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Arthur Beecher CarlesMan at a Bar, Paris
About the Item
Provenance
The artist;
Collection of Henry Dubin, Philadelphia until 2018
Exhibitions
Avery Galleries, Bryn Mawr, Pennsylvania, Living Color Modern Life: Hugh Henry Breckenridge and Arthur B. Carles, October 5-November 2, 2018.
Perhaps more than any other American modernist painter, Arthur Carles was
strongly rooted in Philadelphia and at the Pennsylvania Academy of the Fine
Arts. He studied at PAFA from 1900 to 1907; taught there from 1917 to 1925;
and exhibited at the Annual Exhibitions throughout his career. To quote
Richard Boyle, a former Director of PAFA, Carles was “the leading
‘Pennsylvania Academy Modern.’”
Like his contemporaries, Carles entered the Academy at one of the most
exciting times in American art history. The art world was about to change
dramatically as the advent of European modernism captured the imaginations
of so many young art students. And while his principle instructors at PAFA,
namely William Merritt Chase, Thomas Anshutz, and Cecilia Beaux, would have
discouraged his eventual move toward total abstraction, they were the first
people to encourage Carles to look at modern French art while emphasizing
the importance of technique and the development of personal style. In their
classes Carles gained a strong artistic foundation on which he built for his
entire career. Hugh Breckenridge, a younger instructor at PAFA, was also
extremely influential for Carles. His bold experiments with color greatly
inspired the young artist and initiated his lifelong fascination with color. From
Breckenridge, Carles said he learned “that color resonance is what you paint
pictures with.”
Carles won the Cresson Traveling Scholarship at the Academy and when
he graduated in 1907 he left for France. At that time, Paris was filled with
young artists, who were captivated by Paul Cézanne, Henri Matisse, and Pablo
Picasso, and Carles was no exception. He met Matisse probably through
Gertrude and Leo Stein and was greatly affected by the French artist’s
imaginative and highly unorthodox use of color. Indeed, the understanding of young artists, who were captivated by Paul Cézanne, Henri Matisse, and Pablo
Picasso, and Carles was no exception. He met Matisse probably through
Gertrude and Leo Stein and was greatly affected by the French artist’s
imaginative and highly unorthodox use of color. Indeed, the understanding of
color as it related to form that Carles gained on this trip to France would
inform the rest of his career.
- Creator:Arthur Beecher Carles (1882-1952, American)
- Dimensions:Height: 9.125 in (23.18 cm)Width: 5.75 in (14.61 cm)
- More Editions & Sizes:nonePrice: $4,500
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent condition. Evidence of incidental natural aging and deterioration commensurate with materials.
- Gallery Location:Bryn Mawr, PA
- Reference Number:1stDibs: LU2773215163682
Arthur Beecher Carles
Philadelphia Modernist Arthur Beecher Carles was born in Philadelphia and studied at the Pennsylvania Academy of the Fine Arts where he also taught and travelled to Paris on the prestigious Cresson Scholarship in 1907. Greatly influenced by French Fauvism and Post-Impressionism, Arthur B. Carles met and became friends with Matisse and others living in Paris. His work is in major museums including the Philadelphia Museum of Art, Pennsylvania Academy of the Fine Arts, Metropolitan Museum of Art and Whitney Museum of American Art. Carles' main subjects were nudes and still lifes. His nudes, painted between 1920-30, were heavily influenced by his trips to Paris; his model and muse in many of these paintings was Angele, a red-headed French girl who was persuaded by Carles' daughter, Mercedes to model for her father. Whether painting a still life or figure, Carles used the surface to apply abstract forms of color, defining his new "Modern" approach.
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