wynn. Watercolor. Signed. Image size 7.68 inches x 10.83 inches ( 19.5cm...

Oswald Garside. English ( b.1879 - d.1942 ). Beasts of Burden, 1904. Watercolor. Signed & Dated. Image size 13 inches x 16.7 inches ( 33cm x 42.5cm ). Frame size 20.1 inches x 23.8 ...

Cornelius Pearson b.1805 – d.1891 & Thomas Francis Wainewright, b.1794 – d.1883 English Crymlyn Bog and Neath River Estuary Swansea Bay, 1872 Watercolor. Signed & Dated 1872. Image size 7.9 inches x 15.9 inches ( 20cm x 40.5cm ). Frame size 15.2 inches x 23 inches ( 38.5cm x 58.5cm ). Available for sale; this original painting is by Cornelius Pearson with a significant contribution by Thomas Francis Wainewright, and is dated 1872. The watercolor is presented and supplied in a sympathetic pinned corner frame dating from the 1950s or 1960s (which is shown in these photographs), mounted and behind glass. This antique painting is in very good condition whilst the frame is in a good condition, commensurate with age. It is ready to hang and display. The watercolor is signed by both artists and dated 1872 lower left. The mount is titled and attributed by hand. Cornelius Pearson was an accomplished landscape artist. He was born in Boston, Lincolnshire but moved at an early age to London where he became apprenticed to a copper-plate engraver. He soon abandoned engraving however to devote himself to being a watercolor painter. Although he lived in London throughout his career, he travelled for his work to paint in Kent, Ireland, Wales, the Lake District, Scotland, on the Thames and Devon. He was a regular exhibitor at the Suffolk Street Galleries, and also exhibited at the Royal Academy, the New Watercolor Society and elsewhere. He was one of the oldest members of the Langham...

This watercolor by Hilding Linnqvist who was a Swedish artist born in 1891 and passed away in 1984. Linnqvist, known for his association with the Naïvist movement, often described as...

Valentine Thomas Garland, R.A., R.B.A., R.I., R.O.I., R.S.A. (1868 - 1914) INQUISITIVE Signed and dated 1891, lower right. Watercolour and body colour Frame H. 45cm. x W. 39cm. Image...

Henry Charles Fox. English ( b.1855 - d.1929 ). Driving Sheep. Plaisters Lane, Sutton Poyntz, Dorset 1918. Watercolor. Signed & Dated 1918. Image size 18.9 inches x 28.3 inches ( 48...

Mona Alizon Edmonds (British, circa 1944) The black and tans day Inscribed with title, signed and dated ‘May 1944 M. Alizon Edmonds.’ (lower edge) Pencil, watercolour and body colour...

Mona Alizon Edmonds (British, circa 1944) Black and tan terriers Watercolour on paper Signed, inscribed and dated ‘Black and tan terriers (minature) Dogs and Bitch. AM Edmonds. 19...

Mona Alizon Edmonds (British, 1911 – 1983) Unfinished monkey business, 1944 Pen and watercolour 11.3/8 x 11.3/8 in. (28.7 x 28.7 cm.)

Set of six Chinese pith paper paintings of butterflies and flowers Chinese, 19th Century Panel: Height 21cm, width 32cm Frame: Height 37cm, width 38.5cm, depth 1.5cm This set of six...

Il disegno, 30 x 41 cm acquarello su carta, raffigura una scena di caccia. Il centro del foglio è dominato dall'assalto di un cane molosso con il collare ad un cervo, mentre sullo sf...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon ​​​​ HORSES 1947 Gouache on paper 31 X 40 cm. Signed and dated: lower left ‘Quirijn van Tiel 47’. Provena...

John Rattenbury Skeaping. English ( b.1901 - d.1990 ). A Tight Finish, 1970. Gouache and Watercolor. Signed & Dated Lower Right. Image size 21.5 inches x 29.1 inches ( 54.5cm x 7...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon Two birds 1966 Gouache on paper 39,5 x 48 cm. Signed and dated: lower right ‘Quirijn 66’ Provenance: Private collection, the Netherlands...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon ROOSTERS 1953 Gouache on paper 40 x 55 cm. signed: lower right

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon HAAN MET PAARD 1948 Gouache on paper 54 x 40 cm. Signed: lower left Provenance: Private collection, The...

Oscar Wilson. English ( b.1867 - d.1930 ). The Lady of the Lake. Watercolor and Ink on Paper. Signed. Image size 17 inches x 10.2 inches ( 43cm x 26cm ). Frame size 23 inches x 16....

John Sargeant (British, 1937 – 2010) Studies of a tabby cat Mixed media Signed and dated ‘John Sargeant 1974 (lower right) 8.7/8 x 12in. (22.6 x 30.5 cm.)

We acquired a series of watercolour stained glass designs from Jane Gray's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller...

