Augustus Koopman 2

Figures - Mixed Media on Paper by A. Koopman - Late 19th Century

Late 19th Century

Study of Figures is original drawing in pencil on ivory paper, realized by Marcel Mangin (French, 1852 - 1915), with the stamp of artist"Marcel Mangin" on the lower right. with the d...

Figures is a drawing in china ink realized by Paul Gavarni in the 19th Century. Good conditions. The artwork is depicted through soft strokes in a well-balanced composition.

Study of Figures is original drawings on ivory paper, realized by Marcel Mangin (French, 1852 - 1915), with the stamp of artist"Marcel Mangin" on the low...

Figures is a drawing realized by Joseph Colin in the Mid-20th Century. Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft expre...

Composition with figures. 1968. Paper, pencil, 35x24.5 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga in a Russian-Polish-German family. Vladimir Glushenkov...

A Shakespearean scene similar to others by the artist featuring a king being approached by various figures. Well presented in a white mount and gilt frame. Unsigned. On wove.

Denis Auguste Raffet (1804-1860) Studies of characters Black pencil and watercolor on paper 18.5 x 25.5 cm Stamp of the Raffet Estate Sale (1911) on the lower right In good condition, foxings on the original mount Framed 34 x 40 cm Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. At an early age he was apprenticed to a wood turner, but took up the study of art at evening classes. At the age of 18 he entered the workshop of Cabanel, where he applied his skill to the decoration of china, and where he met Rudor, from whom he received instruction in lithography, in the practice of which he was to rise to fame. He then entered the École des Beaux-Arts, but returned to lithography in 1830 when he produced on stone his famous designs of Lützen, Waterloo, Le bal, La revue, and Les adieux de la garrison, by which his reputation became immediately established.[ Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavor he was a contemporary of other French artist-lithographers of Napoleon and the French army including Hippolyte Bellangé, Horace Vernet, and Nicolas Toussaint Charlet. As an illustrator his activity was prodigious, the list of works illustrated by his crayon amounting to about forty-five, among which are Béranger's poems, the History of the Revolution by Adolphe Thiers, the History of Napoleon by de Norvins, the great Walter Scott by Auguste Defauconpret, the French Plutarch and Frédéric Bérat's Songs. He went to Rome in 1849, and was present at the siege of Rome, which he made the subject of some lithographs, and followed the Italian campaign of 1859, of which he left a record in his Episodes de la campagne d'Italie de 1859. His portraits in pencil...

Giuseppe Casciaro, Venetian figure study. Framed ink drawing of a Venetian gondolier with a hand and head study; with inscription and date on reverse ...