Geoffrey Key. English ( b.1941 ). Horse and Rider I, 1988. Ink and Watercolor Wash. Signed & Dated. Image size 10 inches x 6.7 inches ( 25.5cm x 17cm ). Frame size 16.1 inches x 12....

Edwin Lord Weeks. American ( b.1849 - d.1903 ). Egyptian Buffalo and Farmers. Egypt. Watercolor. Monogram Lower Right. Image size 5.1 inches x 8.3 inches ( 13cm x 21cm ). Frame size...

This charming mid-19th-century European watercolour depicts a young lady riding a grey mare before a view of Berg Perchtoldsdorf, Austria. During the 19th century, aristocratic wome...

A charming watercolour study of aworkhorse resting in a walled paddock. The cacti to the background suggests a Mediterranean environment. Faintly inscribed to the reverse of the wate...

An original gouache scene by wildlife artist Martin Knowellden, depicting a bird of prey landing in a covered landscape. Signed with the artist's monogram to the lower right. Well-pr...

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Hawk, 1969. Watercolor. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ). Available for sale; this original painting is by Dame Elisabeth Frink and is dated 1969. The painting is presented and supplied in a glazed frame and mount dating from June 1997. This vintage watercolor is in very good condition, commensurate with its age. The watercolor is signed and dated lower right. Previously with Beaux Arts, London and Bath in 1999. Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places. She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth. She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973. Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London. The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals. The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International. In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness. Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’. Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings. Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work. In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994. Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide. © Big Sky Fine Art This original watercolor on paper painting of a hawk by Dame Elizabeth Frink...

Watercolor on paper depicting a Dutch landscape (East of The Netherlands) with grazing cows at the edge of a forest, by A. M. Gorter (1866 - 1933). Dimensions incl. frame: 60 x 72 cm...

Very fine watercolour/ gouache from the French artist Charles Fernand de Condamy ( 1847-1913) . Condamy was a specialist in hunting subjects and equestrian portraits. He was an extr...

John Rattenbury Skeaping. English ( b.1901 - d.1990 ). On the Gallops, 1976. Gouache and Watercolor. Signed & Dated Lower Right. Image size 18.5 inches x 26.8 inches ( 47cm x 68cm )...

This beautifully excecuted landscape with cattle in watercolor was made by Abraham Hendrik Winter (1800-1861). Winter was born in Utrecht (the Netherlands) in 1800 and was a teacher ...

Prepare to delve into the captivating allure of this ontological gem, a rare and unique find that traverses the realms of conceptual art, American folk art, and contemporary expressions. Through its remarkable fusion, the boundaries between these genres blur, creating an enthralling and elusive artistic experience. Meticulously crafted on small brown cardstock, using meticulously hand-mixed watercolor paints in a mesmerizing blue oxide hue, this exceptional artwork defies conventional labels and redefines the very essence of artistic expression. Its intricate symbolism intricately weaves together the interplay of reality and imagination, captivating seasoned collectors and emerging enthusiasts alike. As you embark on a journey through its depths, your senses will be immediately captivated by the enchanting presence of a human-like blue creature...

Original Illustration for published children's book "Frog in Africa" - "Żaba w Afryce" Grazyna Rigall, signet by artist, It is in a plain Ikea frame. Grażyna Rigall is a painter, ...

Attributed to Sir Edwin Henry Landseer (British, 1802-1873) Rather too free Pencil and watercolour on paper Inscribed ‘Rather too free’ (lower middle), stamped with a Collector’s mark (W WEST….) lower middle. With a fragment of a much older label on the reverse. Inscribed ‘Edward Landseer...

Sir Peter Markham Scott CH CBE DSC FRS FZS Hart Laubs Duck Watercolour on paper 4.3/8 x 6.1/2 in. (11.2 x 16.5 cm.) Provenance: Painted by Scott as a visual record for a bird spotte...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...

'Landscape with Man and Goats', gouache on paper, by Raymond Guerrier (circa 1960s). After the artist moved from Paris to the South of France, he started painting landscapes illumina...

William Verner Longe (1857-1924) The University Challenge Whip (1900) Watercolour 29 x 45 cm Signed and inscribed "Choristor ii just beats Loddon ii". Inscribed 'Cambridge Universit...

Author: Sabina Pelc Title: "Lovely" Year: 2023 Drawing in ink and watercolor Dimensions: 50x40cm Paper: white, Clairfontaine, 300g Sabina Pelc was born in 1983 in Poland, curren...

An original watercolour by contemporary artist Warwick Higgs (b.1956). Signed in pencil to the lower left. On watercolour paper.

This lovely Victorian animal landscape watercolour painting is by Dutch artist Johannes Martinus Vrolyk or Vrolijk. Painted in 1875, the painting is of two working horses, one white ...

A particularly fine watercolour study of a Border Collie by the highly talented animal artist William Miles Johnston. The watercolour has been beautiful...